Lolli: Sonatas for Violin and Basso Continuo

• This and future releases of the new DYNAMIC budget-price series will feature the most important works of Locatelli, Vivialdi, Paganini, and others in a major survey of their most significant virtuosic works for violin. • Italian violinist Luca Fanfoni's discography includes several previous Dynamic releases • NY debut 2002 – Carnegie Hall • Luca Fanfoni is violin professor at the Parma Conservatory

This is a world premier recording of the French version of Donizetti's Le Duc d'Albe.

"This is now the best version of Monteverdi's Return of Ulysses" -- Anthony Pryer, BBC Music Magazine

CLAUDIO MONTEVERDI (1567 – 1643):
Il ritorno d’Ulisse in patria, Dramma in musica in three acts

Kobie van Rensburg; Christine Rice; Cyril Auvity; Joseph Cornwell; Umberto Chiummo; Juan Sancho; Xavier Sabata; Ed Lyon; H. Bayodi-Nirt; Robert Burt; Marina Rodriguez-Cusí; Claire Debono; Luigi De Donato

Les Arts Florissants/William Christie

Pierluigi Pizzi, director; Roberto Maria Pizzuto, choreography
Recording: Teatro Real, Madrid, April 2009
NTSC All Region; DD 5.1/LPCM 2.0; 16:9; Approx. 175 mins.
Subtitled in Italian, English, German, French & Spanish

• Once again William Christie, Les Arts Florissants (celebrating their 30th anniversary at the time of this recording,) and Pier Luigi Pizzi converge as an inspired team in an exciting production.
• First Spanish performance of the opera on DVD and the second of the staged Monteverdi trilogy by the Teatro Real company, co-produced with La Fenice.
• This critically acclaimed new release of "L’Orfeo" on DVD has drawn worldwide attention.
• DVD includes interviews to W. Christie, K. van Rensburg and C. Rice.

"Last year we gave a performance here in the Teatro Real of Monteverdi’s Orfeo, this year we have Ulisse and next year Poppea. We’re no longer in Mantova and we’re no longer in the Court of the Prince. We’re in Venezia and essentially [at] the beginning of the public opera house. We’re also at the beginning of what will become opera seria, that’s to say beyond the instrumental colors, the great dances and the great pageants, [are] the beautiful effects of the singing, it’s bel-canto and so the orchestral accompaniment becomes simpler.
This is the essential difference between Orfeo and these last...two operas that were composed toward the end of his life. Orfeo is the beginning of the 17th century, the very beginning, the first ten years [and] he’s a young man, and Poppea and Ulisse are works of old age when he became a resident in Venezia. When Monteverdi was Maestro di Cappella of San Marco he is writing essentially for the new phenomenon, the Venetian opera house." - from William Christie’s interview 2008 included on in the DVD

Donizetti: Don Gregorio, L'elisir D'amore / Bordogna, Trucco, Valerio, Benetta, Hernandez, Donizetti / Valerio, Composer: Gaetano Donizetti, Performer: Giorgio Valerio, Livio Scarpellini, Elizaveta Martirosyan, Paolo Bordogna, Conductor: Stefano Montanari, Alessandro de Marchi, Orchestra/Ensemble: Bergamo Musica Festival Orchestra, Bergamo Musica Festival Chorus, Number of Discs: 4. A double-bill of Donizetti operas recorded at the Bergamo Music Festival in 2007. Director Roberto Recchia sets 'Don Gregorio' in the 1920s, a time which mirrors in many ways the political and social conditions prevailing when the piece was originally written. Spoken dialogues in the Neapolitan dialect are used in place of the recitatives, but Donizetti's music remains unchanged. The characters in this comic opera are inspired by the Italian Commedia dell'Arte. In 'L'elisir d'amore', conductor Alessandro de Marchi allows the comedic aspects of the work to be exploited fully by the cast, which includes Silvia Dalla Benetta, Raul Hernandez and Alex Esposito.

All the works presented here belong to the same creative period as those solo pieces on Marco's first Dynamic CD (CDS708) containing some of his most important 1990s pieces for solo guitar. On this world premiere recording Marcello Fantoni plays the little-known and seldom performed works.

Also available on Blu-ray

Francesco Cavalli was the most successful Venetian opera composer of the mid-seventeenth century. In the wake of Monteverdi, opera was enjoying a real boom, and this spread to the rest of Europe because the ruling classes often met up at the Venice carnival. Giasone displays Cavalli’s sense of drama and musical lightness, as well as a grotesque humour typical of the great Italian baroque operas.

This new production is orchestrated and conducted by the internationally reputed baroque specialist Federico Maria Sardelli. It is directed by the young Frenchwoman Mariame Clément, who is currently making a name for herself with her infectious directing in German and French opera houses. The title role is sung by the promising countertenor Christophe Dumaux.

Francesco Cavalli
IL GIASONE
Federico Maria Sardelli, conductor
Symfonisch Orkest van de Vlaamse Opera
Mariame Clément, stage director
Julia Hansen, scenes & costume designer
Giasone: Christophe Dumaux
Medea: Katarina Bradic
Isifile: Robin Johannsen
Giove/Besso: Josef Wagner
Demo: Filippo Adami
Delfa/Eolo: Yaniv d’Or
Amore/Alinda: Angélique Noldus
Ercole/Oreste: Andrew Ashwin
Vlaamse Opera, Antwerpen, 2010

Sound Format: LPCM 2.0, Dolby digital 5.1
Picture Format: 16:9
Running Time: 198 minutes & 5 minutes (interview)
Language: Italian
Subtitles: English, German, French, Italian, Spanish, Korean
Booklet Notes: English, German, French, Italian

Ruggero Raimondi takes the lead role in this performance of Verdi's comic opera recorded at the Opera Royal de Wallonie in Liege, Belgium in 2009. Paolo Arrivabeni conducts. Falstaff, the lyric comedy was Giuseppe Verdi�s last opera. It is an operatic favorite, long admired by critics and opera goers alike because of its brilliant orchestration, scintillating libretto and refined melodies. This production recorded at the Op�ra Royal de Wallonie in Li�ge, Belgium was staged by Stefano Poda and features the well known Italian Bass Ruggero Raimondi as the title-role. Directed by Stefano Poda. Starring Sabina Pu rtolas, Luca Salsi, Cinzia de Mola. Language: Italian Subtitles: English, French, Italian, German

During the 18th century in Naples there were a huge number of excellent musicians. As a result, Neapolitan music reveals an exhaustive and surprising gold mine of new discoveries and small masterpieces. None of these sonatas have ever been recorded before. Flautist Renata Cataldi presents these works on an authentic transverse flute. She is joined by the ensemble Partenope Stravagante, cellist Leonardo Massa, and harpsichordist Debora Capitanio. Renata Cataldi studied at the "Licinio Refice" in Frosinone and "San Pietro a Majella" in Naples, and received her Doctor of Musical Arts at the University of Bologna. She regularly concertizes as a soloist, in various chamber ensembles, and in orchestra, devoting herself to the modern, Renaissance, and Baroque transverse flute. With the transverse flute, she dedicates herself to the recovery and enhancement of the eighteenth-century Neapolitan musical heritage. She is also the author of essays and articles published for the State Archives of Rome and the Italian Society of Musicology.

Hovhaness' admirers often tend to overlook the piano works in favour of his big orchestral statements. Nevertheless there's much to enjoy in these compact pieces which are here drawn from a wide time frame, spanning Op.36 to Op.390. The Twelve Armenian Folk Songs were composed around 1943 but not published until two decades later. The melodies are attractive in themselves but, more than that, they are most attractively played by Alessandra Pompili who shows a very strong affinity with all the music in this 52-minute disc. She plays the 'unfamiliar melodies' - in the composer's words - with simplicity and a real degree of affection in an acoustic that tends to the dry, though on balance I'd rather that than a billowing sound in these pieces.

Ghazal and Ghazal-Sufi date from 1938 and here the bass line underlies a weaving lyric right hand melody line. The former, which is the longer, has a tolling, melancholy-sounding motif whilst the latter is the more rarefied in expression. This is, it would seem the first ever recording of both pieces. Composed in 1959 whilst Hovhaness was in the Kashmir, Shalimar reflects his huge enthusiasm for Indian music. Formally, he introduced the idea of borders in this suite in an attempt to suggest the carpet-like designs of Moghul gardens. As much as rhythm drives this music, there is a huge amount of nature painting involved, the composer evoking the now-silent fountains through the memory of their music. Much is coolly flowing, beautifully expressive and often hypnotically rhythmic but there is also the Bachian element of the Third Interlude. Helpfully each incident - there are eight in all - is separately tracked.

The 'Cougar Mountain' Sonata, Op.390 dates from 1985 and returns to his love of nature - of vistas and expanse. As well as a slow opening movement there is a lament, a slumber song and, as finale, a dance. There are hints of Ravel in the early part of the sonata and the stomping dance with which the sonata ends certainly generates considerable dynamism. Its compact nature still allows a rich sense of characterization to emerge. The Fantasy, Op.15 - again this is a first recording - was written in 1938 but was later re-worked and absorbed into the Blue Job Mountain Sonata, Op.340. It's an unusually alternating work for Hovhaness, in which lyricism and percussiveness sit on opposite sides of the equation. Finally there is Dark River and Distant Bell which, with its oriental mood, was originally intended for harpsichord or clavichord. This is its first appearance on disc in piano guise.

Pompili, then, is a splendid young exponent of Hovhaness' music. That dry sound does help to clarify and centralize the piano writing without sounding off-puttingly objectified. Liner notes are in Italian and English and worth a detour, as indeed is this disarmingly well-played disc.

– MusicWeb International (Jonathan Woolf)

SCHMANN; LISZT; SCHUBERT; WAGNER/LISZT; RACHMANINOV: Lazar Berman, piano; Tokyo Bunka Kaikan, January 14, 1988.NTSC All Region; LPCM 2.0; Dolby Digital 5.1; 16:9; Approx. 100 mins. LAZAR BERMAN - THE 1988 TOKYO RECITAL - ROBERT SCHUMANN: Piano Sonta No. 1 in F sharp minor, Op. 11; FRANZ LISZT: Selections from"Annees de Pelerinage": deuxieme annees, Italie; FRANZ SCHUBERT/F. LISZT: Ave Maria; RICHARD WAGNER/LISZT: Isolde Liebestod; SERGEI RACHMANINOV: Moment musical in E minor, Op. 16 No. 4.

Tancredi and L�Italiana in Algeri, Rossini�s tenth and eleventh operas, both premiered in Venice, launched the composer on an unstoppable career. They saw him become the most prestigious opera composer of his time. The formidable impresario Domenico Barbaja summoned Rossini to Naples and offered him the position of musical director of the city�s two Royal Theatres, the San Carlo and Fondo. Barbaja�s proposals appealed to Rossini for several reasons. Not only was his annual fee generous and guaranteed, but also the San Carlo had a professional orchestra, unlike the theatres of Venice and Rome. The composer also saw this as a considerable advantage as he aspired to push the boundaries of his opera composition in more adventurous directions. Under the terms of the contract, Rossini was to provide two operas each year for Naples whilst being permitted to compose occasional works for other cities. The composer tended to test the limits of this contract and in the first two years composed no fewer than five operas for other venues, including four for Rome.

Based on a ponderous libretto by Metastasio (who defined his own work as “stellar”) Leonardo Vinci’s dramma per musica was premiered in Venice in 1726 and was triumphantly acclaimed. Since then, Siroe, Re di Persia was put to music by composers such as Vivaldi, Handel, Hasse, and Galuppi, to mention just a few. The story uses some of the elements of the plot of Partenope, almost as if it were a sequel moved to Persia. Siroe’s plot revolves around a family mystery mingled with passions, traitors en travesti, fatherly affection and filial honesty that echoes Shakespeare’s King Lear. Performed in concert version at Teatro San Carlo of Naples in 2018, this rare opera was chosen to open the theatre’s 281st season. Conductor Antonio Florio , specialist of the Neapolitan Baroque repertoire, revised the score.

REUBKE: Piano Sonata in B-Flat Minor / Mazurka in E major /

HUMMEL: Sonata for Mandolin and Fortepiano / Flute Sonata /

An amazing 3CD set featuring 75 chart-topping hits from the sensational 60's! Includes massive hits from Four Seasons, Elvis Presley, Roy Orbison, Sam Cooke, Ray Charles, Chubby Checker, Shirelles, Dion, Everly Brothers, Connie Francis and many more!

PAGANINI'S VIOLIN (CD+BOOK+POS

While these pieces have been recorded and performed many many times, what makes this recording unique is the use of the tangent piano (Tangentenflugel.) The tangent piano was quite popular throughout Germany during the late 18th century. The instrument has strings which are struck by wooden slips that don’t have any soft coverings. The strikers move perpendicularly to the strings like harpsichord jacks. The pieces on this release were published between 1779 and 1787 as part of six books of Sonatas, Fantasias, and Rondos titled Fur Kenner ind Liebhaber (for masters and amateurs).

BACH, J.S.: Cello Suites Nos. 1-6, BWV 1007-1012 (Complete)

“La grotto di Trofonio” is an opera buffa by Giovanni Paisiello, staged to celebrate the bicentenary of his death. First performed in 1785, this opera enjoyed a resounding and long-lasting success. The cavern of the philosopher-sorcerer Trofonio was well-known in ancient Greece; those who were granted to question the oracle were given two types of water to drink: one made one forget all one’s worries, the other made one remember what he had seen in the cavern. In the libretto of this opera, those who enter the cavern are transformed in their character; this artifice throws the lives of two young sisters into confusion, when their lovers accidentally enter the cavern and come out radically changed. The version here proposed is interpreted by a cast of specialists of this repertoire, which includes Domenico Colaianni, Daniela Mazzucato and Giorgio Caoduro.

JOMMELLI: Uccellatrice (L') (The bird catcher)

CD with color book & posters

BONPORTI EDITION, Vol. 4 - Inventions

ROSSINI / NIEDERMEYER: Robert Bruce (French pasticcio of La

Scriabin: Piano Works