Sarah Saviet and Joseph Houston formed their duo in 2019 through a mutual devotion to an intimate, powerful, and transcendental sound language created by the violin and piano. In this album, the Saviet/Houston Duo trace a path through a shifting landscape of melodic contour, with duos by Michael Finnissy, Enno Poppe/Rebecca Saunders, Lawrence Dunn, Iannis Xenakis, and their own collaborative composition. Each work reflects in different ways the intricate contradictions and the powerful complexity of contemporary life.

Enno Poppe has 'tailor-made' concise ensemble works for two of the most important ensembles of contemporary music: "Gold" - a purely vocal work for the SWR Vokalensemble - and "Korper" - for the Ensemble Modern. In the three-part a cappella work "Gold" (one of only two choral compositions to date), Poppe indulges for the first time in his love of the lustfully excessive texts by Arno Holz (1863-1929), one of the most important representatives of German Naturalism and literary Modernism. The poems are parodistically related to less humorous high literature. The SWR Vokalensemble's supple miracle sound appears confidently in various combinations, sometimes fanned out in 24 voices as in old vocal polyphony. "Korper" takes us to another end of the scale of possible sounds. Here, the 21 soloists of the Ensemble Modern form a formidable big band, augmented by appropriate woodwind and brass instruments (including saxophones, of course). Here, however, Poppe is more concerned with exploring and expanding what the big band provides as a 'sound body', i.e. The colors, dynamic and rhythmic possibilities, with the means of New Music, an art that the Ensemble Modern has truly perfected. As so often with Poppe, the piece "Korper" goes through multiple processes of intensification and collapse. In the climaxes, the physicality of the music is almost overwhelming. Nevertheless, the nuclei of the piece are the intimate, thinly scored moments when the electric strings ever so gradually rise up with the percussion, or when a saxophone, a keyboard, or a trombone steps out of the thicket of sound and is allowed a few moments of self-discovery.

The new album with works by Enno Poppe joins a series of its own on WERGO, the albums of which are dedicated to the composer born in 1969, who has steadily developed into a permanent fixture among German composers of international renown. The two first recordings are once again ensemble pieces, performed by two new music formations closely associated with the composer: Ensemble Musikfabrik and Ensemble Nikel, a quartet of saxophone, electric guitar, percussion and piano. In the three-movement piece "Fleisch", the "sounds" and playing gestures of pop and rock music are evoked, and microtonal effects are savoured with Moog synthesiser sounds, for which Enno Poppe has a soft spot. Enno Poppe wrote the rhythmically concise piece "Prozession" for the Ensemble Musikfabrik. For almost an hour, the work leads through various instrumental combinations along a continuous chain of differentiated rhythmic impulses of a large percussion section in an astonishingly entertaining manner, only to mysteriously dissolve into natural sounds at the end.