Bridge Records is pleased to present this previously unissued performance by the Stuyvesant Quartet. The recording is the only known "in concert" recording by this stellar quartet of players associated with Toscanini's legendary NBC Symphony Orchestra, and was made at the Library of Congress's Coolidge Auditorium in 1946. This release is part of Bridge's ongoing series devoted to the Stuyvesant Quartet's historic recordings.

REVIEW:

— Fanfare

Click here to listen to the Naxos podcast interview with Paul Jacobs about this release.

This release features organ concertos by some of America's finest contemporary composers: Horatio Parker's 'imposing and brilliant' piece is heard alongside Christopher Rouse's concerto of contrasting light and dark sonorities, which is dedicated to album soloist Paul Jacobs, and Wayne Oquin's Resilience reflects the human capacity for tenacity and perseverance. The program ends with Ives' Variations on 'America' for solo organ.

The Gershwin titles included on this album are from the new Gershwin Critical Edition which seeks to publish the definitive versions of the composer’s works. All are premiere recordings. Joan Tower’s 1920/2019 is a propulsive study in rhythm and texture, while ghostly waltz evocations can be heard in Steven Stucky’s Dreamwaltzes.

A surprising and refreshing journey which explores the confines of the repertoire for saxophone and piano, Walking the Dog unites two formidable virtuosos of the contemporary classical scene, the Austrian Andreas Mader and the German Joseph Moog.

Walking the Dog is a multifaceted work, an authentic melting-pot, a surprising witness to the richness of the international musical scene at the beginning of the 20th century. One would then encounter styles as diverse as the mambo, the merengue, the habanera, or the samba, or even fusions of these seemingly separate genres.

Andreas Mader and Joseph Moog open their recital with Gershwin's Rhapsody in Blue in the inspiring version of the Japanese Jun Nagao. Under their sensitive and incisive fingers, it becomes the spirit of Jazz itself, sparkling and fresh. The Suite of seven pieces adapted from Prokofiev's Romeo and Juliet pursues it in a trenchant and caustic way: the saxophone, part soprano part tenor, displays all its colours.

This programme also pays tribute to France – a well-deserved homage to the country where Adolf Sax fathered such a great family of instruments. Some works are iconic, such as Debussy's Rhapsody (in a new and impressive version by the saxophonist), Milhaud's Scaramouche, some less known, like the Two Pieces by Lili Boulanger, and we have a genuine rarity, the Five Exotic Dances, a brilliant and exciting suite of miniature compositions from 1961 by Jean Francaix. Andreas Mader and Joseph Moog conclude their journey by a return to the origins – New York – by giving us the little Promenade, under the title "Walking the Dog", that Gershwin composed for the film Shall We Dance with Fred Astaire and Ginger Rogers.

This is an absolutely thrilling album which arouses both curiosity and senses, a true revelation from this surprising duo. It is impossible to resist Andreas Mader's voluptuous saxophone interlocked into the golden piano playing of Joseph Moog.

Following her lyrical and witty complete recording of Mozart’s Keyboard Sonatas, issued by naïve in March 2023, Yeol Eum Son invites Svetlin Roussev to join her in enfolding himself in the enticingly subtle harmonic intricacies of Germanic post- Romanticism.

For their second recital as a duo, the Bulgarian violinist and the Korean pianist follow the course taken by works written over a period of slightly more than half a century by composers or famous performers upon whom Richard Wagner exercised crucial influence. They take on almost every genre – cinema, opera, chamber music, transcription – treating it in the lyrical, large-scale manner of the Bayreuth master. During their unexpected, fascinating journey, Svetlin Roussev and Yeol Eum Son chart a variety of pathways, from Waxman to Strauss.

So many different worlds! To begin, two figures who made their indelible mark on the music written for Hollywood. Of German-Polish origins, in 1946 Franz Waxman (Rebecca, Sunset Boulevard, A Place in the Sun, Prince Valiant) wrote, at Jascha Heifetz’s request, a paraphrase on themes from Wagner’s Tristan et Isolde, actually an adaptation of a section of the score he composed for the film Humoresque (Warner Brothers, 1947). In summary, a manifesto in music of an impossible love – to which, at the end of the disc, an extremely rare transcription one of the better known Wesendonck-Lieder, credited to the great virtuoso Leopold Auer, forms a response.

The programme continues with Erich Wolfgang Korngold, a child prodigy in Vienna during the 1910s. The famed Mariettas Lied – the best-known moment in his opera Die tote Stadt – and the sublime nocturne from his incidental music for Shakespeare’s Much Ado About Nothing (the Scene in the Garden) remain as much moments of lyric intensity as truly cinematographic, deliciously intoxicating love scenes. But lovers also know how to frolic, and if already in Korngold they readily do so, the three more light-hearted pieces by Fritz Kreisler will place them in everyday, commonplace scenarios, where laughing reigns.

The keystone of the programme is unarguably the magnificent Sonata for Violin and Piano that Richard Strauss composed in 1887. He was 23 years old, and still heavily influenced by Schumann and Brahms, even Grieg. Svetlin Roussev and Yeol Eum Son make its case with radiant commitment, sensitive to the spirit stirring in the young Richard, then already in love with the soprano Pauline de Ahna, who would become his wife.

Beyond Wagner, this highly original album above all celebrates that moment of falling in love when, overwhelmed, the heart quivers, to the point of being transformed.

Multi award-winning Peruvian-Austrian tenor Juan Diego Flórez has now founded his own label. The first album of the label to be released is dedicated to the zarzuela genre. It also marks the star tenor‘s first recording with Sinfonía por el Perú Youth Orchestra and Choir, an organization that forms part of the social project he founded and supports. This first recording is led by conductor Guillermo García Calvo, who looks back on a long international career and has been Music Director of the Teatro de la Zarzuela between 2020 and 2024. A tour to major European arts centers featuring selected romances and orchestral pieces accompanies the release.

Juan Diego Flórez has made a name for himself as a bel canto specialist in particular. By turning to “zarzuela,” he returns to the genre with which he opened up the world of opera as a young singer and composer of popular songs. “These romances full of passion and emotion represent an almost unique opportunity for Spanish and Latin American tenors to sing in their mother tongue,” he says, describing his close connection to this Spanish form of opéra comique or operetta, which is very well-known and popular in the Hispanic world but less represented in other countries. By founding his own label, Juan Diego Flórez pursues the goal of documenting his artistic visions in a self-determined way.

The next releases include both solo albums, orchestra recitals, as well as complete operas. Having his own label also gives him the opportunity to support projects with Sinfonía por el Perú as well as promote young artists. “This recording production certainly fills me with happiness and pride. Firstly, because it represents my first recording with the Youth Orchestra and Choir of Sinfonía por el Perú - a social movement that seeks to improve the lives of Peruvian children and youngsters through the collective practice of music; secondly, because it was done in Lima, my hometown; and thirdly, because it constitutes the launch of my own record label." Juan Diego Flórez

With the establishment of Copenhagen’s Tivoli Gardens in 1843, the Danish composer and conductor Hans Christian Lumbye (1810–1874) swiftly rose to fame as the city’s internationally acclaimed king of waltzes and galops, leading his orchestra from the violin. For this recording, Lars Ulrik Mortensen and Concerto Copenhagen – Scandinavia’s leading period instruments ensemble – studied Lumbye’s original scores and used instruments from the era to recreate an authentic sound. This collection showcases Lumbye’s enchanting music, along with popular pieces by Bellman, Lanner and Strauss I.

Experience the rich and vibrant sounds of Europe's Romantic tradition with our latest CD featuring music by four talented composers. Discover the little-known talent of Sigurd Lie, a highly skilled violinist and composer from Norway who studied with leading teachers in Leipzig and Berlin. Immerse yourself in the enchanting folk tale inspiration of Lie's "Huldra aa'n Elland" for violin and orchestra and be captivated by the playful and seductive solo violin performed by the renowned violinist Ragnhild Hemsing. Follow in the footsteps of Lie's compatriot, Johan Svendsen, a famous violinist and composer who studied in Leipzig and Paris and is best remembered for his Romance for Violin and Orchestra, Op. 26. Svendsen's work was admired by Belgian violinist and composer Eugène Ysaÿe and was reprinted 65 times. This CD is a must-have for any lover of the Romantic era, the diverse sounds of Norway and Europe, and the virtuosic performances of Hemsing.