Over the last fifteen years, pianist Eric Reed has been a mainstay on the jazz scene. Having toured the world with his group and recorded as both a leader and sideman on numerous projects, he constantly demonstrates the creativity that distinguishes him as one of the leading pianists of his generation.

Stand! Is the long awaited collection of original compositions and arrangements from Eric Reed, one of today's most gifted and innovative jazz pianists, who has worked with Wynton Marsalis, Freddie Hubbard and Joe Henderson. Stand! Features the pianist deftly melding his gospel influences with jazz, the music that has garnered him worldwide acclaim including frequent accolades in the New York Times, Jazz Times and DownBeat. Eric Reed is joined by Willie Jones III on drums and Rodney Whitaker on bass, rounding out one of the finest trios in jazz. Tracks are: Stand!, Pursuit of Peace, Prayer, Git'cha Shout On, Gratitude, You Are There, New Morning, Adoracao, Like a Thief in the Night, a Love Divine, Everything That Has Breath.

Reflections Of A Grateful Heart is the latest CD release from Eric Reed, one of the most innovative pianists in modern jazz. This CD features Reed in a rare solo piano setting, performing jazz and gospel selections and celebrating the music that has been this critically-renown artist's greatest influences. Reflections Of A Grateful Heart includes the gospel standards 'I Love The Lord' by Richard Smallwood, 'Changed' by Walter Hawkins, and solo piano renditions of Reed's own compositions 'Prayer,' and 'New Morning.' Reed, whose first performances were in his father's storefront Baptist church, was bitten by the jazz bug after hearing recordings by Art Blakey, Ramsey Lewis and Dave Brubeck. Reflections Of A Grateful Heart is the continuation of Reed artistically blending his jazz and gospel influences in a unique fashion.

A Light In Darkness, Eric Reed's newest offering, is a collection of originals (inspired by struggle, freedom and hope) spirituals and a re-imagined take on the Beatles classic "Yesterday".

Limited 180gm vinyl LP pressing. A compilation of singles released from 1953 and 1958, I'm Jimmy Reed is his debut full-length album. Initially released in 1958 on Vee-Jay Records, this album features "Ain't That Lovin' You Baby," which hit #8 on the Billboard R&B chart. Record Collector Magazine hails the album as "Arguably the first great blues album" and "testament to the thrilling talent of one of the form's most influential figures." Bluesville Acoustic Sounds Series is remastered from the original tapes.

WHAT IF MOZART WROTE ROLL OVER

3CD/1DVD/2LP.

A strong and unique collaboration between two of America's greatest jazz heroes and two of Denmark's young, new talents. The group, consisting of Eric Reed, Ralph Moore, Andreas Svendsen and Matthias Petri has existed since 2015, and is now ready to release the album Prism on Nov. 22nd. Eric Reed is one of America's most famous pianists. With his strong roots in gospel traditions, he is recognized for his natural approach to music, and is described as a rare talent on his instrument. He is probably best known for his work with world-renowned trumpet player Wynton Marsalis, for whom he was a pianist from 1990. Since then he has recorded numerous albums both in his own name but also for other artists. The group's saxophonist Ralph Moore, originally English, left the American jazz scene desolate for aspiring saxophonists as he played with practically everyone on the US Jazz scene, shortly after arriving in the United States. As the second half of the group's massive rhythm battery, we find Denmark's is arguably best young drummer Andreas Svendsen. Andreas is sought after on both the Danish and international jazz scene as well as the Danish pop scene. Last but not least we have Matthias Petri - One of the most sought-after bassists in Denmark, who has quietly built a solid reputation since moving to Copenhagen in 2010. Prism is a direct and uncompromising jazz release featuring 10 compositions performed by the members of the group. These compositions are exposed here to both cultural and generational differences, which rounds them off and moves the entire collaboration into a higher unity.

A compilation of singles released from 1953 and 1958, I'm Jimmy Reed is his debut full-length album. Initially released in 1958 on Vee-Jay Records, this album features "Ain't That Lovin' You Baby," which hit #8 on the Billboard R&B chart. Record Collector Magazine hails the album as "Arguably the first great blues album" and "testament to the thrilling talent of one of the form's most influential figures." Bluesville Acoustic Sounds Series is remastered from the original tapes.

Jimmy Reed was a hugely influential figure of the blues and R&B scene during the 1950s and early '60s, not only for the fact that he brought his distinctive style of electric blues to mainstream audiences, but also because in the process he inspired many aspiring talents on both sides of the Atlantic, notably The Rolling Stones, Eric Clapton, Jerry Garcia, Stevie Ray Vaughan and Van Morrison, who all recorded versions of various Jimmy Reed R&B hits. He came to prominence in the early '50s when he was one of the first artists to sign to VeeJay, and over the years scored around twenty Top 20 R&B hits, with a dozen or more pop chart entries as well, underlining his importance as a crossover artist. Among them were memorable classics, which have been much covered over the years, such as "Ain't That Loving You Baby", "Honest I Do", "Little Rain", "Baby What You Want Me To Do" and "Bright Lights, Big City", all of which are included in this great value 54-track 2-CD collection, which comprised every A and B side he released from his debut in 1953 through to the first months

When you think of hard-driving swing, daring expression, sophistication and elegance in artistry, formidable technique and a thunderous sound, there are only a very small handful of contemporary pianists you think of and two of them are on this recording! Eric Reed and Cyrus Chestnut have played with a virtual Who's Who of jazz including Wynton Marsalis, Freddie Hubbard and others. Captured live in the rarely-encountered two-piano format, they offer enough jazz adorned with uninhibited improvisations, flashes of pop & bop, whimsy and wit to please the most discriminating of jazz aficionados.

E-BOP

ADVENTUROUS MONK

Not only did Ahmad Jamal call Eric Reed "one of my very favorite pianists," not only has he worked with such talents as Wynton Marsalis, Jessye Norman, Patti Labelle, Quincy Jones and others but he has composed film scores for Eddie Murphy and Tim Story and serves as musical director for the Alvin Ailey Dance Theater. Somehow he still finds time to teach, perform and cut his latest disc, THE DANCING MONK. Here the genius of Monk is refracted through the prism of Eric's own.

Pianist Eric Reed has claimed that Monk's music makes it possible "to travel way out there, if you're willing to go where it can take you." on the Baddest Monk, Reed and his colleagues prove more than willing. The Monk classics recorded here illustrate the breadth of Reed's thought on one of the most idiosyncratic of jazz composers. Reed and his ensemble are able to penetrate to the very core the Monk's writing, dismantle it's component parts and reassemble them so that they contain not only the essence of Monk, but that of the players themselves.