The recordings for HOME.S. were made only a few weeks before Esbjorn Svensson's sudden death 2008. Svensson recorded the music in his Swedish home. For almost ten years afterwards, the album rested untouched in his wife Eva's personal archive. These new recordings are the only ones that show Svensson in a setting other than that of the trio: Intimate, concentrated and completely one with himself.
180 gram Black Virgin Vinyl with a free Download Code included! Svensson in a setting other than that of the trio: Intimate, concentrated and completely one with himself. The recordings for HOME.S. were made only a few weeks before Esbjorn Svensson's sudden death on June 14th, 2008. Svensson recorded the music in his Swedish home. For almost ten years afterward, the album rested untouched in his wife Eva's personal archive. She says: "When the solo piano recordings were found at our home it felt like "getting a message smuggled over the border". A message of love, space, eternity and infinite creation. But also a message encouraging to continue the creation and to find ways for the music to meet the listener. More wanted to be explored, and today we can tell the whole story of HOME.S."
In 2012, Emilia Amper’s solo debut disc Trollfageln (‘The Magic Bird) was a revelation. Not only to those who had never before heard the silvery sound of the nyckelharpa (‘keyed fiddle’), but also for the way Emilia on it combined her roots in Scandinavian folk music with her very own and individual voice. Lux, her new album, confirms the promise of the earlier disc- a selection of her own compositions and traditional Swedish and Norwegian tunes which she performs solo and with a group of musician friends in various constellations. With its roots stretching back to medieval Europe, the nyckelharpa almost died out in the middle of the twentieth century, but has made a remarkable comeback and is attracting an increasing number of performers in Sweden and around the world. Firmly grounded in Swedish traditional music, Emilia Amper has also worked with musicians from many other backgrounds, and can be regarded as an important ambassador for her instrument, but also for the inquisitive and open spirit which characterizes modern folk music.
