\'Released in the early \'90s, Concert for the Comet Kohoutek captures a typically inspired night by Sun Ra & the Intergalactic Space Research Arkestra. Recorded in late 1973, on this date the Arkestra is guided by a musical theme composed around the idea of the Comet Kohoutek, which was passing close to Earth at the time. Typically, the release vaults between cosmic vocal songs that speak of Truth and other such brashly capitalized affairs (such as \'Astro Black\'), almost straight-ahead big-band jazz arrangements (\'Variations of Kohoutek Themes\'), and frighteningly evil free explorations (\'Journey Through the Outer Darkness\').\'-Jesse Jarnow, AMG Digitally remastered by Joe Phillips with brief liner notes by ESP label founder Bernard Stollman.\' Recorded live at Town Hall, NYC, on December 22, 1973.

IRON PATH

This previously unreleased recording features the remaining music from the legendary concert that produced Lowe's ESP-Disk's debut as a leader, Black Beings. This recording features Art Ensemble of Chicago saxophonist Joseph Jarman in perhaps his first New York appearance, with the future Cecil Taylor bass and drum team of William Parker and Rashid Sinan and violinist Raymond Lee Cheng (The Wizard) on his only known recording. High energy music in it's purest form.

In 1966, the late Steve Lacy visited the new ESP-DISK office at 156 5th avenue with a master tape of his concert in Buenos Aires with his quartet, Louis Moholo, Enrico Rava and Johnny Dyani. He offered to sell the master for what I thought was an exorbitant price. I bought it. This LP was released featuring a reproduction of a painting by his friend, the late Bob Thompson, who had died before obtaining recognition. In 1992, the master tape was brought to engineer Ken Robertson at the Sony Studio, who observed that it had been recorded out of phase, and he corrected the phasing. - Bernard Stollman Digitally remastered from the original tapes Featured Artists Steve Lacy: soprano saxophone Enrico Rava: trumpet Johnny Dyani: bass Louis T. Moholo: drums.

2017 repress forthcoming; originally released in 1966. Featured artists: Albert Ayler (tenor sax), Ed Blackwell (trumpet), Don Cherry (trumpet, cornet), Sunny Murray (drums), Gary Peacock (bass), Roswell Rudd (trombone), John Tchicai (saxophone, alto sax). Michael Snow is a Canadian national treasure, a true Renaissance man. He assembled a stellar group to improvise a sound track for his art film, titled Walking Woman, featuring a silhouette that is rumored to have been inspired by Carla Bley. Digitally remastered. Manufactured in the USA by the original label. New digipak format. "This is a very interesting set, music that was freely improvised and used as the soundtrack for the 34-minute short film New York Eye and Ear Control. Tenor saxophonist Albert Ayler leads the all-star sextet (which also includes trumpeter Don Cherry, altoist John Tchicai, trombonist Roswell Rudd, bassist Gary Peacock and drummer Sunny Murray) on two lengthy jams. The music is fiery but with enough colorful moments to hold one's interest throughout." -Scott Yanow, AllMusic

For his first release for ESP-Disk, we present a 1994, HIGH ENERGY performance of Charles Gayle recorded live in Santa Barbara, California playing total FIRE MUSIC. The unique complementary nuance of the group brings forth five incredible performances featuring Charles playing tenor sax, bassist Michael Bisio and drummer Michael Wimberly. Liner notes are written by journalist Russ Musto.

In 1972, thirteen years after her death, Congress extended copyright protections to include recorded musical performances. Billie Holiday would have benefited greatly from such protection: during the more than twenty-five years of her career, Holiday gave an unknown number of live performances on TV & Radio and in clubs & concert halls, many of which were recorded both officially and unofficially by sound engineers, fellow musicians and fans. Today, ESP-Disck, which for many years has been assembling unofficial recordings of several artists from before 1972, has released one of the most comprehensive collections of live Billie Holiday recordings to date, some previously available but most not. These recordings, laid out in chronological order, not only demonstrate the arc of Holiday's development as a vocalist but give a rare behind-the-scenes look into how the singer approached her musicians and her audience. The first disc of this compilation opens with a twenty-year-old Billie Holiday performing with Duke Ellington in 1935, followed by a radio broadcast from the Savoy Hotel in New York two years later in which Holiday fronts the Count Basie Orchestra. The next four discs cover Holiday's career from 1949 to her death in 1959.

EASTERN MAN ALONE

SUNNY MURRAY

HELIOCENTRIC WORLDS OF SUN RA

Bud Powell ranks as one of the most vital and influential pianists in jazz history. Captured here at his peak and recorded on site at the famed Birdland, NYC. Sidemen include Charles Mingus, Oscar Pettiford, Roy Haynes and Art Taylor, along with guest appearances by Charlie Parker and Dizzy Gillespie. Newly compiled and mastered set corrects pitch problems and personnel listings plaguing previously issued versions.

IN SEARCH OF THE MYSTERY

COLLEGE TOUR 1: COMPLETE NOTHING IS

'Don Cherry, more than any other artist in the jazz of his era, pioneered the music's internationalist nature that has now come to be commonly accepted as an integral part of it's character. The individuality of Cherry's contribution to the history of jazz has often been unfairly obscured by his admittedly important association with the music of Ornette Coleman. While the (pocket) trumpeter's position as Coleman's front line partner in the altoist's first revolutionary quartet was indeed a major one, Cherry's role as one of the founders of the genre that is known today as 'world music' is equally significant. - Russ Musto Featured Artists Don Cherry-trumpet Gato Barbieri-sax Karl Berger-vibes Aldo Romano-drums Bo Steif-bass.

\'Milford Graves has been among the flashiest drummers in the free mode, known for skillful inclusion of Asian and African rhythmic ingredients into his solos.\' - Ron Wynn / Percussionist Milford Graves recorded his first and only ESP-Disk recording on August 5th, 1966 along with fellow percussionist, the late Sonny Morgan. According to Milford Graves, the track titles were given numbers according to how many beats were in each measure. This unique combination of percussion conversations between Graves and Morgan is a welcomed addition in ESP\'-Disk\'s new series of digipak re-issues. Digitally remastered.

From the original liner notes: "This recording is made of an assembly of estranging electronic sound effects, trite sports commentaries and the music of a beautifully improvising jazz trio. Bob James has, through this convulsion of out-of-context sound elements and music of a trio, tried to emphasize the strange acoustic complex of modern man in his city, in his world, in his cosmos". Features Bob James on piano, Barre Philips on bass, and Robert Pozar on percussion.

Live recording of Ayler's large septet configuration, featuring brother Donald, Charles Tyler, Sunny Murray and both Henry Grimes and Gary Peacock on bass. Compared to the bare trio of Spiritual Unity this nearly big band of two bass players and a strong horn section allows Ayler's expressive vision depth from the joyous to the aggressive in Ayler's 5 original compositions. The digitally remastered recording was originally made at 30 ips instead of the usual 15 giving it excellent fidelity. September 23, 1965 at Judson Hall, New York by David Hancock Featured Artists Albert Ayler-tenor saxophone Donald Ayler-trumpet Charles Tyler-alto saxophone Sunny Murray-drums Call Cobbs-harpsichord Henry Grimes-bass Gary Peacock-bass.

A legendary recording by tenor saxophonist Ayler with his amazing working band, recorded in Holland for radio play, here digitally remastered with new artwork, liner notes by Russ Musto. The Hilversum session by Albert Ayler is one of those legendary recordings in free jazz. It was recorded in a Netherlands radio studio in front of a small invited audience, at the end of the Ayler Quartet's European tour on November 9, 1964 in front of a small invited audience. The band-Ayler, Don Cherry, Gary Peacock and Sunny Murray-had been playing Ayler's tunes for months and were uncanny in their ability to hear one another and improvise together at that point. It was also the last time the group would record together under Ayler's name as a quartet and then went out at a peak. Unknown radio studio recordings from Hilversum, Holland, November 9, 1964, originally released on LP as Osmosis (H) 6001. Featured Artists Albert Ayler-tenor saxophone / Don Cherry-cornet / Gary Peacock-bass / Sunny Murray-drums.

As one of the most recorded bassists in the ESP-Disk catalog, Henry Grimes made his debut on ESP with Perry Robinson on clarinet, lending his unique Klezmer approach to the New Music. This adventurous album is motivating and inviting, and fits nicely into the diversity of the ESP-Disk catalog. Research and accurate session date information and analog tape transfer by Michael D. Anderson. Digitally re-mastered in a new digipak format.

LIVE AT THE BLUE NOTE CAFE PARIS 1961

LIVE AT CAFE MONTMARTRE 1966 3

CLOSER

BREAKDOWN LANE: FREE SOLOS & DUOS 1976-1998

Music offers instant and countless ways of freeing myself and connecting with people and the multiverse. It's my sanctuary and path to the unknown. At jams and gigs. I discovered that improv is human nature, and in my nature. It's all about following the qi, the energy, the flow.

INFINITE-SUM GAME

IT'S NOW: R TIME PLAYS DOUG HAMMOND

LOUIS ARMSTRONG'S AMERICA VOLUME 2

LOUIS ARMSTRONG'S AMERICA VOLUME 1

BARRAGE

2022 release. World Construct is a fitting title, for in his career of over three decades, he has constructed his own world of jazz. You won't want to miss World Construct, recorded during the pandemic with his trio of five years. It will soon be seen as an important piece of the jazz edifice that is Mr. Shipp's magnificent career. Personnel: Matthew Shipp - piano; Michael Bisio - bass; Newman Taylor Baker -drums. Recorded by Jim Clouse 4/15/2021 at Park West Studios, Brooklyn NY.