Includes work(s) for piano by Felix Mendelssohn. Soloist: Martin Jones.

Felix Mendelssohn's string symphonies can be broadly split into two groups: the first six all have a three-movement structure; the movements of the first three are ordered fast-slow-fast and are thus based on the pre-Classical models. The second group of string symphonies comprises more substantial compositions. This release features no. 7 in D minor, no. 9 in C major, and no. 12 in G minor. There are several ways through these three symphonies when we hear Mendelssohn's ingenuity break fresh ground. The Bolzano String Academy was established in 1987 by the South Tyrolean Music Association under the artistic direction of Georg Egger. The string orchestra consists mainly of South Tyrolean musicians who have gained a wealth of experience in prominent chamber ensembles and orchestras at national and international level and pass on their experience in joint projects with budding young artists. The String Academy usually performs without a conductor. Some of the String Academy's members also play in the Klassische Philharmonie Stuttgart, and this connection has led to collaboration with the conductor Frieder Bernius.

Until this recording arrived for review I had been unaware of how good the Australian Chamber Orchestra was. What a superb group of musicians! With the exception of the pianist Polina Leschenko all other participants are members of this fine orchestra including violin soloist Richard Tognetti who also leads the Octet. As usual BIS have blessed the project with a first class recording that allows all details to tell and yet to remain within a believable acoustic space.

If I were to pick any holes I would rather like to have heard the Concerto on a period piano instead of the modern concert grand which has a good deal more power than is required for this essentially 18th century music. The thorough notes by Horst A. Scholz tell us that Mendelssohn composed the Concerto for Violin and Piano in May 1823 at the ripe old age of 14. It is less the antecedent of Hummel that one hears than the influence of Carl Philip Emmanuel and even Johann Christian Bach. There is no problem whatever with a young protégé emulating his predecessors when it is done so beautifully. The concerto is a joy to hear providing you do not expect the Mendelssohn of the Violin Concerto in E minor of 1844 or of the mature symphonies. Both soloists play with wonderful accuracy and joie de vivre. The three movement form is absolutely to the classical standard except for the considerable length of the opening Allegro which runs for nearly 18 minutes, a length even Mozart rarely reached.

The real shock is that only two years elapsed before the entirely characteristic Octet for Strings was composed. Here at 16 we have a fully fledged Mendelssohn. Despite the large number of earlier chamber pieces this was his real breakthrough and a complete masterpiece. The form of the double quartet is not unknown, Spohr wrote four but the first of these only predated Mendelssohn's Octet by two years and is far more a work for two string quartets, as the name implies. Mendelssohn composes for a full integrated group of four violins, two violas and two cellos. He even states on the title page that the work must be played 'in the style of a symphony'. Few other pieces like this are in the repertoire even today. The eight strings of the Australian Chamber Orchestra play with finesse and vitality such that they fear no comparisons with the competition, even the most prestigious. There being almost no repertoire for a string octet all performances on record are by groups brought together, or extracted, for the occasion.

Those seeking a recording should consider the present issue very seriously because the coupling is unusual and the whole is better recorded that any other I know.

-- Dave Billinge, MuscWeb International

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MENDELSSOHN: Flute Concerto in D Minor / Flute Sonatas

Oistrakh Collection, Vol. 9: Mendelssohn Piano Trios

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With their often turbulent and dark-hued openings, poignant slow movements, elfin Scherzos reminiscent of the music for A Midsummer Night’s Dream, and tense, thrilling last movements of perpetual motion, Mendelssohn’s String Quartets are works of considerable emotional range and mastery of form. This first disc of the complete String Quartets ranges from the youthful No. 1, Op. 12 (actually the second of the published quartets) to the great, tragic String Quartet No. 6, Op. 80, Mendelssohn’s last major work, composed after the death of his sister.

Albrecht Mendelssohn Bartholdy was the grandson of Felix Mendelssohn. He was also a polymathic intellectual a prestigious jurist, political scientist, and one of Germanys observers to the Treaty of Versailles negotiations in 1919. Conscious of his heritage he also wrote songs, taking texts from Eichendorff, Goethe, Heine and the folk collection Des Knaben Wunderhorn, as had Felix and Fanny Mendelssohn. These ardent love songs were inspired by his student Magdalene Lena Schoch who, soon after her graduation, became the composers indispensable and trusted colleague and confidante. Through songs Albrecht Mendelssohn Bartholdy was able to reveal and profess his true sentiments, in a form seemingly acceptable to his family. And by setting to music poets whom Felix and Fanny had chosen earlier (Eichendorff, Goethe, Heine, and the folk song collection Des Knaben Wunderhorn), Albrecht paid tribute to his ancestors while consciously joining the lineage of the Mendelssohn familys musical tradition. Albrechts commitment to the cultural heritage of his hometown is reflected in his frequent choice of lesser\-known poets from Karlsruhe.

Our tour of Italy starts in the countryside near Orvieto, moves to the Baths of Caracalla in Rome, then to Montalcino and it's ancient abbey. We see the Tuscan landscape around Montepulciano, glimpse Siena, and finally see something of the historic building.

This ballet in 2 acts and 6 scenes was created by George Balanchine to music by Mendelssohn based on a story by Shakespeare. The Pacific Northwest Ballet performs with the BBC Concert Orchestra, Cynthia Fleming, Libby Crabtree, and Judith Harris.

Since their revival in the latter portion of the twentieth century, these pieces have been performed a number of times. This particular recording, however, stands apart from the rest due to its impeccable attention to the performance practices of Mendelssohn’s time. These works are performed on a replica of an 1815 six-octave Streicher grand piano, which is very close to what was actually used by the young child prodigy. These musicians also follow Mendelssohn’s practice of utilizing the keyboard in the concerto tuttis as well as the solo part. The orchestra plays on gut strings with Tourte-style bows. The Piano Concerto in A minor was written for Mendelssohn’s sister, Fanny in 1822. The Sextet was written two years later, and is the first foreshadowing of the vigorous energy and shimmering textures which would soon mark Mendelssohn’s unique personal style.

Note: This Blu-ray Audio Disc is only playable on Blu-ray Disc players and not compatible with standard CD or DVD players.

Filled with Mendelssohn’s signature freshness and lightness of touch, the Violin Concerto in D minor and the Sonata, Op 4 are youthful products but written with an assurance which is startling in its maturity. The substantial earlier concerto gives a foretaste of the originality and soaring inspiration which has made the Violin Concerto, Op 64 one of the most enduring works of its age. Acclaimed as “an unquestioned master of the violin” (American Record Guide), Tianwa Yang has quickly established herself as a leading international performer and recording artist, with highly acclaimed discs of works by Sarasate, Piazzolla and Wolfgang Rihm.

Sound format: PCM Stereo / DTS-HD Master Audio 5.1

REVIEWS:

“Although seventy-five years old, these mono recordings have been digitally remastered to reveal a thrilling performance of this great dramatic work.” – John Pitt, New Classics

“Full marks... Baillie is superb... Parry Jones makes a real impression. Williams is a magnificent colossus of an Elijah. I’d recommend this retrieval with pleasure.” – Jonathan Woolf, MusicWeb

“First rate standards of production and repertoire... Astoundingly good quality.” – David Patmore, Classic Record Collector

“Williams is a magnificent prophet... Histrionically exciting and technically accomplished. Baillie is as always fresh-toned with pinpoint attack. The well trained choir is vital and dramatic, as is Robinson’s conducting. I am pleased to have had the opportunity to hear this set.” – John T. Hughes, International Record Review

MENDELSSOHN: Symphony No. 2, 'Hymn of Praise'

Lena Neudauer attracted international attention when at the age of fifteen she not only spectacularly won the Leopold Mozart Competition in Augsburg but also was awarded practically all the special prizes. And Matthias Kirschnereit has long enjoyed international renown, even though he eschews the glamorous world of stardom. We have now brought together these two most highly talented musicians for a recording of Felix Mendelssohn Bartholdy's Concerto for Violin, Piano, and String Orchestra, a work with a tradition extending from Bach and Baroque music by way of Mozart and Haydn to early romanticism. In the second early work heard on this album, the Violin Concerto in D minor, the legacy of classicism and that of Bach's highly regarded son Carl Philipp Emanuel, are clearly audible. For Mendelssohn's teacher Zelter and contemporary audiences the musical aesthetic of the late eighteenth century continued to dictate taste. Both of these early concertos attest to an authentic boy genius and an acclaimed public favorite!

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MENDELSSOHN: 6 Preludes and Fugues, Op. 35 / 3 Caprices, Op.

The New Zealand String Quartet' first Naxos recording of Mendelssohn' string quartets was praised as 'an auspicious start' by Gramophone and 'opulently recorded' by Classic FM magazine. It's warmly affectionate accounts continue with this second of t.

REVIEWS:
American Record Guide (11-12/97, p.156) - "...It is as if a mere reading
of the notes on the page in metronomic precision qualifies as a
performance. The result is enough to make one hate Mendelssohn organ
works..."

Mendelssohn: Works for Piano

The 200th anniversary of Felix Mendelssohn’s birth in 2009 raised the popularity of his music to new heights. This new recording of his beloved Piano Trios is a rarity, performed on period instruments. The Benvenue Fortepiano Trio is lead by the enterprising violinist Monica Huggett, whose numerous recordings for Avie have consistently resulted in critical acclaim and sales success. Her partners here are two of America’s foremost period instrument practitioners, cellist Tanya Tomkins (making her second appearance on Avie) and Eric Zivian playing on an 1841 Viennese fortepiano.

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Import Hybrid-SACD pressing.

This new release is an outstanding recording of Felix Mendelssohn’s Elias. This work was recorded live at Konzerthaus Berlin in July of 2015. Soloists featured include soprano Marlis Petersen, mezzo-soprano Lioba Braun, tenor Maximilian Schmitt, and baritone Thomas Oliemans.

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V 9: CHURCH MUSIC - HERR GOTT,

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