The Alexander String Quartet and guitarist William Kanengiser form a dynamic collaboration that explores the music of Sting, Led Zeppelin, John Dowland and The Beatles by way of contemporary composers Ian Krouse, Dušan Bogdanovic and Leo Brouwer. In this project, William Kanengiser and the Alexander String Quartet pay tribute to a group of English musicians who conquered the musical world with their revolutionary explorations. From the Elizabethan lutenist John Dowland to the pop/rock icons Sting, The Beatles and Led Zeppelin, these artists made a lasting impact far from the shores of their small island. Their music served as inspiration for a set of compositions for guitar and string quartet by the talented composers Ian Krouse, Dušan Bogdanovic and Léo Brouwer. It is especially appropriate that the guitar sits squarely at the center of these works, as the plucked string was the primary musical voice of these British innovators.

The Alexander String Quartet launches its 40th season with this recording of Brahms String Quartets — plus Brahms’ Intermezzo (transcribed for string quartet by Zakarias Grafilo). With these complete Brahms quartets, the ASQ has compiled a veritable Brahms compendium, including Brahms’ Clarinet Quintets (FCL 2021, with Eli Eban) and Piano Quintets (FCL 2014, with Joyce Yang), both named MusicWeb International Recordings of the Year, as well as his String Quintets and Sextets (FCL 2012), which were hailed as a “life-enhancing set” by The Arts Desk. The Alexander String Quartet was formed in New York City in 1981 and captured international attention as the first American quartet to win the London International String Quartet Competition in 1985. The quartet has received honorary degrees from Allegheny College and St. Lawrence University, and Presidential medals from Baruch College (CUNY). The Alexander String Quartet is a major artistic pres­ence in its home base of San Francisco, serving since 1989 as Ensemble in Residence for San Francisco Performances and Directors of the Instructional Program for the Morrison Chamber Music Center in the College of Liberal and Creative Arts at San Francisco State University.

Electrifying clarinetist Eli Eban and the Alexander String Quartet celebrate the two masterpieces widely considered the preeminent works in their form: the clarinet quintets by Mozart and Brahms. Eric Bromberger writes: “Composers have been drawn to the combination of clarinet and string quartet ever since the clarinet began to take shape in the eighteenth century. The mellow sound and agility of the clarinet make it an ideal complement to the resonant warmth and harmonic richness of the string quartet, and the range of composers who have written for this pairing is extraordinarily diverse, including Weber, Meyerbeer, Reger, Busoni, Hindemith, and — more recently — Carter and Widmann. Yet all these compositions, varied as they are, exist within the shadow of the two towering masterpieces composed for clarinet and string quartet, the quintets of Mozart and Brahms. Those two quintets are invariably paired in recordings, as they are on this album. And it is quite right that they should be. They are two of the finest chamber works by two of the greatest composers, and there are many parallels between them: both were written late in their creators’ lives, both were inspired by contact with a particular clarinetist, and both beautifully integrate the quite different sonorities of clarinet and string quartet. Neither work is in any way valedictory, yet — coming near the end of each composer’s life — they represent some of the most refined and expressive music of Mozart and Brahms.”

The Alexander String Quartet turns its attention to Mozart’s last years, beginning with this recording of the final four quartets (the first of a three-volume set which will add his other great chamber works from that period). Eric Bromberger’s liner notes are prefaced by comments from ASQ violist Paul Yarbrough, excerpted here: “Taken as a whole, Mozart’s works for string quartet, piano quartet, viola quintet, and clarinet quintet are a monumental accomplishment, as they codified the evolution of classical chamber music. He had taken Haydn’s brilliant efforts with the string quartet and elevated and broadened the genre, while adhering to Haydn’s formal and conversational precedent. But however much Mozart’s late chamber works conform, they are never “conformist.” They still have the capacity to be stunningly original, and even, especially for the listeners of the time, shocking.” Now in its 35th season, the Alexander String Quartet’s discography includes major cycles by Bartok, Kodaly, Mozart, Shostakovich, and Beethoven. ASQ is also an important advocate of new music, with over 35 commissions and premieres.

The award-winning Alexander String Quartet joins with acclaimed mezzo soprano Kindra Scharich in this world premiere recording of some of Mahler’s great orchestral Lieder — transcribed for voice and string quartet by Zakarias Grafilo. Commissioned by Lieder Alive! these exquisite transcriptions combine the lushness of the orchestral versions with the intimacy of chamber music — and the result is transcendent. Kindra Scharich has performed more than 50 art songs in 10 languages and sung over 30 roles in the lyric mezzo opera repertoire. Recording projects include Beethoven, Schumann and the complete non-Portuguese song repertoire of the great Brazilian composer Alberto Nepomuceno. A dedicated recitalist with a deep love of chamber music, she has performed and premiered numerous works by living composers. The Alexander String Quartet’s discography includes major cycles by Bartok, Kodaly, Mozart, Shostakovich, and Beethoven. An important advocate of new music, with over 35 commissions and premieres, they have performed on five continents. Directors of the Instructional Program of the Morrison Chamber Music Center at San Francisco State University, ASQ is the subject of an award-winning documentary “Con Moto: The Alexander String Quartet.”

Maintaining focus on Mozart’s last years, members of the Alexander String Quartet join with electrifying and much-lauded pianist Joyce Yang on this recording of the two piano quartets. This is the second of a three-volume set which will include many of Mozart’s great chamber works from that period. Eric Bromberger’s liner notes contextualize these works within the canon: “Some have claimed that Mozart invented the piano quartet, but he did not. Other composers- including the fourteen year old Beethoven- had written quartets for piano and strings earlier, but Mozart was the first to face squarely the challenges of this difficult form, and he wrote the first two great piano quartets.” Now in its 37th season, the Alexander String Quartet’s discography includes major cycles by Bartok, Kodaly, Mozart, Shostakovich, and Beethoven. ASQ is also an important advocate of new music, with over 35 commissions and premieres. In addition to extensive concertizing on five continents, the quartet is on the faculty of San Francisco State University where they direct the Instructional Program of the Morrison Chamber Music Center. They have been feted as Ensemble in Residence with San Francisco Performances for more than a quartet century and at the Mondavi Center at UC Davis for 15 years.