COLLECTION 1949-62

Sister Rosetta Tharpe was a gospel singer, songwriter and guitarist who was unique in her genre as the pioneer of performing gospel using an electric guitar, to the extent that many of her records and performances have been seen as early examples of rock 'n' roll, and she acquired the nicknames "the original soul sister" and "the Godmother of rock 'n' roll". Rock 'n' roll artists like Elvis Presley and Little Richard, and blues guitarists like Eric Clapton and Jeff beck cite her as an influence. This rocking 16 track LP includes releases with Lucky Millinder's Orchestra, duets with fellow gospel singer Marie Knight, and tracks where she is accompanied by The Sam Price Trio. Her work strayed into the mainstream R&B market, and this collection includes her US R&B hits "Strange Things Happening Every Day", "Precious Memories", "Up Above My Head I Hear Music In The Air" and "Silent Night" alongside single releases from her iconic album "Gospel Train". She was an artist who broke the mould of how gospel could be performed and this collection from a key era of her career is a substantial and entertaining showcase for her unique approach.

CLASSIC DECADE: THE SINGLES COLLECTION 1952-62

TOUCH ME LORD JESUS: THE SINGLES COLLECTION 1949

Legendary in the genres of jazz and gospel music, the "Maestro" Ron Carter and the "Choirmaster" Ricky Dillard present a unique hybrid album never done before. A tribute to Carter's late mother, 'Sweet, Sweet Spirit' is a collection of her favorite hymns that fuse the powerful history of gospel music with the skilled notes and crafted bass lines in jazz. This is an album bringing the gospel world into the jazz club, and vice versa.

KEEP HYMNS ALIVE BLOOD SONGS

Delivering the second sermon in their Disco Gospel series, Chicago's Sadar Bahar & Marc Davis hand-pick and re-edit two more under-the-radar disco/gospel fusion tracks for the modern dancefloor. Both revered selectors and producers, Marc and Sadar are integral parts of Chicago's underground music scene, sharing the city's spirit with the world. Through his own label, Black Pegasus, and the Chi Talo series, Marc has become an in-demand DJ known for his raw and eclectic sets. He joins forces with good friend, DJ's DJ and Soul In The Hole head Sadar Bahar, whose name regularly tops the bill at some of the finest clubs and festivals around the globe. Digging deep once again, the pair serve up two certified secret weapons from their renowned collections. Finding that sweet spot that drew out the most uplifting, powerful, and danceable elements of both gospel and disco, they shine a light on two beauties from Myrna Summers and The Yancy Family. Tweaked and re-edited with style and consideration, they re-work the tracks with DJs and dancers in mind. As Robert M. Marovich of Journal of Gospel Music puts it, "The rise of contemporary gospel music in the 1970s and 1980s changed the style, if not the substance, of Black sacred music. Artists, including the Yancy Family and Myrna Summers, worked within the groovy new sound to attract the attention of a generation growing up on rock, jazz, pop, and soul. Bring them into the church through the music, the maxim goes, and they'll stay for the sermon. Likewise, these two re-edited album tracks by Sadar Bahar and Marc Davis keep the gospel music heritage alive while encouraging a brand-new generation to dance through the church doors." Up first, Myrna Summers 'So Much to Live For' channels that straight from the heart passion and collective joy that gospel embodies. Bursting with uplifting lyrics, scintillating organ melodies, and an infectious sing-along spirit, Marc and Sadar give it a club-ready DJ edit, extending it for maximum dancefloor deliverance. The B side sees the duo work their magic on, 'Lifted Me Higher'. Written by Kevin Yancy and taken from the Yancy Family's 1989 album From One Christian Family to Another, it features vocals from siblings Kevin, Judy, and Rev. Darryl Yancy, along with Lois Scott. The all-star team of Chicago musicians includes Sherwin (Butch) Yancy on organ, Michael Wade on piano and synthesizer, and Richard Gibbs (longtime accompanist for Aretha Franklin) on piano and bass. With a soulful boogie flavour, dripping in slap bass and '80s synthlines, Marc and Sadar rework the intro so it rides out on a section of delectable instrumental grooves, before letting the glorious vocals hit home.

The Original Five Blind Boys of Mississippi were one of the premier gospel groups of what was a golden age for gospel in the immediate post-war decades, as the music developed it's more commercial stylings and positioning from it's traditional roots. Acrobat already has on catalogue a 2-CD set devoted to the group's earlier career ("The Five Blind Boys Of Mississippi 1943-54" Acrobat ADDCD3003), and this collection picks up the story from that point with only a couple of titles duplicated on the two collections. This 48-track 2-CD collection comprises just about all the A&B sides of their singles on the Peacock and Vee Jay labels from these years, plus the tracks from their Peacock album "Precious Memories", not otherwise featured on singles, and their Checker album "I'll Go". It features performances in what was known as the "hard gospel" style of the day, with the line-up including renowned lead singer and songwriter Archie Brownlee, fellow songwriter Lloyd Woodard, and after Brownlee's tragic death from pneumonia in 1960 at the age of 34, another distinctive lead voice of Roscoe Robinson. They were a hugely popular and influential group, and this collection captures them at the height of their powers.

Jess Sah Bi is well- known as half of the legendary duo Jess Sah Bi & Peter One who brought homegrown Country- Americana to the West African masses with their smash debut Our Garden Needs It's Flowers in the mid-1980s. Touring stadiums and reaching listeners worldwide, their music has racked up millions of spins on YouTube and remains imprinted in the hearts of Ivorians of a certain age. ATFA reissued their album in 2018, garnering critical acclaim from publications including Pitchfork and Rolling Stone and reaching a new generation of listeners outside Ivory Coast (Cote d'Ivoire). Sometime in the early 90s, Die Sahbi-or Jesse, as he known to friends- became gravely ill with an unknown ailment and almost died. He visited various doctors and all kinds of religious healers and nothing helped until he became a born-again Christian. He recorded an album of music praising God in order to honor a promise he made to himself at the depths of his desperation in the hospital. That album, Jesus-Christ Ne De�oit Pas [Jesus Christ Does Not Let Us Down], came out in 1991 and sold around 3000 cassettes in Ivory Coast. The master tape was lost along the way so the recording has never been on digital platforms until now. Jesse didn't have much time to record while visiting South Carolina, and he enlisted some American musicians (Robert Fortner and Gary Davis) to help. They added acoustic guitar, percussion and keyboard accompaniment to Jesse's soaring French and Gouro vocals, harmonica and finger-picked acoustic. The resulting recording is deeply soothing and contemplative music that perfectly compliments the songs already embraced by millions. Jesus-Christ Ne De�oit Pas is Jess Sah Bi's first and only gospel album. Fortunately, fans responded with enthusiasm: widespread radio airplay and concerts followed, along with a growing solo profile in the country. The first big gospel artists in Ivory Coast were the duo Mathieu et Constance, who emerged in 1989. There was a bigger gospel music movement in English-speaking counties like Ghana and Nigeria (Christians make up roughly 40% of the population in Ivory Coast, slightly less than Muslims). In the years since Jesus-Christ's release, gospel music in Ivory Coast has grown to become a key part of music culture in the country. Spiritual music appears in community actives across the public and private spectrum from religious gatherings and parties to television broadcasts and music festivals. And, as it has evolved and indigenized locally, gospel music has picked up elements of traditional Ivorian music, reggae and soul. Jesse didn't have any intention of working in Christian music but he realized, "You don't make music to make money-you want to send a message.

Jess Sah Bi is well- known as half of the legendary duo Jess Sah Bi & Peter One who brought homegrown Country- Americana to the West African masses with their smash debut Our Garden Needs It's Flowers in the mid-1980s. Touring stadiums and reaching listeners worldwide, their music has racked up millions of spins on YouTube and remains imprinted in the hearts of Ivorians of a certain age. ATFA reissued their album in 2018, garnering critical acclaim from publications including Pitchfork and Rolling Stone and reaching a new generation of listeners outside Ivory Coast (Cote d'Ivoire). Sometime in the early 90s, Die Sahbi-or Jesse, as he known to friends- became gravely ill with an unknown ailment and almost died. He visited various doctors and all kinds of religious healers and nothing helped until he became a born-again Christian. He recorded an album of music praising God in order to honor a promise he made to himself at the depths of his desperation in the hospital. That album, Jesus-Christ Ne De�oit Pas [Jesus Christ Does Not Let Us Down], came out in 1991 and sold around 3000 cassettes in Ivory Coast. The master tape was lost along the way so the recording has never been on digital platforms until now. Jesse didn't have much time to record while visiting South Carolina, and he enlisted some American musicians (Robert Fortner and Gary Davis) to help. They added acoustic guitar, percussion and keyboard accompaniment to Jesse's soaring French and Gouro vocals, harmonica and finger-picked acoustic. The resulting recording is deeply soothing and contemplative music that perfectly compliments the songs already embraced by millions. Jesus-Christ Ne De�oit Pas is Jess Sah Bi's first and only gospel album. Fortunately, fans responded with enthusiasm: widespread radio airplay and concerts followed, along with a growing solo profile in the country. The first big gospel artists in Ivory Coast were the duo Mathieu et Constance, who emerged in 1989. There was a bigger gospel music movement in English-speaking counties like Ghana and Nigeria (Christians make up roughly 40% of the population in Ivory Coast, slightly less than Muslims). In the years since Jesus-Christ's release, gospel music in Ivory Coast has grown to become a key part of music culture in the country. Spiritual music appears in community actives across the public and private spectrum from religious gatherings and parties to television broadcasts and music festivals. And, as it has evolved and indigenized locally, gospel music has picked up elements of traditional Ivorian music, reggae and soul. Jesse didn't have any intention of working in Christian music but he realized, "You don't make music to make money-you want to send a message.

Born of faith and forged in harmony, 'I Found the Answer' is a true gospel rarity, that speaks straight to the soul as only these voices can. Remastered for 2026 and newly reissued for CD, this is a powerful performance in sound and spirit from the one and only Swan Silvertones.

GOSPEL QUARTET MIX VOL 4 / VARIOUS

The Soul Stirrers - Never Turn Back: The Singles Collection 1940-49 / The Soul Stirrers were one of the most noted gospel groups of the post-war decades, although they were formed as long ago as the 1930s, becoming one of the innovative groups during the 1940s who moved from the traditional "flatfooted" highly arranged quartet style towards the freer "hard gospel" style of the new era. They are perhaps most famous for the period during the 1950s when the future soul legend Sam Cooke was with the group and got a hugely significant grounding the business, but among cognoscenti they are equally renowned for this period, when their lead singer was Rebert "R.H." Harris, who introduced the "swing lead" style as two singers exchanged lead vocals to build emotional intensity. This 48-track 2-CD collection comprises releases on the Bronze, Down Beat, Harlem and 20th Century labels during this era followed by most of their substantial body of recordings made for the Aladdin label from 1947 to 1949 before they joined the Specialty label, and were joined by Sam Cooke. They were one of the most influential gospel groups of the day and this collection offers, we hope, a substantial, inspiring and uplifting showcase for their bold and distinctive approach to gospel music during what was a golden era for the genre.

This group created in 1977, within the congolese evangelist church, opened up to north American music without loosing their african roots. The result is free and universal.

Using 20 languages, this recoding reflects what Taize is today—a community of brothers from more than 20 different countries, a meeting place for tens of thousands of young adults from every continent.

Music for Lent, Easter, and Pentecost.

A musical and spiritual celebration of unity, reconciliation, and discipleship, this collaboration by Haas and Roberts breaks down the rigid categories that divide liturgical music and our congregations. These two composers unite with a prophetic community of instrumentalists and singers coming together, joining a circle of synergy, clapping, praying, and singing with full voice. The title song utilizes Herbert Brokering's ever-popular text, "Earth and All Stars," and a wonderful call-and-response melody by David Haas. Leon Roberts contributes three gospel psalm arrangements: "Let Us Go Rejoicing," "To You, O Lord, I Lift My Soul," and "This Is the Day." "E Na Lima Hana" is based on a Hawaiian text written by Joe Camacho. Open your ears and heart to this vibrant new music that fuses traditions and genres.

After hearing the music in this collection, we're sure you'll agree with this quote from the introduction, "Safety Harbor is full of surprises." You'll find an interesting blend of music for many of the liturgical seasons. For Advent/Christmas: "Carol of the Word, " "Canticle of the Turning," and "Sing We Maranatha." For Lent and Holy Week: "Jerusalem, My Destiny." The title song reflects the image of refuge for the Christian within the Christian community. Five psalm settings, one more useful than the next, round out the collection.

You are going to love this collection of music for Eucharist. Contents include "Song of the Body of Christ," a delightful communion song based on an ancient Hawaiian chant (with both English and Spanish texts), "I Want to Call You," perfect for RCIA, "The Lord Upholds My Life," an ostinato setting of Psalm 54, "Come to Me," drawn from one of the Scripture's most beloved texts, and "Mass of Light," a marvelous setting of music for Eucharist. Three additional songs complete the collection. "Mass of Light" represents some of David's best writing to date. In addition to a complete setting of the Ordinary, you'll find a lovely musical setting of Eucharistic Prayer IV and, best of all, the Gospel Acclamation (including one for Lent) comes complete with settings of more than 45 Gospel verses from the Lectionary, makeing this collection an indispensable resource for cantors.

Recorded in Bristol, all selections are drawn from Songs and Prayers from Taize.

This recording by Donna Peña became a hit within 24 hours of its release at the NPM convention in Long Beach, California. One listen to her vibrant, soul-searching music will win you over. Marty Haugen liked her music so much he recorded two songs from this album on Tales of Wonder. This is a bilingual recording with most songs in English and in Spanish.

Music for Advent.

Track listings include: "Wait on Him," "It Will Be Alright," "Wash Me," "Jesus Is Real," "Show Up," "My Mind Is Made Up," "Mighty God," "Right Here."

Classical Music

Long before Elvira and Bobbie Sue hit #1, these Boys were gospel singers. Those roots never left 'em, and this CD shines the light on their spiritual side with Through It All; After Cavalry; These Hands of Mine; After All; I Know; Jesus Is Coming Soon, and more including all their top gospel hits!