First time on CD for this 1983 album from the internationally renowned Jazz great, Hubert Laws, who is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres, had a number of charting albums in the 1970s and is one of the most recognized and respected jazz flutist. And, as a bonus Make It Last features Alphonse Mouzon.

Jazz and classical music had certainly mingled before, perhaps most notably in the work of the Modern Jazz Quartet, but seldom with as much sense of purpose as on this 1971 Hubert Laws outing. While the flautist had previously shown himself to be of an eclectic bent, working in pop and R&B as well as jazz, an album like RITE OF SPRING was an unprecedented move for him. In tackling the works of Faure, Stravinksy, Debussy, and Bach, he secured the distinctive arrangement chops of Don Sebesky, who in turn harnessed a number of fine players. Together they worked out third-stream arrangements (at a time when that was still a new idea) of the title piece, "Pavane," and others with an ear towards a new paradigm. This isn't some cheesy swing-meets-strings deal, it's an earnest (and successful) effort to break new ground. You still might have to pinch yourself when you realize you're hearing Bob James playing Bach harpsichord.

On LAWS OF JAZZ/FLUTE-BY-LAWS, flautist Hubert Laws announces his arrival. This pairing of his debut and the follow-up album showcases Law's virtuosity, the way he could weave his flute in and out of pop, R&B, blues and jazz.

After gigging with Jim Hall, Clark Terry and Mongo Santamaria, this outstanding flutist rose to solo fame with his own CTI LPs. This one, from '74, is an immensely impressive double album that ranges from jazz to funk to classical-styled pieces: In the Beginning; Moment's Notice; Restoration; Reconciliation; Airegin, and more!

MORNING STAR 40TH EDITION

BOLLING: CALIFORNIA SUITE HUB

BLANCHARD, TELEMANN HUBERT LA

Classical Music