Johnny Mbizo Dyani (bassist/composer) was born in East London, South Africa November 30, 1945 to grow up to be one of the most internationally acknowledged musicians. Since his arrival in England in 1965 as a member of South African jazz group called The Blue Notes Dyani had chosen Scandinavia as his home base and had built an active career until a rare disease shortened his life all too soon. He died in Berlin, Germany in 1986. This album recorded in the summer of 1978 with the powerful front line-up of Don Cherry and Dudu Pukwana. The album was dedicated to the martyred South African activist against apartheid Steve Biko (1946-1977) with whom Dyani shared a cultural and linguistic heritage of Xhosa. “Dyani wrote all of the material for this record and it proves to be a vital factor in the success of the date. Both Cherry and Pukwana react favourably, while bringing their own personalities strongly to bear... this fine record can be recommended without reservation.” (Barry McRae, Jazz Journal International July 1979) “...there are possibly a handful of albums every year which are worth living with. This is one of them.” (Brian Case, Melody Maker June 1979) 180g Audiophile Vinyl

“...Witchdoctor’s Son contains the most infectious, buoyant, gleeful music...the interaction between Pukwana and Tchicai’s vastly differing phrase sensibilities is one of the joys of this recording...” (Lange, Down Beat) “...from Dyani’s most consistently inventive period...” (The Penguin Guide To JAZZ)

William Parker's Universal Tonality documents an epic performance which brings his titular concept to full, vibrant life. An exquisite example of this system in practice, it features a truly once-in-a-lifetime assembly of creative music luminaries and legends. Clocking in at nearly two hours and featuring six extended pieces flowing across two discs, this Universal Tonality happening took place in December 2002. Parker invited 16 musicians of various ages, cultures and musical backgrounds - to join him in an experiment of "breathing together." Many of them met on stage for the first time that evening. While he provided a score (wonderfully illustrated pages from same are included in the package), all were advised that there need not be adherence to it. Parker's hope with this approach is that each musician will trust their own instincts - and those of the musicians around them - enough to let the sound find it's shape in real time. Ranging from roof-raising big band to intimate cross-cultural exchanges, that constant current of inspiration, and open, receptive communication was wholly present at Roulette that night, and is on full display on this magical recording. Lyrics and personal writings by Parker - which Leena Conquest sings, recites, or dramatically interprets - also play a key role in this work. Parker gave Conquest the same freedom of choice he afforded the instrumentalists, supplying her with materials to draw on as she saw fit. When discussing or writing on his Universal Tonality concept as a whole (as on the enclosed, extensive liner notes), Parker can sound like he's outlining a life philosophy. It is both telling and fitting that author Cisco Bradley chose to title his 2021 biography of William Parker after this concept. The results of this one-night-only communion can now take their place among Parker's many landmark works spanning the past three decades, including previously released Universal Tonality-driven pieces like Double Sunrise Over Neptune, and Red Giraffe with Dreadlocks (released on the box set For Those Who Are, Still).

Cereal Music is bassist-composer-leader-poet William Parker's first spoken word album -observations from a profound life devoted to the path of finding truth in beauty & speaking truth to power. Parker's words are further illuminated by deeply sensitive sound design created by likewise devoted artist on the same path, producer and singer Ellen Christi. William Parker's music -in it's vast scope & range of form- has been an elemental nutrient of countless listeners lives for nigh on five decades. William's words -whether published on page or spoken from the stage- are part of that music. They speak on the beauty of life itself, amplifying the light of life ever-present, even in exceptionally difficult circumstance. As his first artistic expression, Parker began writing as a young person growing up in the South Bronx projects, presenting an alternate perception of often bleak surroundings and living conditions in the neighborhood. This early awareness that there was another way of being in the world, has suffused his development into a singularly generous artist and human being. Ellen Christi's singing brings that same affirmation in the beauty of life. She & Parker's previous work together, The Majesty of Jah, is a tremendous feature for her voice. That album also includes the track, "Baldwin", w/ his ever-powerful words and voice resonating even more profoundly within the sonic architecture created around them by Christi. Here, she does the same for the words & voice of William Parker. Jacket printed on reverse board. Includes insert w/ illuminating notes & full-res download card w/ 3 bonus tracks.

Vinyl includes 4 of the 6 CD tracks & includes download card featuring all 6 tracks. Following the release of Migration of Silence Into and Out of The Tone World: Volumes 1-10 (Centering Records) and his first book-length biography, Universal Tonality: The Life and Music of William Parker (Duke University Press) earlier this year, composer, multi-instrumentalist, poet, griot, improviser and community leader William Parker will present a pair of brand new trio albums which further expound on his vision. One of the iconic and enduring music leaders to emerge in the world over the last half century, William Parker continues to raise the bar higher. Mayan Space Station is his first electric guitar trio album, and features Ava Mendoza - electric guitar, Gerald Cleaver - drums, and Parker on bass. Cosmic multi-hued blues, perfect for space and time travel. The unparalleled rhythmic firmament created by Parker & Cleaver is matched by Mendoza in full flight. All of the promise imagined by a trio recording of these musicians with compositions by Parker is delivered to the fullest.    Regarding the album title, Parker offers: "Mayan Space Station is a conduit for peace and inspiration. It is an oasis where sound and silence navigators stop for sustenance to replenish their imaginations. It is a fictional reality that is important to the myth structure of the Tone World chronicle. In a way, musicians, and definitely these particular musicians, Ava Mendoza and Gerald Cleaver, belong to the blood line of sonic travelers who, as Sun Ra described it, 'travel the space ways.' Re-inventing the process, allowing music to flow through their instruments."

LP includes 4 of the 5 CD tracks & includes download card featuring all 5 tracks / stickered noting this. Painters Winter features the trio of William Parker - bass, trombonium, shakuhachi; Daniel Carter - reeds, trumpet, flute; and Hamid Drake - drums. Carter & Parker have been perpetual space-ways traveling companions since first meeting & immediately beginning to channel music together in early 1970s NYC. Their work together in Other Dimensions In Music with Roy Campbell & Rashid Bakr for well over two decades manifest in bountiful music for the ages. They have recently been featured together in similar majestic open form on the album, Seraphic Light. Here, Carter again brings the full assembly of instruments he has for decades been a master of: trumpet, alto & tenor saxophones, clarinet and flute. Likewise, Hamid Drake is a musician's musician; one of the most in-demand drummers in the world. He is in command of a vast lexicon of drum languages, learned and absorbed directly. Drake & Parker launched their devoted "two-man big band" partnership in 2000 and haven't stopped since. In trio with Daniel Carter, they've created one previous album together, Painters Spring, released that same year. Regarding this album's title, Parker elucidates, "It speaks to those who paint with sound, in different landscapes, to celebrate the coming of the seasons: winter spring summer and autumn. Acknowledging the entire universe of world jazz music. Discovering the undiscovered." And from his liner notes, "The music on this album is a tribute to the flow of rhythm as melody and pulsation. Laced with the joy and the bounce, the dance and the heartbeat. Giving a nod to all the music that has ever passed through us. Sounds we both listened to while breezes and big green kites we called leaves sailed above the trees."

William Parker's new album expands on the ancient DNA/cultural codex that connects West Africa to Middle America, combining mesmerizing group work (bass, baritone sax, alto sax, doson'ngoni, congo, guiro, timbale, accordion) and solo pieces on bass and doson'ngoni. AUM. 2006.

CD digipak features liner notes by William Parker. Painters Winter features the trio of William Parker - bass, trombonium, shakuhachi; Daniel Carter - reeds, trumpet, flute; and Hamid Drake - drums. Carter & Parker have been perpetual space-ways traveling companions since first meeting & immediately beginning to channel music together in early 1970s NYC. Their work together in Other Dimensions In Music with Roy Campbell & Rashid Bakr for well over two decades manifest in bountiful music for the ages. They have recently been featured together in similar majestic open form on the album, Seraphic Light. Here, Carter again brings the full assembly of instruments he has for decades been a master of: trumpet, alto & tenor saxophones, clarinet and flute. Likewise, Hamid Drake is a musician's musician; one of the most in-demand drummers in the world. He is in command of a vast lexicon of drum languages, learned and absorbed directly. Drake & Parker launched their devoted "two-man big band" partnership in 2000 and haven't stopped since. In trio with Daniel Carter, they've created one previous album together, Painters Spring, released that same year. Regarding this album's title, Parker elucidates, "It speaks to those who paint with sound, in different landscapes, to celebrate the coming of the seasons: winter spring summer and autumn. Acknowledging the entire universe of world jazz music. Discovering the undiscovered." And from his liner notes, "The music on this album is a tribute to the flow of rhythm as melody and pulsation. Laced with the joy and the bounce, the dance and the heartbeat. Giving a nod to all the music that has ever passed through us. Sounds we both listened to while breezes and big green kites we called leaves sailed above the trees."

Following the release of Migration of Silence Into and Out of The Tone World: Volumes 1-10 (Centering Records) and his first book-length biography, Universal Tonality: The Life and Music of William Parker (Duke University Press) earlier this year, composer, multi-instrumentalist, poet, griot, improviser and community leader William Parker will present a pair of brand new trio albums which further expound on his vision. One of the iconic and enduring music leaders to emerge in the world over the last half century, William Parker continues to raise the bar higher. Mayan Space Station is his first electric guitar trio album, and features Ava Mendoza - electric guitar, Gerald Cleaver - drums, and Parker on bass. Cosmic multi-hued blues, perfect for space and time travel. The unparalleled rhythmic firmament created by Parker & Cleaver is matched by Mendoza in full flight. All of the promise imagined by a trio recording of these musicians with compositions by Parker is delivered to the fullest.    Regarding the album title, Parker offers: "Mayan Space Station is a conduit for peace and inspiration. It is an oasis where sound and silence navigators stop for sustenance to replenish their imaginations. It is a fictional reality that is important to the myth structure of the Tone World chronicle. In a way, musicians, and definitely these particular musicians, Ava Mendoza and Gerald Cleaver, belong to the blood line of sonic travelers who, as Sun Ra described it, 'travel the space ways.' Re-inventing the process, allowing music to flow through their instruments."