Vince Guaraldi - "It's The Great Pumpkin, Charlie Brown" Previously thought to be lost to time: this album contains the original analog session reels for It's The Great Pumpkin, Charlie Brown. What you will hear on most tracks of this new and improved "best" version of the soundtrack are the musical cues as recorded by Vince and crew before they were edited for the television special, in show order, as well as a selection of alternate takes. Mastered at 45 RPM for optimum sound with new expanded liner notes.

2022 archive release. Previously thought to be lost to time: this album contains the original session reels for It's The Great Pumpkin, Charlie Brown. What you will hear on most tracks of this new and improved "best" version of the soundtrack are the musical cues as recorded by Vince and crew before they were edited for the television special, in show order, as well as a selection of alternate takes. Mastered for optimum sound with new, expanded liner notes.

2024 release. Visions is a vibrant and joyous 12-song set that finds Jones singing about feeling free, wanting to dance, making it right, and acceptance of what life brings. It's the yang to the yin that was Pick Me Up Off The Floor, Jones' last album of new original songs which was released early in the pandemic lockdown of 2020 and foreshadowed many of the dark emotions of that period. CD Softpak with 12-page booklet.

Norah Jones - "Visions" / [LP] / Visions is a vibrant and joyous 12-song set that finds Jones singing about feeling free, wanting to dance, making it right, and acceptance of what life brings. It's the yang to the yin that was Pick Me Up Off The Floor, Jones' last album of new original songs which was released early in the pandemic lockdown of 2020 and foreshadowed many of the dark emotions of that period.

Norah Jones' seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album. Super Deluxe 3 CD Packaging: CaseBound book with 32-page booklet inside.

Vinyl LP pressing. Digitally remastered edition. Norah Jones' seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.

(6th) "Richter's friendship with Prokofiev dated back to their student years, and Prokofiev entrusted him with the premieres of the Sixth and Seventh Sonatas and wrote the Ninth Sonata for him". (7th) "a superb achievement" "a big wartime work... that can easily sound sentimental if played with less elegance than this, and a brilliant final toccata in 7/8 rhythm [Gramophone] (8th) "(the recording) is the Prokofiev 8th Sonata which encompasses breadth and depth in a way none can match"[Penguin Guide3*]"

Classical Music

BERKELEY LECTURE 1971

Vinyl LP pressing. 2019 release by the nine-time Grammy-winning singer/songwriter Norah Jones. Begin Again is a collection of singles that gathers seven eclectic songs that Jones has recorded over the past year with collaborators including Jeff Tweedy and Thomas Bartlett. Features the new song "Just a Little Bit," which was produced by Jones and features her on vocals, piano, and organ along with Brian Blade on drums.

Vinyl LP pressing. 2015 album from the acclaimed vocalist/pianist. WALLFLOWER is a collection of songs from the late 60's to present day that inspired Krall in her early years. Produced by 16-time Grammy Award-winning producer David Foster, the album finds Krall breaking new ground with her interpretations of some of the greatest pop songs of all time. On WALLFLOWER, Diana Krall showcases her considerable gifts as a vocalist in a bold and beautiful way. Krall sings a set of songs that include familiar popular classics like the Mamas and the Papas' "California Dreaming" and the Eagles' "Desperado," favorite vintage songs by Krall's musical heroes Bob Dylan (he inspired the album's title track "Wallflower") and Elton John ("Sorry Seems to Be the Hardest Word"). The album also features more recent gems like Crowded House's "Don't Dream It's Over" and a wonderful new composition from Paul McCartney ("If I Take You Home Tonight").

Double 180 gram vinyl LP pressing. The Very Best of Diana Krall collects an assortment of hits from the vocalist/pianist from 1996-2006. Krall covers classic tracks from America's songbook both intimately with a three piece band and on a large scale with a full orchestra. Standouts include Cole Porter's "I've Got You Under My Skin" and "The Look of Love" written by Burt Bacharach and Hal David. Krall has sold more than six million albums in the US and over 15 million worldwide. Krall is the only jazz singer to have eight albums debuting at the top of the Billboard Jazz Albums. To date, she has won three Grammy Awards and eight Juno Awards. She has also earned nine gold, three platinum, and seven multi-platinum albums.

Norah Jones - I'll Be Gone

Double vinyl LP pressing. All for You is Diana Krall's tribute to the Nat King Cole Trio of the 1940s, when Cole performed as both a singer and pianist. Krall, also a singer/pianist like her heroes Lena Horne and Carmen McRae, plays both roles on most of the songs here. She's able to link her singing to her piano, playing in sympathetic ways and projecting tremendous feeling through both. Verve's Acoustic Sounds Series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings.

Double vinyl LP pressing. When I Look in Your Eyes is the fifth studio album by Canadian singer Diana Krall, released on June 8, 1999, by Verve Records. It was nominated for a Grammy Award for Album of the Year, the first time in 25 years that a jazz album was nominated in that category, and won two awards for Best Jazz Vocal and Best Engineered Album, Non-Classical at the 42nd Grammy Awards. The album also won the Juno Award for Best Vocal Jazz Album in 2000. If artistry is about growth, then count Krall as one of jazz's consummate artists. When I Look In Your Eyes is yet another step ahead for the vocalist/pianist. This gorgeous Verve release breaks away from the standard piano trio setting of her two previous releases; several of the album's cuts feature the graceful orchestrations of maestro Johnny Mandel. When I Look In Your Eyes features Krall on piano and vocals with long-time trio mate Russell Malone on guitar. Ben Wolfe and John Clayton share bass duties and Jeff Hamilton and Lewis Nash alternate on drums. The album was produced by Grammy-winner and Verve Music Group Chairman Tommy LiPuma, with some tracks being co-produced by LiPuma and Mandel. It was recorded by Al Schmitt.

After emerging from Terence Blanchard's band, pianist Aaron Parks made his own Blue Note debut in 2008 with Invisible Cinema, a striking album that has only grown in it's influence of the modern jazz landscape since it's release. Featuring a quartet with guitarist Mike Moreno, bassist Matt Penman, and drummer Eric Harland, the music drew inspiration from Wayne Shorter, Radiohead, and more. This Blue Note Classic Vinyl Edition was mastered by Kevin Gray and pressed on 180g vinyl at Optimal.

Vinyl LP pressing. Pianist Junior Mance, a veteran of albums and dates with Dinah Washington and Cannonball Adderley, was offered his own recording date by Norman Granz during a session with Dizzy Gillespie. The result is this 1959 debut album, a bluesy and swinging date with Gillespie's drummer Lex Humphries and bassist Ray Brown. Highlights include the original "Jubilation" and Cole Porter's "Love For Sale." The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

Vinyl LP pressing. Space Is The Place - highlighted by the rousing 21-minute title track - is both an essential album and a great onramp for new listeners to travel the spaceways of Sun Ra's other-worldly blend of avant-garde jazz, experimental rock, and Afrofuturism. The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

Norah Jones - "Little Broken Hearts" - Norah Jones defied expectations with her 5th studio album Little Broken Hearts, a striking collaboration with Danger Mouse that arrived a decade after her debut Come Away With Me, prompting SPIN to call it "the 2nd essential record of Norah Jones' career." Deluxe Edition features an expanded 31-track set curated by Jones with rare bonus tracks, alternate versions, remixes, and a previously unreleased live version of the album recorded for Austin City Limits in 2012.

BLUE GIANT - O.S.T.

One of Rolling Stone's 500 Greatest Albums of All Time, Alice Coltrane's 4th Impulse! Album finds her on piano and harp in the company of saxophonist Pharoah Sanders. "Almost 50 years after [it] was released, the album remains a vision of universal healing, spiritual self-preservation in times of trouble and the god that appears when you seek her out." (NPR). Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Deluxe double vinyl LP pressing of the 2021 holiday release from the acclaimed singer/songwriter.

On Volume 5 of Howard Shelley's complete Mendelssohn piano music series, he continues to overturn the conventional wisdom about the composer's unjustly neglected piano music, again demonstrating convincingly it's claims on our attention.

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Angela Hewitt's notes for this important new album describe a teenager's moment of revelation when she first came to appreciate the epic masterpiece that is the Liszt Piano Sonata. Here we have a heart-felt recording where this palpable sense of wonder is manifest alongside Hewitt's enthralling technical facility at the keyboard. The program is completed by the second half of Liszt's dazzling second Ann�e de p�lerinage collection: The three Petrarch Sonnets and the noble Dante Sonata, the latter composed as a fund-raiser for the Bonn Beethoven monument in 1839.

Classical Music

The past few decades have seen legendary pianist and composer Denny Zeitlin focus on a few vehicles for his adventurous journeys in music making. Playing solo, with his trio, or in the acoustic-electronic duo with George Marsh have provided ample avenues for exploration, which Zeitlin hopes to provide a wide scope of on his new, varied collection, Panoply.

For nearly 15 years, Zeitlin has released new recordings yearly on Sunnyside Records. These documents highlight the different methods he has centered upon as a leader. Zeitlin's trio that features bassist Buster Williams and drummer Matt Wilson is a seasoned and adventurous ensemble that continues to generate fire in performance. Zeitlin's nearly six-decade long collaboration with drummer/percussionist George Marsh continues to yield extraordinary results, especially as they have continually broadened their color and textural palettes with electronic sounds. Finally, Zeitlin continues to perform solo piano recitals, maintaining his status as one of the foremost solo improvisers and musical interpreters.

For Panoply, Zeitlin has collected unreleased performances from the past decade that highlight his and his musical partners' fantastic command in improvisation regardless of genre or medium. Zeitlin carefully curated this program to provide a sequence that blends acoustic and electronic music which transitions well and let's the music unfold.

The solo piano pieces come from a recording made on December 1, 2012 at the Piedmont Piano Company in Oakland, while the trio recordings were captured live at Mezzrow Jazz Club in New York City from May 3 to 4, 2019. The duo pieces with Marsh were collected over a decade of home recordings at Zeitlin's Double Helix Studio from 2013 to 2023.

The art of constructing a solo recording is the ultimate challenge for most musicians. Pianist Benny Green believes that the challenge provides the ultimate inspiration, as he is free to take the music in whatever direction he chooses. For his first solo recording in twenty years, simply named Solo, Green finds himself reflecting on pieces by pianists who have inspired him over the decades. Over his career, Green has solidified himself as one of jazz music's premier piano stylists. His command of the bebop, post-bop, and swing styles was harnessed and cemented through years of study and apprenticeship alongside the music's best, including jazz masters Walter Bishop, Jr., Oscar Peterson, and Art Blakey, with whom he played as a member of the legendary Jazz Messengers. The pandemic allowed Benny Green to reassess his goals and approach to music. It also allowed him time to further investigate the music of his heroes so that he could reinterpret them on his new recording, Solo.

A Note From Denny Zeitlin // George Marsh and I began our Sunnyside duo electro-acoustic recordings with "Riding The Moment" in 2015. "Expedition" followed in 2017, chronicling an exciting and enriching evolution. And now "Telepathy," consisting primarily of pieces recorded since then, finds us exploring broader and deeper dimensions of spontaneous composition as our attunement and musical vision continue to expand. // For listeners having a first contact with our duo, I'll repeat my remarks from our previous albums, since the set and setting remain the same. // This album, like "Riding the Moment," and "Expedition," has roots going back to the late sixties, when I began a decade of exploring the electro-acoustic integration of jazz, classical, funk, rock, and free-form music. My trio included Mel Graves or Ratzo Harris on bass, and throughout, the incredible drummer/percussionist George Marsh. We recorded and toured the West Coast, concluding this period with my electro-acoustic-symphonic score for the 1978 remake of "Invasion Of The Body Snatchers." // I then returned to a focus on acoustic solo, duo, and trio music for a couple decades, and George went on to numerous other projects. With the passage of the millennium, synthesizer and recording technological advances lured me back into a major and ongoing studio upgrade. "Both/And" (Sunnyside 2013) was devoted to the electro-acoustic domain as a soloist. And since 2013, George and I have musically re-united, and have been exploring the potential of duo electro-acoustic free improvisations-the co-creation of what we often refer to as "sound paintings." // Our goal has been to approach the music without a score or any preconception; to be as fully present as possible, "riding the moment," and allowing the music to go where it wants-without any constraint of genre, or fixed harmonic, rhythmic, or melodic structure. We hope our "telepathy" allows the emergence of spontaneous compositions that have freshness, beauty, excitement, internal logic, new sounds, and a sense of journey-an "expedition." Over 95% of this music was recorded in "real time" with one pass. On those occasions where I didn't have enough hands to play what I was hearing, I over-dubbed some orchestration or a solo voice. And in those instances, I typically went with the first take, to preserve the spontaneity of the project. // I believe you will hear in our interaction that George is a full partner in the co-creation of this album. To preserve acoustic separation during recording we were unable to see each other; we were carried by our shared musical vision, trust, and an extraordinary rapport. We often feel like we are some kind of galactic orchestra.

I planned Benny's Crib to be a continuation of the ensemble cast I'd presented on Then and Now, which is my working trio augmented by three guest performers, flautist Anne Drummond, vocalist Veronica Swift and percussionist Josh Jones for a few of the selections, as a further extensions of my basic instrumental palette of piano, bass and drums. With Anne's flutes and Veronica's voice, I like to "stack" or "layer" a virtual "few" of them to make chords and counterpoint, sometimes doubling the clusters I play on the piano with my right hand. // Bassist David Wong has now worked in my band longer than anyone, seven years, and again lends his impeccable service to Benny's Crib. The lone variation in personnel from the previous album is our new drummer, Aaron Kimmel, who we love. // It somehow just came about in the recording sessions and production of this album, that I found myself gravitating to the Rhodes quite consistently. Along the way, it occurred organically rather than by pre-conceived design that this is an all-electric piano album. That said: I don't believe that I was seeking to make any more of a statement by featuring the Rhodes on this album than simply going with my heart in what I was hearing at the time.-Benny Green