Over the years I've had the opportunity to perform in a wide range of venues-from jazz festival stages for thousands of outdoor fans to jazz clubs with fewer than a hundred listeners. And while there is a special excitement in sharing music with a huge crowd, I find myself drawn more to the intimate settings, like Mezzrow. Spike Wilner and his staff have created a unique place for music in a long basement room in NYC's Greenwich Village. He keeps his Steinway Grand in perfect shape; the acoustics are miraculously superb; and people are really listening. During this trio gig with Buster Williams and Matt Wilson, it felt like we were all in it together-players and listeners deeply involved in the emerging music. // This CD marks our 18th year as a trio, and though we don't perform that often, due to the complexities of schedules and the demands of my psychiatric practice and teaching, the music has continued to evolve. Our two nights at Mezzrow were inspiring, and I hope you will enjoy this CD, our 5th album together.-Denny Zeitlin

2018 release by the jazz pianist. "By 2009, Buster Williams, Matt Wilson, and I had been performing as a trio for eight years, and this recording of a night at Dizzy's Club Coca Cola captures some of our best music-full of surprise, exploration, confidence, excitement, nuance, and empathy. The program has some of my favorite originals and standards. I had recorded all of them previously; they have always provided a special springboard into improvisation." - Denny Zeitlin.

2017 release from the jazz pianist. Note from Denny Zeitlin: "In the two years since Sunnyside's 2015 release of Riding The Moment, George and I have continued our expedition into new territories of free improvisation, and have found the journey to be very enriching and exciting. For listeners having a first contact with our duo, I'll repeat my remarks from our first album, since the set and setting remain the same. This album, like Riding the Moment, has roots going back to the late sixties, when I began a decade of exploring the electro-acoustic integration of jazz, classical, funk, rock, and free-form music. My trio included Mel Graves or Ratso Harris on bass, and throughout, the incredible drummer/percussionist George Marsh. We recorded and toured the West Coast, concluding this period with my electro-acoustic-symphonic score for the 1978 remake of Invasion Of The Body Snatchers."

2017 release. Some of Green's best work has been in the trio format, historically a configuration that has been one of the most popular in the advancement of jazz. The ensemble featured here is made up of bassist David Wong and drummer Rodney Green. Benny Green has been performing at the Kuumbwa Jazz Center for more than 35 years. He was introduced to the stage while in the ensembles of Betty Carter and Art Blakey's Jazz Messengers. Since then, Green has tried to make a point of playing the Northern California venue yearly. Begun as a non-profit and festival in 1975, Kuumbwa has maintained a steady presence in the jazz world as one of the premier jazz venues in the United States.

EARLY WAYNE - EXPLORATIONS OF EARLY CLASSIC WAYNE

LATIN AMERICAN SONGBOOK

RIDING THE MOMENT

SONG IS MY STORY

VENEZUELAN SUITE

MUKASHI-ONCE UPON A TIME

Denny Zeitlin has recorded over thirty critically acclaimed albums; twice won first place in the Down Beat International Jazz Critics Poll; written original music for Sesame Street; and appeared on network TV, including repeats on the Tonight Show, and CBS Sunday Morning. Zeitlin's lecture-demonstration "Unlocking the Creative Impulse: The Psychology of Improvisation" has been presented across the U.S. and in Europe. He has concertized throughout the U.S., Canada, Japan, and Europe, at colleges, jazz clubs, and major festivals; appearing with jazz greats such as Joe Henderson, Herbie Hancock, Pat Metheny, Tony Williams, Bobby Hutcherson, John Patitucci, John Abercrombie, Marian McPartland, Charlie Haden, David Grisman, Kronos Quartet, Paul Winter, David Friesen, Matt Wilson, Buster Williams and many others.

Magic Beans is Benny Green's ode to the magic chemistry of Blue Note musicians such as Lee Morgan, Hank Mobley, Donald Byrd, Wayne Shorter and Art Blakey, his employer of 25 years ago. The contemporary chemistry of Green on piano, Peter Washington on bass and Kenny Washington on drums recalls the Bud Powell Blue Note trio sessions with a 2013 spin.

WHEREVER YOU ARE

BOMBELLA

SENZO

IN CONCERT

Beethoven: Piano Sonatas Vol.7 The latest installment of Angela Hewitt's much-lauded Beethoven cycle is bookended by the great 'Tempest' and Op.109 sonatas. The performances are as usual complemented by Angela's own booklet notes which provide real insight into how she approaches these masterworks.

It seems safe to say that Shirley Horn has now gained the popularity and recognition she deserves and that she joined the ranks of the star singers. And if you’ll excuse our boasting tone, SteepleChase takes a lot of pride in being the first record company to re-discover this great singer from the local scene of Washington D.C. to make her come-back to the major market possible. As Nat Hentoff wrote in Modern Recording & Music in 1981, “..Miles Davis is not a notable enthusiast of singers, but one exception was Shirley Horn, a Washington-based improviser (on piano as well)...”, Shirley Horn was a musicians’ musician little known to the wider public until her break-through in the late 80s. Her appearance at the famous Dutch festival at the Northsea where this recording was made was the first live encounter with the European jazz crowd whom Shirley conquered with no sweat. 180g Audiophile Vinyl

Catalan pianist Vincente Tete Montoliu (b. March 28, 1933 in Barcelona) “swings like no other pianist in Europe”, once remarked Ben Webster. Jazz Journal confirmed Ben’s opinion in reviewing this album, “...he could blow most contemporary pianists into the ground technically...”. And Radio Free Jazz of USA (the predecessor of JazzTimes) concluded, “...This is the best piano record in many years and one that will certainly rank with the best of any era.” 180g Audiophile Vinyl

Ruby My Dear

Arrival

Solo Piano

The Great Session

Musically Yours

Super Solos

“Brooklyn pianist enjoys first rate bass and drums backup…He’s one of the giants of the bop era, but his stylings are contemporary and entertaining.” (Recommended album, Billboard) “…while Jordan’s elegantly simple playing is a delight, his compositions are equally intriguing. …the album has the best work I’ve ever heard from Pedersen and solos from Jordan that proceed with the serene clarity of a mountain spring.” (Larry Kart, Chicago Tribune)

Dark Side Light Side

Standard Eyes

Departure #2

Osaka Concert, Vol. 1