“Clifford Jordan and The Magic Triangle toured in Europe in March-April 1975. I heard the group live and remember I was very impressed…With the quartet’s potential possibilities I cannot wait to see the release of the next volume…” (J.O – Orkester Journal 1978) “On Stage vol. 1 and its sequel embody the same group feelings and superb solo presentations by Jordan and Walton. They are the characteristic examples of this highly elaborated Be-bop music.” (Jørgen Siegumfeldt – Information 1978)

All Of Me

Never Let Me Go

The Shadow Of Your Smile

Swiss Nights, Vol. 3

Swiss Nights, Vol. 2

My Man

On Stage, Vol. 3

On Stage, Vol. 2

“… ‘Something Different’…finds Gordon at the top of his form…While melodic continuity has always been one of Gordon’s trademarks, the seamless passion of his playing here makes ‘Something Different’ one of the tenor giant’s essential albums.” (Larry Kart, Chicago Tribune) “… The great tenor saxophonist is in grand form in a quartet in which he is complemented and challenged by the young Belgian guitarist Philip Catherine and by Gordon’s favourite drummer, Billy Higgins …” (Doug Ramsey, Chronicles Of Culture) 180g Audiophile Vinyl

The indisputable tenor giant Ben Webster spent his last years in Copenhagen. His appearances at the famed Jazzhus Montmartre in those days greeted by faithful and appreciative audience were the historical moments filled with unique quality of beauty ignited by the last spark of a truly great man. Canadian Coda magazine wrote reviewing this recording in 1975: “ Webster, as always, plays with passion throughout the album. But one title goes well beyond that. Old Folks is an exquisitely deep performance, the kind that even a great artist gets to play only once in his lifetime.” SteepleChase had the privilege of taping most of Webster’s performances during the last year of his life. And this recording (originally released on LP in 1974) is taken from those masters. 180g Audiophile Vinyl

Lullaby For A Monster

Destiny Is Yours

One of the best assets of the Count Basie Big Band in the 50s, Eddie “Lockjaw” Davis was a frequent guest player in Europe in the 70s. In the Spring of 76 Lockjaw went into a studio in Copenhagen with “the excellent Danish rhythm section” which “manage to coax some of the best playing from the tenor saxophonist since his days with Basie” (Gramophone). “...The mood, as always with Davis, is a happy one. With the help of the fine, supportive rhythm section it becomes contagious, and ...it is an awful lot of fun to listen to.” (Fanfare) “Thankfully, the girls haven’t come home yet, so this rhythmic set of eight tunes (11 on this CD) swings out nicely...” (Billboard)

The Highest Mountain

Dexter In Radioland vol. 6 With his favourite rhythm section, Dexter leads the proceedings of this sixth volume of live transmission from the 60’s European jazz Mecca Montmartre . “This excellent series of records which starts with Montmartre Jazzhus live date from 1962 documents the way in which Gordon was playing when he arrived in Europe ... They prove that he was playing very well at the time...” (Barry McRae, Jazz Journal International)

Billie's Bounce