Albert and Emil Mangelsdorff are two brothers who had an important impact on the development of German jazz. Emil studied clarinet at the Hoch Conservatory in Frankfurt, but he is more widely known for his saxophone playing. After he was a member of the illegal ensemble Hot Club, (jazz was banned in Germany at the time) he was imprisoned by the Gestapo and forced into the Hitler Army. After the war he performed in the Frankfurt All Stars and the Jazz-Ensemble des Hessischen Rundfunks before forming his own quartet in the 1960s. Albert is most known for his technique of playing multiphonics. A trombone player, he led a hard bop quintet in the late 50s, and performed frequently with his brother. This release is a compilation of concerts and studio sessions, recorded in the height of the brothers’ career, between 1956 and 1963.

Centered around accordionist Vincent Peirani, the ensemble Living Being presents this new, extended album. The works on these two discs were recorded at the November 2013 SWR NEWJazz Meeting. For this meeting, Peirani expanded his core quintet to include Mathias Eick and Leila Martial. The extended group performed three concerts, in Tubingen, Mainz, and Karlsruhe.

A legend of progressive jazz, Stan Kenton led one of the most influential, innovative, and controversial jazz orchestras of the twentieth century. This album is a live recording from January 17, 1972, taken during the Stan Kenton Orchestra’s European tour. This release contains staples of the repertoire, including Rhapsody in Blue, Malaguena, Malaga, and Love Story.

This live recording of Quincy Jones and his Orchestra was taken in Ludwigshafen in 1961. The orchestra had an all-star roster, including Freddie Hubbard, Benny Bailey, and Sahib Shihab. The program includes classics such as Summertime and Stolen Moments.

Jutta Hipp, with her incredible talent and striking looks, made a name for herself during the 1950s. After her brief rise to fame, she fell out of music until her death in 2003, and much of her volume of work is erratic and sporatic. This release includes German recordings from the early 1950s, before she moved to New York City.

Award winning Austrian drummer Bernd Reiter has already, in spite of his young age, played with jazz’s luminaries like Charles Davis, Kirk Lightsey, Mundell Lowe, Steve Grossman, to mention a few. Reiter formed the quintet presented here in 2015 to perform a tribute program of Hank Mobley’s music featuring American tenorsax Eric Alexander whom he started to work with in 2012. The band’s extensive European tour produced this live album from the last two concerts from the Bird’s Eye in Basil, Switzerland. One of the reviews of the live performances simply put it “Jazz at its best!”.

On January 3rd this year one of the greatest contemporary jazz pianists Paul Bley passed away. Bley left a younger generation of inspired artists behind. Greg Burk is one of them, not that he plays like Bley who was his mentor/teacher but he inherited Bley’s nonconformist approach to music. Burk currently a resident of Rome, Italy is no newcomer to the scene. Quite a few of his recordings has been highly acclaimed throughout the world. This strikingly original solo recital is his first release on SteepleChase Lookout with a bonus of a captivating short story by the pianist himself.

Since his Steeplechase debut release of “North By Northwest” SCCD 33102 in September, 2012, Joe Manis has kept this organ trio featuring George Colligan busy performing in and around Oregon where he bases his activities on. Here is their second album which clearly shows the intensity and remarkable rapport of a tightknit working band. “Adding Colligan’s B-3 to his trio provoked an enjoyably incendiary chemical reaction on their 2013 album North by Northwest, with the two soloists inspiring each other to ever more daring flights, mostly in the classic style.”— Willamette Week

Born in Bordeaux in 1945, Christian Morin’s varied career and talents have taken him down the paths of illustrator, poster artist, cartoonist, renowned TV presenter and most importantly here, a leading clarinet player. He’s played with great French and American musicians including Henri Salvador, Buddy Tate, Milt Buckner, Jo Jones, Buck Clayton, T. Bone Walker, among others. His newest album, Blue Indigo, finds him in the company of French compatriots for an album full of fine American standards.

The three Danish composers Norgard, Sorensen and Abrahamsen have all created new, visionary forms of musical expression, while also managing to renew a deep Romantic yearning to contain the intangible and the mysterious. In this new recording, Trio con Brio Copenhagen displays a keen awareness of the dreamlike idiom of the three composers.

The music of the two composer cousins C.F.E. Horneman (1840-1906) and Asger Hamerik (1843-1929) was never properly appreciated in their native Denmark during their lifetimes. Now the Arild String Quartet sheds new light on the forgotten string quartets of the two composers with this debut CD for Dacapo Records.

SteepleChase LookOut’s new recording artist Joe Manis (saxophone) has originally established himself in Northwest – Oregon, though his active performing career reaches East Coast of USA and European cities as well. Manis’ SteepleChase LookOut debut album features pianist /organist George Colligan, who currently resides in Portland, Oregon. Manis finds in this organ trio the ideal stage to displays his intense yet sophisticated music. Manis is the recipient of 2013 Oregon Arts Commission Individual Artist Fellowship.

Israeli-born guitarist Rotem Sivan, who is a strong new voice on the NY jazz scene, makes his CD debut on SteepleChase Lookout. Rotem is a recipient of Montreux Jazz Festival International Competition prize in 2009. While completing his studies at Tel Aviv University and NYC’s New School University Rotem has already been a much sought-after young player in the international festivals and concerts circuit.

Pianist/accordionist/composer JP Schlegelmilch is the featured member of Old Time Musketry which has just made its CD debut on SteepleChase LookOut (“Different Times” SCCD 33101). Jon Ross of Downbeat bestowed four stars on the album speaking highly of Schlegelmilch’s compositional skills. On this his solo debut JP explores the musical universe of the iconic composer/guitarist Bill Frisell with whom JP shares the evocative edge in contemporary American music.

The fifth and the last volume of “Montmartre Jazzhus 1965” Series turned out to be a reunion of Blue Note’s 1964 release “One Flight Up” team. Dexter Gordon was apparently enjoying the presence of the younger trumpeter Donald Byrd one year after their first encounter in a Paris studio. “ … Dexter and Donald again achieved an excellent blend and a relaxed outing … The two horns made for a nice contrast, with Byrd’s bright, melodic lines set beside Gordon’s robust outpourings.” (Mark Gardner)

Jazzhus Montmartre in the summer of 1965 Dexter Gordon spent most of his evenings performing at Jazzhus Montmartre packed with his loyal fans. This is the fourth volume from those unforgettable five evenings taped by the Danish Radio and made available for the broader audience for the first time by SteepleChase. “…. absolutely essential live transcriptions…” (Mark Gardner)

After a short stay in New York, Dexter returned to his favourite city of Copenhagen in June 1965 and resumed his career’s best and most productive period. This second volume of electrifying live recording finds Dexter with his all-time favourite rhythm section.

In the summer of 1965 Dexter Gordon spent most of his evenings performing at Jazzhus Montmartre packed with his loyal fans. Five of these evenings were broadcasted by the Danish Radio and SteepleChase is making them all available for the first time. This CD captures high-spirited Dexter on the third night. This CD captures high-spirited Dexter on the third night.

After a short stay in New York, Dexter returned to his favourite city of Copenhagen in June 1965 and resumed his career’s best and most productive period. This is the first volume of magnificent live performances from Dexter’s favourite club “Jazzhus Montmartre” in 1965.

“… ‘Trio’ maintains a high level of ingenuity throughout: it demonstrates again NHØP’s facility and invention and confirms his position as one of the top ranking bassist.” (Bill Henderson, Black Music & Jazz Review) “…an internally well-balanced ensemble, the constant interplay of their music being its main attraction…” (Max H., Jazz Journal) Previously issued on SCCD 31083 & SCCD 31093

“…magnificent recording reveals grand moments of Bonner…” (Yves Sportis, Jazz Hot) “Bonner is an impressive modernist…a fine solo performer and an adventurous group leader…” (The Penguin Guide to Jazz) Previously issued on SCCD 31176 & SCCD 31182