Two CDs. Love You Madly: Live at Bubba's is a previously-unissued recording of the Jamaican jazz piano icon Monty Alexander captured live in Fort Lauderdale, FL at Bubba's Jazz Restaurant on August 6, 1982. Recorded by legendary engineer Mack Emerman, Live at Bubba's features bassist Paul Berner, drummer Duffy Jackson and the acclaimed percussionist Robert Thomas, Jr. The deluxe limited-edition 2CD set includes an extensive booklet with photos, essays and interviews.

Two CDs. Live at Ronnie Scott's is the third official Resonance release of previously-unissued recordings of the Bill Evans trio with Eddie Gomez and Jack DeJohnette. The nearly 2 hours of music has been remastered from the original tape reels. Live at Ronnie Scott's was captured in July of 1968. On the cover of this deluxe 2CD set is a never-before-published drawing by artist and illustrator David Stone Martin. Package includes an extensive booklet with rare photos, essays and interviews.

Where the Sunshine Is Expensive is the 2019 album from acclaimed powerhouse trombonist/vocalist Aubrey Logan. Coined "The Queen of Sass" in the press, Logan was a featured guest on Dave Koz's #1 selling contemporary jazz album, Summer Horns II: From A to Z, and her debut solo album Impossible (2017) charted in the Top 10 on the iTunes and Billboard jazz charts. Where the Sunshine Is Expensive was recorded live at the legendary EastWest Studios in Los Angeles in front of an intimate audience and captures an exciting blend of pop, jazz and R&B tunes that tell a story about Hollywood from Logan's unique perspective. Dave Koz says, "Aubrey is that rare artist who comes along once in a very long while. She truly makes you stop in your tracks. With such a communicative voice and style and a great sense of musical adventurousness, combined with unmatched technique, there's really no emotion she can't tackle musically. She's the total package. Oh, and then there's the trombone! She's in a class all by herself.

2016 release. A reissue of Jimmy Lyons's Push Pull, originally released on Hat Hut Records in 1979. Long known as Cecil Taylor's most reliable and loyal colleague, alto saxophonist Jimmy Lyons has a select discography as a leader, and among it's best entries is Push Pull, originally issued by Hat Hut Records as a massive three LP set. Recorded during a single marathon performance at the Collective for Living Cinema in New York in 1978, Push Pull features five extended pieces, all by Lyons, with his working quintet that included his wife Karen Borca on bassoon, Hayes Burnett on bass, Munner Bernard Fennell on cello, and Roger Blank on drums. Jolting, quicksilver free jazz with terse themes and brilliant interplay, the music is quintessential Lyons - searching, pliant, and sincere. Remastered from the original tapes, this first reissue of Push Pull compiles the original tracks - two of which were split to accommodate the 20-minute limit of LP - into their original full-length, fitting the whole program onto two CDs, lovingly repackaged featuring the original Klaus Baumg�rtner cover. Recorded by Karen Borca on May 6, 1978 at the Collective for Living Cinema in New York. Photos by Ken Brunton and H.L. Lindenmaier; Cover by Klaus Baumg�rtner. Remastered at Experimental Sound Studio, Chicago, 2015; Tapes transferred at Chicago Mastering Service, 2015; Reissue produced by John Corbett.

Throughout his decades-long career, Oscar Peterson accomplished the near impossible: greatness with every note played and the acquisition of new generations of fans worldwide, regardless of the obstacles life threw at him. In 1994, only one year after suffering a stroke that rendered his left hand weakened, Peterson took the stage in Munich to prove to his collaborators, fans, and himself, that his earned title of "Maharaja of the keyboard" by Duke Ellington still rang true. By reinventing his playing style at 68 years old, he demonstrated his undiminished inventive prowess with an all-star band including Niels-Henning �rsted Pedersen (bass), Lorne Lofsky (guitar) and Martin Drew (drums).

Oscar Peterson's trio with Ray Brown and Ed Thigpen is widely regarded as Peterson's "classic trio," considered by fans as the most popular and in-demand of his long and storied career (featured on releases such as 1963's Night Train and 1964's We Get Requests). Recorded during their creative peak in 1964 (5 years into their collaboration), this previously unheard and unreleased live performance is destined to become a fan favorite from the Oscar Peterson vaults. In his memoir Peterson reflects on the dedication that Ray and Ed brought to the group: "In addition to our trio rehearsals, therefore, Ray would call his own rehearsals in his or Ed's room and they would simply practice 'time.' They created a flexible and multi-faceted rhythmical language that they could apply to any musical statement I might make and enhance any direction I might choose. In short, they practiced 'all the possibles.'" - Oscar Peterson

Double vinyl LP pressing. Legendary pianist and composer Oscar Peterson led a storied career, spanning over half a century with new creative heights at every turn. 1971 saw Peterson touring the world once again, joined by bassist Niels-Henning �rsted Pedersen and drummer Louis Hayes. As heard in this never-before-released live recording from Zurich, Switzerland, the collaboration and artistry between these musicians is unmatched.

Wes Montgomery -"Maximum Swing: The Unissued 1965 Half Note Recordings" Maximum Swing: The Unissued 1965 Half Note Recordings is the first official release of the complete collection of previously unreleased recordings from jazz guitar giant Wes Montgomery. Featuring recordings with the Wynton Kelly Trio at New York City's famed Half Note jazz club in 1965 with drummer Jimmy Cobb and bassists Paul Chambers, Ron Carter, Herman Wright and Larry Ridley. Including over 2 hours from the original radio broadcasts with host Alan Grant, the 2 CD Digipak set comes with an elaborate booklet containing previously unpublished photos taken at the Half Note by Raymond Ross, a new essay from acclaimed journalist and author Bill Milkowski, plus interviews with jazz legends Herbie Hancock, Ron Carter, Bill Frisell, Mike Stern and Marcus Miller

Les McCann - "Never A Dull Moment! Live From Coast To Coast (1966-67)" / Never A Dull Moment! Live from Coast to Coast (1966-1967) is a previously unreleased collection of live recordings from unsung piano and vocal icon Les McCann. Featuring performances at Seattle's Penthouse jazz club in 1966 with Stan Gilbert, Paul Humphrey and Tony Bazley, plus recordings by Resonance founder and co-president George Klabin from the Village Vanguard in 1967 with Leroy Vinnegar and Frank Severino. This is an official release (in cooperation with Les McCann) transferred from the original tapes and mastered for by the legendary Bernie Grundman. Deluxe 3 CD set includes an extensive booklet with rare photographs and liner notes, plus quotes and statements from Roberta Flack, Monty Alexander, Roger Kellaway, Emmet Cohen and others.

Wow! Live At The Childe Harold is a stunning, powerful and passionate performance by the legendary singer and songwriter Al Jarreau, captured at his first appearance in Washington, D.C. in August of 1976. Previously unreleased and originally recorded for WHFS radio in Washington, D.C., the tape remained tucked away for nearly 50 years until now. This exhilarating and driving performance highlights Jarreau at an amazing time in his career, swinging for the fences.

2022 release. Smile is the debut release from Tawana, winner of the 2020 Sarah Vaughn International Jazz Vocal Competition. Backed by a stellar band featuring Josh Nelson (piano), Tamir Handelman (piano), Kevin Axt (bass), Anthony Wilson (guitar), Gary Meek (saxophone), and others. It features a fresh and adventurous mix of standards and includes an 8-page booklet with essays by esteemed author James Gavin and producer George Klabin.

Charles Mingus - "The Lost Album From Ronnie Scott's" - The Lost Album From Ronnie Scott's is an unreleased live recording of jazz icon Charles Mingus from Ronnie Scott's jazz club in London captured in August 1972. It features alto saxophonist Charles McPherson, tenor saxophonist Bobby Jones, trumpeter Jon Faddis, pianist John Foster, and drummer Roy Brooks. Deluxe 3 CD Digipak includes an extensive insert with rare photos, essays, and new interviews with Charles McPherson, Fran Lebowitz, and bass icons Eddie Gomez and Christian McBride.

Two CD set. Inner Spirit: The 1979 Concert at the Teatro General San Mart�n Concert, Buenos Aires is the first official release of pianist Bill Evans with Marc Johnson and Joe LaBarbera captured live on September 27, 1979. Remastered from the original tape reels and includes an extensive booklet with rare photos from the actual concert, plus essays and new interviews with Marc Johnson, Joe LaBarbera, and pianist Enrico Pieranunzi.

Two CD set. Morning Glory: The 1973 Concert at the Teatro Gran Rex, Buenos Aires is the first official release of pianist Bill Evans with Eddie Gomez and Marty Morell captured live on June 24, 1973. Remastered from the original tape reels and includes an extensive booklet with rare photos from the actual concert, plus essays and interviews with Eddie Gomez, Marty Morell, and pianist Richie Beirach.

INCIPIENT ICP 1966-71

Hailing from the Germantown section of Philadelphia, well known as the site of the Sun Ra Arkestra communal homestead, Sounds of Liberation were at the forefront of '70s Black liberation music. After a series of gigs in elementary schools, prisons, and community centers, in 1973 the band travelled along with their manager George Gilmore (father of Linc Gilmore of Breakwater fame) to NYC for a recording session at Columbia University. This five-song session has never been heard until now. Had it ever been issued, it would have followed on the band's debut, New Horizons, released on Dogtown Records in 1972. Sounds of Liberation formed in early 1970, initially lead by vibraphonist Warren Robert Cheeseboro, aka Khan Jamal, but it wasn't until the eventual arrival of Byard Lancaster that the band's prospects started to take off. Lancaster was a master at making a deal. This deal-making lead to more gigs and more recognition, especially from local newspapers. Sounds of Liberation was more of a community than a band at times and because of that spirit there was a strong desire by the entire group to work with schoolchildren as well as inmates. They did just that, and continued to do so throughout the early to mid-70s. Released briefly in 2018 as a special edition of 100 copies by Brewerytown Beats, the music on Sounds of Liberation has never been heard before. Shoulder-deep in groove juice, it's a record with heavy ostinato and beautiful backbeats, including the mellowing influence of Jamal's vibes and the incisive guitar of Monette Sudler, the final track featuring an unidentified vocal group singing a stone-cold soul hit, also featuring some searing saxophone courtesy of Mr. Lancaster. A treasure for fans of so-called spiritual jazz and free funk, Sounds of Liberation is a snapshot of it's era and equally an inspiration in ours. The package comes with never seen photos of the band and a cover design by artist LeRoy Butler, who worked with the SoL in the era, at the same time he was designing records for Sun Ra. Lovingly coaxed from long-unplayed original tapes, Sounds of Liberation is a new line item in the soul improvisation pantheon. Personnel: Byard Lancaster - flute, alto saxophone; Khan Jamal - vibraphone; Monnette Sudler - guitar; Billy Mills - bass; Dwight James - drums; Rashid Salime - congos; Omar Hill - percussion; vocalists on "New Horizon/Backstreets of Heaven" are unidentified. Recorded at Columbia University, NYC, in 1973.

BABI

2019 release. Drummer and composer Kendrick Scott returns with a 12-track song cycle titled, A Wall Becomes A Bridge. Produced by Derrick Hodge, A Wall is a musical and metaphorical journey exploring many themes: innocence ("Archangel"), acceptance ("Windows"), and insecurity ("Voices"). Scott is joined by his Oracle band: pianist Taylor Eigsti, bassist Joe Sanders, guitarist Mike Moreno, and saxophonist/flutist John Ellis. Within that singular meld of talent is secret weapon and turntablist Jahi Sundance, who immerses his own artful craft into the musicianship that surrounds him.

From boisterous jazz rock to majestic Indian tradition - this record shows Mariano within a prominent line-up feat. Jack Bruce (Cream), Jan Hammer (Mahavishnu), John Marshall (Soft Machine). Originally released on MPS in 1976.

Louis Armstrong made a greater impact on American popular music than any other single artist before or since. "What A Wonderful World" became his biggest commercial success, first in the UK and decades later in the rest of the world. Armstrong traveled to England to celebrate this unexpected hit and gave his last great performance, which found him looking back at his entire musical career. That performance, recorded at BBC studios in 1968, was miraculously captured in high fidelity audio and video, and we are proud to release this collection for the first time.

2024 release. On Julius Rodriguez's sophomore album, he returns with exciting new original material and an incredible cover of Dijon's "Many Times". Guest features on the album include Keyon Harrold, Nate Mercereau, and Georgia Anne Muldrow. "This album for me embodies the meaning of Evergreen. With the differing worlds that are presented by each track, I still aim to be fully honestly myself in my expression-maintaining my voice in any variation of musical climate. With this, I hope to carry on the importance of prioritizing the music itself, rather than letting a genre or label create a preconceived connotation of the music. The genre is me."

Sonny Rollins - "A Night At The Village Vanguard: The Complete Masters" - Capitol Music Group; Blue Note; Jazz; Catalog - Version Title: [Blue Note Tone Poet Series] / A Night At The Village Vanguard: The Complete Masters expands legendary tenor saxophonist Sonny Rollins' tour- de-force 1957 live trio album to a 2-CD set as part of the Blue Note Tone Poet Series. Produced by Joe Harley, the album has been remastered from the never-before-used original analog master tapes by Kevin Gray and includes a booklet featuring never-before-seen Francis Wolff photos, insightful essays and a new interview with Rollins in conversation with Don Was.

The brilliant and beloved cornetist and composer Ron Miles released his Blue Note debut Rainbow Sign in 2020 shortly before his tragic death in 2022 from a rare blood disorder. His legacy is honored with the release of Old Main Chapel, a recording that captures a sublime live performance by Miles' trio with guitarist Bill Frisell and drummer Brian Blade in 2011 at Old Main Chapel in Boulder, Colorado. The 7-song set featured 6 of Miles' indelible originals along with a cover of "There Ain't No Sweet Man that's Worth the Salt of My Tears." The CD package includes heartfelt remembrances by Frisell, Blade, pianist and frequent collaborator Jason Moran, Blue Note President Don Was, and Ron's daughter Justice Miles.

ETHAN IVERSON - Technically Acceptable - BLUE NOTE RECORDS / Pianist and composer Ethan Iverson follows-up his 2022 Blue Note debut Every Note Is True with Technically Acceptable, a far-ranging new project that presents two different trios-Thomas Morgan/Kush Abadey and Sim�n Willson/Vinnie Sperrazza-performing a set of striking new Iverson originals plus singular new versions of "Killing Me Softly With His Song" and "'Round Midnight." The album concludes with the recorded premiere of Iverson's Piano Sonata which is given a tour-de-force performance by Iverson himself.

Dave McMurray returns with Grateful Deadication 2, the follow-up to his acclaimed 2021 tribute album which once again finds the saxophonist reimagining the songs of the Grateful Dead with his gritty and soulful Detroit sound. Dave is joined by special guests Oteil Burbridge, Bob James, Jamey Johnson, Greg Leisz and Don Was. Grateful Deadication 2 is a 9-song set that offers up Dead favorites and deep cuts including "Truckin'," "China Cat Sunflower," and "To Lay Me Down."