New York City organist/pianist, Brian Charette, has established himself as a leading voice in modern jazz. Charette is a Hammond U.S.A, Hammond Europe, I.K Multimedia, and Casio endorsed, Cellar Live recording artist. Charette's new Cellar Live release, You Don't Know Jack!, is a Jack McDuff tribute album conceived by Charette and Cellar boss Cory Weeds. Both Weeds and Charette contribute original tunes here alongside McDuff originals. The duo are joined by Jon Lee on drums and Dave Sikula on guitar on this killer album which Charette hopes will remind us all of those swinging Harlem juke joint times of days gone by.

Hailed as "a blazing hot mess of awesome" by The New York City Jazz Record, the Michael Leonhart Orchestra (MLO) traverses a huge swath of musical terrain, guided by the highly developed ears, ceaselessly omnivorous tastes and playful yet meticulous artistry of it's leader, Michael Leonhart. Following their 2018 debut album The Painted Lady Suite, MLO will release their second full length, Suite Extracts Vol. I on August 30, via Sunnyside Records. // The surprising collection documents an aspect of the MLO 's mission: playing covers, but in the Leonhart way - with widely disparate material ranging from Fela Kuti to Spinal Tap to Howlin' Wolf to Ornette Coleman curated into song sequences, forming anarchic yet internally coherent thoughts on some of Leonhart's chief musical passions. The album features notable guests Chris Potter, Nels Cline, Donny McCaslin, John Ellis, Erik Friedlander and many others in the context of a vibrant and unclassifiable 20-piece ensemble. // The MLO has developed and refined the suites through the course of it's monthly residencies at Jazz Standard, one of New York's most prestigious jazz rooms. Leonhart continues to pursue his vision there, with unconventional instrumentation and a shapeshifting community of sought-after players from a variety of cutting-edge scenes and disciplines.

There is something entrancing about the natural cycle of water. There is the constant ebb and flow. Then there are the nearly limitless variations, like the lightness of sprinkling rain, babbling brooks or the relentless force of crashing waves and storms. The variety and fluidity of bodies of water has always fascinated guitarist/composer Scott DuBois and inspires his first solo guitar recording, Summer Water, which is also the first recording on his new record label / publishing company, Watertone Music. // DuBois's 2015 album, Winter Light (ACT), began a series of recordings featuring music inspired by the four seasons that would be performed by varied ensembles. Winter Light featured DuBois's quartet of the past 15 years, featuring Gebhard Ullmann, Thomas Morgan and Kresten Osgood, while his 2017 album, Autumn Wind (ACT), added a string and wind ensemble in addition to his quartet. // Summer Water is the third release in the series and a true departure for DuBois. The view of Lake Michigan from his window was a daily reminder of the range of water's expressive forces. During the bone-chilling Chicago winter of 2019, he wrote pieces for solo guitar that would not only utilize his symphonic compositional voice but would emulate the sound without the use of overdubs, loops or layering. DuBois has captured the textures and colors of an orchestra and has maintained a bold sound, not just in terms of volume, but in the intensity, much as one hears from an orchestra, whether loud or soft. He has also created great variety within the sound and the compositions, an important aspect of his work. All of this was accomplished with the barest of essentials: a solo guitar.

On Sanctuary, the gifted drummer and composer Matt Slocum continues his long-standing practice of documenting original music and arrangements, eight songlike pieces in total. It's his fourth recorded encounter with master pianist Gerald Clayton, a friend and musical partner for close to two decades, who stands out among a high-technical-bar generational peer group for applying his nuanced touch and precise articulation to telling stories that blend the dialects and syntaxes of the tradition and the here-and-now. It's Slocum's first recorded interaction with bass giant Larry Grenadier, a fixture on the international jazz scene for his 25-year association with Brad Mehldau Trio, as well as consequential engagements with Pat Metheny, Paul Motian, Charles Lloyd, Joshua Redman, and Mark Turner.

78 mins of well-remastered vintage classic tracks chosen by experts a great romp !

LEYENDAS DE LA HABANA

Recorded in 1970 in the legendary MPS studio, Another Day features the lesser-known trio constellation of Oscar Peterson himself on piano, George Mraz on bass, and Ray Price on drums. While Peterson, who was 45, was still at the peak of his powers and world famous in 1970, the new members of his trio were virtually unknown to his fans of the period. But especially bassist Mraz would soon grow popular himself, appear on over 200 sessions including around 20 as a leader and his endless resume included associations with Stan Getz, the Thad Jones-Mel Lewis Orchestra, Bill Evans, Tommy Flanagan, Joe Henderson and countless others. The Peterson-Mraz-Price trio lasted for about a year, recording this album as well as the famous Walking The Line. - .Another Day has plenty of highlights, one surely being "All The Things You Are", which is one of Peterson's most streamed tracks. The performances show that this overlooked version of the Oscar Peterson Trio could hold it's own with it's more famous predecessors. - Remastered by Grammy-nominated engineer Christoph Stickel, this release offers an intensive look into the trios' dynamic, inviting enthusiasts to finally Peterson album Another Day is an album by jazz pianist and composer Oscar Peterson, originally released in 1970.

Introducing another timeless jazz masterpiece: Hello Herbie (1970) by The Oscar Peterson Trio with Herb Ellis, the legendary guitarist who played with the likes of Jimmy Dorsey, Stan Getz, Dizzy Gillespie and Ella Fitzgerald, just to name a few. Ellis was a permanent member of Peterson's trio from 1953-58, while it was featuring a guitar but no drums - one or even the greatest jazz combo of the 1950s. Rediscover the magic of this timeless album where Ellis is joining Peterson and his trio again with Sam Jones on bass and Bobby Durham on drums. With Peterson's incredible skill, Ellis thoughtful playing and a more than solid foundation in Durham and Brown this album showcases exceptional artists at their very best. Both, Ellis and Peterson feed of each other and the album's fusion of playful interplay, together with nuanced arrangements and combined with the AAA remaster by Grammy-nominated mastering engineer Christoph Stickel, delivers an immersive experience. - The album includes a scan of the original master tape box and new liner notes by jazz journalist Scott Yanow. Hello Herbie is a 1969 album by pianist Oscar Peterson and his trio, joined by guitarist Herb Ellis.

2022 collaboration between saxophonist Bill Evans and guitarist Robben Ford. Ford and Evans have shared the stage in Europe, North America and even Japan and already released one album, The Sun Room, together in 2019. With Common Ground, they continue their creative relationship.

ORNETTE COLEMAN - GENESIS OF GENIUS: THE CONTEMPORARY ALBUMS - Genesis of Genius: The Contemporary Albums combines legendary jazz saxophonist Ornette Coleman's albums for Lester Koenig's Contemporary Records. It features his first albums as a bandleader - Something Else!!!! and Tomorrow Is the Question! - both of which were originally recorded by legendary engineer Roy DuNann and have been newly mastered by Bernie Grundman. 2 CD Digipak box set includes a 32-page booklet with photos and extensive liner notes by GRAMMY-winning music historian Ashley Kahn.

2022 release. Michael Feinstein reimagines the timeless Gershwin songbook through the contemporary lens of country music. Co-produced by Kyle Lehning, Gershwin Country pairs Feinstein with the biggest names in country, including Dolly Parton, Alison Krauss, Brad Paisley and Rosanne Cash. Booklet includes new liner notes. A portion of all album proceeds will benefit MusiCares, the charitable wing of The Recording Academy, which provides critical health and welfare services to members of the music community.

Five CD set. This collection celebrates the 60th anniversary of jazz pioneer John Coltrane's 1958 recordings for New York based indie jazz label Prestige Records, presented in a complete chronological sequence. The duration of time covered on this box set may be one calendar year, but the rate at which Coltrane's musical abilities grew-as well as his fanbase-is remarkable. These 37 tracks serve an inspiring listening session revealing all aspects of Coltrane's approach that year. This 5-CD edition contains a 76-page book.

BERKELEY LECTURE 1971

ANGULAR APRON

ELASTIC (MARS ARCHIVE #3)

HOLD THAT THOUGHT (MARS ARCHIVE #2)

I KNOW YOU ARE BUT WHAT AM I (MARS ARCHIVE #1)

MILWAUKEE TAPES 2

CHIRPS

Deluxe two CD set from the Jazz legend containing two previously unreleased live sets recorded in Greenwich Village on October 23, 1968. This double disc set includes two complete, never before released concerts. Contains 28-page booklet with essays by Nat Hentoff, Gary Burton, Eddie Gomez, Marty Morell, George Klabin & Art D'Lugoff's son Raphael D'Lugoff. Booklet also includes iconic photos by Tom Copi, Jan Persson, Raymond Ross, Fred Seligo, and Herb Snitzer and interesting historical documents includes contracts, postcards, family photos, and more.

Recorded live in 1980 at San Francisco's legendary Keystone Korner Jazz Club, this release includes the only known recording of Hubbard performing Coltrane's "Giant Steps." Produced by George Klabin, Todd Barkan, and David Weiss, Freddie Hubbard has performed/recorded with some of the most important players in jazz history including John Coltrane, Herbie Hancock, Wes Montgomery; Quincy Jones, Wayne Shorter, Ron Carter, and many more. A must-have for Hubbard fans, jazz historians, and audiophiles.

2012 collection from the late Jazz guitarist, the first full album of previously unheard Wes Montgomery music in over 25 years. This release contains studio and live performances recorded in Indianapolis 1957-58.

LIVE IN LONDON

2014 album of previously unreleased performances capturing the always-extraordinary saxophonist and flutist Charles Lloyd in 1965, leading a remarkable and previously unreleased quartet featuring three jazz giants: guitarist G�bor Szab�, bassist Ron Carter and drummer Pete La Roca. They were recorded at the now-defunct venues Judson Hall and Slugs', the Judson Hall recording comes from the archives of Resonance founder George Klabin, then a 19-year-old student at Columbia University recorded the Judson Hall show with up-close microphone placement techniques and state-of-the-art engineering - well ahead of 1965 standards. The Slugs' performances were recorded by Bjorn von Schlebrugge, who accompanied Lloyd to his Manhattan gigs. Slugs' has been called "one of the most important jazz shrines there ever was"

Two CD set. In the Beginning features recordings of Wes Montgomery spanning from 1949 to 1958, the formative years when the six-string virtuoso was honing his craft in southern Indiana. Since Wes Montgomery's passing in 1968, only two other albums of predominantly unreleased material have been released. Resonance Records is pleased to introduce the third with In the Beginning. These newly discovered live and studio recordings from 1949-1958, include a complete never-before-released 1955 Epic Records session produced by Quincy Jones, licensed from Sony Music Entertainment, newly discovered 78 RPM sides with Wes as a sideman recorded for Spire Records (1949), a live recording from the home of Ervena Montgomery, Indianapolis (1956), live recordings from the Turf Club (1956), the Missile Lounge (1958) in Indianapolis, and the C&C Music Lounge in Chicago (1957).