A piece of music history comes alive on Friday, May 10, as Storyville Records releases a new recording capturing the legendary Duke Ellington live in Copenhagen, Denmark, 1958. This recording, Copenhagen 1958 (Bonus: After Hours 1950), offers a rare glimpse into Ellington’s genius during a pivotal period in jazz history. In the late autumn of 1958, Ellington and his orchestra embarked on a whirlwind tour across Europe, leaving a trail of musical brilliance in their wake.

Among the highlights of this tour were two electrifying concerts held at Copenhagen’s iconic sports center, KB Hallen, on November 7. Although the original tapes have been lost to time, segments of these historic performances were broadcasted on separate occasions. Now, these broadcast recordings serve as the foundation for this release, transporting listeners back to a time when Ellington’s music redefined the jazz landscape.

The album opens with Ellington’s signature tune, "Take the A Train," over the vibrant energy of "Newport Up" to the soulful strains of "My Funny Valentine," each track showcasing the orchestra’s talent and Ellington’s innovative compositions. The orchestra was in great form in the late '50s, with the mixture of veterans like Johnny Hodges and Harry Carney, and modernists like Jimmy Hamilton, Clark Terry, and Paul Gonsalves.

One of the highlights is the rendition of "Diminuendo and Crescendo in Blue," featuring Paul Gonsalves’ legendary solo. In addition to the live recordings from the 1958 tour, this album also includes bonus tracks from after-hours settings in 1950; three tracks from a jam session at the dance restaurant Sct. Thomas in Copenhagen and two solo Ellington tunes recorded at a social charity event in Aarhus.

Copenhagen 1958 stands as evidence of Ellington’s enduring musical legacy, demonstrating that his music remains as pertinent and influential today as it was during its inception!

The legendary tenor saxophonist, Johnny Griffin's electrifying performance in Valencia, Spain in 1992 is set to be immortalized on the upcoming release, Live in Valencia 92 on June 7, 2024 on Storyville Records. Accompanied by an all-star trio with French pianist Herve Sellin, bassist Reggie Johnson and Doug Sides on drums, this recording, consisting of 6 tracks, is a chance to hear Johnny Griffin at his best, enjoying being out there live with an enthusiastic Spanish audience. The recording made in a defunct savings bank auditorium adorned with warm fabrics and wood accents, sounds great with it's cozy ambiance and impeccable acoustics. From the moment Griffin stepped onto the stage, his charisma was palpable, captivating audiences with his inimitable style, sense of humor and swing. Griff at his best! Live in Valencia 92 offers a glimpse into Griffin's artistry, showcasing a mastery of the tenor saxophone across a repertoire of standards by his favorite composers like Duke Ellington and Thelonious Monk, but we also get The Cat, one of his own compositions and almost considered a theme Song for Johnny Griffin. Johnny Griffin loved the European way of living and the Europeans loved him back. He settled in France, but spent time in Amsterdam and Copenhagen as well. As Herve Sellin writes about playing jazz "we don't take it too seriously, but we do it very seriously". That was what Johnny Griffin was known for, A little giant making everybody have a good time. And that's exactly what you experience on this recording. Johnny Griffin (1928-2008) was an American jazz tenor saxophonist known for his blistering speed and technical prowess. A prolific performer and recording artist, Griffin's career spanned over six decades, during which he collaborated with some of the most prominent figures in jazz, including Art Blakey, Thelonious Monk and John Coltrane. This recording serves as a poignant reminder of Griffin's enduring impact on the jazz world. For jazz enthusiasts, Live in Valencia 92, is a must have addition to any collection, offering a glimpse into the brilliance of one of jazz music's true icons.

SPIN is the 9th release of the working band RONIN since it's foundation in 2001. Since the last release AWASE (ECM 2018) the band has developed the repertoire continuously further. �SPIN shows the phase in which the band is now: looking back and forward at the same time. The RONIN rhythm culture based on pattern, cycle and groove developments and refined beats is still presented and combined with playfulness and the consciousness for freedom within the clear structures.

Kristjan Randalu reimagines Schubert's Winterreise with a unique blend of classical and jazz influences. Collaborating with Estonian-American bassoonist Martin Kuuskmann, the duo creates a distinct sound through the combination of piano and bassoon, offering a completely new sonic landscape for Schubert's work. This innovative reinterpretation brings a dynamic and expressive twist to the original, blending emotion and spontaneity in a fascinating way.

BASta! Is the solo project of double bass player and composer Joris Vanvinckenroye, in which he explores and pushes the limits of the double bass. In this project, using looping and effect pedals, Joris creates an almost orchestral sound, using the full range of his instrument - from the deepest basses to the highest notes. These layered compositions weave complex rhythms and melodies into a rich and compelling soundscape.

KALI Trio's new album, The Playful Abstract, could be a soundtrack to the air we breathe. Repeated listens to this tranquil, ever-shifting and sometimes transcendent record also invoke an association with the Japanese term, Ukiyo, meaning the "floating world".�Nowadays ukiyo is seen as a state of mind emphasising living in the moment, detached from the difficulties of life.

Storyville Records presents the legendary American saxophonist Buddy Tate in a meeting with the Danish quintet White Label on the new album Tate’s Delight – Groovin’ at the JASS Festival. The meeting took place at the Holstebro JASS Festival in September 1982. JASS stands for Jutland’s Active Musicians’ Society. For almost 20 years since the foundation in 1975, the society presented an annual jazz festival during the last week of September. The concerts took place at the Holstebro Hall and the nearby Restaurant Laksen. Tate’s Delight was recorded at Restaurant Laksen with no rehearsals. Some tunes, but not all, were agreed upon, when White Label took the stage. It became one of those spontaneous events, where the music is created on the spot, but one for which the musician has been preparing throughout his career as an improvising jazz musician. In this context, Buddy Tate was a fine acquaintanceship. He was in good form, friendly, easy to play with, and super cool in his elegant brown-and-yellow stage outfit with matching two-tone shoes. The album is separated into two parts. First, Tate is heard with the rhythm section, showcasing his beautiful, but rarely heard clarinet on magnificent renditions of the Duke Ellington tunes In A Mellow Tone and Mood Indigo. On the second part of the album, Jens Søndergaard and Poul Valdemar Pedersen join in on the last three songs, recreating the intense jam session spirit of the golden age of swing. This session is an excellent example of the musical encounters that have taken place in Denmark over the years. Buddy Tate was among the many legendary international stars, who came and played with Danish musicians, thus contributing to the special bond between Danish and American jazz.

Storyville Records is proud to present one of master saxophonist Phil Woods’ most impressive projects, Bird With Strings … And More! The recording of this album took place in Tonhalle Zürich on June 13, 2005 with the help of pianist Ben Aronov, bassist Reggie Johnson, drummer Douglas Sides and the fantastic Zürich Chamber Orchestra. The beautiful and characteristic sound of jazz and pop supported by a string orchestra is a very special and rare experience. Bird With Strings … And More! uses the classic album Charlie Parker With Strings as a point of departure. Charlie Parker, also known as Bird, recorded the original Charlie Parker With Strings in 1949 with a rhythm section plus a very small string section.

On this recording, PW has written all new arrangements based on the original scores, and expanded the original arrangements to a much larger string section of 24/30 pieces and added a small woodwind section of oboe, flute and clarinet. Woods also proceeded to write a dozen extra arrangements with the same instrumentation. PW pays perfect tribute to Bird and his original project, but with his very own sound signature, sometimes warm and sometimes volcanic.

PW was not only an extraordinary alto saxophonist, but also an incredible composer and arranger. He is a modern jazz giant and one of the most important alto saxophonists in the history of jazz. Woods was known for a lyrical and beautiful sound making him one of the most popular musicians in mainstream jazz. This is emotional music for lovers, so savor the moment and relax in the company of one of the true masters!

Monk, also known as “Toot”, leads his sextet with an innovative and dynamic approach. Since 1992, the drummer has worked exclusively with his co-players, making the sound of the sextet incredibly tight. When they roll out their arsenal, they soar and swing, and are indeed exciting to hear. In that regard, it might be quite surprising to learn that this is Monk’s very first live album! “This is my first live recording, ever! It’s daunting and an uncertain kind of product. Most live albums aren’t that good. I’ve been lucky to always have great people working with me.”

The seven songs on the album are taken from two performances at two similar jazz rooms over a two-year period; three are from “Harlem’s Jazz Shrines Festival: Jazzmobile presents Minton’s Playhouse” at Ginny’s Supper Club on May 7, 2014, while others were recorded at Marians Jazzroom in Bern, Switzerland on April 24, 2016. Drummer, percussionist, composer, producer and bandleader, T. S. Monk has taken his place in the pantheon of jazz royalty, to which he was born. The swing is DNA inherited and absorbed in this master drummer’s persona. Monk spent the late 70’s and 80’s in various R&B groups, scoring his biggest hit Bon Bon Vie (Gimme the Good Life) in 1982, but by the 1990’s he decided to return to his jazz roots.

REVIEW:

Two Continents One Groove has superb sound reproduction for a live disc. But that would be for nought without great performances, and this band delivers. With its well chosen covers and strong member compositions, it’s a perfect blend of foundational and forward looking. Best of all, it’s great fun, with all kinds of swing and funk. Highly recommended.

-- A Green Man Review (Gary Whitehouse)

The fourth album of working band BLAER, founded in 2013 by composer and pianist Maja Nydegger, is pure and essential - A „dive into calmness“. Since the last album, which attracted attention in the new jazz and ambient scene, the music developed into an even more original blend of different influences like ambient, minimal, spherical and independent music and contains even a pinch of movie scores.

Clark Terry is one of the greatest and most important trumpeters in jazz history. Now, Storyville Records presents a live recording with his fantastic orchestra, Clark Terry’s Big Bad Band – Live in Holland 1979. The whole band is in great form, and besides Clark Terry himself, this recording showcases many of the very best musicians from the heyday of big bands. The band is SWINGING, that also goes for CT’s introductions of the music and the band. The live setting of this performance, containing 13 tracks, clearly inspires both CT and his 16-piece orchestra to even greater heights than in the studio. The performance culminates with the hit “Mumbles”, a track made famous during the many years CT was one of the leading members of “The Tonight Show Band”. The repertoire presented here makes way for the entire band with arrangements by Phil Woods, Billy Strayhorn and Duke Ellington among others. CT is not just a brilliant soloist, but also a charming entertainer, engaging in friendly banter with both the musicians and the audience.

CT’s original style and technique has had a major influence on many great jazz musicians, including Wynton Marsalis, Art Farmer, Miles Davis and not least Quincy Jones, who has written a very personal piece for the liner notes, praising the lifelong mentorship of CT for many of the greatest American jazz musicians. CT has played with both Count Basie’s and Duke Ellington’s orchestras. He made his mark on both orchestras with his great swing and as a soloist, both on the trumpet and the flugelhorn. CT continued from his stints with the forementioned big bands to become one of the most beloved and sought-after soloists in the history of jazz. Both with his own orchestras and as a soloist with big bands globally.

The Danish piano auteur Carsten Dahl and the dynamic American trumpeter Tim Hagans meet the acclaimed Swedish bassist Johnny Åman and the Finnish master drummer Jukkis Uotilaon on the new album A Beautiful Blue Moment, now available on Storyville Records. This rare quartet had never played together before they gathered at the scene of the historic jazz club Montmartre in Copenhagen and played the music recorded here over three sold-out evenings in August 2021. Quite the beautiful moment indeed!

The quartet mainly played free music with an original searching idea of being composing musicians and playing composers, who constantly found new horizontal and vertical directions in music. The original idea for the quartet arose, when Dahl and Hagans taught together at a jazz college in 2019, and realized that they shared musical understanding, humor, fervor and curiosity, when it comes to exploring the essence of music creation. They have been close friends ever since. Dahl, Uotila and Åman had their very first musical encounter at Montmartre, but it turned out to be a truly magical and flying journey. The combination of the four musicians is simply an explosive, poetic and ground-breaking meeting, where their common breathing in music is free, effortless and at the same time linked to their great habitus in tradition and in the many expressions of jazz music. After three great evenings, where musical sparks flew in abundance, the four musicians went directly in the studio for a 6 hours spontaneous recording session. The result is a once in a lifetime jazz voyage, so fasten your seatbelt and get ready for a ride!

Brazilian bossa nova queen Rosa Passos’ highly anticipated album Samba Sem Você is due for release on February 3rd, 2023 on Storyville Records. For years, the Brazilian vocalist and guitarist has had a devoted global following, including fans who proclaim she is Brazil’s answer to Ella Fitzgerald or the female João Gilberto. So, expectations were high, when she performed two sets at Copenhagen Jazzhouse on July 7th, 2001.

The tracks on Samba Sem Você come from the second set, while the songs of the first set were released as the album Dunas in 2021. RP is a prolific, distinct vocalist with a playful yet sophisticated style marked by perfect pitch, spacious elegance and natural flair. Her musicality is an inspiration to singers all over the world. She is intimate and powerful at the same time, and the tunes she plays, a mixture of her own compositions and bossa nova classics, support her means of expression in the best way possible.

On this recording, she has gathered some of the finest musicians in the business of bossa nova, including pianist Fábio Torres, bassist Paulo Paulelli and drummer Celso de Almeida. The three provide the pleasing musical backdrop for RP to spread her wings and seduce the audience with her charming smile, infectious warmth and delicate voice.

Passos began playing piano at age thirteen, but after listening to Dorival Caymmi and João Gilberto, she abandoned the instrument to become a singer. She recorded her debut album in 1978, and has since worked with the likes of Ron Carter and performed with master pianist Kenny Barron among many others. Her music speaks to everyone, you don’t need to know anything about bossa nova to appreciate her music as there is something universal about her vocals and approach that instantly makes the listener go along on the journey she sets out for. It’s always soul-soothing and beautiful, and if you press play and close your eyes you can almost feel the Brazilian soul and see the sandy beaches for your inner eye.

Acclaimed Italian pianist Enrico Pieranunzi is at the zenith of his career and has now joined forces with the legendary French drummer André Ceccarelli and the acrobatic Danish double bass player Thomas Fonnesbæk. This new trio encounter combines three of the very best European jazz stars and makes for an album played with dramatic coherence. Something Tomorrow is available on Storyville Records.

Playing with Fonnesbæk seems to give wings to Pieranunzi, the two men listen and talk to each other like two accomplices, who meet again after a long absence. Fonnesbæk enjoys this intuitive game, where they listen intensely to each other, propose another tempo or a new melody. And they can count on the rhythmic precision and great musicality of André Ceccarelli, one of Pieranunzi’s favorite drummers.

Enrico Pieranunzi is one of, if not the most, popular European pianist, likely due to a unique combination of influences, from his formative years in classical and Italian music to his collaborations with iconic film composer Ennio Morricone and output with the likes of Chet Baker and Lee Konitz. Pieranunzi never renounces bold and elegant music, for he is a poet of black and white. In the breath of his piano, there is a reflexive expression, a harmonic treatment full of subtleties. A lush romanticism lies deep at the heart of his music, when he lets his hands dance on the keys. Thomas Fonnesbæk is a formidable bassist with an astonishing technique. He impresses with his virtuosity and harmonic choices, and his bass lines inspire both Pieranunzi and Ceccarelli. Drummer André Ceccarelli is one of the most important figures on the European jazz scene. He has not only played with Pieranunzi in many other musical constellations, but also with giants like Enrico Rava and Chick Corea.

Internationally renowned Italian pianist Dado Moroni collaborates with prominent Danish bassist Jesper Lundgaard and versatile American drummer Lee Pearson on the brand new release There Is No Greater Love.

The story behind the release is a number of concerts commemorating the Danish bassist Niels-Henning Ørsted Pedersen, who would have been 70 years old in April, 2015. NHØP was a virtuoso, who innovated the art of playing the double bass, both technically and musically. He was a grand man of decisive importance to jazz history. An essential part of NHØP’s career was his musical partnership with Oscar Peterson, who loved him for his natural drive, making any creative idea viable instantly. Consequently, we had to find musicians cut from the same cloth in order to give the audience the same feeling – the moment, where the crowd is captivated by the swing. Dado Moroni, Jesper Lundgaard, and Lee Pearson are more than capable musicians. In fact, their preparations merely consisted of a dinner before the concert. They did not rehearse – not even a soundcheck. Their professionalism lies in their sympathy for each other and naturally in years of training in the great American piano trio tradition. The music speaks for itself!

Jazz giant and tenor saxophonist Dexter Gordon bids Copenhagen farewell on his new album Copenhagen Coda – Live at Montmartre 1983. This album marks DG’s final farewell to friends and fans in the Danish capital, with which he had had a twenty year love affair. He is quoted as having said: “I don’t think they [his fellow American musicians living in Europe] got the love I got in Copenhagen” The concert was part of a TV production by the national Danish Broadcasting Corporation, who have documented this golden era in Danish jazz history.

On this recording, DG is accompanied by the accomplished and versatile pianist Kirk Lightsey, wonderful bass player David Eubanks and the master drummer Eddie Gladden. DG proves that he hasn’t lost a step, as he projects enormous authority on stage, being a fountain of sound and ideas, melodically as well as rhythmically. He generates a stunning energy, taking off on a flight that is able to captivate the audience with his tenacious be-bop, somewhere between Lester Young and Coltrane, with a bold, dry sound.

DG arrived in Copenhagen in 1962, where he settled and became a regular on the jazz scene, most often at the legendary Jazzhus Montmartre. During the years 1964 to 1967, he played Montmartre 6 nights a week during the summer months. One of those evenings, where DG was accompanied by Tete Montoliu, NHØP and Alex Riel, was recorded and subsequently released as the album Montmartre 1964 on Storyville Records. His year-long stint in Copenhagen helped remold and vitalize DG after his lean years. In return, he also helped Montmartre build and maintain its reputation as one of Europe’s premier jazz venues in the 1960’s, attracting many American jazz players, including Ben Webster, Bud Powell, Kenny Drew and many, many more. All of them contributing substantially to the vitality of the Danish jazz scene, but more than anyone, DG is the musician synonymous with folk’s perception of Montmartre.

Copenhagen Coda is a celebration of and a tribute to Dexter Gordon’s legacy in Copenhagen. The audience in the Danish capital loved the sophisticated giant “Copenhagen Slim” immensely, and their love was reciprocated - Copenhagen Coda is a testament to this intense year-long love affair!

Saxophonist Anton Schwartz brings music for the serious jazz lover, but is also fun and accessible to all. With classic holiday songs and compelling arrangements, this is a perfect stocking stuffer for any music lover!. Anton Jazz.2004.

Renowned Danish pianist and composer Carsten Dahl is set to release his new album, Interpretations The Norway Sessions with his Golden Ratio Trio feat. Swedish bassist Daniel Franck and Danish drummer Jakob H�yer on September 27 on Storyville Records. This recording presents 13 original compositions, two by Dahl, one by Franck and ten by all three musicians. Interpretations presents two distinct recording sessions that offer contrasting textures. The first session is characterized by a warm, melodically precise ambiance, while the second session embraces a rawer, more aggressive edge. This duality in expression ensures that the music remains compelling and evocative, with every nuance and detail thoughtfully crafted. The interplay between H�yer's delicate drumming, Franck's resonant bass, and Dahl's emotive piano creates a rich tapestry of sound, revealing layers of meaning and intensity. Interpretations showcases Dahl's matured approach to the piano trio format. Over the years, Dahl's style has evolved from his early bop influences to a more nuanced and sophisticated voice, drawing comparisons to jazz luminaries such as Bill Evans and Keith Jarrett. Dahl's unique interplay of melody and rhythm now incorporates influences from European classical music, with inspirations ranging from Bach to Rachmaninoff, all while remaining deeply rooted in the jazz tradition. Dahl describes the album with his signature poetic and introspective approach, stating: "We interpret the wind's sigh and the blood that bubbles inside us." He likens the creative process to a spiritual excavation, seeking the profound roots of musical expression. The trio's approach is akin to the artistic philosophy of Pablo Picasso-where creativity emerges not from striving, but from a receptive and intuitive interplay. Dahl likens their work to "small paintings where the picture dictates the interpretations, and where the musician merely plays the role of paint and paintbrush." Interpretations challenges listeners to engage with music in new and profound ways. It is in the delicate balance between action and pause, expectation and surprise, that this music truly thrives.

Storyville Records proudly announces the release of the album, New Views, by jazz bassist, composer and world-leading music brain scientist Peter Vuust in collaboration with the dynamic ensemble of Aarhus Jazz Orchestra, on June 14, 2024. The genesis of New Views traces back to 2021, when Aarhus Jazz Orchestra approached Peter Vuust with the idea of touring while he spoke on the intricate workings of the brain during jazz listening and performance. Originally intending to intersperse classic big band arrangements with scientific talks, Vuust and director/arranger Nikolai Bogelund soon recognized the potential for a more engaging experience by showcasing Vuust's original compositions. Working alongside arranger and trumpet player Jesper Riis, Bogelund crafted a signature set comprising Vuust's compositions alongside three new songs tailored for this occasion. The result was a two-hour show that not only entertained but also educated audiences on the intricacies of music cognition. New Views features ten of Vuust's compositions, from the energizing afrobeat groove of Marrakech to the tender ballad Young Blue Eyes dedicated to Vuust's son, the album traverses a spectrum of moods and rhythm. Tracks like High Five and Giving Birth highlight the virtuosity of the ensemble, while the album concludes with the contemplative The End of a Perfect Day, featuring a bass solo by Vuust himself. Vuust is an award-winning composer and bass player and has released seven albums as a solo artist, but this is his first record with a large-scale orchestra. Reflecting on the collaboration, Vuust expressed: "... to hear your own compositions arranged so beautifully and played by such an extraordinary set of musicians, each of them solo artists in their own right, is one of the most touching experiences of my career-an ambition I did not know, I had". With it's blend of pleasure and learning, New Views, offers a captivating exploration of musical textures and emotions. Whether you're a big band enthusiast or a music lover seeking new perspectives, this album is sure to leave a lasting impression!

Danish jazz pianist Jacob Christoffersen unveils his latest album, A Good Day, showcasing a seamless collaboration with fellow veterans Thomas Fonnesb�k on bass and Rasmus Kihlberg on drums on September 6 on Storyville Records. This recording marks a significant milestone in their collective careers, combining their individual expertise into a compelling musical narrative. On A Good Day, Christoffersen, known for his diverse musical journey and extensive contributions to the Danish music scene, presents eleven original compositions alongside reinterpretations of classics like legendary Danish rock band Gasolin's Hva' gor vi nu, lille du and Danny Boy. The album's eclectic mix traverses various moods, from introspective ballads to energetic funk-infused tracks and soulful Brazilian rhythms, capturing the trio's dynamic range and improvisational spirit. Jacob Christoffersen is a prominent Danish jazz pianist known for his inventive compositions and captivating performances, including his long running collaboration with famed Danish jazz singer Sinne Eeg. With a career spanning over more than 25 years, Christoffersen continues to push the boundaries of modern jazz expression. Thomas Fonnesb�k is one of Denmark's foremost jazz bassists, recognized for his virtuosic playing and dynamic style across numerous acclaimed recordings, and Rasmus Kihlberg, renowned for his versatile drumming style, contribute richly to the album's depth and cohesion. Their synergy is evident throughout, reflecting their intuitive musical dialogue and mutual respect as performers. This recording maintains a balance between studio precision and the spontaneity of live performance, offering listeners an immersive experience into the trio's musical camaraderie and creative exploration. A Good Day shows that they deserve to be celebrated anywhere creative modern jazz is enjoyed!

Renowned Danish composer and pianist, Frans Bak, unveils his latest project, the ballads album Softer Than You Know, on Storyville Records on May 3, 2024, marking a nostalgic return to his musical origins. Softer Than You Know is a collection of 10 songs featuring lyrics by Helle Hansen, performed by the internationally acclaimed vocalist Sinne Eeg. Bak describes the album as a fusion between jazz and pop, offering laid-back melodies and ample room for musical exploration. During the COVID-19 pandemic, Bak found himself longing for the sound of his own band. A chance online encounter with saxophonist Fredrik Lundin reignited his passion for music, leading to a collaboration with lyricist Helle Hansen. In turn, Sinne Eeg's captivating voice breathed life into the songs, inspiring Bak to create a full album. Recorded with a stellar line up, including Thomas Vang on bass, Emil de Waal on drums paired with contributions from American guitarist Peter Sprague, saxophonists Hans Ulrik and Fredrik Lundin, Softer Than You Know promises to enchant listeners with it's soulful melodies and heartfelt lyrics. During the 80's and 90's, Bak's career flourished as he balanced his roles as a pianist, bandleader and composer. He collaborated with Danish artists such as Trine Dyrholm, Hella Joof and Peter Frodin, while also gaining recognition for his film score compositions. Notably, Bak composed the music for the TV series Forbrydelsen and the US remake The Killing, sparking a 25 year international career into the world of cinematic soundtracks. Vocalist Sinne Eeg has garnered international acclaim for her mesmerizing performances, captivating audiences with her rich and emotive voice. With numerous awards and accolades to her name, including four Danish Music Awards for Best Vocal Jazz Album, Eeg's is considered one of the premier female vocalists in Scandinavia. Bak extends his gratitude to all involved in the project, emphasizing Fredrik Lundin's pivotal role in reigniting his creative spark and Eeg's transformative vocal performance.

Danish / Swedish jazz-vocalist and songwriter, Kira Martini is releasing her new album Open Wide on Storyville Records on May 31, 2024. On this recording, Martini serves us a handful of her own compositions in a borderland between genres - a fusion of Nordic folk and jazz with notes of the warm seventies songwriter sound and mentality, inspired by the likes of Carole King, Joni Mitchell and Nick Drake. Open Wide is about facing life with an open mindset. Personally. Musically. It's a soul-stirring fusion of genres, where Martini transcends boundaries and captivates listeners with her personal melodies and heartfelt stories. Her songs comes from a place of need for outlet, and they are deeply personal experiences. She firmly believes that music is the strongest way to heal and connect. Martini and her band takes us on an odyssey, exploring what happens when songwriting meets the free mentality of jazz, while touching themes like healing, transformation, love, friendship, anger and release. Behind she has a team of some of the finest musicians Danish jazz has to offer, including guitarist Johannes Wamberg, saxophonist Jakob Dinesen, bassist Anders Fjeldsted and drummer Morten �ro. They all hold a special place in her heart for their way of bringing themselves into every note, and being present in shaping and coloring the music. Besides the band, she has invited some special guests and dear friends to join as features on different tracks. Kira Martini has established herself as a prominent figure in the Scandinavian music scene over the past decade, known for her true warm voice, frank ways and versatility. In recognition of her talent, she was awarded the prestigious Pal� Jazz Award in 2023.

The three renowned Danish jazz artists, bassist Lennart Ginman, drummer Thomas Blachman and pianist Carsten Dahl, collectively known under the moniker Ginmanblachmandahl, are set to release their new album on Storyville Records on April 5th. Bearing the title, "What's to Come!", this record is a testament to the power of spontaneity, unpredictability, and collaboration in the realm of jazz. The combination of these three masterful musicians has resulted in yet another album that simply oozes swing, timing, dexterity, and imagination. They are simply put - some of the most visionary and innovative Danish jazz musicians and composers, and their music reflects their never-ending quest to push the boundaries of what's possible. Unlike a conventional studio recording, this album was born out of raw spontaneity and creative synergy within the trio - every note, every chord, every rhythm was created in the spur of the moment. The result is a sonic journey into the heart and essence of improvisation. What's to Come! Invites listeners into the intimate dialogue between three masterful musicians. With a nod to the luminaries who have shaped the genre-Thelonious Monk, Miles Davis, Bill Evans-the trio infuses their compositions with a sense of homage and reverence, yet never shy away from boldly charting their own course. From the introspective melodies that stir the soul to the explosive bursts of energy that ignite the senses, this recording captures the full spectrum of human experience in all it's complexity and nuance. As the final notes fade into the ether, one cannot help but feel the palpable sense of anticipation lingering in the air-a promise of What's to Come!, and an invitation to join them on their ongoing odyssey of sound and expression.

Danish bassist Mads Vinding, Italian pianist Dado Moroni and Italian / Swedish drummer Niclas Campagnol join forces to deliver an exceptional, previously unreleased live performance in the form of the brand new album Quiet Yesterday on Storyville Records on November 17, 2023. In 2018, these three musical virtuosos united to record a live performance at the iconic Jazzhus Montmartre in Copenhagen. This release features five standards and an original composition by Moroni titled Quiet Yesterday. Their remarkable interplay showcases the power of jazz as a universal language and the profound connection that can be forged between artists who, despite not having worked together previously, communicate effortlessly on stage. On this recording, Vinding, Moroni and Campagnol display a level of synergy that is nothing short of awe-inspiring. Their seamless collaboration evokes the impression of a well-seasoned trio, one that has honed their craft over several years. What makes this trio's performance truly extraordinary is the fact that Moroni had never recorded with either Vinding or Campagnol prior to this, yet their musical chemistry is palpable, making the music sound effortless and natural. Throughout the recording, Vinding, Moroni and Campagnol communicate with an uncanny closeness, crafting music that is subtle, emotionally resonant, spontaneous and endlessly swinging. Each member of the trio has a distinguished track record of elevating the music of others across a multitude of settings throughout their careers. Their shared commitment to pushing boundaries, avoiding clich�s, and exploring new creative horizons is evident in their music. What's most remarkable is that, despite spanning three different generations, their collective chemistry feels timeless and boundless. Bassist Mads Vinding, born in 1948, is a prominent figure on the jazz scene. Over the years he has collaborated with an impressive roster of jazz greats, including Duke Jordan, Dexter Gordon, Enrico Pieranunzi, Toots Thielemans and many more. Pianist Dado Moroni, born in 1962, is one of Europe's most loved pianists. He has played as sideman with just about everyone from Clark Terry to Freddie Hubbard, but today he is considered a modern European giant that among many projects plays duo with Kenny Barron and trio with Eddie Gomez and Joe LaBarbera. Drummer Niclas Campagnol, born in 1973, comes from a long musical lineage. His versatility and musicality makes him a sought after musician that has worked with Thomas Fonnesb�k, Didier Lockwood and Antonio Farao. Quiet Yesterday is a testament to the e nduring power of jazz and the boundless creativity that can emerge when three exceptional musicians come together to create music that transcends generations. But as always it is the singing bass a stunning virtuosity of Mads Vinding that shines through. This is jazz of the highest order!

For several years now, I've been looking for a subtle way to blend my experience as a jazz musician with the realm of chamber music. With Istanbul cellist Sedef Ercetin and her fellow Athenian pianist Maria Papapetropoulou, I fancied myself taking up the violin's place in an emblematic trio. Bolstered by an invaluable travelling companion - Antoine Banville, here on percussion - the group finds a balance of colours and rhythms in which I weave the twists and turns of my writing and my impressionistic and intimate pictures bring you as much joy as we had in crafting them Stephane Guillaume