Double 180gm vinyl LP pressing housed in gatefold jacket. The duo that critics have called "a match made in heaven" are in peak form on the sequel to their 1956 debut. Ella's voice - warm and sweet as honey - and Louis' gravelly croon formed a sound built for commercial success. Ella & Louis Again is a key element of what could be considered the most iconic jazz duo of all time. Verve Acoustic Sounds Series features transfers from analog tapes.

“Bud was a genius piano player–the best there was of all the bebop piano players.” - Miles Davis “If I had to choose one single musician for his artistic integrity, for the incomparable originality of his creation and the grandeur of his work, it would be Bud Powell. He was in a class by himself" – Bill Evans Bud Powell 1962 is something we at SteepleChase have been obsessed with for a while. The previous release SCCD 36040 “Bud Powell 1962 Copenhagen” was from the recordings made at the Danish Radio Concert Hall and Jazzhus Montmartre. What we have here is from the same year from the fabled Golden Circle where SteepleChase’s 5-volume releases At The Golden Circle come from. The Swedish part of this release were recorded two days prior to those SteepleChase releases. Bud Powell travelled on to Oslo Norway the same year to perform some memorable tracks captured here before going back to USA for the last time.

A contrafact is a method of composing a new melody and arrangement on a pre-existing musical composition using its chord progression. In jazz, one of the most famous examples is “Hot House” (Tadd Dameron) based on “What Is This Thing Called Love?” (Cole Porter). Baritone saxophonist Gary Smulyan has been intrigued by this particular way of composition for a number of years. His first album on SteepleChase last year SCCD 31844 “Alternative Contrafacts” is a superlative example of his interest. Here on this new release “Our Contrafacts” is a collection of new contrafacts by contributed by each member of the trio. “While there are occasional short solos by Wong and Green, the focus throughout is on Smulyan, who has yet to record an unworthy record or play an uninspired chorus. His passionate sound and fresh ideas make Alternative Contrafacts a set well worth picking up, particularly by straight ahead jazz collectors.” (Scott Yanow – NYC Jazz Records on SCCD 31844)

Dinah Washington - As Duke Ellington would have said, Dinah Washington was "beyond category." Subtle and inventive enough to hold an honored place in the jazz pantheon yet tough and forceful enough to command the attention of blues, R&B and rock n' roll audiences.

Dinah Washington - As Duke Ellington would have said, Dinah Washington was "beyond category." Subtle and inventive enough to hold an honored place in the jazz pantheon yet tough and forceful enough to command the attention of blues, R&B and rock n' roll audiences.

Ella Fitzgerald - "Let No Man Write My Epitaph (Verve Acoustic Sounds Series)" - Verve Label Group; Jazz; Considered one of Ella's greatest recordings, she's backed on this 1960 release by pianist Paul Smith. Let No Man Write My Epitaph was a 1960 Hollywood movie featuring Fitzgerald. The album hits at a rare depth of emotional understanding and once again establishes Fitzgerald as one of the supreme interpreters of the Great American Songbook. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Jazz critic Owen Cordle once described Dick Oatts as “an uncompromising jazz musician, one who possesses monster chops without trumpeting them.” Dick Oatts has, since his move to NYC in the late 70s, been one of the most sought-after soloists on alto sax on both the NY scene and the international stage. Dick Oatts’ sensitive and cerebral approach to music enhanced by his “monster chops” manifested here again on his 11th leader album on SteepleChase. “… maybe the best showcase we've ever heard for the alto sax work of Dick Oatts!” (Dusty Groove on Sweet Nowhere SCCD 31778)

“…The late Whitney Balliett dubbed jazz as "the sound of surprise". Well, Jack Walrath surprises us here on every selection. He deals in the unexpected and delivers it to us with a flowing flourish - and no concessions.” (Mark Gardner- from the linernotes) “Jack Walrath not only displays tremendous trumpet playing, a rich and varied approach to composition and wonderful band, he also puts something into this fantastic CD that's missing from too much new jazz: a sense of fun and humor. That's not to say that it isn't sensitive and touching at times—"An Hour Blessed" is arguably as gorgeous as anything ever recorded…” (Francis Lo Kee – allaboutjazz-New York)

Nina Simone - "Nina's Back" / Recorded in 1985 after a break from recording and time spent living in Barbados and Liberia, Nina's Back features a rejuvenated Nina Simone reaching out to a wider musical audience. Featuring a number of memorable Simone compositions, the band includes horns and backup singers for a unique recording in Nina's catalog. Now available again on vinyl with new album artwork.

The first of The Art Ensemble of Chicago's renowned trio of albums for BYG's Actuel series now returns in a deluxe edition. Housed in a CD gatefold digi-sleeve that echoes the vibe of the original LP, it includes a 16-page booklet and an inner printed wallet, along with a new and insightful essay by renowned author & music journalist John Masouri. This album is the Art Ensemble's most celebrated release, capturing the American avant-garde jazz collective at their most sensational, provocative, and startlingly original in a historic June 1969 session at Studio Saravah in Paris. Recorded in the aftermath of widespread anti-government protests and student riots, this album showcases what happens when four highly intuitive and accomplished musicians-driven by Black Nationalism and dreams of liberation, and armed with an array of diverse instruments-let their inspiration run free. The tracks on A Jackson in Your House challenge us to view music in a different light-not just as a source of entertainment, but as enlightenment, wonderment born of togetherness, courage, beauty, and surprise, all mixed with terrifying honesty.

Vinyl LP pressing. 2024 release. Vintage George Benson vocals float over an orchestral reimagining of beloved American Standards & Soul Classics in this incredible collaboration with renowned composer and conductor, Robert Farnon. The brand new 10-track collection, once thought to be lost to history, was recently discovered in Benson's personal vaults and remastered to their original glory. With this new release, Benson also marks a musical return to the Warner Family - where he recorded such classic hits as "On Broadway" and "Breezin".

Walrath calls this his first in 26 years on this label “Ballroom”, “…it’s swinging and you can dance to it..”… The way how jazz started. “Welcome back, Jack, to SteepleChase! It’s a terrific return, and listeners will want many more entries from this singular talent…” (Mark Gardner – from the liner notes)

For this latest and the fifth album on SteepleChase Ronnie Cuber brought his working band to the studio to appraise the classic BeBop repertoire, “proving in the process the viability of material that has weathered more than 60 years and still sounds super hip and contemporary” (Mark Gardner). On Cuber’s previous release “RONNIE (SCCD 31680) Ken Drydon of AllAboutJazz wrote, “This is his fourth CD for Steeplechase and one of his best sessions.” and London’s Sunday Express commented, “it is the intelligence and subtlety of his playing that shines through …An astonishingly lyrical player on that most unforgiving of instruments…” “Ronnie Cuber is a baritone sax player strong enough to bring out the lyricism of the weighty instrument.” (Aaron Cohen – Downbeat)

The legendary baritone saxophonist Ronnie Cuber is, as Bill Milkowski of JazzTimes observes, “ still very much on top of his game at age 70”. One summer night of the famed Berlin JazzFest of 2008 finds Ronnie and his group in a relaxed and joyous mood backed by the responsive and enthusiastic audience. “An astonishingly lyrical player on that most unforgiving of instruments … It is the intelligence and subtlety of his playing that shines through…” (Sunday Express UK on Ronnie SCCD 31680) “…while Cuber’s ability to blow over the changes remains unquestioned, it’s his restrained approach and melodic penchant…… that come as a welcome surprise. We all knew Cuber could wail with unparalleled authority, we just didn’t know he could sing so pretty on his big horn.” (Bill Milkowski – JazzTimes on Boplicity SCCD 31734)

The Messengers expanded to a sextet with the addition of Curtis Fuller in 1961 and went into their most fruitful period. This Copenhagen live concert from 1962 could be arguably “the best edition of the Jazz Messengers ever” as liner-note author Neil Tesser suggests. Hubbart, Shorter and Fuller on the front line flexing their young muscles were all on their way to stardom. Recorded during their 1962’s European tour this album with all unissued recordings will be a valuable addition to Messengers’ legacy.

Ella Fitzgerald in Copenhagen April 1959 was said to be still shy at age 42 and still modest after the 25 years of downright success reign as “Queen of Jazz”. The third volume of “In Concert” series features Ella’s quintet. Roy Eldridge, Swing Era’s greatest trumpeter, opens the program with two tracks. The live recording of this concert in Copenhagen has been essentially unknown for half a century. We are happy to add this release to Ella Fitzgerald’s legacy of supreme vocal art of American jazz.

SteepleChase’ 50th anniversary “In Concert” series continues with Gerry Mulligan’s famed Concert Jazz Band from October 31, 1960 at its first concert in Europe. The Concert Jazz Band’s unique arrangements and its trademark sound of translucency are restored by the modern sound technology. The Concert Jazz Band’s live performance from their European tour have been released before except this from Copenhagen and Berlin. The Django Reinhardt piece Manoir de mes Rêves and Mulligan’s 18 Carrots for Rabbit get rare performance here.

SteepleChase is proud to announce the inaugural release of the “In Concert” series of previously unissued live recordings from Falkoner Centret in Copenhagen, where numerous prominent American bands and soloists performed for the very appreciative audiences in the late 50s. The Swing King Benny Goodman (1909-86) toured Europe in 1959 with his 10-piece band featuring vibraphonist Red Norvo and adding vocalist Anita O’Day on two tracks. This well-attended concert is from October 17, 1959. BENNY GOODMAN (cl), RED NORVO (vib), RUSS FREEMAN (p), JIMMY WYBLE (g), RED WOOTEN (b), JOHN MARKHAM (dr), JACK SHELDON (tp, voc*). FLIP PHILLIPS (ts), JERRY DODGION (as, fl), BILL HARRIS (tb), ANITA O’DAY (voc*)

Dexter Gordon’s European period (1962–1976) was mostly based in his beloved Denmark, where he led an active professional career and enjoyed a harmonious private life. Arriving in Europe after some turbulent times in the States he found new energy in performing and recording to build a large part of his discography at the top of his artistic strength. The recording output, however, during 1962 and 1964 was scarse and this album recorded in 1962 and 63 will be an adept document of the fresh start by the Towering Master of Tenor Sax. “The star billing, as always, goes to one of jazz’s master storytellers, Dexter Gordon; the performances contained here, which set the scene for the dramatic renaissance of his career, fill in one of the long missing chapters.” (from the liner notes by Neil Tesser - SCCD 36039 Soul Sister)

This album is all about Tadd Dameron (1917 - 1965), one of the most important American jazz composer/musicians. Multiple award-winner Gary Smulyan conceived the brilliant idea of recording Dameron compositions with lyrics. The vocal part is phenomenally rendered by the young talent Anaïs Reno. Three songs including the lovely This Night Of Stars have never been recorded before. “an exhibition of the finest baritone sax playing.” (M McKergow – LondonJazzNews on Alternative Contrafacts SCCD 31844)

Billy Harper (b. 1943) is one of the most prominent figures in today’s jazz scene. He rose to his stardom through his stints with Gil Evans’ Orchestra, Art Blakey’s Jazz Messengers and the Thad Jones- Mel Lewis Orchestra. Harper started leading his own group in the late 70s and has been touring all over the world with his group since. Of this New York studio recording Chinyére Nealé wrote in the linernotes, “Nils Winther of SteepleChase has wanted to record Billy for fifteen years. Finally, destiny has made this recording possible.” French magazine COMPACT described this CD as “a real treasure which will bring you pleasure till the last day of your life.” 180g Audiophile Vinyl

Johnny Mbizo Dyani (bassist/composer) was born in East London, South Africa November 30, 1945 to grow up to be one of the most internationally acknowledged musicians. Since his arrival in England in 1965 as a member of South African jazz group called The Blue Notes Dyani had chosen Scandinavia as his home base and had built an active career until a rare disease shortened his life all too soon. He died in Berlin, Germany in 1986. This album recorded in the summer of 1978 with the powerful front line-up of Don Cherry and Dudu Pukwana. The album was dedicated to the martyred South African activist against apartheid Steve Biko (1946-1977) with whom Dyani shared a cultural and linguistic heritage of Xhosa. “Dyani wrote all of the material for this record and it proves to be a vital factor in the success of the date. Both Cherry and Pukwana react favourably, while bringing their own personalities strongly to bear... this fine record can be recommended without reservation.” (Barry McRae, Jazz Journal International July 1979) “...there are possibly a handful of albums every year which are worth living with. This is one of them.” (Brian Case, Melody Maker June 1979) 180g Audiophile Vinyl

Each of the pieces in this programme is like an ephemeral castle that I can take refuge in when I feel like it, says Sebastien Llinares. The French guitarist, who stands at the crossroads of classical, jazz and contemporary music and also produces the programme Guitare, guitares on France Musique, here puts his playing at the service of every kind of music. Jimi Hendrix's Castle Made Of Sand was the inspiration for this programme; Sebastien Llinares hears in it the unchanging open string that the Brazilian composer Heitor Villa-Lobos so often used. His journey continues with tributes to famous songs by Bernstein, Gershwin and Rodgers & Hart, an evocation of Rufus Wainwright and Baden Powell in the forms of the Habanera and Bossa Nova - not forgetting a tribute to Django by John Lewis as well as Leonard Cohen's eternal Hallelujah, which takes on the air of an ancient canario when played on the classical guitar. Two bagatelles and an impromptu composed by Llinares himself complete the family portrait.

Storyville Records proudly presents the previously unreleased album, Michel Petrucciani Trio - Jazz Club Montmartre - CPH 1988 on two separate vinyl LPs containing the first and second set, by the legendary French pianist Michel Petrucciani. Recorded during a memorable performance at Copenhagen's Jazzhus Montmartre on July 3rd, 1988, the albums capture Petrucciani in the company of two jazz icons, Gary Peacock on bass and Roy Haynes on drums. While the trio only came together for a brief European tour in the summer of 1988, the chemistry they shared on stage was undeniable. The trio, propelled by a studio session the previous autumn, radiates synergy, as they explore six of Michel's original compositions with a sense of grace and spontaneity. On these recordings, listeners will rediscover Petrucciani's unique lyrical universe, as well as his reverence for modern jazz icons, paying tribute to Bill Evans, Keith Jarrett, and Paul Bley with special arrangements of classics like Someday My Prince Will Come, Mr. K.J. and Turnaround. From the explosive energy of She Did It Again to the introspective beauty of Autumn Leaves, Petrucciani's virtuosic playing reveals a rare sense of urgency, joy, and an unrelenting passion for life. As Gary Peacock and Roy Haynes were at the height of their careers - Haynes playing with Chick Corea and Peacock with Keith Jarrett - they were drawn to Petrucciani, recognizing the greatness of his artistry. Together, they formed a trio, bound by a shared intuition and respect for one another, and this performance at Montmartre is a testament to that fleeting moment of jazz brilliance. This concert took place at the midpoint of Petrucciani's meteoric career, 12 years after his Paris debut and 11 years before his untimely passing. Despite the physical challenges posed by glass bone disease (osteogenesis imperfecta), Petrucciani's fierce determination, boundless love for music, and infectious laughter inspired all who knew him. Now, more than 35 years after that magical evening in Copenhagen, we invite listeners to close their eyes and step back in time. July 3rd, 1988 it could have been last night, or it could be tomorrow morning! A monument over one of the most creative and joyful pianists in jazz ever! BIOGRAPHY Michel Petrucciani (1962-1999) was one of the most brilliant pianists to emerge from Europe's jazz scene. Despite his short stature due to glass bone disease, he rose to international acclaim, performing with the likes of Charles Lloyd, Wayne Shorter, Joe Lovano, Tony Williams, Stephane Grappelli and many other greats. Known for his lyrical style, rhythmic power, and infectious joie de vivre, Petrucciani's legacy continues to enchant listeners around the world.

Isabella Lundgren - vocals
Carl Bagge - piano - music arrangements
Musica Vitae - string ensemble

On the 20th of January 2009, Barack Obama was inaugurated as the 44th President of America. In his speech, he said: “Starting today, we must pick ourselves up, dust ourselves off, and begin again the work of remaking America.” With those words, he echoed the lyrics from the song "Pick Yourself Up," written by Dorothy Fields in 1936. Dorothy Fields (July 15, 1904– March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs, 15 Broadway musicals, and 26 films. Her strong characterizations, her precise language, and heartfelt and humorous approach have granted her a special place in the history of American music and popular culture.

This album is a love letter to this remarkable woman who was way ahead of her time. /Isabella Lundgren

Storyville Records proudly presents the previously unreleased live double album, Michel Petrucciani Trio - Jazz Club Montmartre - CPH 1988, by the legendary French pianist Michel Petrucciani. Recorded during a memorable performance at Copenhagen's Jazzhus Montmartre on July 3rd, 1988, the album captures Petrucciani in the company of two jazz icons, Gary Peacock on bass and Roy Haynes on drums. While the trio only came together for a brief European tour in the summer of 1988, the chemistry they shared on stage was undeniable. The trio, propelled by a studio session the previous autumn, radiates synergy, as they explore six of Michel's original compositions with a sense of grace and spontaneity. On this recording, listeners will rediscover Petrucciani's unique lyrical universe, as well as his reverence for modern jazz icons, paying tribute to Bill Evans, Keith Jarrett, and Paul Bley with special arrangements of classics like Someday My Prince Will Come, Mr. K.J. and Turnaround. From the explosive energy of She Did It Again to the introspective beauty of Autumn Leaves, Petrucciani's virtuosic playing reveals a rare sense of urgency, joy, and an unrelenting passion for life. As Gary Peacock and Roy Haynes were at the height of their careers-Haynes playing with Chick Corea and Peacock with Keith Jarrett-they were drawn to Petrucciani, recognizing the greatness of his artistry. Together, they formed a trio, bound by a shared intuition and respect for one another, and this performance at Montmartre is a testament to that fleeting moment of jazz brilliance. This concert took place at the midpoint of Petrucciani's meteoric career, 12 years after his Paris debut and 11 years before his untimely passing. Despite the physical challenges posed by glass bone disease (osteogenesis imperfecta), Petrucciani's fierce determination, boundless love for music, and infectious laughter inspired all who knew him. Now, more than 35 years after that magical evening in Copenhagen, we invite listeners to close their eyes and step back in time. July 3rd, 1988.it could have been last night, or it could be tomorrow morning! A monument over one of the most creative and joyful pianists in jazz ever!

A piece of music history comes alive on Friday, May 10, as Storyville Records releases a new recording capturing the legendary Duke Ellington live in Copenhagen, Denmark, 1958. This recording, Copenhagen 1958 (Bonus: After Hours 1950), offers a rare glimpse into Ellington’s genius during a pivotal period in jazz history. In the late autumn of 1958, Ellington and his orchestra embarked on a whirlwind tour across Europe, leaving a trail of musical brilliance in their wake.

Among the highlights of this tour were two electrifying concerts held at Copenhagen’s iconic sports center, KB Hallen, on November 7. Although the original tapes have been lost to time, segments of these historic performances were broadcasted on separate occasions. Now, these broadcast recordings serve as the foundation for this release, transporting listeners back to a time when Ellington’s music redefined the jazz landscape.

The album opens with Ellington’s signature tune, "Take the A Train," over the vibrant energy of "Newport Up" to the soulful strains of "My Funny Valentine," each track showcasing the orchestra’s talent and Ellington’s innovative compositions. The orchestra was in great form in the late '50s, with the mixture of veterans like Johnny Hodges and Harry Carney, and modernists like Jimmy Hamilton, Clark Terry, and Paul Gonsalves.

One of the highlights is the rendition of "Diminuendo and Crescendo in Blue," featuring Paul Gonsalves’ legendary solo. In addition to the live recordings from the 1958 tour, this album also includes bonus tracks from after-hours settings in 1950; three tracks from a jam session at the dance restaurant Sct. Thomas in Copenhagen and two solo Ellington tunes recorded at a social charity event in Aarhus.

Copenhagen 1958 stands as evidence of Ellington’s enduring musical legacy, demonstrating that his music remains as pertinent and influential today as it was during its inception!

SPIN is the 9th release of the working band RONIN since it's foundation in 2001. Since the last release AWASE (ECM 2018) the band has developed the repertoire continuously further.  SPIN shows the phase in which the band is now: looking back and forward at the same time. The RONIN rhythm culture based on pattern, cycle and groove developments and refined beats is still presented and combined with playfulness and the consciousness for freedom within the clear structures.

Mulgrew Miller, one of the most important pianists of jazz’ modern era, proudly delivers his brand-new album Solo in Barcelona via Storyville Records. The occasion of a present-day release of a solo recording by this remarkable musician is a very rare and extraordinary occasion. This album, which was recorded on February 2, 2004 in Barcelona, is truly a rare gem for the admirers of a man and piano player, who was loved by so many fans and the entire jazz global community. With his unique take on arrangements from Monk, Dizzy Gillespie, Cole Porter, Miles Davis and Duke Ellington, MM shows us why he is considered a modern legend.

On this solo album, MM's piano embarks on an extraordinary musical journey. With each note, he effortlessly paints a vivid tapestry of emotions, traversing a rich musical landscape that spans genres and styles characterized by versatility, proficient soloing and tasteful restraint. He plays like a modern-day exponent of Art Tatum with the deepest musical roots, but with the freshest, most forward-thinking, profoundly original voice that’s uniquely his own. Live in Barcelona shows how he is able to tell us a story and swing like very few others. A real master on the piano. The highlight is perhaps his ‘Excursions in Blue’, playing the blues like it should be done - in the moment! Solo in Barcelona is a beautiful documentation of Mulgrew Miller playing solo material that has not been recorded before.

MM was one of the most influential jazz pianists of his generation. Renowned for his technical mastery, improvisational genius and deep musicality, Mulgrew Miller worked with Miles Davis, Betty Carter, Woody Shaw, Niels-Henning Ørsted Pedersen and his own trio around the globe. Still missed by his big audience. Mulgrew Miller (1955-2013) was a world-renowned jazz pianist and composer. His illustrious career spanned over four decades, during which he performed with legendary jazz artists and received critical acclaim for his exceptional musicianship. His unique approach to the piano and his profound contributions to jazz have solidified his place as one of the greatest pianists in the history of the genre. With this exceptional solo album, MM invites listeners on a personal and intimate musical journey, as he displays his extraordinary command of the piano. His nuanced phrasing, exquisite dynamics and deep understanding of harmony create an enchanting and captivating listening experience.

November 20, 1961 Dizzy Gillespie brought on stage of Falkoner Centret, Copenhagen the quintet version of “Gillespiana Suite”, composed originally for his 16-piece orchestra by young Argentine composer/pianist Lalo Schifrin. The suite was recorded in the previous year to become a huge success. This composition paved the way for Schifrin to become one of the most popular screen music composers. The program finishes with Gillespie’s own Kush which stayed in his repertoire for the next 15 years