PTR1124

Trumpeter Jeremy Pelt's latest project, Woven, is a fascinating album that fuses more traditional aspects of 21st-century jazz with the myriad possibilities of electronic synthesized sound. This collection of mostly original compositions showcases Pelt's instrumental artistry together with his commitment to composing works that explore new dimensions in jazz. Each track on Woven is meticulously crafted, perfectly balancing innovation with communicative emotional depth. The full range of contemporary jazz can be found here, from neo-bop, hard-driving rhythms to touchingly intimate balladic utterances. But Pelt's trumpet can also weave through electronic textures, creating a sonic landscape where the group's kaleidoscopic tone colors become a fundamental part of the melodic content. Joined by an impressive ensemble of musicians, Pelt and his collaborators create a fluid interplay of acoustic and electronic sounds, displaying their skill in integrating bold, contemporary elements while simultaneously underlining the very essence of jazz.

Time On My Hands

Chet Baker does what he does best; SINGS AND PLAYS. He was gracious enough to occasionally put down the trumpet to croon, his vocal ability as skillful as his trumpeting. Baker's effortless virtuosity transcended the bounds of jazz stardom, with both aficionados and mainstream audiences embracing him as the genre's coolest cat.

W. Mingus, Milt Jackson, Lucky Thompson 1945.

The success of the earlier release by this trio (SCCD 31122 “The Touch Of Your Lips”) brought the group together again this time for “live” recording at club Montmartre packed with Baker fans. Radio Free Jazz wrote, “ His present playing is extraordinary, the best of his career, and he has never found a more empathetic context than this trio with guitarist Raney and bassist Pedersen... The interplay among these three superb musicians yields a quality of collective improvisation comparable to that of Bill Evans’ greatest trio....”

THREE STORIES is Eldar's first solo piano album for Masterworks Jazz. Originally trained as a classical pianist, Eldar turned his attention to jazz in the beginning of his career but always hoped to combine the two worlds. THREE STORIES reflects the Grammy-nominated pianists existing love for jazz, his growing passion for classical, and his evolution as a composer, thus: THREE STORIES. THREE STORIES showcases the merging of Eldar's worlds: classical, jazz and his own compositions which are influenced by his training in both genres.

VIRTUE, the new recording from jazz keyboard virtuoso Eldar, affirms his position at the forefront of contemporary jazz and is a fitting follow- up to his 2008 Grammy nominated album, re-imagination. Partnered by bassist Armando Gola and Ludwig Afonso, VIRTUE features mostly original compositions by Eldar and demonstrates the continued development of his writing. Eldar also welcomes guest appearances by trumpeter Nicholas Payton and saxophonists Joshua Redman and Felipe Lamoglia.

“Don Friedman is probably playing better now than at any other period of his splendid career. Maturity has brought a deepening of emotional expression, a refinement of touch and the knowledge of exactly how much he wants to say within a given performance……On this beautifully conceived and executed CD, Don is in the bright company of three musicians who share his aims and ideals, and hold true to the tenets of balancing spontaneity with organisational clarity and discipline…” (Mark Gardner – linernotes)

The collaboration between Duke Jordan and SteepleChase in the 70s represents a major body of Duke Jordan’s creative output both as performing artist and as composer. Duke led his regular trio with Wilbur Little and Dannie Richmond during the extensive Scandinavian tour in the autumn of 1978. This release is from the concert at the Art Museum at Høvikodden, Norway, filled with Duke Jordan’s melodic magic.

Best-known for her classic 1955 Top 10 hit "Cry Me A River", Julie London was a fine sultry-voiced jazz and pop singer, who enjoyed her greatest popularity during the "cool" era of the late '50s and early '60s - Billboard magazine named her as the most popular female vocalist of 1955, '56 and '57. Although she sang as a child with her parents' vaudeville act on radio, the first decade of her career from 1945 was as a Hollywood movie actress, becoming a popular pin-up girl of GIs, and appearing with the likes of Gary Cooper. Beginning her recording career in 1955, she scored a hit with her first release for Liberty, "Cry Me A River", and over subsequent years released around twenty singles for the label, as well as having a regular output of concept albums, showcasing her smoky and sensuous vocal style with a mixture of sophisticated pop and mainstream jazz material. This great-value 58-track 2-CD collection comprises her debut recordings on an EP recorded for the Bethlehem label (the tracks were later released as singles by Liberty), and all her A and B sides for Liberty through to 1962, some of which came from her LP releases, plus selected tracks from the seventeen albums she released during those first important years of her recording career. As well as "Cry Me A River", it includes what was one of her best-known recordings, her vocal version of the jazz cha-cha "Desafinado (Slightly Out of Tune)" from 1962. "Cry Me A River" has been revived by many high-profile artists over the years. Julie London is an artist who has not received the accolades she deserved as a sophisticated jazz/pop singer to compare with the likes of Ella Fitzgerald, Sarah Vaughan and Peggy Lee, and this collection will help underline her distinctive talent.

2022 release. Simply put, Samara Joy is next. At just 22 years old, her Verve debut Linger Awhile shows that with a voice, tone, and phrasing that harkens back to the most legendary jazz vocalists, Samara belongs in the company of iconic labelmates from Ella Fitzgerald to Sarah Vaughan to Billie Holiday. Samara is remarkably savvy on TikTok and Instagram, fostering a community of devoted followers through fully organic means. She is poised to be a household name, synonymous with timeless jazz music.

Simply put, Samara Joy is next. At just 22 years old, her Verve debut 'Linger Awhile' shows that with a voice, tone, and phrasing that harkens back to the most legendary jazz vocalists, Samara belongs in the company of iconic labelmates from Ella Fitzgerald to Sarah Vaughan to Billie Holiday. Samara is remarkably savvy on TikTok and Instagram, fostering a community of devoted followers through fully organic means. She is poised to be a household name, synonymous with timeless jazz music.

The unforgettable sound of Sarah Vaughan is captured in this collection of essential recordings. From the swinging hits, "Lullaby Of Birdland" and "It's Crazy", to her best-loved recordings, including "Misty" and "Broken-Hearted Melody", this album highlights Vaughan's impeccable phrasing, emotional depth and remarkable range. Whether backed by a trio or a full orchestra, singing hits of the day or jazz standards, every track serves to remind us why Sarah Vaughan is still known as 'The Divine One'.

Dinah Washington - As Duke Ellington would have said, Dinah Washington was "beyond category." Subtle and inventive enough to hold an honored place in the jazz pantheon yet tough and forceful enough to command the attention of blues, R&B and rock n' roll audiences.

Dinah Washington - As Duke Ellington would have said, Dinah Washington was "beyond category." Subtle and inventive enough to hold an honored place in the jazz pantheon yet tough and forceful enough to command the attention of blues, R&B and rock n' roll audiences.

Vinyl LP pressing. 2024 release. Vintage George Benson vocals float over an orchestral reimagining of beloved American Standards & Soul Classics in this incredible collaboration with renowned composer and conductor, Robert Farnon. The brand new 10-track collection, once thought to be lost to history, was recently discovered in Benson's personal vaults and remastered to their original glory. With this new release, Benson also marks a musical return to the Warner Family - where he recorded such classic hits as "On Broadway" and "Breezin".

Diana Krall - "The Look Of Love (Verve Acoustic Sounds Series)" / The Look of Love is a lush, cinematic collection of ballads and bossa nova tunes, produced by Tommy LiPuma, arranged and conducted by the legendary Claus Ogerman, and featuring the London Symphony Orchestra. Originally released in 2001, The Look of Love brings to mind such classic Frank Sinatra albums as In the Wee Small Hours and Only The Lonely - but the elegant piano solos, sensual vocals and wickedly modern sense of humor are, inimitably, all Diana Krall. Verve Acoustic Sounds Series features transfers from analog tapes and remastered on 180grAm vinyl in deluxe gatefold packaging. [2 LP] Special Pkg:180gram Heavy

The Essential is a testament to Melody Gardot's enduring artistry. This collection spans 14 years of her career and includes 25 tracks that showcase the breadth of her musical abilities. Featuring selections from her six studio albums, remixes, live recordings and previously unreleased tracks, the album captures the essence of Gardot's talent. Highlights include her multilingual performances, emotive renditions of classics like Elton John's "Love Song," and live recordings that convey the raw honesty of her concerts. Each track offers a glimpse into the diverse emotional landscapes Gardot can traverse, making The Essential a rich and compelling portrait of an artist whose music speaks for itself.

Duke Jordan’s early success came as member of the Charlie Parker Quintet contributing some of the most endearingly apt introductions of the jazz’ classic repertoires such as “Embraceable You”. He composed quite a few great jazz tunes that became standard numbers like “Jor-du” and “No Problem” among others. After a lengthy hiatus due to his drug problems in the 60s Jordan was rescued by a handful of Danish jazz enthusiasts and started resuming his professional career in Europe and Japan. The featured young tenorist Bent Jædig had shared the bandstand with Jordan during the years into the 80s. Along with Jædig two guest players were sitting in: bassists Eddie Gomez (in town with Bill Evans), and South African Johnny Dyani. This live recording finds Jordan at the famed jazz club Montmartre in the heart of Copenhagen the night before the (studio) recording session of his best-selling album “Flight To Denmark” SCCD 31011. Duke Jordan made Denmark his permanent home until his death in 2006.

Joe Locke recorded this album in 1991, when his name as a new vibraphonist was gaining serious momentum on the NY scene. Following his highly acclaimed debut album “Present Tense” (SCCD 31257) and the ensuing “Longing” (SCCD 31281) from SteepleChase this third album showcases Locke’s lyricism in a ballad collection accompanied by the master Kenny Barron. “if your mood of the moment is to surround yourself with something soft and lovely, Locke and Barron will make things beautiful.” (Cadence) 180g Audiophile Vinyl

Isabella Lundgren - vocals
Carl Bagge - piano - music arrangements
Musica Vitae - string ensemble

On the 20th of January 2009, Barack Obama was inaugurated as the 44th President of America. In his speech, he said: “Starting today, we must pick ourselves up, dust ourselves off, and begin again the work of remaking America.” With those words, he echoed the lyrics from the song "Pick Yourself Up," written by Dorothy Fields in 1936. Dorothy Fields (July 15, 1904– March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs, 15 Broadway musicals, and 26 films. Her strong characterizations, her precise language, and heartfelt and humorous approach have granted her a special place in the history of American music and popular culture.

This album is a love letter to this remarkable woman who was way ahead of her time. /Isabella Lundgren

Storyville Records is pleased to announce the release of In Rome, a new album by Danish bassist Thomas Fonnesbaek alongside esteemed jazz musicians, pianist Enrico Pieranunzi, saxophonist Rosario Giuliani, drummer Roberto Gatto and singer Valentina Ranalli. This recording consists of 11 original compositions, 9 by Pieranunzi, 1 by Fonnesbaek and 1 by Gatto. Thomas Fonnesbaek is considered one of the most important and distinctive bassists on the European jazz scene today. His virtuosic technique, "Nordic sound" and ability to craft cohesive solos place him in the lineage of Danish bassists like Niels-Henning Ørsted Pedersen, Bo Stief and Jesper Lundgaard, while also showing kinship with greats like Dutch bassist Hein van de Geyn and prominent Swedish bass players. Nevertheless, Fonnesbaek's style is uniquely his own, honed through a self-taught journey that captivates audiences with a rare ability to evoke Duende - the inexplicable power of attraction that moves listeners emotionally, a concept coined by Spanish poet Federico Garcia Lorca. For those who have had the privilege of experiencing Fonnesbaek live, they will recognize this Duende in his playing. He often takes risks that challenge both his fellow musicians and audiences, creating moments of magic. In Rome captures these moments, highlighting Fonnesbaek's collaboration with some of Europe's finest musicians. At the core of the album is the partnership between Fonnesbaek and Enrico Pieranunzi, one of Europe's most revered pianists. Pieranunzi, known for his collaborations with the likes of Chet Baker, Marc Johnson, Paul Motian, and the legendary film composer Ennio Morricone, brings his extensive jazz and classical music background to this recording. Having recorded numerous albums together, Pieranunzi and Fonnesbaek share a musical chemistry that fuels this project. Joining the trio is Roberto Gatto, a drummer celebrated in European jazz circles. His elegant, sensitive approach enhances the group's interplay, while Rosario Giuliani on saxophone and Valentina Ranalli on vocals further elevate the music. In Rome is a testament to the creativity and mastery of European jazz. This album is jazz at it's finest!

Storyville Records is pleased to announce the release of In Rome, a new album by Danish bassist Thomas Fonnesbaek alongside esteemed jazz musicians, pianist Enrico Pieranunzi, saxophonist Rosario Giuliani, drummer Roberto Gatto and singer Valentina Ranalli. The album is set for release on November 1, 2024. This recording consists of 11 original compositions, 9 by Pieranunzi, 1 by Fonnesbaek and 1 by Gatto. Thomas Fonnesbaek is considered one of the most important and distinctive bassists on the European jazz scene today. His virtuosic technique, "Nordic sound" and ability to craft cohesive solos place him in the lineage of Danish bassists like Niels-Henning orsted Pedersen, Bo Stief and Jesper Lundgaard, while also showing kinship with greats like Dutch bassist Hein van de Geyn and prominent Swedish bass players. Nevertheless, Fonnesbaek's style is uniquely his own, honed through a self-taught journey that captivates audiences with a rare ability to evoke Duende - the inexplicable power of attraction that moves listeners emotionally, a concept coined by Spanish poet Federico Garcia Lorca. For those who have had the privilege of experiencing Fonnesbaek live, they will recognize this Duende in his playing. He often takes risks that challenge both his fellow musicians and audiences, creating moments of magic. In Rome captures these moments, highlighting Fonnesbaek's collaboration with some of Europe's finest musicians. At the core of the album is the partnership between Fonnesbaek and Enrico Pieranunzi, one of Europe's most revered pianists. Pieranunzi, known for his collaborations with the likes of Chet Baker, Mark Johnson, Paul Motian, and the legendary film composer Ennio Morricone, brings his extensive jazz and classical music background to this recording. Having recorded numerous albums together, Pieranunzi and Fonnesbaek share a musical chemistry that fuels this project. Joining the trio is Roberto Gatto, a drummer celebrated in European jazz circles. His elegant, sensitive approach enhances the group's interplay, while Rosario Giuliani on saxophone and Valentina Ranalli on vocals further elevate the music. In Rome is a testament to the creativity and mastery of European jazz. This album is jazz at it's finest!

Founded in 1951 by Erwin Lehn, The SWR Big Band has been nominated for a Grammy several times and received the German Jazz Award (Gold) in 2015. Over the course of the years, it collaborated with artists like Quincy Jones, Pat Metheny, George Benson, Gary Burton, Dee Dee Bridgewater, Curtis Stigers, Jacob Collier, Patti Austin, Roy Hargrove, Sammy Nestico, Ivan Lins, Paula Morelenbaum, Joo Kraus, Toshiko Akiyoshi, Bob Florence, Rob McConnell, Slide Hampton, Maria Schneider, Frank Foster, Bill Holman and Bob Mintzer. The album SWR Big Band live at the Elbphilharmonie from 2018 is one of the longest running bestsellers of the label. The collaboration between Sammy Nestico and The SWR Big Band began 2004, when the composer was already 80 years old. Soon it developed into a real friendship. No less than five albums have been released in the years until his death, all of them bestsellers of the SWRmusic catalogue. They additionaly made a key contribution to raising international awareness of Nestico's late creative phase. The music he wrote for The SWR Big Band sports both funky sounds and elements of fusion, combining swing, a pinch of soul and an emotional orchestral expression. The music moves artfully between reduced combo sounds and opulent textures. This sense of mutual understanding was created during the decade-plus period of collaboration between the composer and the orchestra, a collaboration built not only on notes, but also on intuition.

Danish bassist Mads Vinding, Italian pianist Dado Moroni and Italian / Swedish drummer Niclas Campagnol join forces to deliver an exceptional, previously unreleased live performance in the form of the brand new album Quiet Yesterday on Storyville Records on November 17, 2023. In 2018, these three musical virtuosos united to record a live performance at the iconic Jazzhus Montmartre in Copenhagen. This release features five standards and an original composition by Moroni titled Quiet Yesterday. Their remarkable interplay showcases the power of jazz as a universal language and the profound connection that can be forged between artists who, despite not having worked together previously, communicate effortlessly on stage. On this recording, Vinding, Moroni and Campagnol display a level of synergy that is nothing short of awe-inspiring. Their seamless collaboration evokes the impression of a well-seasoned trio, one that has honed their craft over several years. What makes this trio's performance truly extraordinary is the fact that Moroni had never recorded with either Vinding or Campagnol prior to this, yet their musical chemistry is palpable, making the music sound effortless and natural. Throughout the recording, Vinding, Moroni and Campagnol communicate with an uncanny closeness, crafting music that is subtle, emotionally resonant, spontaneous and endlessly swinging. Each member of the trio has a distinguished track record of elevating the music of others across a multitude of settings throughout their careers. Their shared commitment to pushing boundaries, avoiding clichés, and exploring new creative horizons is evident in their music. What's most remarkable is that, despite spanning three different generations, their collective chemistry feels timeless and boundless. Bassist Mads Vinding, born in 1948, is a prominent figure on the jazz scene. Over the years he has collaborated with an impressive roster of jazz greats, including Duke Jordan, Dexter Gordon, Enrico Pieranunzi, Toots Thielemans and many more. Pianist Dado Moroni, born in 1962, is one of Europe's most loved pianists. He has played as sideman with just about everyone from Clark Terry to Freddie Hubbard, but today he is considered a modern European giant that among many projects plays duo with Kenny Barron and trio with Eddie Gomez and Joe LaBarbera. Drummer Niclas Campagnol, born in 1973, comes from a long musical lineage. His versatility and musicality makes him a sought after musician that has worked with Thomas Fonnesbæk, Didier Lockwood and Antonio Farao. Quiet Yesterday is a testament to the e nduring power of jazz and the boundless creativity that can emerge when three exceptional musicians come together to create music that transcends generations. But as always it is the singing bass a stunning virtuosity of Mads Vinding that shines through. This is jazz of the highest order!

September 8, 1960 Oscar Pettiford, American bassist/cellist/composer with unparalleled recognition died abruptly at age 38 due to a virus disease in Copenhagen where he had made his permanent residence. He was one of American jazz players Denmark welcomed in in the 60s and 70s. A few weeks after Pettiford’s passing a circle of Danish jazz fans organized a memorial concert presented here to raise fund for his children with a star-studded program that included Stan Getz, Alice Babs, among others.

Johnny Hodges (1906-70) known for his pure tone and personalized style had been the stalwart of Ellington Orchestra throughout its history except for a period in the 50s. Hodges left immeasurable inspiration to the generations to come. He led this Ducal All-star septet to give concerts in Europe during the spring of 1961. The existence of the Copenhagen concert has been rumoured among the fans but never materialized until now making this album a historical augmentation of Hodges’ discography.

Duke Jordan (1920 – 2006) was approached in NY by Marcel Romano, musical consultant of the French film Les Liaisons Dangereuse directed by Roger Vadim in 1959 to audition for the soundtracks. It laid down the groundwork for Jordan’s rise to the star composer status. All too famous “No Problem” is not included in this sketching but a few of the tunes we come to appreciate later are here in their prototypes. This recording made in a NY studio has never been heard (except maybe by Vadim). SteepleChase is proud to announce the world premier release of the album of cultural/historical significance.

SAKOBI is a new project of the Vilem Spilka Quartet. The band consists of Radek Zapadlo on saxophone, Vilem Spilka on double bass and Martin Kleibl on drums. Since they have been together for a long time in other ensembles, they are closely connected musically. Radek Zapadlo has been successfully active on the Czech jazz scene for two dozen years, most recently alongside Matej Benko, Ondrej Ruml, playing in the Cotatcha Orchestra, his own Four in Blue formation and the aforementioned Vilem Spilka Quartet. Martin Kleibl, after an eight-year stint with the Brno Philharmonic, oscillates in genre from classical to pop, plays in the OK Percussion duo with European-class marimbist Martin Oprsal, accompanies singer Petr Bende and is the driving force behind the Vilem Spilka Quartet. For the SAKOBI project, Vilem Spilka replaced his main instrument, the guitar, with the double bass, which he began to play during the pandemic of the cover band. The trio's debut recording is released by Bivak Records. All members contributed to the album not only as players but also as composers. Zapadlo contributed the melancholic dirgeCesta za modrým sluncem (Journey to the Blue Sun), while Martin Kleibl's Na ceste (On theRoad) is typical uplifting Latin jazz. Vilem Spilka added the rest of the repertoire, his individual opuses revealing a variety of musical and non-musical inspirations-from his native Brno to Japan, to which the cryptogram in the band's name refers. In the spirit of Japanese realities, the debut album is titled Banzai!, something like a shout of Hurrra or Yeehaw! Stylistically, the album is more or less unclassifiable, drawing on the traditions of jazz and other African-American styles, as well as folk music from Moravia and beyond.