180gm vinyl repressing of the mono edition of the Jazz legend's 1960 album. Sketches of Spain is considered by fans and critics alike to be one of the most accessible albums of Davis's career. Less improvisational than much of his other work, some of Davis' contemporaries suggested that Sketches of Spain was something other than jazz. Davis replied (according to Rolling Stone magazine), "It's music, and I like it".
Bitches Brew is a studio album by jazz musician, composer, and bandleader Miles Davis, originally released on March 30, 1970. It marked his continuing experimentation with electric instruments that he had previously featured on the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. In subsequent years, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians.
SOMEDAY MY PRINCE WILL COME MILES DAVIS VINYL LP Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley. Miles Davis - trumpet Hank Mobley - tenor saxophone on all tracks except "Teo" John Coltrane - tenor saxophone on "Someday My Prince Will Come" (master) and "Teo" Wynton Kelly - piano Paul Chambers - bass Jimmy Cobb - drums Philly Joe Jones - drums on "Blues No. 2" Frances Davis - cover model.
A Tribute to Jack Johnson is a studio album and soundtrack by American jazz trumpeter, composer, and bandleader Miles Davis. It was originally released on February 24, 1971, by Columbia Records. It's two 25-minute-plus tracks were produced from recordings made on February 18 and April 7, 1970, at 30th Street Studio in New York City. Davis was inspired by the political and racial subtext of Johnson's saga as well as the hard rock and funk sounds of his own era, leading a rock-inspired line-up of musicians in the studio: guitarists John McLaughlin and Sonny Sharrock, keyboardists Herbie Hancock and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.
Digitally remastered edition. The selections Garner committed to tape in the fall of 1973 include what may be some of his best original compositions, alongside a series of timeless contemporary takes on American Songbook classics. Though it would turn out to be the final studio album of his life, it makes clear that Garner was continuing to innovate on his distinctly individualistic style, and surely would have for decades to come.
Since the release of his 2004 critically acclaimed CD WHEN I FALL IN LOVE, Chris Botti has become the largest selling American jazz instrumental artist. His success has crossed over to audiences usually reserved for pop music and his ongoing association with PBS has led to four #1 Jazz Albums, as well as multiple Gold, Platinum & Grammy Awards. On his new album IMPRESSIONS, Chris Botti performs with superstars Vince Gill, Herbie Hancock, Andrea Bocelli, David Foster and Mark Knopfler. IMPRESSIONS includes songs written by an incredibly diverse roster of songwriters including Randy Newman, Herbie Hancock, R. Kelly, George Gershwin, Frederic Chopin, David Foster, and Harold Arlen.
Over the course of two sessions in November 1967, Erroll Garner and his band recorded enough material for a handful of albums. What makes this collection truly unique is the addition of a brass section, expertly orchestrated over a selection of Garner’s improvised arrangements. This style of collaboration was groundbreaking for the era and helps to make this one of the most musically thrilling of all Garner’s albums.
The Erroll Garner Octave Remastered Series represents the heart of Erroll Garner's recorded catalog. Spanning 12 albums and last 18 years of Garner's career, this collection of music is among the most important in the history of jazz. It represents an artist in his prime, with full creative and commercial control of his output following his break with Columbia Records. Find out more about the fourth album in the series below. This classic Garner album contains music from some of the last studio sessions of Garner's longest running trio, with Calhoun (bass) and Martin (drums). After nearly a decade of touring and recording together, they function here as an uncanny musical unit, deftly navigating Garner's twists and turns. Here are a dozen of his favorite deep cuts from the movies he loved.
Christian McBride Big Band: For Jimmy, Wes And Oliver
MACK AVENUE RECORDS
CD
$18.99Sep 25, 2020
Christian McBride solidifies his role as the champion of the past, present and future of jazz with his GRAMMY® Award-winning Big Band's new album in tribute to Jimmy Smith, Wes Montgomery and Oliver Nelson. Featuring special guests Joey DeFrancesco and Mark Whitfield, "For Jimmy, Wes and Oliver" honors the historical legacy of the jazz legends who shaped the soul of music for generations to come.
Nightconcert (from the Dutch Nachtconcert) is a midnight jazz performance held at The Royal Concertgebouw in Amsterdam, one of the premiere concert halls in the world. Recorded on November 7, 1964, it features Garner with his classic trio (bassist Eddie Calhoun and drummer Kelly Martin) performing to a packed house of 2,000 enraptured fans. The audience witnessed a blistering set featuring the group’s unique take on classics from The Great American Songbook, as well as three originals by Garner: “Theme From A New Kind of Love (All Yours),” “No More Shadows” and a new composition titled “That Amsterdam Swing.”
Nightconcert (from the Dutch Nachtconcert) is a midnight jazz performance held at The Royal Concertgebouw in Amsterdam, one of the premiere concert halls in the world. Recorded on November 7, 1964, it features Garner with his classic trio (bassist Eddie Calhoun and drummer Kelly Martin) performing to a packed house of 2, 000 enraptured fans. The audience witnessed a blistering set featuring the group's unique take on classics from The Great American Songbook, as well as three originals by Garner: "Theme From A New Kind of Love (All Yours), " "No More Shadows" and a new composition titled "That Amsterdam Swing."
If you're an unrepentant Gary Burton obsessive, hearing how he swings in various settings during six decades alone is worth the time spent here. Across the five LP's of Take Another Look: A Career Retrospective, the now-retired vibraphonist and educator accompanies his various ensembles through hippified electric settings, some acoustic work and occasional ventures into Appalachian-derived music. - DownBeat Magazine
Jawn [jän]: noun. A slang terminology from Philadelphia. All-purpose term for a person, place or thing
If there’s one thing the acclaimed bassist knows, it’s that when it comes to grit there’s no better resource to draw from than his own hometown, Philadelphia. So, McBride turned to one of the city’s most beloved colloquialisms to christen his latest project, Christian McBride’s New Jawn. On the band’s eponymous debut, these four stellar musicians ably walk the razor’s edge between thrilling virtuosity and gut-punch instinctiveness. The release will be available on October 26 via Brother Mister Productions, McBride’s own newly launched imprint of his longtime label, Mack Avenue Records.
Wynton Marsalis: STANDARDS, is a 14-song compilation of selections from all five Marsalis Standard Time Volumes (1987-1999), as well as other Columbia albums. STANDARDS includes notes by renowned writer, journalist and jazz critic Stanley Crouch. Album highlights include "When It's Sleepytime Down South," "April in Paris," Ellington's "Melancholia" and Monk's "Reflections." Shirley Horn appears on the album singing "I Can't Get Started" from the soundtrack to the film Tune in Tomorrow.
Chris's new album ITALIA was recorded in Rome, LA, and London and includes a new composition aplty named "Italia" as well as Puccini's "Turondat: Nessun Dorma" and Ennio Morricone's Love Theme from "The Mission". in keeping with tradition, Chris Botti's newest work will feature duets with some of today biggest international stars including Andrea Bocelli and Paul Cole. This album boasts songs and melodies that will be, like Chris himself, known for lush romance and rich musical expression.
Saxophonist, composer, and bandleader Tia Fuller uses the process of diamonds forming under four levels of extreme pressure and heat as a metaphor for the time she spent honing her artistic craft. When looking up the term 'diamond cut,' you'll learn that it was not necessarily pertaining to the shape but to the proportioning and the balance as to which the highest amount of light is reflected through the diamond. The process serves as a direct correlation to her teaching and playing. Produced by GRAMMY® Award-winner Terri Lyne Carrington, the album finds Fuller leading two superb rhythm sections, both of which contain some of jazz's brightest luminaries - bassist Dave Holland and Jack DeJohnette, then bassist James Genus and drummer Bill Stewart. Adding texture and harmonic support of several compositions are guitarist Adam Rogers and organist Sam Yahel. Produced by GRAMMY® Award-winner Terri Lyne Carrington, the album finds Fuller leading two superb rhythm sections, both of which contain some of jazz's brightest luminaries - bassist Dave Holland and Jack DeJohnette, then bassist James Genus and drummer Bill Stewart. Adding texture and harmonic support of several compositions are guitarist Adam Rogers and organist Sam Yahel.
Angel Eyes is a 1965 studio album by Dave Brubeck and his quartet of music by Matt Dennis. The album peaked at 122 on the Billboard 200. Alto Saxophone – Paul Desmond Bass – Eugene Wright Drums – Joe Morello Piano – Dave Brubeck Producer – Teo Macero Japanese CD pressing. 2014.
A Tribute to Jack Johnson is a studio album and soundtrack by jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971. The album was conceived by Davis for Bill Cayton's documentary of the same name, on the life of boxer Jack Johnson. It's two 25-minute-plus tracks were produced from recordings made on February 18 and April 7, 1970, at 30th Street Studio in New York City. Davis was inspired by the political and racial subtext of Johnson's saga as well as the hard rock and funk sounds of his own era, leading a rock-inspired line-up of musicians in the studio: guitarists John McLaughlin and Sonny Sharrock, keyboardists Herbie Hancock and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.
This LP "best of" collection is part of a high-quality reissue series from Sony, focusing on the legends of the 80-year-old Columbia jazz catalog. Featuring superb, digitally-remastered sound and a super low price, this set of Dave Brubeck classics contains "Take Five," "I'm in a Dancing Mood," "In Your Own Sweet Way," "Camp town Races," "The Duke," "It's a Raggy Waltz," "Bossa Nova U.S.A.," "Trolley Song," "Unsquare Dance," "Blue Rondo a La Turk" and "Theme from Mr. Broadway."
In a timely and nicely varied program, Joey DeFrancesco and his quartet pay homage to peaceful protest and social activism. It’s a soulful sequence of songs that taken together may even convince listeners to consider questions of freedom—in jazz, in society, in personal action—or just induce them to sit back and enjoy the ride. – DownBeat Magazine
Live from Jazz at the Bistro - The young jazz veteran trumpeter Sean Jones believes passionately in championing the creative arc of artists who are committed to their life journey. I think the progression of the art form [jazz] comes with people being allowed to be themselves in their rawest form with no compromise, he has noted and added, My body of work is going to show a progression of who Sean Jones is in the most honest form. While he spoke these words a few years ago, they serve as a vivid manifesto for his new Mack Avenue Records album, Live from Jazz at the Bistro, his eighth for the label and arguably the most dynamic, playful and loose-limbed excursion of his career. Indeed, the 38-year-old Jones brings to the sessions a stalwart poise, the fire of ecstasy and a whimsy in motion. In a nutshell, I've been wanting to do a live album for a while, he says. I wanted to capture the band's energy live and record what it's like to go to one of my gigs. Granted, recording in a studio creates a polished sound where the music is all tied up. But this album, it's real raw.
Christian McBride, the bassist with the moistest hosts an awesome aggregation of players including his own band mate Steve Wilson, multi-reedman Ron Blake, trumpeter Nicholas Payton and his close personal friend, vocalist Melissa Walker. McB arranges and conducts the project which has been a life-long dream of his. They don't call it brass for nothing.
Miles Davis At Newport: 1955-1975 Bootleg Series 4 [Box Set]
SONY LEGACY
CD
$45.99Jul 17, 2015
Miles Davis' 20-year association as an artist at impresario George Wein's renowned Newport Jazz Festival is a thriving tradition that will be celebrated with the release of MILES DAVIS AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL. 4. The four-CD box set, comprised of live performances by Miles' stellar band lineups in 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975, in Newport, Rhode Island, New York City, Berlin, and Switzerland.
The newest entry in Columbia/Legacy Recordings' critically-acclaimed Miles Davis Bootleg Series, NEWPORT 1955-1975 clocks in at 296 minutes, nearly four hours of which is previously unreleased. From Miles' debut performance at NJF in 1955 (a hastily arranged jam session featuring Thelonious Monk and Gerry Mulligan, that immediately led to the trumpeter's Columbia signing), to his final public perform¬ance of the '70s in 1975 (at Lincoln Center during NJF-NY, the singular "Mtume" named for Miles' favored percussion¬ist of that decade), the box set traces the ascendance of Miles' music as the ne plus ultra of jazz. The full-length concert performances alone of Miles' famed "Kind Of Blue" Sextet (with Cannonball Adderley, John Coltrane, Bill Evans, Paul Chambers, and Jimmy Cobb), and second great quintet in '66 and '67 (with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams) represent templates that reverberate in jazz and popular music to this day.
With the release of her 2018 Mack Avenue Music Group debut, Crime Zone, pianist/keyboardist Connie Han seized the attention of the jazz world and firmly established herself as a fast-rising star on the scene. That stratospheric ascent continues on her captivating follow-up, Iron Starlet. As the title makes vividly clear, Han’s career may be in the early stages of what promises to be a vertiginous climb, but the 23-year old is no wide-eyed aspirant, timidly searching for her place in the crowded jazz landscape. One listen to Iron Starlet is ample evidence that she’s every bit an armor-clad talent as the name implies. Her powerful vision takes in the full evolution of her forebearers, from iconic innovators like McCoy Tyner and Hank Jones through the Young Lion revolution spearheaded by the Marsalis Brothers, Kenny Kirkland and Jeff “Tain” Watts, among others.
“The intention of this music is to continue a legacy of tough, primal, raw but still intellectually engaging straight-ahead jazz,” Han declares. “I am an aspiring star in this music, but I am not a naïve, uncertain girl that people wrongly associate with that term.” The toughness at the core of Iron Starlet is rooted in its rhythmic drive, anchored by the trio of Han, bassist Ivan Taylor and drummer/producer Bill Wysaske. They’re joined by the stellar frontline of saxophonist Walter Smith III (returning from Crime Zone) and trumpeter Jeremy Pelt, an ideal pairing to realize the compelling blend of sophistication and grit that Han imbues into every piece.
Check out our exclusive interview with Connie Han on this album!
Time OutTakes features 7 tracks that have never been heard before. These newly discovered recordings feature wonderful performances that are every bit as compelling as those on the original Time Out. We discovered that during the original 1959 sessions the Quartet also recorded "I'm In a Dancing Mood" and an unlisted trio jam with a major drum solo that included snatches of the melody from "Watusi Drums." Two tracks from Time Out, "Pick Up Sticks" and "Everybody's Jumpin, " were achieved in one take so no alternates exist to include here. These 7 new performances (and bonus track) are fascinating finds. Chris Brubeck We've all heard Dave Brubeck's Time Out - but never quite like this. You'll hear Dave Brubeck's signature pieces afresh and anew. Listening to this album will make you rediscover why you fell in love with The Dave Brubeck Quartet featuring Paul Desmond, Joe Morello and Eugene Wright. This is mesmerizing music. Kabir Sehgal, Grammy Award Winning Producer Once the Dave Brubeck Quartet released Time Out in 1959, the world of jazz was never the same. Every note of the seven original compositions soared with wild originality and trained musical genius. "Take Five" became the best-selling jazz single of the twentieth century. I've often wondered how this work of genius came to fruition in the studio? How did Brubeck develop such chemistry with alto-saxophonist Paul Desmond? Now the mysteries are solved with the historic release of Time OutTakes (alternative takes to the masterpiece that blew the hinges off the doors of jazz). What a high privilege it is to be able to be in the studio with the quartet as they innovate using 9/8, 5/4 and 2 bars of 3/4 alternating with 2 bars of 4/4 on such classics as "Blue Rondo a la Turk" and "Three to Get Ready." All listeners of Time OutTakes will experience the Cold War era jazz revolution as it unfolded. What joyous music for the ages! Douglas Brinkley, CNN historian and Grammy-winning jazz producer.
This four CD set presents four nights of historic performances at the legendary Fillmore East in New York. Presented in their complete unedited form for the first time, MILES LIVE AT THE FILLMORE : 1970 captures a moment in time and tells a compelling story through it's electrifying music, images and cultural impact!
The classic interpretation of Gershwin by Miles Davis (performing with a large ensemble) and Gil Evans (arranger and conductor). The great new sound heard here was retrieved from the 3-time Grammy nominated 6-CD set Miles Davis & Gil Evans: The Complete Studio Recordings, as well as 2 very rare bonus tracks (only available on the deluxe box set release). Packaging features great new liner notes (in addition to the original), plus commentary and lots of rare session photos.
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