MAKE SOMEONE HAPPY

Gerald Albright launched his solo career in the infancy of what became the smooth jazz format, with Just Between Us in 1987 and has been a core part of the genre with chart-topping albums, countless radio hits and as a member of many all star tours, including Guitars & Saxes and Groovin' For Grover.

SOMETHIN' TO RELAX WITH

Crazy World is the bold and genre-blurring new album from As Is, the NY-based project fronted by vocalist Stacey Schulman and guitarist Al Schulman. This stunning release fuses vocal jazz with poetic commentary, rich orchestration, and experimental textures - including two compositions that creatively integrate AI-generated instrumentation. From the soaring opener "From This Very Moment On" featuring Grammy-nominated artist Kokayi, to a haunting jazz reinterpretation of "Tiny Dancer", and the aching balladry of "A House Is Not a Home", Crazy World balances technical artistry with emotional urgency. With appearances by Jeff "Tain" Watts, Gil Goldstein, Corcoran Holt, and a full string section, the album delivers both depth and dynamism. Tracks like "PrAilude" and "Children's Games" explore the intersection of humanity and machine - using Suno AI to challenge how we perceive musical authorship, while still grounded in melodic integrity and lyrical intention. Whether you're a jazz collector, audiophile, or a fan of modern vocalists pushing boundaries, Crazy World is a daring, deeply musical experience.

At the Jazz Showcase is the first ever release of piano legend Ahmad Jamal's trio featuring bassist John Heard and longtime drummer Frank Gant captured live at Joe Segal's Jazz Showcase in Chicago, IL on March 20-21, 1976. The 2-CD set was mastered from the original tapes. The deluxe package includes newly curated liner notes

Carlos Ni�o & Friends Bubble Bath for Giants Bubble Baths For Giants - Carlos Nino Opaque White Vinyl An immersive percussion-led meditation from Los Angeles-based composer and producer Carlos Ni�o, Bubble Bath for Giants is at once an ode to oceanic vastness and a celebration of the quietly powerful - what Ni�o describes as the same energy expressed in different vessels. Recorded in Topanga, California and across the homes of the artists involved, the album unfolds through an extraordinary density of acoustic material: bells, bowls, ceramics, chimes, cymbals, bass drum, sakara, surdo, tom, gongs of every provenance (chao, cup, Indonesian, sun, symphonic), metal and wooden keyboards, synthesizers, plant leaf bundles and fronds of bamboo, eucalyptus and palm, rattles, shakers, voice, whistles, and Ni�o's own sound design. The result is something that breathes rather than moves - a vast, ceremonial gentleness.

Recorded at Studio Opus with Jacques Roy (Tales from the Treetops, B'langer & Bisson Conversations), Anne Bisson's 2025 album Guilty Pleasures features Anne's takes on hits like "Wild Horses," "In the Ghetto," "Harvest Moon" and "Comfortably Numb," plus an "Autumn Leaves" duet with special guest Bruno Pelletier and 2 originals. Contains 11 songs. The Ultimate High Quality CD reproduces audio with greater precision and at a level that is impossible to achieve using conventional CD production technology! Packaged in an XRCD-like luxury digipak complete with full color CD booklet. Playable on any CD player, the Ultimate High Quality CD greatly surpasses all previous CDs before it! Numbered, Limited Edition Japanese Import UHQCD!

RIVER

SHAPESHIFTER

Limited Edition 2-CD Digipak Remastered audio transferred from the original tapes Deluxe 2-LP Set Also Available Includes exclusive photos by Hugo Peeters and a special essay by renowned jazz author Kevin Whitehead Limited Edition 2-CD Digipak

VIEWPOINT

FREE AS YOU WANNA BE

THERE'S A YEARNIN'

In 2005, Fr�d�ric Galliano, founder of the Frikyiwa label, decided to put it on hold for a few years. In his archives, many albums recorded during his years of travels in Africa remain unreleased. In the context of the reactivation of the Frikyiwa label, the album Lionel and St�phane Belmondo feat. K�ba K�b� Diolas Orchestra: "Calypso Diola" is therefore being released today. It was in the heart of Casamance, in the village of Bignona, that this album was recorded, in a house typical of the region, built of earth, with thick walls producing a warm acoustic open to the outside world. The idea of Fr�d�ric Galliano was to bring together the Belmondo brothers with Diola culture, renowned for it's distinctive percussion combining wood and struck metal, as well as singular instruments such as the ekontine (a four-string guitar) or Diola flutes. The vocal melodies typical of Casamance are also strong markers of this album recorded over a few days, live and in an improvisation inherent to jazz. Often composed as duos, with the exception of "Osoforal," recalling a certain 1960s jazz, the tracks of the album are marked by an artistic direction that presents the Belmondo brothers in a more stripped-down light than usual. Composed of duos or slow tempos, these tracks and their particular recording approach give this album an original colour in which each part expresses it's specificity of improvised jazz and Diola culture. Sometimes tinged with humour (Bach to Casamance or Calypso Diola) or with greater softness (Casa Sport), what is delivered here is a truly original and creative recording. It is also important to place this album in it's context: recorded in 2002, it was at the time quite unprecedented to have this kind of in situ encounter between European and African musicians. It should therefore be listened to in this specific light. It nonetheless remains both contemporary and timeless.

Swiss pianist and composer Sylvie Courvoisier has been a defining figure on the contemporary jazz scene for 20 years and is at the epicenter of the New York music scene. She was also recently awarded the prestigious Swiss Grand Prix Musik 2025. She now follows up on the acclaimed recent releases - her solo album To be Other-Wise, and the atmospherically multi-layered duo album Angel Falls with the legendary Wadada Leo Smith - with a live album from her much-lauded trio with bassist Drew Gress and drummer Kenny Wollesen. Recorded during a European tour in February 2025, the album presents the quintessence of this outstanding trio. With each concert, with each album, the trio's working method becomes more defined. In deep musical trust with each other, the three exceptional musicians celebrate a detailed and precise music that is both ambiguous and wide open. "And that's what this album shows now. This joy, diversity, subtlety, this desire. (...) Losing oneself in the music, the delicious moment that unfolds heavenly. But so cunning, so complex, so pointed, as only true virtuosos can be," writes Ulrich Stock in the liner notes.

2022 release. Mark Tremonti has come together with surviving members of Frank's orchestra, creating new takes on some of the classics and some deeper cuts from Frank's catalog. Mark has gifted this album to the National Down Syndrome Society (NDSS), using all proceeds to help fund NDSS give the gift of music to children with developmental disabilities.

APART I / MODULAR

In 2005, Fr�d�ric Galliano, founder of the Frikyiwa label, decided to put it on hold for a few years. In his archives, many albums recorded during his years of travels in Africa remain unreleased. In the context of the reactivation of the Frikyiwa label, the album Lionel and St�phane Belmondo feat. K�ba K�b� Diolas Orchestra: "Calypso Diola" is therefore being released today. It was in the heart of Casamance, in the village of Bignona, that this album was recorded, in a house typical of the region, built of earth, with thick walls producing a warm acoustic open to the outside world. Fr�d�ric Galliano's idea was to bring together the Belmondo brothers with Diola culture, renowned for it's distinctive percussion combining wood and struck metal, as well as singular instruments such as the ekontine (a four-string guitar) or Diola flutes. The vocal melodies typical of Casamance are also strong markers of this album, recorded over a few days, live and in an improvisational approach inherent to jazz. Often composed as duos, with the exception of "Osoforal," recalling a certain 1960s jazz, the tracks of the album are marked by an artistic direction that presents the Belmondo brothers in a more stripped-down light than usual. Composed of duos or slow tempos, these tracks and their particular recording approach give this album an original colour in which each part expresses it's own specificity of improvised jazz and Diola culture. Sometimes tinged with humour (Bach to Casamance or Calypso Diola) or with greater softness (Casa Sport), what we are given here is a truly original and creative recording. It is also important to place this album in it's context: recorded in 2002, it was at the time quite unprecedented to have this kind of in situ encounter between European and African musicians. It should therefore be listened to in this specific light. It nonetheless remains both contemporary and timeless.

Alight Upon the Lake: Live at the Jazz Showcase is a previously unissued recording of woodwind multi-instrumentalist icon Yusef Lateef featuring pianist Kenny Barron, bassist Bob Cunningham and drummer Albert "Tootie" Heath captured live at Joe Segal's Jazz Showcase in Chicago, IL in June of 1975. The 3-CD set was mastered from the original tapes by engineer Matthew Lutthans.

Charlie Parker's music has been recorded, studied, debated, and canonized for more than seventy years. Which is precisely why paying tribute to Bird still takes a lot of nerve. There is no safe middle ground. You either bring something new to the conversation, or you risk being drowned out by history. On Another Kind of Bird, Richard Baratta does not tiptoe around this dilemma. Joined by arranger and pianist Bill O'Connell, Baratta revisits Parker's music with a clear sense of purpose and a refusal to play it safe, delivering bold reimaginings propelled by a powerhouse ensemble. Baratta anchors the session with his working band, then raises the stakes. On select tracks, saxophonists Eric Alexander, Abraham Burton, and Craig Handy join regular altoist Vincent Herring to form a dynamic horn section that adds muscle and urgency to the music. Parker emerges here not as relic, but as catalyst: energized, expanded, and unmistakably alive.

Limited green, blue, and yellow marbled vinyl. Includes booklet. Die-cut inner sleeve. Expanded edition of the Icelandic singer/songwriter's 2025 album. A Matter of Time is the third studio album by Laufey. The album's original release includes the singles "Silver Lining", "Tough Luck", "Lover Girl" and "Snow White".

2-LP Set * 180g Virgin Vinyl DELUXE GATEFOLD LIMITED EDITION - Audio transferred from the original tapes and mastered by Matthew Lutthans at The Mastering Lab Includes exclusive photos by Hugo Peeters and a special essay by renowned jazz author Kevin Whitehead

MANY MOODS OF BUDDY COLE: SEVEN CLASSIC ALBUMS

Just Friends is a 1998 jazz album by French pianist Martial Solal, featuring bassist Gary Peacock and drummer Paul Motian. The trio is highly regarded for it's blend of high-energy, straight-ahead swing and avant-garde improvisational complexity. The album features a mix of jazz standards and original compositions by Solal. Critics have noted the trio's remarkable technical facility, harmonic imagination, and ability to navigate both aggressive, complex avant-garde passages and traditional swing.

Bay Area guitarist George Cotsirilos returns to the intimate language of solo nylon-string guitar on "In the Wee Hours," illuminating beloved standards and two original compositions with patience and depth. Recorded largely in unedited first takes over several years, his seventh recording on OA2 unfolds with the quiet authority and refined lyricism that have defined Cotsirilos's career-from his celebrated quartet release Refuge to earlier trio and solo recordings praised for their fluidity and swing. Here, classics such as "Come Sunday," "Haunted Heart," and the title ballad are rendered with a meticulous touch and subtle dynamic shadings that reveal the hidden architecture of each melody. Alternating between exquisite instruments by Jos' Ram�rez and Alberto Morales, Cotsirilos draws out warm, singing tones that blur the line between jazz phrasing and classical resonance. "- an impeccable sense of timing especially in revealing the hidden rhythms of complex melodies. His approach to harmony is whimsical, but patently beautiful at all times." - All About Jazz " - an unerring sense of swing and melody. His solos, while displaying accuracy and technique, are filled with soul." Vintage Guitar Magazine