Trinity Represents The Second Installation In The Unheard Music Series Efforts To Resurrect Joe Mcphee's Early '70's Work On The Cjr Label, Soon To Be Completed With Underground Railroad And Pieces Of Light. This Brilliant Trio Recording Of Blues Inflected Out-Soul From '73 Follows Up On Hugely Successful Nation Time, Recorded A Year Later.

REAL LIFE

Big Chief Donald Harrison Jr. Is one of finest saxophonists of his generation. His resume includes long associations with Terrance Blanchard and Art Blakey throughout the 1980s. But the foundation of Harrison's music, and it's the soul of his music, comes from his lifelong participation in the culture of New Orleans, his home town. Here he pays tribute to that rich culture, and accompanied by non other than the legendary Dr. John. Both artists, the embodiment of New Orleans' music in their own right. The album features a mix of original compositions and jazz standards, all infused with the spirit and energy of New Orleans. Featuring the Mardi Gras Indian chants of The Guardians Of The Flame, this recording captures the magic of heritage New Orleans Mardi Gras music and wraps it all up in one package. Originally recorded at BMG Studios in New York City, May of 1991. Remastered by Bernie Grumman.

Keiko Matsui is an icon of contemporary jazz. With over 3 million units sold and sold-out appearances at concert halls across the globe, she is one of the most recognized artists in the genre. Her elegant piano melodies and gentle jazz grooves have enormous appeal and never disappoint the loyal fan base which she has cultivated with over a dozen albums and hundreds of stunning live shows! Euphoria, Keiko's most inspired release yet, elevates the artist to new heights. Featuring a full string orchestra and horn ensemble, performances that transcend musical genres and stellar, Grammy-winning special guests, Euphoria transcends musical genres while still maintaining Keiko's classic listener-friendly sound! Highlights include the beautiful "Steps On The Globe," Keiko's passionate collaboration with R&B icon Lalah Hathaway "Love and Nothing Else," the deeply moving "New Passage" and many more superb originals.

Channeling the linear rhythmic energy of Bud Powell and Thelonious Monk, the reflective harmonic spirit of Keith Jarrett and Bill Evans, and the romantic spirit of Latin music, pianist Edward Simon presents a comprehensive portrait of his unique musical concept on his first trio album since 1995. Simon is accompanied by the great John Patitucci (Waynte Shorter's bassist) and drummer Eric Harland.

2-CD Set Limited Edition - Includes 16-page booklet. This release contains Jimmy Smith's complete classic Sermon sessions for the first time ever on a single set. These are his only preserved collaborations with Lee Morgan, the formidable trumpet player whose life came to a tragic end after being shot by his girlfriend at the tender age of 33. Tenor saxophonist Tina Brooks is also well featured here. The outstanding reedman would pass away at the age of 42 after a life of drug addiction and self abuse. 2 COMPLETE ALBUMS & MORE - 2-CD SET - CD1/TT: 73:17 CD2/TT: 72:14 - LIMITED EDITION - INCLUDES 16-PAGE BOOKLET

A complete, previously unreleased performance in brilliant stereo sound quality by the legendary Bill Evans Trio. Audio transferred from the original stereo tape reels and mastered by Matthew Lutthans at the Mastering Lab. Recently found in the Kongsberg Jazz Festival archives, it was widely believed that this concert had not been recorded, and as such it doesn't appear on any of the Bill Evans discographies! Featuring Eddie Gomez on bass and Marty Morell on drums.

Solo pianist live in Toronto 1989.

Berger & Holland were two of the first Europeans to find musical homes for themselves deep in American free jazz, and these improvised duets from 1976 show just how comfortable they were. Berger plays piano, vibraphone & balafon, while Holland plays bass. The compositions are tonal, and as the title insists, it's all about time. It's roots go deep, all the way to Africa, and the overlapping of rhythms suggest the minimalism of Reich, Riley & Glass. Berger's forte is rhythmic dialogue, and the subtle time shifts that are often a music's undercurrent are fore-grounded here.

Fast-growing jazz star Evan Christopher brings back the sound of great jazz and swing a la Edmond Hall on this release recorded in 1998. The clarinetist is joined by John Sheridan, Howard Elkins, Don Mopsick, Ed Torres, Jim Cullum and Sebastian Campesi. (Previously deleted:10/1/09. Original release date:12/6/02)

Clarinet king & trumpet tyrant combine forces on this 8 track album from 1961, feat. Jim Robinson, Emanuel Sayles, Alcide "Slow Drag" Pavageau & Sammy Penn.

Vocalist Marlene VerPlanck is joined by a quintet on this new collection of a dozen songs. �"Marlene VerPlanck keeps acquiring superlatives in reviews of her albums and performances, and The Mood I'm In, shows exactly why!" - Joe Lang, NNJS

Second half of March 20, 1953 concert in Oxford, Ohio

First half of March 20, 1953 concert in Oxford, Ohio.

Music has a long history of cultural cross-pollination, where artists draw inspiration from various traditions leading to the evolution of rich and diverse musical genres. Conrad Herwig's current offering is just such a recording. The Latin Side of McCoy Tyner is the latest installment in a critically-acclaimed series that started in 1996 with The Latin Side of John Coltrane. It's the work of a musically gifted, bilingual artist, a master trombonist who grew up admiring jazz's greatest practitioners but, at the same time, cutting his Latin Jazz teeth with legends such as Mario Bauza, Tito Puente, Paquito D'Rivera and others. On the gig here with Herwig, giving the recording and, by extension, the entire "Latin Side of..." project his personal seal of approval, is the great pianist and composer, Eddie Palmieri. Palmieri is surrounded by some of the most respected names in Jazz / Latin Jazz, including Craig Handy, Bill O'Connell, Alex Norris, Robby Ameen and others, all playing imaginative and challenging arrangements by O'Connell and their fearless leader. Here, Conrad Herwig goes directly to the very core of Tyner's compositions and imbues them with the vibrant essence of Afro-Cuban and Afro-Caribbean traditions.

This compilation traces the genre's early days in the recording studio. It includes a reissue of the Victor Talking Machine Company's first piano ragtime disc in 1916, as well as several performances of English ragtime. These sides portray the piano in an era when recording technology struggled to capture the instrument's full range.

As it did with blues and jazz, the early recording industry missed the beginnings of ragtime. Luckily, the burgeoning player piano industry produced ragtime tunes on paper rolls, and these rolls augment the recordings we have. This collection presents ragtime played on piano rolls as well as on instruments like the banjo, which were suitable for early recording processes.

These kings of stride have got rhythm! The immortal Fats Waller and his Rhythm get together with Louis Armstrong and Jack Teagarden in a radio broadcast recorded live at Martin Block's Make Believe Ballroom in October 1938, while father of the stride piano and Waller's teacher James P. Johnson brings Omer Simeon and Pops Foster in to play with his trio.

Jazz trombonist Joseph Bowie was 22 years young when this live album was recorded. It was his second album and he was establishing his own name, his brother Lester Bowie was already internationally renowned. Shortly after Joseph would form Defunkt. Co-leader Oliver Lake also heralded from BAG, the St. Louis music collective. The extraordinary flutist/saxophonist would co-found The World Saxophone Quartet the year following this Toronto concert. "What Bowie and Lake played was an impassioned and demanding music of the moment that responded as much to what was written on their lead sheets or to their spontaneous concepts as it did to the ambiance of the moment." - Coda Magazine, June 1976

SOLO WILLISAU

On the 40th anniversary of the death of the great John Coltrane, we celebrate his life, with a collection of two blazing Newport Jazz Festival performances recorded for Impulse. While both sets have previously been issued on various separate releases, they're now together for the first time with the addition of newly discovered, previously unreleased material.

One of the most distinctive saxophonists to emerge during the late 1950's, while Clifford Jordan did not achieve the mass adulation enjoyed by Gerry Mulligan or Roland Kirk, his work remains just as influential, esteemed and unique. Indeed, whereas many of his contemporaries favoured rough attacks and a hard-boiled fervour, Jordan instead perfected a light, floating approach. A typical Cliff Jordan solo used juxtaposition: a low note might break up a be-bop line, or an upper-register squeal would punctuate an evolving panorama of ideas. And Jordan was one of the few modern tenor saxophonists to use Lester Young as an inspiration, while his playing was always extraordinarily musical, never relying on second hand ideas. This four CD set features Cliff Jordan's first eight albums as leader or co-leader, recorded and released between 1957 and 1962 - the years generally accepted as the great man's golden age. Containing a masterful array of unique and individualistic jazz music, and featuring some of the world's finest musicians backing the maestro, the compilation works both as a fine introduction to Clifford Jordan's extraordinary music and as the go-to collection for those ready conversant.

LIVE IN BROOKLYN

This budget priced compilation contains soothing, mellow jazz, feat. Wallace Rooney, Antoine Roney, Geri Allen, Ralphe Armstrong, Lenny White, John Hicks, Russell Gunn, Myron Walden, Mark Turner, Greg Tardy & many others

Joe Pass - The Pacific Jazz Collection - Born January 13, 1929, Joe Pass was an American jazz guitarist. Well known for his work stemming from numerous collaborations with pianist Oscar Peterson and vocalist Ella Fitzgerald, Pass is often esteemed as one of the most notable jazz guitarists of the 20th century. This 4CD collection features eight original Joe Pass albums on which he performed as leader, all in re-mastered editions, and all from Joe's 'golden years' - the period 1962 to 1966. Recorded when the great man was signed exclusively to The Pacific Jazz label, and when he was at the pinnacle of his career, this collection serves as a fine starting point for beginners to this maverick jazz man's art, and as a fine reminder to those already somewhat versed.