Iva Bittova newest release with the Prague Philharmonia is a sweeping and sonically ample project featuring older and newer compositions from Bittova's repertoire arranged for symphony orchestra. These include pieces created in tandem with Pavel Fajt (Periny/Feather Duvets), Vladimir Vaclavek (Zvon/The Bell, Uspavanka/Lullaby, Sirka v louzi/A Match in a Puddle, Zeleny venecek/Green Wreath), with the bands Dunaj (V cernem/In Black) and Cikori (Zapiskej/Whistle), works within her solo projects (Paraskeva, Elida), as well as a new piece (Vetvicka/Twig).

Jan Gunnar Hoff - Stories - Stories is Jan Gunnar Hoff's third solo piano album on the 2L label and is a sequel to his critically acclaimed album LIVING from 2013. On the new release Hoff stretches his creative abilities, presenting contrasting compositions and improvisations, in a distinctly personal mixture. Some of the pieces are meditative and expressive, while others have a strong rhythmic vibe. Stories also displays Hoff as an arranger, presenting versions of classics like "God Only Knows" and the traditional Swedish folk song "V�rmlandsvisan". SACD and Blu-ray Audio

Guitarist and composer David Doružka, a leading and awarded representative of the Czech jazz scene, whose activities go beyond Czech borders, comes with his new album "Autumn Tales" almost ten years since his previous album "Silently Dawning", although in the meantime he obviously worked on dozens projects of other artists. The album, recorded in trio with acoustic rhythm section, contains mainly David's original compositions, but for inspiration and repertoire, however, he also used sources of Jewish music, oeuvre of Bohuslav Martinu and Czech interwar popular jazz.

Trumpeter and composer Štepánka Balcarová, known from the successful quintet “Inner Spaces” and as the leader of the progressive big band “Concept Art Orchestra” (for the albums of both she has received the „Angel“ award for the jazz album of the year), has compiled her first solo album from her own compositions made on poems of the Polish poet Julian Tuwim (1894-1953). Tuwim´s poems seem to be very simple and plain, but each of them carries many deep thoughts as well. And the congenial music can be described the same way. Balcarová has invited Polish singer Malgorzata Hutek and the band made of fantastic Czech and Polish players (Jaromír Honzák, Marcel Bárta, Robert Fischmann, Nikola Kolodziejczyk and Grzegorz Maslovski) to record with her.

Concept Art Orchestra is an occasionally performing Czech big band comprised of first class Czech jazz musicians, led and conducted by trumpetist/composer Štepánka Balcarová. Their album, The Prague Six, contains six first-time recordings of contemporary compositions by the young Czech composers who formed the group of the same name, the majority of them also ranking among the band’s members. Large original compositions lie at the border of jazz and classical music, using all expressive possibilities and orchestral interplay, as well as the improvisational skills of its individual members.

Virtuoso jazz bassist, Carl Mayotte is a musician, arranger, composer and producer. His first album Fantosme, co-produced with Michel Cusson, allowed him to be named the Jazz Revelation by Radio-Canada in 2020 and to be nominated at the Gala de l'ADISQ 2020 in the in the category Jazz Album of the year. Now teaming up with Analekta, this prolific musician is releasing his third album, in which he explores jazz fusion and world music. He writes: “I am happy and honored to finally present my new album Escale. As its title says, this album is a musical journey that differs from my usual musical universe and it was composed in a different way too. Improvisation and instinct taking the place of reflection and hours of doubts that usually inhabit my composition techniques.”

These young musicians from Egypt, Turkey, Portugal and Italy bridge the distance between the shores and sonic worlds of a rapidly changing region. Their first album, recorded in Paris, blends both timbres and backgrounds in a unique artistic collaboration with Festival d’Aix-en-Provence, supported by Abu Dhabi Festival. Cairo Jazz Station was born from the desire of four friends — from different parts of the world, with different musical traditions and different personal experiences — to establish a personal, inclusive and shareable musical environment. Their music is influenced by the folk music of each country and by much improvisation and jazz, and uses melodies from the European classical tradition blended with rhythms and instruments of the Middle East.

Pianist Enrico Pieranunzi and arranger Michele Corcella complete offer a beautifully orchestrated collection of John Lewis’s best.

In the specific field of jazz/classical music crossover, the 1920s were crucial. They gave us one of the first, absolutely extraordinary, works of the genre: the famous “Rhapsody in Blue.” John Lewis moved in the same direction as Gershwin, but from a very different vision and experience. Indeed, Lewis was an excellent jazz pianist, but above all Lewis, besides being a great jazz player, was deeply in love with the music of Bach and from the earliest years of his career onward made the blues/Bach pair the banner of his artistic life. It is to this musical conception and to the compositional art of John Lewis that, a little more than two decades after his passing, “Blues and Bach” wishes to pay tribute. His tunes have been reworked and orchestrated for the occasion with an ensemble that, in some ways, is itself a crossover within a crossover (jazz trio plus string quintet and woodwind quintet).

REVIEWS:

If jazz is by now a respectable genre, it’s partly thanks to John Lewis. Never knowingly overwrought, this American pianist had his roots in classical music, bebop, and the Birth of the Cool. A Bach devotee, he incorporated fugue and counterpoint into his work. Here two Italians, the pianist Enrico Pieranunzi and the arranger Michele Corcella, complete the journey with a beautifully orchestrated collection of Lewis’s best.

Pieranunzi is one of Europe’s great jazz pianists, greatly influenced by Bill Evans. His luminous tone and elegant, linear phrasing is a superb foil to the warmth of Corcella’s arrangements. On Vendome, the most Bach-like piece, Pieranunzi slips easily between frisky fugue and sophisticated swing as the strings scurry alongside. On Django the violins handle the baroque counterpoint as the trio dig into a down and dirty blues. 

Some wonderful sound pictures are drawn on Skating in Central Park: a Satie-like figure falls like snow and the piano waltzes over the drummer Mauro Beggio’s powdery brushes. Woodwinds swirl and strings sparkle. By contrast, Spanish Steps and Jasmine Tree are proper workouts with lively trio improvisation slotting into complex orchestral structures. Strings often weigh down a jazz group — here they make it more exciting.

Two bittersweet ballads were surely included for sentimental reasons. The Italians handle Lewis’s Milano gently, the piano wandering easily through a shifting chamber-music cityscape. Lewis didn’t write Autumn in New York (it’s by Vernon Duke), but his band the Modern Jazz Quartet recorded it and was formed in NYC. Pieranunzi swaggers along as skyscrapers of sound stretch upwards around him. Classic classical jazz.

-- London Times (Chris Pearson)

If you have two loves – swing and Paris – if you want to dance to the rhythm of the beguine; if you love not only Beethoven but also Cole Porter, then go and visit Frivol’s Club! The ensemble Les Frivolités Parisiennes is a master in the art of blending musical genres. So, B Records invites you to join in and enjoy this tumultuous program which will immerse you in the vibrant atmosphere of the Roaring Twenties. Established in 2012 by the musicians Benjamin El Arbi and Mathieu Franot, Les Frivolités Parisiennes was created out of a desire to recover French Light Music of the 19th and 20th centuries, comic opera, opera buffa and musical comedy. With this in mind, the company annually produces new productions or revivals, of which a number have been recorded by Naxos. The chamber orchestra of Les Frivolités Parisiennes, the spiritual heir to the orchestra of the Opéra-Comique that was disbanded in the 1960s, can comprise from 14 to 40 players according to a work’s requirements.

Irma Neumüller is a Swedish jazz vocalist and composer who writes music in both Swedish and English, infusing the traditional jazz sound with her personal touch. Her music is characterized by its swinging, uplifting, and sometimes emotional qualities. Influenced by artists such as Carmen McRae, Monica Zetterlund, and Stevie Wonder, Irma brings a fresh perspective to the jazz genre. With her strong stage presence, she warmly invites the audience into her musical world.

Born in 2001 in Stockholm, Irma Neumüller began her musical journey in the classical realm, starting to play the cello at the age of four. After twelve years as a cellist, she discovered jazz and its rich singing tradition. Irma pursued jazz vocal studies at Södra Latin’s high school in Stockholm and spent two years at the nationally renowned Skurup pre-college before relocating to Berlin, where she currently studies at the Jazz Institute Berlin.

In recent years, Irma Neumüller has garnered success on stages across Sweden. She was honored as the "Young Swedish Soloist 2023" by the Swedish performing arts organization “Scenkonst Sörmland”, received several scholarships, and has been consistently praised by jazz critics. Her debut album, "Introducing Irma Neumüller", is set for release on February 23, 2024, under the label Naxos/Prophone.

Storyville Records is proud to present one of master saxophonist Phil Woods’ most impressive projects, Bird With Strings … And More! The recording of this album took place in Tonhalle Zürich on June 13, 2005 with the help of pianist Ben Aronov, bassist Reggie Johnson, drummer Douglas Sides and the fantastic Zürich Chamber Orchestra. The beautiful and characteristic sound of jazz and pop supported by a string orchestra is a very special and rare experience. Bird With Strings … And More! uses the classic album Charlie Parker With Strings as a point of departure. Charlie Parker, also known as Bird, recorded the original Charlie Parker With Strings in 1949 with a rhythm section plus a very small string section.

On this recording, PW has written all new arrangements based on the original scores, and expanded the original arrangements to a much larger string section of 24/30 pieces and added a small woodwind section of oboe, flute and clarinet. Woods also proceeded to write a dozen extra arrangements with the same instrumentation. PW pays perfect tribute to Bird and his original project, but with his very own sound signature, sometimes warm and sometimes volcanic.

PW was not only an extraordinary alto saxophonist, but also an incredible composer and arranger. He is a modern jazz giant and one of the most important alto saxophonists in the history of jazz. Woods was known for a lyrical and beautiful sound making him one of the most popular musicians in mainstream jazz. This is emotional music for lovers, so savor the moment and relax in the company of one of the true masters!

The critically acclaimed singer and songwriter Hannah Svensson releases a new album - this time in the spirit of Christmas - in the company of a group of eminent jazz musicians. Klas Lindqvist, who is considered one of the country's most prominent saxophonists; Sven-Erik Lundeqvist, one of the new generation's most personal and listenable pianists; the seasoned bassist Mattias Svensson, who is considered one of the Nordics' foremost; as well as the brilliant drummer Paul Svanberg.

Brazilian bossa nova queen Rosa Passos’ highly anticipated album Samba Sem Você is due for release on February 3rd, 2023 on Storyville Records. For years, the Brazilian vocalist and guitarist has had a devoted global following, including fans who proclaim she is Brazil’s answer to Ella Fitzgerald or the female João Gilberto. So, expectations were high, when she performed two sets at Copenhagen Jazzhouse on July 7th, 2001.

The tracks on Samba Sem Você come from the second set, while the songs of the first set were released as the album Dunas in 2021. RP is a prolific, distinct vocalist with a playful yet sophisticated style marked by perfect pitch, spacious elegance and natural flair. Her musicality is an inspiration to singers all over the world. She is intimate and powerful at the same time, and the tunes she plays, a mixture of her own compositions and bossa nova classics, support her means of expression in the best way possible.

On this recording, she has gathered some of the finest musicians in the business of bossa nova, including pianist Fábio Torres, bassist Paulo Paulelli and drummer Celso de Almeida. The three provide the pleasing musical backdrop for RP to spread her wings and seduce the audience with her charming smile, infectious warmth and delicate voice.

Passos began playing piano at age thirteen, but after listening to Dorival Caymmi and João Gilberto, she abandoned the instrument to become a singer. She recorded her debut album in 1978, and has since worked with the likes of Ron Carter and performed with master pianist Kenny Barron among many others. Her music speaks to everyone, you don’t need to know anything about bossa nova to appreciate her music as there is something universal about her vocals and approach that instantly makes the listener go along on the journey she sets out for. It’s always soul-soothing and beautiful, and if you press play and close your eyes you can almost feel the Brazilian soul and see the sandy beaches for your inner eye.

Storyville Records presents the legendary American saxophonist Buddy Tate in a meeting with the Danish quintet White Label on the new album Tate’s Delight – Groovin’ at the JASS Festival. The meeting took place at the Holstebro JASS Festival in September 1982. JASS stands for Jutland’s Active Musicians’ Society. For almost 20 years since the foundation in 1975, the society presented an annual jazz festival during the last week of September. The concerts took place at the Holstebro Hall and the nearby Restaurant Laksen. Tate’s Delight was recorded at Restaurant Laksen with no rehearsals. Some tunes, but not all, were agreed upon, when White Label took the stage. It became one of those spontaneous events, where the music is created on the spot, but one for which the musician has been preparing throughout his career as an improvising jazz musician. In this context, Buddy Tate was a fine acquaintanceship. He was in good form, friendly, easy to play with, and super cool in his elegant brown-and-yellow stage outfit with matching two-tone shoes. The album is separated into two parts. First, Tate is heard with the rhythm section, showcasing his beautiful, but rarely heard clarinet on magnificent renditions of the Duke Ellington tunes In A Mellow Tone and Mood Indigo. On the second part of the album, Jens Søndergaard and Poul Valdemar Pedersen join in on the last three songs, recreating the intense jam session spirit of the golden age of swing. This session is an excellent example of the musical encounters that have taken place in Denmark over the years. Buddy Tate was among the many legendary international stars, who came and played with Danish musicians, thus contributing to the special bond between Danish and American jazz.

A Timeless Form, Reimagined for Today With�Ya Man Itha, Lebanese singer Rima Khcheich brings to life an album she has carried in her heart for decades. It is a deeply personal tribute to the late Egyptian composer Fouad Abdel Majeed, whose music shaped her artistic voice from an early age. In this recording, Rima revisits ten of Abdel Majeed's Muwashahat-classical Arabic vocal compositions often set to poetry and marked by intricate rhythms and modes-and places them in dialogue with the colors and sensibilities of French chanson. At first glance, chanson may seem far removed from the Arabic Muwashah, yet both traditions share a deep commitment to poetic expression, lyrical nuance, and the marriage of words and harmony. This cross-cultural resonance became the spark for the ensemble's refined arrangements, created by Maarten Ornstein, Tony Overwater, and Juan Rodriguez. A Living Conversation Between Heritage and the Present For Rima,�Ya Man Itha�is not just a tribute�-�it is the fulfillment of a promise made thirty years ago. As a young singer of 13, she traveled to Cairo in early 1994 to meet Fouad Abdel Majeed. They spoke of making an album together; he even composed new works for her. But just months later, he passed away, and that dream was never realized. Now, three decades on, Rima returns to his music with rare recordings and cherished memories as her guide. The result is a living, breathing conversation between memory and renewal, past and present. An Ensemble Bound by Trust Joining Rima are musicians with whom she has shared a profound artistic bond for over 25 years: Maarten Ornstein (clarinet), Tony Overwater (double bass), and Joost Lijbaart (drums). Their long collaboration has created a rare musical language rooted in trust, openness, and deep listening. For the first time, they are joined by Juan Rodriguez (piano), whose youthful sensitivity and energy infused the music with new colors. Together, the ensemble recorded the album live, preserving the immediacy of performance and the intimacy of shared breath. The Arrangements�-�three by Tony, five by Maarten, and two by Juan�-�reflect the spirit of this project: respectful of tradition, yet unafraid to step into new terrain. With�Ya Man Itha, Kepera Records is honored to present an album that embodies timeless heritage while speaking directly to the present moment�-�a musical promise finally kept

Master drummer Stephane Galland (Aka Moon, The Rhythm Hunters, Ibrahim Maalouf...) presents Kanda, a fresh and polymorphous trio with Lucia Pires (Steps, Edoardo Cimino, Tomorrow's Warriors) on flute and EWI, and Louise van den Heuvel (Sonic Hug, Dishwasher_, Stephane Galland & The Rhythm Hunters) on electric bass, samples and effects. Kanda refers to many different concepts. In Sanskrit, the word means "chapter" and in South Indian music, Kanda Chapu is used to define a 5-beat cycle. In Thai, the word is a mark of affection for loved ones, and in Hatha Yoga texts, it refers to roots, both of plants and of the energy flows known as Nadis. With these branching spiritual meanings, it's no wonder that the project Kanda exists in many forms. It Is at once a purely acoustic trio with flute, bass and drums, and at other times more electronic with the addition of effects and keyboards to the bass and the use of the EWI (electronic wind instrument). The EWI can take over the role of the bass, while the bass plays the melodies and chords.� Kanda is energetic and rhythmic as well as fragile and atmospheric all at once. Rhythmic complexity is used to pave the way towards new territories of sensation and groove. From it's conception, the trio immediately started developing it's unique essence. With this project, master of rhythm Stephane Galland aims to explore a new direction in his ever-evolving quest for fresh musical adventures.

Buddy DeFranco was one of the few jazz clarinettists to come to prominence in the post-war era when the instrument generally saw a decline, and he was one of the only clarinettists to successfully find a role in the changing musical environment brought about by the emergence of bebop.

Freddie Slack was a boogie-woogie pianist and swing bandleader who started out with Jimmy Dorsey's band in the 1930s and subsequently racked up a string of hits in the 1940s, first with the Will Bradley Orchestra and then leading his own band, some of them with the fine singers Ella Mae Morse and Margaret Whiting on vocals. This 49-track 2-CD collection begins with his hits with the Will Bradley Orchestra on Columbia, and then comprises selected A & B sides from his releases on Decca and Capitol through to the time he left the label, and did not release any records for another five years. It features all his chart entries with Will Bradley, including the Top 10 hits "Beat Me Daddy Eight To The Bar", "Down The Road Apiece", "Scrub Me Mama With A Boogie Beat" and "There I Go", plus all his career pop and R&B hits with his own band, including the Top 10 successes "Cow-Cow Boogie", "Mister Five By Five", "That Old Black Magic", "Riffette" and "The House Of Blue Lights". Along with hits that feature Ella Mae Morse, Margaret Whiting and Liza Morrow, it features his hit with Johnny Mercer, "I Lost My Sugar In Salt Lake City". Other featured vocalists are David Street and Charlotte Blackburn, and there are also notable recordings accompanying blues singers Big Joe Turner and T-Bone Walker. It's a highly entertaining showcase for the range of his music, especially his renowned boogie-woogie piano

Ella Fitzgerald's Live At Montreux 1969 features the First Lady of Song backed by the Tommy Flanagan Trio performing a set combining contemporary tracks, such as "Sunshine Of Your Love" and "Hey Jude" alongside classics like "I Won't Dance," "That Old Black Magic," and a host of others. Available on CD for the first time. Frank de la Rosa - bass / Tommy Flanagan - piano / Ed Thigpen - Drums / Ella Fitzgerald - vocals

Tex Beneke was a big band saxophonist and singer who joined the Glenn Miller Orchestra in 1941, and remained with him until Miller broke up his band the following year to join the Army Air Forces, with Beneke also enlisting in the Navy. Having performed on all Miller's big hits of that era, and with Miller having died over the English Channel in 1944, Beneke got permission from Miller's estate to form a "ghost band" in 1946, initially called "Tex Beneke With The Glenn Miller Orchestra, which eventually became Tex Beneke & His Orchestra a year or two later. This great-value 48-track 2-CD collection comprises selected A and B sides of his releases leading the Glenn Miller Orchestra and his own orchestra during these years on the RCA-Victor, MGM and Coral labels through to the mid-1950s. It features all his twelve hits under his own name from these years, including the Top 10 hits "Hey! Ba-Ba-Re-Bop", "I Know", "Give Me Five Minutes More", "Passe", "A Gal In Calico", "Anniversary Song" and "St. Louis Blues March". As well as his own featured spots as vocalist, it also has performances by Garry Stevens, Artie Mann, Lillian Lane, Glenn Douglas, Gwen Bari and Ray Eberle, along with the vocal groups The Crew Chiefs and Moonlight Serenaders. It 's an entertaining set that sees Beneke recapturing the spirit of the Miller band, but also establishing a style of his own as the market changed in the post-war era.

Ralph Flanagan was a pianist, composer, arranger and bandleader, who worked with the orchestras of Charlie Barnet, Boyd Raeburn, Hal McIntyre, Sammy Kaye, Alvino Rey and Blue Barron before launching his own band in the late 1940s, based very much on the sound of the Glenn Miller Orchestra, being signed to RCA by Glenn Miller's former A&R man. Performing a range of straight orchestral and swinging jazz pieces, along with the hot songs of the day sung by his featured vocalist Harry Prime and his vocal group The Singing Winds, he had a string of over twenty hits between 1949 and 1953, including his signature Top 10 composition "Hot Toddy". This great-value 51-track 2-CD set comprises selected A & B sides on the Rainbow, Bluebird and RCA-Victor labels during this era. It features all his 21 career chart entries, including the Top 10 hits "Don't Cry Joe (Let Her Go, Let Her Go)", Rag Mop", "Nevertheless", "Harbour Lights", "Slow Poke", "I Should Care" and "Hot Toddy". His music was very much of it's era, typifying a particular strand of the pop scene of the post-war decade, and this collection offers an enjoyable selection of his work.

2022 release. Herb Alpert, the prolific Tijuana Brass titan, returns with Sunny Side Of The Street. This new set of 11 songs contains gentle ballads like "Childhood" and "Time After Time", upbeat romps like "Pata Pata" and "Tickle Time" and covers of classic songs like "I'll Remember You" and Louis Armstrong's "On The Sunny Side Of The Street". Few artists in the history of American music have been able to stay relevant decade after decade like the 87-year-old Alpert. So, put on your shades and take a walk with Herb on the Sunny Side Of The Street.

Classical Music

No one sounds quite like Barth. His solos are characterized by robust swing, his ability to tell a story, and by his rich, beguiling sound. -Zan Stewart, The Newark Star-Ledger. A pivotal member of New York's Jazz scene for 40 years, pianist Bruce Barth's inspired vision and generous accompaniment has always led to rich musical collaborations, none more so than with his working trio of many years with bassist Vincente Archer and drummer Montez Coleman. Their collective voice found it's perfect setting, which makes the release of "Dedication" a profound and emotion-filled moment, as Montez passed away 5 months after the recording session at the age of 48. Celebrating the joy and camaraderie Montez brought to their work, the thread of relationships, inspiration, guidance and gratefulness that imbued the recording revealed itself, leading Barth to present the music as a display of mindfulness of those gifts. "Dedication" is for the ones who give and is filled with life, dance and swing.

Celebrating ten years of work, the all-star collective trio Thumbscrew celebrates by adding new instrumental hues to their already well-established sound on Multicolored Midnight, the group's seventh album! An album laden with fully realized connections and reflections, Multicolored Midnight also provides tantalizing hints regarding Thumbscrew's future explorations. Integrating new textures, sounds and concepts, Thumbscrew has turned into an essential all-terrain vehicle for three of improvised music's most venturesome artists. After a decade of coaxing and inspiring each other, the trio's musical universe just keeps expanding, and Multicolored Midnight sheds dazzling light on where they'll be heading next.