Beautiful Life celebrated the life of Ana M�rquez-Greene, his 6-year-old daughter who was murdered along with 19 other children and six educators on December 14, 2012 at Sandy Hook Elementary School in Newtown, Connecticut. Now, Jimmy Greene continues to honor and memorialize her spirit with Flowers - Beautiful Life, Volume 2, his second release for Mack Avenue Records. Greene again fulfills his stated imperative of "reflecting the way that Ana lived." Here, Greene hones in on Ana's love of dance with a kinetic, groove-filled program comprising ten original compositions-including two Greene-penned lyrics-and his arrangement of the "new standard, " "Something About You."

2020 release from the jazz saxophonist. The deluge of political divisiveness, horrific violence and hateful rhetoric that seem to have polluted our lives on a daily basis over the last few years have left many people across the country and around the world feeling angry, frustrated and hopeless. It would be more than understandable if that feeling was even more intense for Jimmy Greene, for whom the flood of outrageous headlines and social media missives play out against the backdrop of personal tragedy. Greene refuses to succumb to the negativity, however. On his heartfelt album, While Looking Up, the saxophonist was guided by the inspirational words of his pastor: "If I'm not able to find strength or peace by looking inward," he said, "or if I'm not able to do it by looking outward to my immediate surroundings, I have to look upward." On While Looking Up, Greene finds solace, support and inspiration from each of these directions, but in particular from casting his gaze heavenward. Looking inward, he's comforted by his faith and by the gift for moving, expressive composition that has marked his work for the last two decades. Looking outward, he has his family and his brilliant collaborators, culled for this project from a list of longtime favorites who haven't entered the studio together in at least a decade. And while looking up, he recalls the joyful spirit of his daughter, Ana M�rquez-Greene, who tragically lost her life in 2012, along with 25 other students and educators at Sandy Hook Elementary School in Newtown, Connecticut.

Jimmy Greene's new release, Beautiful Life on Mack Avenue Records, is a celebration of the life of his 6-year-old daughter, Ana M�rquez-Greene, whose life was tragically taken, along with 19 other children and 6 educators, on December 14, 2012 at Sandy Hook Elementary School in Newtown, Connecticut.

“… Mark Turner, Don Braden and Jimmy Greene offer thoughtful and distinctive collaboration as they negotiate a bunch of great jazz originals, standard ballads and a couple of organic pieces from within this ‘band for a day’… ” (Mark Gardner) On Jam Session Vol 6, Chris Parker of CD Reviews commented, “… this lively, vigorous album is as much a tribute to the liberating effect of the jam session itself as to the talent and commitment of its participants.”

Vol. 8 features three foremost instrumentalists Ryan Kisor on trumpet, Jimmy Greene on tenor sax and Jim Pugh on trombone on the theme of the 1960’s concept of modality. “The players assembled for a collective review of iconic pieces from that time were all attuned to the spirit of the music and familiar with the patterns and procedures best suited to it…” (Mark Gardner) Derek Taylor of All About Jazz wrote of the previous volumes of this series, “The Danish SteepleChase imprint has long recognized the fertile dynamics of jam sessions, …Volume 5 and 6 in the continuing series offer up vernal combinations and surprises while upholding producer Nils Winther’s credo of “positively no rehearsal.”

Vol. 30 marks the last and completion of SteepleChase Jam Session series which started 12 years ago featuring talented instrumentalists of younger (and old, too) generation on the New York scene. Derek Taylor of AAJ-NY sums up the significance of this series “As long as there is jazz, jam sessions will continue to be the glue that holds the art form together. It’s a dyed-in-the-wool tradition in the music and a primary means by which it evolves. These conclaves of like-minded players draw enthusiastically on the best traits of the practice. The days when giants like Bean, Bags, Jaw and Jug frequented after hours haunts, blowing just for the fun of it and honing their craft into a distinctly American art form are past, but the vernaculars they shaped live on in these men and show that the handed down torch is definitely still burning bright.”