Possessing a beautiful voice, a solid sense of swing, and a history wrapped within the Great American Songbook, Lisanne Lyons delves into arrangements she enlisted Mike Lewis to create for a jazz orchestra comprised of some of Miami's and New York's finest. From the hard-driving "The Song is You," to the lush "This is Always," Lyons displays a savvy musicianship earned through her vast experiences, including years traveling the world with the NORAD Command Band, national touring with City Of Angels, playing the clubs of New York City, and then her work in education, with former students among the top vocalists of today. With her long-time pianist John Toomey at her side, Lyons pays homage to some of the great vocal interpreters of song by putting her own stamp on these reimagined stories of love and life. "sparkling, scintillating jazz singing; No matter what she's performing, be prepared to hear it differently than it's usually played." All Music Guide "reminding us of the magic that can happen when the right singer, the right song and the right accompaniment fall into place. Blessed with a luminous, flutelike soprano, Lyons delivers a collection particularly well-suited to her bright tone and improvisational flair." - The Washington Post

Described by the London music publisher as 'Very Improveing and Delightful to all lovers of that instrument' The first Part of the Division Flute was originally issued for the Baroque treble recorder in 1705. Murphy's love of the recorder inspired her to record some of the best known recorder music, as well as some of the most neglected, from a collection that has never been fully recorded before. A fantastic disc of musicians at the forefront of early music today.

“Why these are the city waits, who play every winter’s night through the streets to rouse each lazy drone to family duty. These are the topping tooters of the town, and have gowns, silver chains, and salaries, for playing Lilliburlero to my Lord Mayor’s horse through the city.” This 1709 reference to a professional band of musicians conjures the thriving city of London in the sixteenth and seventeenth centuries. The band’s sound is replicated on this release by the modern-day namesake The City Musick directed by foremost expert in the field William Lyons (who is also director of the Grammy-nominated Dufay Collective). The drones of dulcians and cornets, sackbuts and shawms, evoke the era’s civic events, theatrical productions and liturgical services, paying homage to the unsung talents of the Waits from the period when their reputation was at its zenith. The City Musick was formed to explore the diverse repertoire of civic and court wind players in 16th and 17th century Europe and is now firmly established as the premier renaissance wind band in the UK.

This second release from Globe Music celebrates the 400th anniversary of Shakespeare’s death by recording the music from two legendary and Tony and Olivier award-winning productions that enjoyed sold-out runs on Broadway, the West End, in the cinema and at Shakespeare’s Globe. Featuring Mark Rylance and Stephen Fry. (Globe Music)

2016 release. A reissue of Jimmy Lyons's Push Pull, originally released on Hat Hut Records in 1979. Long known as Cecil Taylor's most reliable and loyal colleague, alto saxophonist Jimmy Lyons has a select discography as a leader, and among it's best entries is Push Pull, originally issued by Hat Hut Records as a massive three LP set. Recorded during a single marathon performance at the Collective for Living Cinema in New York in 1978, Push Pull features five extended pieces, all by Lyons, with his working quintet that included his wife Karen Borca on bassoon, Hayes Burnett on bass, Munner Bernard Fennell on cello, and Roger Blank on drums. Jolting, quicksilver free jazz with terse themes and brilliant interplay, the music is quintessential Lyons - searching, pliant, and sincere. Remastered from the original tapes, this first reissue of Push Pull compiles the original tracks - two of which were split to accommodate the 20-minute limit of LP - into their original full-length, fitting the whole program onto two CDs, lovingly repackaged featuring the original Klaus Baumg�rtner cover. Recorded by Karen Borca on May 6, 1978 at the Collective for Living Cinema in New York. Photos by Ken Brunton and H.L. Lindenmaier; Cover by Klaus Baumg�rtner. Remastered at Experimental Sound Studio, Chicago, 2015; Tapes transferred at Chicago Mastering Service, 2015; Reissue produced by John Corbett.