Classical Music

In “Our American Roots” Feldman applies his talent and skill to an all-American program of music for cello and piano—to include a pair of rarely heard cello sonatas by Barber and Walker. The remainder of the program consists of arrangements of musical Americana: arias from Gershwin’s Porgy and Bess and his Preludes, and two movements from Copland’s Billy the Kid.

It is an important moment in the life of a singer when she is able to confront the standard repertory. After years spent studying theatre and music in Shakespeare's England under the guidance of musicologist Philip Brett, Jill Feldman recorded two programmes of Henry Purcell's music in 1992, which is reissued here. Many of the ‘Ayres and Songs’ from Orpheus Britannicus are connected to the English theatrical tradition. In the earliest piece on this album, ‘From Silent Shades’, and the latest, ‘From Rosy Bow'rs’, we hear one theatrical tradition – placing the voice of truth in the mouth of a madman. In the same way, we hear the wisdom of Touchstone in As You Like It, of Feste in Twelfth Night, and of King Lear's Fool. This programme, superbly accompanied by lutenist Nigel North, searches for that wisdom throughout. In the Harmonia Sacra recording, Purcell’s sacred hymns are interspersed with his complete organ works played by Davitt Moroney, with whom Jill Feldman had collaborated ever since their meeting in 1975 as part of Philip Brett’s ensemble at Berkeley in California. The organ is an exquisite instrument built by Purcell’s contemporary, Thomas Dallam (1677), which resides in the small village of Guimiliau in Brittany.

Since the release of last year's to Fly to Steal (their debut on Intakt), the members of the Sylvie Courvoisier - Mark Feldman Quartet forged an even deeper chemistry on the bandstand through a series of European tours. The results of that heightened sensitivity now manifest on this superb second album showcasing an uncanny group-think among the four outstanding musicians. The flexibility and expressive range that violinist Feldman, pianist Courvoisier, bassist Thomas Morgan and drummer Gerry Hemingway achieve together on Hotel Du Nord shows how much the quartet has grown in just over a year.

GOL