It would be worth striving towards a style that can combine the highest level of craftsmanship, originality, and high quality with the greatest popularity and folksiness.' – Hanns Eisler. This latest release in Capriccio‘s Hanns Eisler Edition contains songs and chansons from all periods of Eisler’s creative life. It also contains some of the fascinating orchestral suites that he had mostly assembled as adaptations of film scores from the 1930s. Notably, the programme contains the world premiere recording of his incidental music for Die letzte Nacht – the epilogue to Karl Kraus‘ monumental, satirical work The Last Days of Mankind. The mastermind behind this project was the great composer, conductor, and chansonnier HK Gruber, arguably one of the greatest authorities on Eisler.

Inspired by Ovid's "Metamorphoses" and Calvino's deconstructive analysis of the classic Roman recasting of Greek myths, John Aylward's Celestial Forms and Stories establishes musical analogs to Ovid's way of depicting the world. Featuring musicians from Klangforum Wien in chamber formations, Celestial Forms and Stories encapsulates the transformative nature of myth, constantly being reimagined and reinterpreted over generations and retellings. Aylward writes: “The entire nexus of Greek mythology is in constant need of new analysis and artistic interpretation lest it become stale and unable to reflect the ‘universal contiguity’ Calvino so aptly recognizes. Even Ovid’s stories were not his own, but rather the myths of the day retold under his own artistic renderings. And so perhaps Ovid is one of the first to abide by the old adage that the act of writing is to rewrite the already written. I would like my Celestial Forms and Stories to be received also as an act of rewriting these myths that Ovid immortalized, in my own way, and through my own revelation of transformation.”