Isabella Lundgren - vocals
Carl Bagge - piano, music arrangements
Musica Vitae - string ensemble

On the 20th of January 2009, Barack Obama was inaugurated as the 44th president of America. In his speech, he said: “Starting today, we must pick ourselves up, dust ourselves off, and begin again the work of remaking America”. With those words, he echoed the lyrics from the song "Pick Yourself Up," written by Dorothy Fields in 1936.

Dorothy Fields (July 15, 1904– March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs, 15 Broadway musicals, and 26 films. Her strong characterizations, precise language, and heartfelt and humorous approach have granted her a special place in the history of American music and popular culture.

This album is a love letter to this remarkable woman who was way ahead of her time.

Amanda is now releasing her third album on the Ladybird label.

Amanda once again invites the listener to her well-turned and swinging melodic jazz in Swedish, but the listener can also sense a sour self-distance in the middle of the warm and everyday considerations.

Amanda Ginsburg sings about the simple in everyday life, the seemingly banal stories that make up a large part of all of our lives, and she does it with gusto. Today she is one of Sweden's biggest jazz artists and constantly plays to sold-out houses around Sweden. Amanda has won Jazz of the Year at the Grammy Awards in both 2019 and 2021 and has participated in Allsång at Skansen, SVT's National Day celebration, Nyhetsmorgon, Go Kväll, Doobidoo, and På Spåret. She has also received several prizes and scholarships, e.g., Sweden's composer/lyricist's Jazz Prize and the country is full of young people who are introduced to jazz music by listening to and playing Amanda's music.

Isabella Lundgren - vocals
Carl Bagge - piano - music arrangements
Musica Vitae - string ensemble

On the 20th of January 2009, Barack Obama was inaugurated as the 44th President of America. In his speech, he said: “Starting today, we must pick ourselves up, dust ourselves off, and begin again the work of remaking America.” With those words, he echoed the lyrics from the song "Pick Yourself Up," written by Dorothy Fields in 1936. Dorothy Fields (July 15, 1904– March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs, 15 Broadway musicals, and 26 films. Her strong characterizations, her precise language, and heartfelt and humorous approach have granted her a special place in the history of American music and popular culture.

This album is a love letter to this remarkable woman who was way ahead of her time. /Isabella Lundgren

Benny Andersson started out as a keyboard player and composer in a Swedish rock band in the sixties. After meeting Bjorn Ulvaeus in 1966, his writing developed through their creative companionship and a couple of years later, ABBA was born. With Benny’s music, Bjorn’s lyrics and the girls’ voices, the success was unprecedented. Benny has since then explored and developed his composing skills through musicals, music for film and theater, folk music etc. Bjorn Ulvaeus has been a very important and invaluable partner through the years, but this album is focused on the very music composed by Benny. Despite lack of musical education and not reading music he writes like a classical composer. This has been Anders Berglund’s inspiration for these new arrangements and with the beautiful playing of virtuoso Christian Svarfvar and the great London Philharmonic Orchestra, this album wants to shed new light over Benny Andersson’s music.

The critically acclaimed singer and songwriter Hannah Svensson releases a new album - this time in the spirit of Christmas - in the company of a group of eminent jazz musicians. Klas Lindqvist, who is considered one of the country's most prominent saxophonists; Sven-Erik Lundeqvist, one of the new generation's most personal and listenable pianists; the seasoned bassist Mattias Svensson, who is considered one of the Nordics' foremost; as well as the brilliant drummer Paul Svanberg.

This release is the newest from Swedish vocalist Isabella Lundgren. It features arrangements of classic Bob Dylan songs, sung with Isabella’s exceptional artistry. “Isabella Lundgren has a seriousness and a gravity that is unique. It's like she makes time stand still just by being, I guess that's what they call charisma and presence. And then she sings absolutely fantastically, with a natural, flowing time and a low-key but expressive phrasing. The fact the she has something to say with her lyrics, also adds to the magic. She is one of the greatest things that has ever happened to the Swedish Jazz scene”. (Swedish Daily News)

”Lundgren’s incisive and agile voice, often reminiscent of Anita O’Day and Billie Holiday, came from a formally attired, deceptively slight frame and it thus was less of a surprise than it might have been to discover later that having studied music at New York’s New School she is now in Stockholm studying to be a priest. She had the congregation in her hand right from the lightly accompanied rubato intro to That Old Black Magic that opened the set. There was also It’s Magic and a couple of blues, all delivered with compelling authority and a mischievous sense of swing.” (Mark Gilbert, JazzJournal)