Stanley Turrentine - "In Memory Of (Blue Note Tone Poet Edition)". Stanley Turrentine's stellar 1964 album, In Memory Of, traversed swinging hard bop, beautiful balladry and African rhythms with the saxophonist fronting a tremendous sextet with Blue Mitchell (trumpet), Curtis Fuller (trombone), Herbie Hancock (piano), Bob Cranshaw (bass), and Otis "Candy" Finch (drums). This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Stanley Turrentine's 1960 debut album Look Out! Announced the arrival of a deeply soulful saxophonist who imbued every note he played with feeling. Along with the tried-and-true rhythm section of pianist Horace Parlan, bassist George Tucker and drummer Al Harewood, Mr. T delivered a superb set of hard bop that commenced a decade-long Blue Note run. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Limited 180gm vinyl LP pressing housed in a deluxe gatefold tip-on jacket. Stanley Turrentine's 1964 recording Mr. Natural featured the soulful tenor saxophonist and Blue Note stalwart at the helm of a cutting-edge modern jazz group with Lee Morgan on trumpet, McCoy Tyner on piano, Bob Cranshaw on bass, Elvin Jones on drums, and Ray Barretto on congas for three songs. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes.
Backed by a powerhouse of musicians, this set kicks off with the Turrentine composed "Look Out." The rhythm section, consisting of George Tucker and Al Harewood, makes way for some bouncing solos from Horace Parlan on the piano and Turrentine's sax. Contains 9 jazzy tracks including Journey into Melody, Look Out, Little Sheri and many more. Mastered & Produced by Alan Yoshida & Joe Harley from the Original Rudy Van Gelder Blue Note 2-Track Analog Tapes. The Definitive Versions of Blue Note are on XRCD24... Listen & Compare! XRCD24 is Compatible with ALL CD PLAYERS!
That's Where It's At features the first of two collaborations between Turrentine and pianist Les McCann. Rounding out the rhythm section is Herbie Lewis on bass and Otis Finch on drums. Contains 7 tasty tracks including Smile, Stacy, Soft Petal Blues and many other. Mastered & Produced by Alan Yoshida & Joe Harley from the Original Rudy Van Gelder Blue Note 2-Track Analog Tapes. The Definitive Versions of Blue Note are on XRCD24... Listen & Compare! XRCD24 is Compatible with ALL CD PLAYERS!
Limited 180gm vinyl LP pressing. Tenor saxophonist Stanley Turrentine imbued every note he played with feeling and soul. His lesser-known 1968 classic, Common Touch, featured organist Shirley Scott, guitarist Jimmy Ponder, bassist Bob Cranshaw, and drummer Leo Morris (aka Idris Muhammad). Highlights include the groovy "Buster Brown" and the slow burn of "Lonely Avenue." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.
Limited 180gm vinyl LP pressing in gatefold jacket. Stanley Turrentine's 1966 soul jazz classic finds a deep, bluesy groove that doesn't let up from start to finish. Joining him are trumpeter Blue Mitchell, baritone saxophonist Pepper Adams, alto saxophonist James Spaulding, and drummer Mickey Roker. Highlights include soulful covers of Ray Charles' "What Could I Do Without You," and "Feeling Good," which Nina Simone recorded the year before. Blue Note Tone Poet Series features all-analog, remastered sound.
Limited 180gm vinyl LP pressing in gatefold jacket. What happens when you combine Stanley Turrentine's blues-drenched tenor saxophone with Les McCann's soulful, funky piano? You end up with one of their best albums, considered to be a foundational session of soul jazz. They are joined by bassist Herbie Lewis and drummer Otis "Candy" Finch. With standout tracks "Smile, Stacey," the deep blue groove "Soft Pedal Blues" and "Light Blue."
Limited 180gm vinyl LP pressing in gatefold jacket. Stanley Turrentine is at his blues-drenched best on Comin' Your Way. This 1961 session features the magnificent rhythm section of the Horace Parlan Trio (Horace Parlan, George Trucker & Al Harewood) at the peak of their collective power. Also featured is Tommy Turrentine on trumpet, contributing his strong Fats Navarro influence. Part of the Blue Note Tone Poet Audiophile Vinyl Reissue Series.
A jazz tenor saxophonist of huge merit, Stanley Turrentine, often fondly nicknamed "The Sugar Man", pursued an illustrious career in jazz and R&B which spanned an impressive five decades. Finding his inspiration in blues, his eclectic use of style and form earned this gifted musician four Grammy nominations, and a back catalogue that boasts 30 records on which he is credited a leader, and numerous more as sideman. This 4CD boxset collates Stanley Turrentine's albums as leader - all released on the Blue Note label - across the earliest part of his lengthy musical career. Remaining revered to this day among jazz and soul, this collection serves as both a welcome reminder of the man's enormous talent, and complex yet approachable music, and as a fine starting point for those eager to discover arguably the best music the esteemed musical Mr. T ever produced
Limited 180gm audiophile vinyl LP pressing in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI). Stanley Turrentine's 1960s Blue Note output was reliably excellent, but this 1964 session featuring his thick, blues-drenched tenor saxophone backed by organist Shirley Scott, guitarist Kenny Burrell, bassist Bob Cranshaw, and drummer Otis Finch, surely ranks with his very best. From the relentless groove of "Trouble (No. 2)" to the scorching dialog between Turrentine and Burrell on "Ladyfingers" to the deep swinging blues of the title track, Hustlin' is must-have music for fans of Stanley Turrentine.
Digitally remastered two CD set containing a trio of albums by the jazz great. Acclaimed tenor saxophonist Turrentine's CTI albums from 1971, 1973 and 1975. Musicians featured on these recordings include Milt Jackson, Billy Cobham, Bob James, Deodata, Airto and Eric Gale. All the albums were produced by Creed Taylor with the material being a mixture of Turrentine originals and from a host of respected jazz composers. Slipcased with extensive new notes.
Performances by distinguished Australian Baroque violinist, Stanley Ritchie. Complete performances of Bach's three Sonatas and Three Partitas for solo violin, part of the violinist's core repertoire, presented by an expert in Bach performance. Performed on an original Baroque violin in it's original condition by Jacob Stainer, c. 1670, one of whose instruments was in Bach's own collection. Booklet text and essay by Stanley Ritchie presented in English, German, French and Italian.
Deodato's arrangements and Airto's percussion brought Brazilian undercurrents to the smooth, bluesy sound of this 1971 Turrentine gem. His sax is equally sultry on the driving grooves and ethereal pieces: Salt Song; Vera Cruz; Storm; Gibraltar; I Told Jesus, and more!
In a career that spans nearly four decades and includes gigs with Return to Forever, Rite of Strings and a variety of other solo and collaborative projects along the way, bassist Stanley Clarke one of the most prominent voices in electric jazz and fusion had seemingly covered every possible corner of the jazz landscape. But there was one avenue he had yet to explore. This long-overdue dream project becomes a reality with JAZZ IN THE GARDEN. For his first straight-ahead acoustic jazz trio recording, Clarke assembles two brilliant collaborators at the top of their respective games: pianist Hiromi Uehara and drummer Lenny White. Each represents a distinctly different generational and cultural perspective, but given the range and versatility of both, the net effect is superb. Indeed, the synergy resulting from all three of these luminaries makes for one of the most refreshing Stanley Clarke recordings in recent years.
