Limited red colored vinyl LP pressing. Drawing inspiration from the shadowy cabarets and smoky jazz halls of late-1920s Weimar Berlin, Bitter-Sweet sees Bryan Ferry and His Orchestra reimagining his solo and Roxy Music catalogue with a sophisticated jazz sensibility. The album features elegant horn and woodwind arrangements, muted trumpet, clarinet flourishes, and a mood of urbane melancholy, transforming classics like "Alphaville," "Reason or Rhyme," and "While My Heart Is Still Beating." Ferry himself provides select vocals on eight tracks, while the remaining songs unfold as instrumental reinterpretations, arranged with the expertise of Colin Good and performed by a full ensemble of seasoned jazz musicians. The album's concept grew from Ferry's work as music consultant on the acclaimed German TV series Babylon Berlin, where several tracks were originally featured, blending cinematic drama with jazz authenticity.

The Bryan Ferry Orchestra - "Bitter-Sweet" Drawing inspiration from the shadowy cabarets and smoky jazz halls of late-1920s Weimar Berlin, Bitter-Sweet sees Bryan Ferry and His Orchestra reimagining his solo and Roxy Music catalogue with a sophisticated jazz sensibility. The album features elegant horn and woodwind arrangements, muted trumpet, clarinet flourishes, and a mood of urbane melancholy, transforming classics like "Alphaville," "Reason or Rhyme," and "While My Heart Is Still Beating." Ferry himself provides select vocals on eight tracks, while the remaining songs unfold as instrumental reinterpretations, arranged with the expertise of Colin Good and performed by a full ensemble of seasoned jazz musicians. The album's concept grew from Ferry's work as music consultant on the acclaimed German TV series Babylon Berlin, where several tracks were originally featured, blending cinematic drama with jazz authenticity. Available on CD packaged in Japanese-style oversized sleeve.

The Bryan Ferry Orchestra -"The Jazz Age" / Step into a world where classic art-pop meets the roaring 1920s. The Jazz Age reimagines Bryan Ferry's Roxy Music and solo catalog as elegant jazz instrumentals, presented by the Bryan Ferry Orchestra. From "Virginia Plain" and "Do the Strand" to "Love Is the Drug" and "Avalon," each track is transformed through authentic 1920s-style arrangements featuring banjo, clarinet, muted trumpet, baritone sax, and double bass, crafted by renowned arranger Colin Good. Top UK jazz players, including trumpeter Enrico Tomasso and saxophonist Alan Barnes, bring these timeless melodies to life, while mono-style production evokes the charm of vintage 78 RPM recordings. Ferry himself steps back from vocals to serve as conductor and producer, curating this inventive project born from his love of jazz and curiosity about how his songs would stand without singing. Available on CD in a Japanese-style oversized sleeve.

Bryan Senti's La Marea, out on 10th October, is a poignant new work for string orchestra that moves like the ocean. Written as a tribute to his father's journey from Cuba to the United States, the music carries the listener across waters filled with memory, loss, and hope. Performed by the Czech National Symphony, La Marea is both intimate and cinematic, guiding the listener through a story that transports us from the mountain to the sea.

For her recital debut the in-demand concerto soloist Katherine Bryan performs a selection of twentieth-century concertos, including the rarely recorded Liebermann Concerto for Flute and Orchestra. The Liebermann concerto has rarely been recorded in it's entirety. Commissioned and originally performed by James Galway, the concerto is considered one of the most substantial and significant additions to the flute repertoire in recent years. Considered 'a flautist's dream composer' (BBC Music Magazine) Liebermann's writing is full of optimistic, audience-friendly and tuneful melodies with rapid-fire fingering passages that showcase the technical prowess of the soloist. Katherine stated: 'I feel that Lowell Liebermann's concerto encompasses all the emotions and colours of which the flute is so brilliantly capable and it is for me, quite simply a twentieth-century virtuoso masterpiece, and thrilling to play.' The inclusion of works by Hu¨e, Nielsen and Poulenc in the programme shows the particular diversity of the flute, demonstrating the variety of repertoire composed for the instrument during the twentieth century.

With her first Chandos recording, the scintillating flautist Katherine Bryan explores the relationship between her instrument and the human voice by providing a new take on some of the world’s most famous opera arias, from Mozart’s Le nozze di Figaro and Puccini’s Madama Butterfly to Gershwin’s Porgy and Bess. Recorded in surround sound, her rich and colorful interpretations are conducted by Bramwell Tovey, winner of Grammy and Juno awards, and accompanied by the Orchestra of Opera North, the leading opera company in the north of England, and therefore a perfect fit to the repertoire. In her own words: “My concept behind the [album] is to show how close to the human voice the flute can be, and how, through the sound, I can convey the character and sentiments of the arias, pushing the boundaries of what the flute can do as a solo instrument.”