GRACE

For his Savant Records' debut, tenor saxman JD Allen went back in the studio with colleagues Gregg August and Rudy Royston, both of whom have been his regular partners on the bandstand and in the studio since 2008. They go about their business with a robust and focused melodic articulation propelled by great rhythmic drive. You will not find this trio beating a dead horse into submission. The original tracks are short, they get in, make a statement, essay some variations, and get out-short and sweet and intense. An interesting, exciting and thought-provoking release from JD Allen and company.

Every new recording by tenor saxophonist JD Allen serves to solidify his reputation as one of the finest, most adventurous young musicians playing today. With a gently swinging, very personal vibrato he weaves his way into territory that he has charted for himself. With pianist Orrin Evans, JD takes US on a intensely personal journey through an ever-changing landscape of jazz as he sees it with playing that earned Allen a blaze of critical attention signaling his ascension to the upper ranks of the contemporary jazz world.

You encounter nothing but sheer musicality when it comes to the Boston saxophonist Jerry Bergonzi. But Bergonzi's no-nonsense approach to music cannot mask the fact that he is one of the most remarkable jazz saxophonists on the planet. Here Bergonzi is backed by his usual colleagues, Dave Santoro and Andrea Michelutti plus he is joined by pianist Bruce Barth. Featuring a program mostly of Bergonzi's quirky compositions the musicians work together with a uniformity of intent and vision that perfectly personifies the title, CONVERGENCE.

PLACES

ROSENSFOLE

(7-CD set) String Quartets Nos. 1-12 focus on Wadada Leo Smith as a composer for strings. Smith began work on his first string quartet in 1965 and has composed string quartets and other works for strings throughout his career. Smith has also featured strings on a number of his other major works, including Ten Freedom Summers in 2011, Occupy The World in 2012 (TUM CD 037-2) and Rosa Parks: Pure Love in 2016/17 (TUM CD 057).String Quartets Nos. 1-12 represent a magnificent addition not only to Smith's own recorded output but also to the literature for modern string quartet music in general. Compositions vary from relatively brief, one-part quartets of highly evocative and at times meditative soundscapes to the groundbreaking "String Quartet No. 11" that fills two discs with it's nine movements. String Quartets Nos. 1-12 were recorded by the RedKoral Quartet. The group was brought together by Smith during his tenure at CalArts and was featured on the recording of Ten Freedom Summers more than a decade ago and again on Rosa Parks: Pure Love as well as on numerous live performances of Smith's string quartets and other works over the past decade. In addition, featured soloists on the recording include harpist Alison Bjorkedal ("String Quartet No. 4"), pianist Anthony Davis ("String Quartet No. 6"), percussionist Lynn Vartan ("String Quartet No. 6"), guitarist Stuart Fox ("String Quartet No. 7") and voice artist Thomas Buckner ("String Quartet No. 8") as well as Wadada Leo Smith himself on trumpet ("String Quartet No. 6" and "String Quartet No. 8").

YEAR OF THE ELEPHANTS

(3-CD set) Trumpet is a unique three-CD boxed set of solo trumpet music recorded over one week in the beautiful natural acoustics of St. Mary's Church, the medieval stone church in the Town of Pohja on the Southern Coast of Finland. All compositions are by Wadada Leo Smith. Trumpet represents a culmination of Smith's recorded solo trumpet work that has comprised a total of six albums before Trumpet, starting with his very first album as a leader, Creative Music - 1: Six Solo Improvisations, in 1971 and ending with his dedication to Thelonious Monk, Solo: Reflections and Meditations on Monk, in 2015.

Wadada Leo Smith's latest album features "Rosa Parks: Pure Love. An Oratorio of Seven Songs," another extended composition by Smith inspired by the civil rights movement in the United States. This new major work is composed for the iconic civil rights hero Rosa Parks (1913-2005) and performed by three vocalists, a double-quartet and a drummer with electronics. The album is released in February 2019 to celebrate Rosa Parks' birthday on February 4.

Cereal Music is bassist-composer-leader-poet William Parker's first spoken word album -observations from a profound life devoted to the path of finding truth in beauty & speaking truth to power. Parker's words are further illuminated by deeply sensitive sound design created by likewise devoted artist on the same path, producer and singer Ellen Christi. William Parker's music -in it's vast scope & range of form- has been an elemental nutrient of countless listeners lives for nigh on five decades. William's words -whether published on page or spoken from the stage- are part of that music. They speak on the beauty of life itself, amplifying the light of life ever-present, even in exceptionally difficult circumstance. As his first artistic expression, Parker began writing as a young person growing up in the South Bronx projects, presenting an alternate perception of often bleak surroundings and living conditions in the neighborhood. This early awareness that there was another way of being in the world, has suffused his development into a singularly generous artist and human being. Ellen Christi's singing brings that same affirmation in the beauty of life. She & Parker's previous work together, The Majesty of Jah, is a tremendous feature for her voice. That album also includes the track, "Baldwin", w/ his ever-powerful words and voice resonating even more profoundly within the sonic architecture created around them by Christi. Here, she does the same for the words & voice of William Parker. Jacket printed on reverse board. Includes insert w/ illuminating notes & full-res download card w/ 3 bonus tracks.

Vinyl includes 4 of the 6 CD tracks & includes download card featuring all 6 tracks. Following the release of Migration of Silence Into and Out of The Tone World: Volumes 1-10 (Centering Records) and his first book-length biography, Universal Tonality: The Life and Music of William Parker (Duke University Press) earlier this year, composer, multi-instrumentalist, poet, griot, improviser and community leader William Parker will present a pair of brand new trio albums which further expound on his vision. One of the iconic and enduring music leaders to emerge in the world over the last half century, William Parker continues to raise the bar higher.�Mayan Space Station is his first electric guitar trio album, and features Ava Mendoza - electric guitar, Gerald Cleaver - drums, and Parker on bass. Cosmic multi-hued blues, perfect for space and time travel. The unparalleled rhythmic firmament created by Parker & Cleaver is matched by Mendoza in full flight. All of the promise imagined by a trio recording of these musicians with compositions by Parker is delivered to the fullest. �� Regarding the album title, Parker offers: "Mayan Space Station�is a conduit for peace and inspiration. It is an oasis where sound and silence navigators stop for sustenance to replenish their imaginations. It is a fictional reality that is important to the myth structure of the Tone World chronicle. In a way, musicians, and definitely these particular musicians, Ava Mendoza and Gerald Cleaver, belong to the blood line of sonic travelers who, as Sun Ra described it, 'travel the space ways.' Re-inventing the process, allowing music to flow through their instruments."

FOR THOSE WHO ARE STILL

RAINING ON THE MOON / GREAT SPIRIT

LP includes 4 of the 5 CD tracks & includes download card featuring all 5 tracks / stickered noting this. Painters Winter features the trio of William Parker - bass, trombonium, shakuhachi; Daniel Carter - reeds, trumpet, flute; and Hamid Drake - drums. Carter & Parker have been perpetual space-ways traveling companions since first meeting & immediately beginning to channel music together in early 1970s NYC. Their work together in Other Dimensions In Music with Roy Campbell & Rashid Bakr for well over two decades manifest in bountiful music for the ages. They have recently been featured together in similar majestic open form on the album, Seraphic Light. Here, Carter again brings the full assembly of instruments he has for decades been a master of: trumpet, alto & tenor saxophones, clarinet and flute. Likewise, Hamid Drake is a musician's musician; one of the most in-demand drummers in the world. He is in command of a vast lexicon of drum languages, learned and absorbed directly. Drake & Parker launched their devoted "two-man big band" partnership in 2000 and haven't stopped since. In trio with Daniel Carter, they've created one previous album together, Painters Spring, released that same year. Regarding this album's title, Parker elucidates, "It speaks to those who paint with sound, in different landscapes, to celebrate the coming of the seasons: winter spring summer and autumn. Acknowledging the entire universe of world jazz music. Discovering the undiscovered." And from his liner notes, "The music on this album is a tribute to the flow of rhythm as melody and pulsation. Laced with the joy and the bounce, the dance and the heartbeat. Giving a nod to all the music that has ever passed through us. Sounds we both listened to while breezes and big green kites we called leaves sailed above the trees."

PETIT OISEAU

William Parker's new album expands on the ancient DNA/cultural codex that connects West Africa to Middle America, combining mesmerizing group work (bass, baritone sax, alto sax, doson'ngoni, congo, guiro, timbale, accordion) and solo pieces on bass and doson'ngoni. AUM. 2006.

I PLAN TO STAY A BELIEVER: INSIDE SONGS OF CURTIS

Heart Trio features three lifelong-devoted fellow travelers on the path of healing through sound. World-renowned & revered bassist-composer-leader William Parker has performed and recorded extensively with both Cooper-Moore & Hamid Drake over the past 30+ years. And, the three of them are the core since 2012 in Parker's reborn In Order To Survive quartet. Heart Trio is, remarkably then, their debut as a trio on record.

William here plays doson ngoni, dudek, and flutes of bamboo, cedar & walnut. Cooper-Moore on his hand-crafted ashimba and harp; Hamid Drake on frame drum and drum kit. All of this music was collectively composed at the time of it's creation. This is music for sunrise and sunset. Daily music. Healing, centering, mantra, heart music. From William's notes included with the release: "The theory behind this music is the music itself. Empty and fill the heart and soul with sound, letting it dance. Without pretense. We are trying to get to a flow-Earth, sky, and flowing water sounds that jump out of the painting." William Parker received Lifetime of Achievement Honors at Vision 2024.

MEDITATION / RESURRECTION

SOUND UNITY

CD digipak features liner notes by William Parker. Painters Winter features the trio of William Parker - bass, trombonium, shakuhachi; Daniel Carter - reeds, trumpet, flute; and Hamid Drake - drums. Carter & Parker have been perpetual space-ways traveling companions since first meeting & immediately beginning to channel music together in early 1970s NYC. Their work together in Other Dimensions In Music with Roy Campbell & Rashid Bakr for well over two decades manifest in bountiful music for the ages. They have recently been featured together in similar majestic open form on the album, Seraphic Light. Here, Carter again brings the full assembly of instruments he has for decades been a master of: trumpet, alto & tenor saxophones, clarinet and flute. Likewise, Hamid Drake is a musician's musician; one of the most in-demand drummers in the world. He is in command of a vast lexicon of drum languages, learned and absorbed directly. Drake & Parker launched their devoted "two-man big band" partnership in 2000 and haven't stopped since. In trio with Daniel Carter, they've created one previous album together, Painters Spring, released that same year. Regarding this album's title, Parker elucidates, "It speaks to those who paint with sound, in different landscapes, to celebrate the coming of the seasons: winter spring summer and autumn. Acknowledging the entire universe of world jazz music. Discovering the undiscovered." And from his liner notes, "The music on this album is a tribute to the flow of rhythm as melody and pulsation. Laced with the joy and the bounce, the dance and the heartbeat. Giving a nod to all the music that has ever passed through us. Sounds we both listened to while breezes and big green kites we called leaves sailed above the trees."

Following the release of Migration of Silence Into and Out of The Tone World: Volumes 1-10 (Centering Records) and his first book-length biography, Universal Tonality: The Life and Music of William Parker (Duke University Press) earlier this year, composer, multi-instrumentalist, poet, griot, improviser and community leader William Parker will present a pair of brand new trio albums which further expound on his vision. One of the iconic and enduring music leaders to emerge in the world over the last half century, William Parker continues to raise the bar higher.�Mayan Space Station is his first electric guitar trio album, and features Ava Mendoza - electric guitar, Gerald Cleaver - drums, and Parker on bass. Cosmic multi-hued blues, perfect for space and time travel. The unparalleled rhythmic firmament created by Parker & Cleaver is matched by Mendoza in full flight. All of the promise imagined by a trio recording of these musicians with compositions by Parker is delivered to the fullest. �� Regarding the album title, Parker offers: "Mayan Space Station�is a conduit for peace and inspiration. It is an oasis where sound and silence navigators stop for sustenance to replenish their imaginations. It is a fictional reality that is important to the myth structure of the Tone World chronicle. In a way, musicians, and definitely these particular musicians, Ava Mendoza and Gerald Cleaver, belong to the blood line of sonic travelers who, as Sun Ra described it, 'travel the space ways.' Re-inventing the process, allowing music to flow through their instruments."

Cereal Music is bassist-composer-leader-poet William Parker's first spoken word album -observations from a profound life devoted to the path of finding truth in beauty & speaking truth to power. Parker's words are further illuminated by deeply sensitive sound design created by likewise devoted artist on the same path, producer and singer Ellen Christi. William Parker's music - in it's vast scope & range of form - has been an elemental nutrient of countless listeners lives for nigh on five decades. William's words - whether published on page or spoken from the stage- are part of that music. They speak on the beauty of life itself, amplifying the light of life ever-present, even in exceptionally difficult circumstance.

As his first artistic expression, Parker began writing as a young person growing up in the South Bronx projects, presenting an alternate perception of often bleak surroundings and living conditions in the neighborhood. This early awareness that there was another way of being in the world, has suffused his development into a singularly generous artist and human being. Ellen Christi's singing brings that same affirmation in the beauty of life. She & Parker's previous work together, The Majesty of Jah, is a tremendous feature for her voice. That album also includes the track, "Baldwin", w/ his ever-powerful words and voice resonating even more profoundly within the sonic architecture created around them by Christi. Here, she does the same for the words & voice of William Parker.

Alice Coltrane - "The Carnegie Hall Concert" / Alice Coltrane's "The Carnegie Hall Concert" is a previously unreleased recording of a historic 1971 concert. The original multi-track recording was commissioned by Impulse but wasn't released at the time. Features an all-star group including Pharoah Sanders, Archie Shepp, Jimmy Garrison, Cecil McBee, Ed Blackwell and others. This was a triple bill placing her in the company of Laura Nyro and The Rascals. Concert produced by Sid Bernstein, who promoted the first Beatles concert in the US. 2 LP.

2021 archive release. Alice Coltrane is the undeniable godmother of spiritual jazz and an acknowledged influence on everyone from Flying Lotus and Kamasi Washington to Solange and Radiohead. Kirtan: Turiya Sings features Alice Coltrane at peak spirituality and is presented in this arrangement for the first time. Turyia Sings was originally released in 1982 on cassette as a collection of devotional songs including vocals, organ, strings, and synthesizers available only at Alice's Sai Anantam Ashram.

Vinyl LP pressing. 2022 release. For more than 6 decades, saxophonist and composer Charles Lloyd has been a free spirit, master musician, and visionary. At 84, he remains as prolific as ever. Early on, Lloyd saw how placing the improvised solo in interesting contexts could provoke greater freedom and creativity. That vision is evident on his Trio of Trios project, which encompasses 3 albums in different trio settings. The first, Trios: Chapel, features guitarist Bill Frisell and bassist Thomas Morgan.

Vinyl LP pressing. 2023 release. The Layers is a stunning companion piece to guitarist Julian Lage's acclaimed 2022 album View With A Room. The collection features six original pieces featuring the trio of bassist Jorge Roeder and drummer Dave King with the addition of guitar icon Bill Frisell. Intimate and gorgeous, The Layers is a welcome additional offering from this meeting of two of modern jazz's most distinctive voices with one of the music's most skilled and inventive rhythm sections.

Pianist and composer Aaron Parks returns to Blue Note Records - where he released his influential 2008 album, Invisible Cinema - with Little Big III, the third studio album from his acclaimed band Little Big, featuring guitarist Greg Tuohey, bassist David Ginyard Jr., and drummer Jongkuk Kim. Co-produced by Parks and Don Was, the collective's concise, accessible writing and vibrant, empathetic playing elevate the band's powerfully modern, post-genre concept for improvised music in the 21st century. Throughout, the bandmembers' kinship is palpable. There's a vitality at play on the record that is extraordinary; somehow, it's beautiful and raw in equal measure. "While this record feels the most supple and alive," Parks says, "it also feels like the most focused album Little Big has recorded - the most distilled down to the essence."

Pianist and composer Aaron Parks returns to Blue Note Records - where he released his influential 2008 album, Invisible Cinema - with Little Big III, the third studio album from his acclaimed band Little Big, featuring guitarist Greg Tuohey, bassist David Ginyard Jr., and drummer Jongkuk Kim. Co-produced by Parks and Don Was, the collective's concise, accessible writing and vibrant, empathetic playing elevate the band's powerfully modern, post-genre concept for improvised music in the 21st century. Throughout, the bandmembers' kinship is palpable. There's a vitality at play on the record that is extraordinary; somehow, it's beautiful and raw in equal measure. "While this record feels the most supple and alive," Parks says, "it also feels like the most focused album Little Big has recorded - the most distilled down to the essence."