"Spohr's various works for mixed chamber ensemble have found admirable modern interpreters in the Nash Ensemble. It is not only that their make-up, with a number of distinguished wind players and the excellent Ian Brown working with a string ensemble, is well-disposed to the different instrumental groupings which Spohr liked: they seem to have an affinity with his vein of elegant, undemanding, graceful music-making, the nineteenth-century equivalent of the eighteenth-century serenade... The Nonet, Spohr's most popular chamber work, receives from the Consortium Classicum (Orfeo/Harmonia Mundi) a performance that I thought probed a little deeper than that by the Nash, suggesting a vein of sadness in Spohr's famous chromaticisms and in his eloquent melodies. But it is also a serenade, or a divertimento; and the Nash give it a friendly, light touch. These are charming performances of works that fall very easily on the ear."
John Warrack, The Gramophone

Classical Music

Classical Music

It would be hard to imagine more amiable performances of these two strongly characterized Brahms works...intense as well as warm, plainly derived from long experience performing this music in concert... The romanticism of the Nash approach comes out particularly strongly in the opening Andante of the Horn Trio, with the horn soloist, Frank Lloyd, producing exceptionally rich, braying tone to remind one of Dennis Brain. After relaxed accounts of the first three movements the galloping finale is then given with great panache, conveying more fun than the more virtuoso reading from Ashkenazy, Perlman and Tuckwell. Thanks partly to the CRD recording, the Nash performances are made to sound satisfyingly beefy, almost orchestral, though some may find the full-bodied sound a degree too reverberant, with the piano rather in front of the strings. The disc can be strongly recommended, particularly as this is the only available coupling of these two works.

-- Edward Greenfield, Gramophone

Classical Music

Four previous releases on BIS have all featured John Pickard’s music for large orchestra – or, in the case of the Gaia Symphony (BIS-2061), large brass band. This new album, on the other hand, presents scorings ranging from a solo oboe to a chamber ensemble of eight players. The seven works cover just over 30 years; the earliest one, Serenata Concertata, was Pickard’s first paid commission written at the age of twenty. In his liner notes, Pickard notes that he has an aversion to repeating himself: ‘so each new work tends to be a reaction against the character, structure and technique of the previous one… The result has been a body of work with a wide expressive range and this disc gives some indication of that. The pieces on it are grouped in a broad progression from the serious to the more lighthearted.’ The two opening works are indeed inspired by serious matters – the background to The Gardener of Aleppo is the war in Syria, while Daughters of Zion, the only vocal work on the album, sets a text that reflects on anti-Jewish aspects of certain early Christian celebrations. In the latter work, Susan Bickley joins the players of the celebrated Nash Ensemble, who go on to lighter fare in Three Chicken Studies (Pickard himself has kept chickens as pets) and Ghost Train, a perpetuum mobile built on a cantus firmus derived from the Dies iræ theme. For this and the other chamber ensemble pieces the conductor Martyn Brabbins, a longtime collaborator of Pickard’s, wields his baton.

Born in 1934, Sir Harrison Birtwistle is one of the leading European figures in contemporary music. He first made his mark in 1965 with the decet Tragoedia, a work whose ambience of something at once ancient and modern, with stark juxtapositions of strident violence and fragile lyricism, presented a sound and sensibility quite new in British music. The Nash Ensemble was formed around the same time and over the decades that have followed, a close relationship has developed between Birtwistle and the ensemble. Among the several commissions made by the ensemble are the closing two movements of the Oboe Quartet as well as the Duet for Eight Strings, described by the composer as ‘a string quartet for two players’. Composed in 2018, the Duet is the most recent work on the disc, which also includes the Trio for violin, cello and piano from 2011. The only work of an older date is Pulse Sampler from 1981, originally for oboe and claves, but here heard in a recent version for a more varied array of percussion.

REVIEWS:

All the music here retains a freshness and focus belying the composer’s age; it’s a long way from a mere rehashing of familiar ways of doing things. In strong contrast to its companions, the single-movement Piano Trio sounds unusually expansive and resonant, perhaps in conscious tribute to its dedicatee, Birtwistle’s student friend Alexander Goehr – as committed a follower of Schoenberg as Birtwistle was of Stravinsky. But the relish with which the composer addresses generic traditions doesn’t prevent him from adopting a manner that can suggest parody as much as celebration. The three players engage in a drama that involves multiple roles, and this meticulous performance offers musical play-acting – sometimes melodramatic, sometimes restrained – as the finest of fine arts.

-- Gramophone

The opening work, 2011's Trio for Piano, Violin & Cello, is played with assurance and elan. The other works on this album - the Duet for 8 Strings from 2018, Pulse Sampler for Oboe and Percussion in a version also from 2018, and the Oboe Quartet from 2009-10 - demonstrate that the modernism of the early and mid 20th century is still viable in the 21st. The members of the Nash Ensemble provide stylish and lively performances of this important composer's music.

-- Music for Several Instruments

The teenage Korngold possessed a compositional fluency and maturity which belied his youth. In contrast, Tchaikovsky feared - wholly unjustifiably - his own creative powers to be on the wane when writing "Souvenir de Florence". The Nash Ensemble brings passion and conviction to both.

Classical Music

Classical Music