Brahms: Piano Quintet, Horn Trio / The Nash Ensemble

Regular price $20.99
Label
CRD Records
Release Date
January 1, 1995
Format
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    Featuring
    • COMPOSER
      BRAHMS, JOHANNES
    • ORCHESTRA / ENSEMBLE
      Nash Ensemble
    • PERFORMER
      NASH ENSEMBLE
    Product Details
    • RELEASE DATE
      January 01, 1995
    • UPC
      708093348923
    • CATALOG NUMBER
      CRD3489
    • LABEL
      CRD Records
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. I. Andante - Poco piu animato

      Composer: Johannes Brahms

      Ensemble: The Nash Ensemble

    2. II. Scherzo: Allegro - Molto meno allegro - Allegro

      Composer: Johannes Brahms

      Ensemble: The Nash Ensemble

    3. III. Adagio mesto

      Composer: Johannes Brahms

      Ensemble: The Nash Ensemble

    4. IV. Finale: Allegro con brio

      Composer: Johannes Brahms

      Ensemble: The Nash Ensemble

    5. I. Allegro non troppo

      Composer: Johannes Brahms

      Ensemble: The Nash Ensemble

    6. II. Andante un poco adagio

      Composer: Johannes Brahms

      Ensemble: The Nash Ensemble

    7. III. Scherzo: Allegro

      Composer: Johannes Brahms

      Ensemble: The Nash Ensemble

    8. IV. Finale: Poco sostenuto - Allegro non troppo

      Composer: Johannes Brahms

      Ensemble: The Nash Ensemble


It would be hard to imagine more amiable performances of these two strongly characterized Brahms works...intense as well as warm, plainly derived from long experience performing this music in concert... The romanticism of the Nash approach comes out particularly strongly in the opening Andante of the Horn Trio, with the horn soloist, Frank Lloyd, producing exceptionally rich, braying tone to remind one of Dennis Brain. After relaxed accounts of the first three movements the galloping finale is then given with great panache, conveying more fun than the more virtuoso reading from Ashkenazy, Perlman and Tuckwell. Thanks partly to the CRD recording, the Nash performances are made to sound satisfyingly beefy, almost orchestral, though some may find the full-bodied sound a degree too reverberant, with the piano rather in front of the strings. The disc can be strongly recommended, particularly as this is the only available coupling of these two works.

-- Edward Greenfield, Gramophone