The famous traditional Chinese tale of La Fresque ('The Painting on the Wall') tells of two travellers who take shelter at a small temple, one of whom becomes so enraptured by the image of a beautiful girl in a fresco that he is transported into another dimension. Angelin Preljocaj, one of France's leading contemporary choreographers, explores this mysterious relationship between representation and reality with a spectacular and unforgettable ballet filled with dynamic action, emotive lyricism and powerful responses to the music of Nicolas Godin, one half of the celebrated music duo Air. La Fresque has been admired for it's 'breath-taking scenes' (La Terrasse) and it's 'dark and splendid beauty' (L'Humanit�).

The tour starts in northern Italy in Mantua and moves to Cremona and Milan, as well as Sicily. Included is music by Mozart.

Siena, Pisa, and Villa Luxuro, Nervi.

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During his years in Italy, Handel absorbed the music of his contemporaries and mastered new stylistic trends. Though the staging of La resurrezione was a memorable event in the Roman musical world, it was the production of Agrippina that marked Handel’s definitive investiture as an operatic composer. It met with enormous success and an unprecedented number of performances followed. Its melodic power is overwhelming and in his creation of credible and vivid characters, the alternation of recitative and arias, and sheer theatrical power, Handel established the template that was to last for the remainder of his operatic career. The production on the present release was filmed in March 2016 at the Theater an der Wien, Vienna, Austria, and was directed by Robert Carsen.

Starring Moscow Symphony Orchestra, Konstantin Krimetz, Capella Istropolitana.

MUSICAL JOURNEY (A) - ROME: Piazzas, Fountains and the Remains of Empire (NTSC) ROME

The Places

Starting from the Pantheon and the Colosseum, our tour takes us to the Forum of Augustus and the Forum of Trajan, the Arch of Constantine and the Capitol, with the later city represented by the Piazza di Spagna, the Trevi Fountain, and the great piazza before St Peter's in Vatican City.

The Music

The music chosen for this tour of Rome is by Franz Liszt, who divided the last 25 years of his life between Rome, Hungary and Weimar, after an early career as a travelling virtuoso, one of the greatest pianists of his time, and a period settled in Weimar as Director of Music Extraordinary to the Grand Duchy. In Rome he took minor orders and developed further his interest in the music of the Church.

Picture format: NTSC 4:3
Sound format: Dolby Digital / DTS Surround
Region code: 0 (worldwide)
Running time: 59 mins
No. of DVDs: 1

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Czech-born composer Jaromír Weinberger, best known for his opera Schwanda the Bagpiper, was forced to flee to America in order to escape Nazi terror. Frühlingsstürme, staged in 1933 but soon closed down by the Nazi government, was the last operetta of the Weimar Republic. It is filled with cultural complexity, combining serious operatic style with light comedy, and presents a thrilling story involving a doomed love affair set against war between Japan and Russia. This lavish production is staged by the award-winning Australian director Barrie Kosky.

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The Verbier Festival is one of classical music’s greatest events. In celebration of the festival’s 25th anniversary, this unique concert brings together 36 classical stars in an unprecedented evening of ingenious programming and captivating performances. The line-up includes the world’s greatest violinists, violists, cellists and pianists as well as other leading performers conducted by Valery Gergiev and Gabor Takacs-Nagy. Founder and director Martin T:son Engstroem writes: “We started this incredible adventure in 1994, and 25 years on, our Festival has become one of the world’s most important cultural events. But it is not just another festival; our vision right from the beginning was to build something which combined important musicians with a very visible youth and learning element. This is what we set out to do and this is what we achieved.”

This tour starts with the ancient walled city of Pingyao, with visits to the Qu and Wang courtyard houses and the Shuanglin Temple. There are views of Mount Wutai, as well as the Hanging Monastery at the foot of Mount Heng.

The Places: In the peace treaty of 1919 the Tyrol was divided into three regions, Southern Tyrol being ceded to Italy. The Eastern Tyrol, Austrian territory, is bounded to the south by the Lienz Dolomites, with the town of Lienz the regional capital. The region is popular with summer visitors, it's climate relatively mild, in spite of it's height above sea level. There is also a glimpse of the Earth Pyramids at Ritten (Renon) in the Italian Southern Tyrol. The Music: Music for the tour is by Franz Schubert, the son of a schoolmaster who had settled in Vienna. Although his life was chiefly spent in Vienna, he was, nevertheless, able to enjoy the Austrian countryside, during country holidays spent with friends. The beauty of the landscape is reflected in his music and, in particular, in his songs. The tour of the Lienz Dolomites is accompanied by music by Schubert for piano trio, written towards the end of his short life.

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Francesco Cavalli, a natural successor to Monteverdi, was the most famous and influential Italian opera composer during the mid-17th century. Cardinal Mazarin, chief minister to the king, commissioned Cavalli to create a Parisian spectacle to celebrate the wedding of the ‘Sun King’ Louis XIV and the Infanta of Spain. Ercole amante (‘Hercules in Love’) was the flattering subject chosen for this regal extravaganza combining larger-than-life characters with mythology, and genuine human emotions with natural and cosmic phenomena. The result is a sumptuous Baroque spectacle, conceived on a vast scale in this lavish production by directors Valerie Lesort and Christian Hecq.

SHOSTAKOVICH: Hamlet, Op. 116

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

Francesco Cavalli, a natural successor to Monteverdi, was the most famous and influential Italian opera composer during the mid-17th century. Cardinal Mazarin, chief minister to the king, commissioned Cavalli to create a Parisian spectacle to celebrate the wedding of the ‘Sun King’ Louis XIV and the Infanta of Spain. Ercole amante (‘Hercules in Love’) was the flattering subject chosen for this regal extravaganza combining larger-than-life characters with mythology, and genuine human emotions with natural and cosmic phenomena. The result is a sumptuous Baroque spectacle, conceived on a vast scale in this lavish production by directors Valerie Lesort and Christian Hecq.

Also available on Blu-ray

The collaboration of the poet John Dryden and Henry Purcell marked a conspicuous leap forward for English opera. Their greatest project, King Arthur, is a five-act ‘dramatick opera,’ the text of which had its origins in a patriotic musical play Dryden had written in 1684 but which he radically overhauled. The result was a work that appealed to the audience’s enthusiasm for fine costumes, lavish sets, ingenious stage machinery and a cast of singers, dancers and instrumentalists, containing vocal show-stoppers such as the imperishable ‘Frost Scene’ and ‘Fairest isle.’ This critically acclaimed staging uses a new performing edition by Rene Jacobs, and is sung in English with German dialogue. Bachtrack.com greatly admired the 2017 performance: “The singing cast- all of which played up to six parts each- were strong throughout Soprano Anett Fritsch marveled as Merlin’s trusty spirit Philidel and Cupido, her coloratura agile and light, her singing and speaking impressive both on stage and whilst airborne. Bass Johannes Weisser played a suitably repulsive Grimbald and convinced vocally in the Cold Genius’ staccato aria “What Ho,” Soprano Robin Johannsen and Altus Benno Schachtner delighted particularly during their touching love duet.”

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Also available on standard DVD

These live performances from Snape Maltings Concert Hall present some of the most popular classical works for younger audiences. Their perennial appeal is a result of vivid melodies, witty instrumental characterisation, and in three works, the use of spoken texts to illuminate the narrative. Whether composed to amuse, entertain or educate, each possesses marvellous vitality, lyricism and bravura. The performances are conducted and narrated by Marin Alsop, one of the world’s most inspirational musical communicators.

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REVIEW:

The chamber orchestra used for Saint-Saens's Carnival of the Animals, with two solo pianists, is of excellent quality. By far the most frequently played section, The Swan, is beautifully performed by the principal cello of this student ensemble.

The video was made in 2017 and 2018, the young people having had the good fortune of working with the conductor, Marin Alsop. The resulting concerts were filmed with Alsop acting as narrator, that narration becoming more serious as she takes us through The Young Persons Guide to the Orchestra, a searching test for the young players who give a very creditable performance. As one would expect from the Snape Malting's venue, the sound quality is excellent, the result being a highly desirable gift for the children in your life.

– David's Review Corner (David Denton)

Prokofiev had written two symphonies as a student but his first numbered work in the genre was the Classical Symphony, completed in 1917. This evokes, melodically though not necessarily harmonically, the world of Haydn and Mozart, and it has remained one of his most popular works. The Second Symphony, by contrast, is a work of ‘iron and steel’ (in the composer’s words), a symphony of conscious modernity and visceral power. Dreams, a ‘symphonic tableau’, reveals the potent, early influence on Prokofiev of Scriabin. Of Marin Alsop and the São Paulo Symphony Orchestra’s recording of the Fourth Symphony and The Prodigal Son [8.573186], International Record Review wrote: ‘Conductor and orchestra both shine with the excitement of a special relationship in the ascendant’.

Start in the old town of Kashgar, where the tomb of Abakh Khoja contrasts with the busy city life of Urumqi. From strange rock formations in the countryside, to the alpine scenery of Kanas Lake and the fertile vineyards of Grape Valley.

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Also available on standard DVD

A political prisoner awaits death in his cell. A woman puts herself in mortal danger to seek justice. With its atmosphere of revolution and tale of devotional romance and a dramatic rescue from captivity, Pierre Gaveaux’s Léonore, ou L’Amour conjugal was the direct forerunner to Beethoven’s Fidelio. Having been entirely overshadowed by its famous successor and lain hidden for centuries, this both darkly somber and entertainingly celebratory opéra comique is seen here in an acclaimed modern premiere whose timeless and inspiring story of female heroism and political injustice is as relevant today as ever. The Washington Post wrote of this production: “Opera Lafayette’s smart, efficient production brought the brief opera comique fully to life with vivid playing and singing… events such as this… are a rarity anywhere and a gift...”

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

Rossini’s comic masterpiece The Barber of Seville was based on Pierre-Augustin Caron de Beaumarchais’s French play Le Barbier de Séville and is the ultimate opera buffa. The score is a compendium of the composer’s wittiest and most brilliant writing, and includes the famous entrance aria Largo al factotum and a raft of superbly dynamic ensembles. This vibrant and youthful production features Florian Sempey, one of the world’s best Figaros, the ‘Rossini tenor’ Michele Angelini, vivacious and critically admired Catherine Trottmann, and the award-winning team of acclaimed director Laurent Pelly and conductor Jérémie Rhorer who directs his spirited period ensemble Le Cercle de l’Harmonie.

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REVIEW:

The cast are in modern dress but the interaction of characters is so forceful as to sweep away any lurking objections. Add to this some very fine singing, particularly from Michele Angelini’s glorious high tenor as Almaviva, and there is a great deal here to admire and enjoy.

– Lark Reviews

This is an audio-only (i.e., with no video content) Blu-ray disc playable only on Blu-ray players.

In these recordings from Joseph Meyerhoff Symphony Hall in Baltimore, Dvo?ák’s most darkly dramatic and passionate symphony, the Seventh, is coupled with his Eighth, notable for its dramatic contrasts, Bohemian lyricism, and a seemingly spontaneous flow of thematic ideas. ‘Alsop’s Baltimore orchestra parades a refined tonal profile that pays its own special dividends…Alsop should please both the eager newcomer…and the seasoned collector. There’ll be no disappointment on either score.’ (Gramophone) ‘This splendidly recorded performance [Symphony No. 7] stands very high among available readings.’ (BBC Music Magazine)

Sound format: PCM Stereo / DTS-HD Master Audio 5.1

I puritani is one of Bellini's most creative and influential masterpieces, a bel canto opera stamped with vocal and orchestral writing of intoxicating beauty and dramatic intensity. Set in England in the Civil War shortly before Oliver Cromwell's triumph, it involves romantic and political intrigues that drew from Bellini music of melodic raptness and melancholic depth. It also inspired him to compose some of his most breathtakingly virtuosic passages, notably Elvira's Mad Scene, that call for the utmost in theatrical power. This production includes all the music performed at the work's Paris premiere.

This is an audio-only (i.e., with no video content) Blu-ray disc playable only on Blu-ray players.

Szymanowski’s Symphony No. 3 ‘Song of the Night’ creates a potent atmosphere of Persian mysticism in its rich blend of voices and exotic orchestration. His Symphony No. 4 is largely extrovert in character and has a prominent rôle for piano. Symphonies Nos. 1 and 2 can be found on NBD0021. The CD release of Symphony No. 3 was Gramophone Editor’s Choice and given 5 STARS by ClassicFM (8.570721), and Symphony No. 4 an ‘unbeatable’ 10/10 from ClassicsToday.com ( 8.570722); the complete cycle acclaimed as ‘revelatory’ (ClassicalCDReview.com).

Reviews of the CD versions of these recordings

"Antoni Wit almost always can be relied on to deliver very thoughtful, beautifully musical, even inspired results, and there's no question that he conducts these works extremely well. The performances of both symphonies have a confidence and warmth about them that bespeaks a thorough understanding of Szymanowski's richly textured idiom. The Song of the Night (a.k.a. Symphony No. 3) has many of the same qualities that made Wit's Mahler Eighth so special: terrific choral singing, a bigness of conception that never precludes physical excitement, and very natural balances between vocal and instrumental forces."
--David Hurwitz, ClassicsToday.com

"As previous issues in this series have shown, when Antoni Wit and his forces are in top form in the music of Szymanowski, they're pretty much unbeatable...The performance of the Symphonie Concertante, one of Szymanowski's greatest works, is superb. Pianist Jan Krzysztof Broja plays the solo part beautifully. He's got the chops for the big moments in the outer movements, but it's his delicacy at the start of the central andante that's most memorable. Wit, typically, directs the orchestra with remarkable clarity as well as power. The finale in particular never has sounded less "clogged" texturally, while the very natural engineering always leaves plenty of room for the sound to expand and fill the hall at those ecstatic climaxes that are such a hallmark of this composer. A splendid release!"
-- David Hurwitz, ClassicsToday.com

Commissioned in 1846, MacBeth offered Verdi the opportunity to make a qualitative leap in his career and it's premiere was triumphantly received by audiences. Yet the libretto had proved problematic and many Italian critics did not share the composer's reverence for Shakespeare. Verdi surmounted all concerns with an opera that valued brevity but also preserved the play's most important elements. The formidable final concertato stands as one of his greatest achievements thus far, his pacing and detailing of the opera as a whole far surpassing his previous works. This production preserves the preferred 1865 revision of the work, sung in Italian and retaining the original 1847 finale.

Donizetti’s Don Pasquale represents the high point of the Italian buffa tradition, a sparkling comedy using characters from commedia dell’arte in ways that are entertaining, witty and playful. It was the work selected by the Vienna State Opera for its 1977 tour through Austria. Starring famous singers like the bass Oskar Czerwenka, the great lyric tenor Luigi Alva and, on the cusp of international fame, Edita Gruberova (soon to become the ‘queen of bel canto’) – this filmed performance, in colour and sung in German, showcases an outstanding ensemble at the height of its powers.

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Jean-Baptiste Lully’s Atys, a tragédie en musique, became known as the ‘king’s opera’ due to Louis XIV’s fondness for it. The work stands as a testament to the Sun King’s courtly refinement, as well as his moves to make France the center of European artistic culture. The opera’s themes of romantic dilemmas and ultimate tragedy, set amidst the poetic atmosphere of Ovid’s classical mythology, create the perfect vehicle for a narrative filled with dramatic intensity combined with a myriad of moving and expressive arias and duets. William Christie conducts this acclaimed production – hailed by The New York Times as being ‘as satisfying as it is bold’.

REVIEW:

The role of Atys is physically as well as vocally taxing, but is here superbly realised by the German tenor, Bernard Richter, while the French soprano, Emmanuelle De Negri, is an excellent Sangaride, with the creamy voice of the mezzo, Stephanie D’Oustrac, as Cybele completing the love triangle. The cast list is large, and with the Compagnie Fetes Galantes providing the dancers, the stage is at times totally filled. The reviews at the time of filimg (2011) were suitably euphoric regarding the casting, and equally of the presence of the period instrument orchestra, Les Arts Florrissants, with the idiomatic conducting of William Christie. The filming itself is immaculate in its ideal mix of full stage and close-up images, while the sound quality is gorgeous.

– David's Review Corner (David Denton)