The first and upcoming album by Levi. Sct aka Levi Schechtmann on the Neue Meister label presents a distinctive fusion of classical piano and modern hip-hop elements?. The album seamlessly blends classical piano compositions with contemporary hip-hop rhythms, showcasing Schechtmann's unique approach to music?. This release marks a significant milestone in Schechtmann's career, reflecting his growth as a composer and pianist who transcends traditional genre boundaries?. Levi. Sct is a piano influencer with more than 1. 8 Mio followers on his social media channels?

Brothers Sebastian and Daniel Selke's music can be likened to an exercise of memory retrieval. All of their four albums explore and pay tribute to their past; growing up in East Berlin in the final decade of the GDR. At it's core, the duo's music can be heard as a dialogue between siblings about their shared upbringings and experiences, a conversation given form through Sebastian's cello and Daniel's piano keys, in the fusion that becomes CEEYS. In 2017, the duo also founded Q3 AMBIENTFEST, a three-day happening for neoclassical and experimental music, which seeks to explore the cultural and musical impact of East German heritage. But the memories rescued through their music are far from only historical, they are foremost emotional recollections. Their 2018 album, W�NDE was as much about the fall of the Berlin Wall in 1989 and it's implications in society, as it was about the thin walls that separated the brothers at home, and through which they heard each other practicing their instruments when young. The same can be said of their latest album HIDDENSEE, which speaks both of a physical place - the picturesque East German island in the Baltic Sea - as well as a place and time of spiritual importance for the brothers. As East Germany opened itself in the 90s, the two brothers would find themselves traveling out of their homeplace to the rest of the world, and while grateful for their newfound freedoms, they would also come to miss their childhood Eden. The duality of east and west, novelty and familiarness, is also thoroughly explored through CEEYS' musical style, which merges influences from the luminaries of classical music such as Bach, Handel, Haydn, Mozart and Beethoven, with the lesser known artists of East Germany and the contemporary musicians Sebastian and Daniel were exposed after the fall of the wall.

On the album "Fantasy Worlds", Benyamin Nuss presents his interpretations of works by legendary video game composer Nobuo Uematsu, who was named one of the 100 musical innovators of our time by TIME magazine. The deep emotionality is what makes this solo piano album so unique. "The music in Final Fantasy tells stories, creates characters and scenes. This increases the immersion of the players, who are equally captivated by the music and the game and lose themselves in the digital world," says Benyamin Nuss. Benyamin Nuss began piano lessons at the age of six. He was inspired and encouraged by his father, trombonist Ludwig Nuss, and his brother Hubert, a pianist - both internationally renowned jazz musicians and composers. Thus Benyamin not only grows up with the music of different genres but makes classical music and jazz his passion. He studies at the Musikhochschule Cologne and lives his passion for music - in the conservatory, at piano concerts and on tour with jazz bands. At home and abroad Benyamin performs as a soloist with various top orchestras, from Berlin to Stockholm and London to Tokyo and Chicago."Today, thousands of people are captivated by the enchanting 'Final Fantasy' melodies in legendary concert halls such as the K�lner Philharmonie, the Royal Albert Hall or Carnegie Hall," says Nuss. "I have never experienced an audience like this in any other genre before. While the music is playing, it is quiet as a mouse and highly concentrated. Shortly after the final chord, thunderous applause sounds like in a rock concert".

John Metcalfe, who arranges songs for big names such as Coldplay, Simple Minds and The Pretenders, has produced albums with Peter Gabriel and has been touring for decades as a member of the Duke Quartet. Now he releases his debut album on the Neue Meister label. Metcalfe has always been surrounded by music. As a child, he would listen to his father sing opera, before a love of Kraftwerk and Joy Division led to a stint as a drummer in a high school band. But it was a move to Manchester that really accelerated his development as an artist, and led to him finding his true calling. Joining cult band The Durutti Column, then signed to legendary label Factory Records, brought him into the orbit of Tony Wilson and the Ha�ienda, formative events that would help foster his renegade spirit. Unimpressed with the strictures demanded by the classical recording industry, Metcalfe persuaded Wilson to launch the ground-breaking Factory Classical Label, aimed at unearthing exciting - and unconventional - new British talent. It was here that Metcalfe found a home, and the group that would come to define his musical career; the Duke Quartet. For nearly 30 years, they've existed at the vanguard of contemporary British music, innovating and delighting in equal measure. As a solo artist, Metcalfe explores electro-classical soundscapes and the boundaries between genres. His finely tuned compositions are neat yet grand in scale, both in terms of sound and the conceptual ideas underpinning them. Absence, the fifth record to bear his own name, is something of a departure for Metcalfe, framing bold images and themes with some of the most conventional song structures he's ever employed. But it's also his most affecting, deconstructing a subject he's been interested in since his childhood in New Zealand: Dealing with loss.

Hybrid' is a word that has always been vital to Ceeys' vocabulary, but it's application is not limited to the manner in which cellist Sebastian Selke and his brother, pianist Daniel Selke, combine their two instruments so harmoniously. Instead, like the duo's very name - which merges the words 'violoncelle' and 'keys' - it is reflective of their overall aesthetic, one in which they integrate the many ingredients that have helped shape them as both musicians and people. Ceeys' idiosyncratic style is characterized by a rather reduced approach to composition and improvisation. In exploiting their knowledge of songwriting, textures and repetitive patterns, they create an experimental but accessible minimalism between avant-garde and pop that incorporates elements of jazz, ambient and classical chamber music. A product as much of the music with which they grew up as of that which now surrounds them, and as much indebted to their childhood environment as to that in which they now live, Concrete Fields is the first part of a planned trilogy and - certainly not by accident - it was released in the very year that marked the 100th anniversary of the Russian Revolution of 1917. Through this conscious process of coming to terms with the prefab estate in which they were raised - Europe's largest, located in the district of Marzahn-Hellersdorf - the brothers create music that at times feels familiar, but which remains refreshingly, invigoratingly unique, thereby mirroring the myriad sounds to which they have been exposed throughout their lives. Currently, Ceeys is presenting their third album W�NDE at the Berlin label Neue Meister. Here, they focus on the remembrance of 1989, a year which brought many changes.

John Metcalfe, who arranges songs for big names such as Coldplay, Simple Minds and The Pretenders, has produced albums with Peter Gabriel and has been touring for decades as a member of the Duke Quartet. Now he releases his debut album on the Neue Meister label. Metcalfe has always been surrounded by music. As a child, he would listen to his father sing opera, before a love of Kraftwerk and Joy Division led to a stint as a drummer in a high school band. But it was a move to Manchester that really accelerated his development as an artist, and led to him finding his true calling. Joining cult band The Durutti Column, then signed to legendary label Factory Records, brought him into the orbit of Tony Wilson and the Hacienda, formative events that would help foster his renegade spirit. Unimpressed with the strictures demanded by the classical recording industry, Metcalfe persuaded Wilson to launch the ground-breaking Factory Classical Label, aimed at unearthing exciting - and unconventional - new British talent. It was here that Metcalfe found a home, and the group that would come to define his musical career; the Duke Quartet. For nearly 30 years, they've existed at the vanguard of contemporary British music, innovating and delighting in equal measure. Working with world-renowned artists across the entire cultural spectrum, from pop, dance, film, TV, and theatre, Metcalfe honed his arranging and producing skills; he's now one of the UK's most sought after arrangers, regularly working with some of biggest names in music. As a solo artist, Metcalfe explores electro-classical soundscapes and the boundaries between genres. His finely tuned compositions are neat yet grand in scale, both in terms of sound and the conceptual ideas underpinning them. Absence, the fifth record to bear his own name, is something of a departure for Metcalfe, framing bold images and themes with some of the most conventional song structures he's ever employed. But it's also his most affecting, deconstructing a subject he's been interested in since his childhood in New Zealand: Dealing with loss.

Brothers Sebastian and Daniel Selke's music can be likened to an exercise of memory retrieval. All of their four albums explore and pay tribute to their past; growing up in East Berlin in the final decade of the GDR. At it's core, the duo's music can be heard as a dialogue between siblings about their shared upbringings and experiences, a conversation given form through Sebastian's cello and Daniel's piano keys, in the fusion that becomes CEEYS. In 2017, the duo also founded Q3 AMBIENTFEST, a three-day happening for neoclassical and experimental music, which seeks to explore the cultural and musical impact of East German heritage. But the memories rescued through their music are far from only historical, they are foremost emotional recollections. Their 2018 album, W�NDE was as much about the fall of the Berlin Wall in 1989 and it's implications in society, as it was about the thin walls that separated the brothers at home, and through which they heard each other practicing their instruments when young. The same can be said of their latest album HIDDENSEE, which speaks both of a physical place - the picturesque East German island in the Baltic Sea - as well as a place and time of spiritual importance for the brothers. As East Germany opened itself in the 90s, the two brothers would find themselves traveling out of their homeplace to the rest of the world, and while grateful for their newfound freedoms, they would also come to miss their childhood Eden. The duality of east and west, novelty and familiarness, is also thoroughly explored through CEEYS' musical style, which merges influences from the luminaries of classical music such as Bach, Handel, Haydn, Mozart and Beethoven, with the lesser known artists of East Germany and the contemporary musicians Sebastian and Daniel were exposed after the fall of the wall.

I'm a digital nomad, says Arnold Kasar. "I like to sit in the dining car in the morning, when the train is heading south from Berlin, and my eyes can take in a landscape in the morning fog. It doesn't even take five minutes, and I'm in old Europe, in a whole different mindset. With my mobile equipment I can work very well in the dining car, and also in hotels. I have my own sonic vocabulary, which no one else has, and it allows me to be independent. I listened to my album Resonanz entirely during these endless train journeys, editing and honing it gradually." Arnold Kasar has done a lot of commuting over the last few years to record with legendary figures such as Hans-Joachim Roedelius and Friedrich Liechtenstein. On these journeys he captured impressions of the day as sound recordings, his laptop became a sketchbook. In this way, several hours of extremely personal piano improvisations have accumulated, which Arnold Kasar now and then selected an individual take and processes it beyond recognition. Through the act of editing his present album Resonanz is the result. "I have a toolbox of portable synthesizers that are the source of everything. So at any time, I can go from the piano to the electronics and back to the solo piano, or mix them together." Arnold Kasar describes this process as a medial exchange, from the observation to the deconstructed melody, to the dark drone and then back to contemplation.

The piano duo Jonas Hain & Robert Gromotka are joined by cello and violin for added depth and color in this new release. It is a concept album exploring human relationships and the invisible spaces between two people, blending neoclassical clarity with cinematic intensity, creating emotionally resonant soundscapes. Each composition captures moments of closeness, distance, and reflection. For fans of Nils Frahm, Max Richter, and �lafur Arnalds - intimate, poetic, and moving.

For more than twenty years, Haruki Murakami's novels have captivated him time and again: for pianist and composer Tim Allhoff, works such as Kafka on the Shore, 1Q84, and Naoko's Smile are more than mere literature-they are inspiration, guidance, and an enigmatic mirror of his own emotional world. With his new solo album Between Here and Nowhere, which will be released on May 15, 2026, by Neue Meister and is now the eleventh album in his discography, Allhoff has created a musical homage to the cult Japanese author, whose books have long since become a soundscape in their own right.

For more than twenty years, Haruki Murakami's novels have captivated him time and again: for pianist and composer Tim Allhoff, works such as Kafka on the Shore, 1Q84, and Naoko's Smile are more than mere literature-they are inspiration, guidance, and an enigmatic mirror of his own emotional world. With his new solo album Between Here and Nowhere, which will be released on May 15, 2026, by Neue Meister and is now the eleventh album in his discography, Allhoff has created a musical homage to the cult Japanese author, whose books have long since become a soundscape in their own right.

The first and upcoming album by Levi. Sct aka Levi Schechtmann on the Neue Meister label presents a distinctive fusion of classical piano and modern hip-hop elements?. The album seamlessly blends classical piano compositions with contemporary hip-hop rhythms, showcasing Schechtmann's unique approach to music?. This release marks a significant milestone in Schechtmann's career, reflecting his growth as a composer and pianist who transcends traditional genre boundaries?. Levi. Sct is a piano influencer with more than 1 Mio followers on his social media channels?

Luis Berra is a pianist and composer with roots in Nicaragua, Argentina, and Italy, which makes his music bridging cultures. The album A Piano Won't Fix Your Tormented Soul presents a refined mix of neoclassical piano, jazz influences, and cinematic depth, where Berra's compositions embody timeless elegance with improvisational spontaneity.

Luis Berra is a pianist and composer with roots in Nicaragua, Argentina, and Italy, which makes his music bridging cultures. The album A Piano Won't Fix Your Tormented Soul presents a refined mix of neoclassical piano, jazz influences, and cinematic depth, where Berra's compositions embody timeless elegance with improvisational spontaneity.

The title ("everything flows") reflects a musical exploration of change, impermanence, and transformation. Francesca Guccione combines neoclassical piano with ambient textures and subtle electronic layers. Each composition feels like a flowing river of sound, shifting between intimacy and expansiveness. Inspired by philosophy and nature, the album invites listeners into a meditative, timeless space.

The title ("everything flows") reflects a musical exploration of change, impermanence, and transformation. Francesca Guccione combines neoclassical piano with ambient textures and subtle electronic layers. Each composition feels like a flowing river of sound, shifting between intimacy and expansiveness. Inspired by philosophy and nature, the album invites listeners into a meditative, timeless space.

The award-winning vibraphonist Pascal Schumacher and the internationally acclaimed pianist Danae Dorken present their new album 'Glass Two' - an impressive musical homage to one of the most influential composers of our time: Philip Glass. Their unusual instrumentation for piano and vibraphone creates an unrivaled sound world that brings Glass' minimalist worksto life in a new and refreshing way. At the heart of the album are original interpretations of Glass' compositions, complemented by Schumacher's own works. These pieces, inspired by personalities who influenced the American composer, such as the poet Allen Ginsberg or the sculptor Richard Serra, form a unique fusion of two musical worlds. This fusion creates a profound and multifaceted, yet reduced and clear atmosphere. Pascal Schumacher and Danae Dorken impressively demonstrate that less is sometimes more: Their artfully crafted arrangements are characterised by a fascinating transparency that captures the essence of minimalist music. The result is a captivating listening experience that allows the colors and textures of Glass' works to shine in a new light and interact harmoniously with Schumacher's own compositions. The album will be released on the Neue Meister label on CD and vinyl on 8 November 2024 and is an indispensable discovery for all lovers of modern classical music. Immerse yourself in the soundscapes of 'Glass Two' and experience a musical journey that inspires both in it's reduction and diversity

Freedom is a deeply atmospheric ambient harp album, exploring the instrument's natural resonance and spacious textures. It blends acoustic purity with subtle electronics, creating soundscapes of stillness, openness, and release. The album reflects on themes of inner peace, letting go, and the search for personal and artistic authenticity. Margaret Hermant, known from Echo Collective, brings her unique sensitivity for tone, layering, and emotion into a solo context.

Freedom is a deeply atmospheric ambient harp album, exploring the instrument's natural resonance and spacious textures. It blends acoustic purity with subtle electronics, creating soundscapes of stillness, openness, and release. The album reflects on themes of inner peace, letting go, and the search for personal and artistic authenticity. Margaret Hermant, known from Echo Collective, brings her unique sensitivity for tone, layering, and emotion into a solo context.

The Soul of Things - solo piano combined with compositions for harp, cello, piano and electronics - is about things that are of exceptional meaning to Dresden-based pianist Clemens Christian Poetzsch. The cover was designed by Lithuanian artist Jolita Vaitkutë, who assembled objects thematically related to the album in an installation, visually echoing Poetzsch's multilayered and delicate arrangements, in the style of neoclassical music. Deep inside, pianist Clemens Christian Poetzsch always knew what music meant to him: freedom. Freedom to improvise; freedom to create new worlds of sound; freedom to follow his instinct wherever it may lead him. His publications in collaboration with various musicians and his solo debut album (People & Places, 2016) already distinguished him as a special talent.

With "Lass irre Hunde heulen", German singer/songwriter Gisbert zu Knyphausen and pianist Kai Schumacher have dedicated an entire album to one of the greatest composers of the 19th century, Franz Schubert. With a catalogue of over 600 works, Schubert is considered the master of the romantic art song; 10 selected tracks form the well-chosen cross-section through all his creative phases, arranged in a modern way and interpreted in an extraordinary style. A band line-up of drums, bass and guitars forms the sonic foundation, which is enriched by strings and winds and rounded off by Gisbert's smooth vocals. The two musical and biographical universes of the two "songwriters" merge without any residue, while at the same time Gisbert zu Knyphausen gives Schubert's well-known songs his very unique touch.

With GAIA, Henning Fuchs acoustically captures the wild diversity and constant changes of the earth. Both stylistically and instrumentally, he manages to write "world music" in the truest sense of the word. Among others, the Chinese Erhu master Guo Gan (Erhu, Zhonghu), the renowned Icelandic violinist Elfa R�n Kristinsd�ttir, Boram Lie on cello, the Spaniard Juli�n Olivares (flamenco guitar, charango, cuatro, tres cubano), David Kuckhermann (handpans, udu, percussion), the Bulgarian Voices Berlin and many others perform on GAIA. In the titles of the album the history of the origin of the earth is retraced. Musically, Fuchs also ties in with his previous album, A New Beginning.

Countless umbrellas, pils of jumble and two grand pianos stacked one upon another found in Erik Satie's apartment after his death were the inspiration of this new release. Pianist Tamar Halperin and producer Guy Sternberg strip down Satie's compositions into individual voices, play them on various instruments and stack the pieces on top of each other. Their goal is to find out what Satie's music would sound like, were it composed in modern times. Halperin and Sternberg want to reflect Satie's influence on the various generations of artists that followed him. Satie was a composer who blurred the lines between Classical Art music and non-classical, popular styles.

The Twelve" is a soundtrack, but it also is an album very much in it's own right, with tracks that stand on their own, "It tells the story of [..] twelve people even without you seeing the film" explains Federico Albanese. The pieces invoke feelings of meditation and anticipation that convey a wonderful sense of storytelling, and hearing about Albanese's inspiration for these only strengthens their narrative. Take "The Stars We Follow", a piece as gentle and contemplative as it is powerful. The track was inspired by Japanese master Aoki Hiroyuki and the special practice he developed in order to connect to nature, "It's something between a martial art and a dance. At some point Lucy sent me a short clip where they do a session of this on a beach, and I thought somehow the movements were like chasing stars," explains Albanese, "as well as the general idea of all these elders travelling, and following their own ideas and stars and trying to communicate them with the world." The wonderfully comforting piece "North Variation" was inspired by Master Lyudmila Khomovna, one of the last people of Uilta decent living in a remote island in Siberia, "She is a very particular person, and profoundly elder, a very wise person. I was having this idea in mind of something set in a very cold place but with a deep warmth within," says Albanese. "The Twelve" cemented Federico Albanese's abilities to work outside his comfort zone. Being simultaneously able to adapt to the collaborative efforts of filmmaking while following his own internal creative process, his album demonstrates the added value of organic partnerships between artists, "I would say cinema is my second love besides music. I'm probably not the kind of person who is willing to write music for anything, I am happy to pledge to a project when I can see there is something I can give to it.

The UberBach album is a collection of compositions by the Munich-based composer Arash Safaian on themes by Johann Sebastian Bach. Safaian starts off with various pieces by Bach- chorales, orchestral works, organ and clavier music- and works with them to create five concertos for piano, vibraphone and chamber orchestra. Arash Safaian’s musical partner is the internationally acclaimed pianist Sebastian Knauer. Sebastian Knauer writes of this project: “When I heard the first example of UberBach, I was enthusiastic about the project at once. The virtuosity of the piano part, the melodiousness of the compositions and the closely woven sound made a deep impression on me. I imagined I was listening to Bach and yet it sounded too modern for the original.” He called his long-time musical partner, the Zurich Chamber Orchestra, the very next day and organized the recording. Arash Safaian is an artist, composer, and producer. He is the son of artist Ali Akbar Safaian, an important representative of Iranian modernism. Born in Teheran, he grew up in Bayreuth, where he was exposed to Richard Wagner’s operas at an early age. Alongside his interest in music, painting and sculpture shaped his childhood and youth. He has made his mark as a composer with orchestral works, ensemble pieces, film music and operas. He currently lives and works in Munich.