SPIN is the 9th release of the working band RONIN since it's foundation in 2001. Since the last release AWASE (ECM 2018) the band has developed the repertoire continuously further.  SPIN shows the phase in which the band is now: looking back and forward at the same time. The RONIN rhythm culture based on pattern, cycle and groove developments and refined beats is still presented and combined with playfulness and the consciousness for freedom within the clear structures.

The words, with the exception of the Canticle of The Creatures, are settings of almost unknown poems by St Francis of Assisi. They cover a wide expressive and emotional range: from hope to despair, longing to acceptance, love to bitterness, delight in Creation to an impassioned plea for peace amongst mankind. The cantata is no pious word-setting of an ancient saint - rather it is a passionate and vibrant evocation of a man who remains a symbol of hope for millions of all faiths and none. Vison of a Garden - In 2020 I spent nearly five months in hospital with Covid-19, and was in an intensive care unit for more than half that time. In October, when I went back to the hospital for a check-up, I was given two booklets called 'ICU Diaries' which contained messages of support written by the nurses who looked after me in intensive care. I find it astonishing that these people whom I never knew could write such warm and personal messages. The text that the choir sings in 'Vision of a Garden' is taken from their words. I have plentiful memories from my time in intensive care, but they are almost all false ones: things which my mind invented to keep itself occupied while my body was otherwise engaged in fighting the virus... In the center of the Addenbrooke's Hospital complex in Cambridge there is a little garden, which is a lovely oasis of peace amid the hospital bustle. As I now know, I was taken to this garden from the ICU a couple of times in May, to get the benefit of the fresh air and sunshine. I wasn't consciously aware of this, but my subconscious transplanted the garden to Cape Town and incorporated it into my 'South African dream'... (Peter Johnstone) 5020926040626 LYR406.2 42577201 .00 20.99 .24 LYRITA COMPACT DISCS CLASSICAL CHAMBER MUSIC & RECITALS 05/06/2022 https://mediacdn.aent-m.com/prod-img/500/03/4080103-2827302.jpg 22 1 N GUARNIERI / BUOSI / TIBIRICA CHOROS 2 In his Choros, Guarnieri wrote music that conjures up the landscape and essence of Brazil. These very personal concertos reveal the composer's refined instrumental combinations and elegant contrapuntal writing, while their dance rhythms are vivacious, drawing on the baião, maracatu and embolada. The Chorosin this second volume represent all stages of Guarnieri's compositional development. Also included is the delightful and inventive Florde Tremembé, an early work with choro-like features. The first volume is also available on Naxos. 747313440375 NXS8574403.2 42577430 .00 19.99 .20 NAXOS COMPACT DISCS CLASSICAL CHAMBER MUSIC & RECITALS 05/13/2022 https://mediacdn.aent-m.com/prod-img/500/26/4080126-2824744.jpg 23 1 N LEA MASSON LA GUITARE DE LOUIS XIV In addition to his reputation as a dancer, the Sun King was also a musician. Under the enlightened influence of his mother, Anne of Austria, the young Louis XIV learned to play the lute and then the guitar. Once relegated to commoners, this instrument became a symbol of royal refinement. Beyond simple entertainment, this musical craze served a political purpose: to seduce the court and the people, and to weave harmony between French, Italian and Spanish cultures. Like a new King David, monarch-musician par excellence, Louis XIV crafted the image of an Apollonian sovereign, master of the arts as much as of power. Together with exceptional musicians, Lea Masson reveals this forgotten facet of the guitarist king! 3760385430676 CHAV171.2 45355042 .00 20.99 .22 CHATEAU VERSAILLES COMPACT DISCS CLASSICAL ORCHESTRAL & SYMPHONIC 11/28/2025 https://mediacdn.aent-m.com/prod-img/500/17/4442517-3418387.jpg 44 1 N ENSEMBLE ODYSSEE ORIGINAL & COUNTERFEIT - CONS AFTER BWV 1052 1053 For a long time, the fact that three of J.S. Bach's harpsichord concertos are arrangements of earlier violin concertos led scholars to suspect that the remaining concertos were also adaptations of lost works for strings or winds, prompting several musicologists to attempt reconstructions. However, recent research has shown that they are more likely arrangements of earlier keyboard works. But what would Bach have done if he had to perform one of these pieces again and wished to showcase a different solo instrument? Ensemble Odyssee explores this question with three brand-new arrangements, presented alongside Bach's own arrangement of his Fourth Brandenburg Concerto, each piece showcasing the virtuosity of the ensemble's four core members. 608917200256 CLLE720025.2 45355097 .00 16.99 .25 CHALLENGE CLASSICS COMPACT DISCS CLASSICAL ORCHESTRAL & SYMPHONIC 10/24/2025 https://mediacdn.aent-m.com/prod-img/500/22/4442522-3418331.jpg 14 1 N RUIZ,SARA FANTAISIES POUR LA BASSE DE VIOLLE The unearthing of Telemann's Fantaisies pour la Basse de Viole in 2015 has been the most important discovery for the repertoire of viola da gamba in recent times. The compositions are a compendium of how Italian and French influences permeated the purely German language to create a specific style. Using the genre Fantasia, Telemann shows us a portrait full of audacity, freshness and compositional freedom hitherto unknown. Sara Ruiz plays on an anonymous viola da gamba dated around 1700. She chooses to emphasize the rotundness and the beauty of the tone, while her technical skills allow her to create a real drama. She does not hesitate to make use of a nice legato where a pleasant melody is encountered: she makes her instrument sing almost like a cello, i.e. a voice. With her, each Fantasia tells a story, every time a particular and thrilling one. 608917200348 CLLE720034.2 45355103 .00 16.99 .24 CHALLENGE CLASSICS COMPACT DISCS CLASSICAL ORCHESTRAL & SYMPHONIC 10/24/2025 https://mediacdn.aent-m.com/prod-img/500/23/4442523-3418332.jpg 9 1 N COLLARD,JEAN-PHILIPPE PLEIN JEU - BACH & BUSONI A unique achievement in Jean-Philippe Collard's discography, this piano programme devoted to Busoni's transcriptions of Bach's organ works is the result of a deep desire and represents a great accomplishment. Jean-Philippe Collard has been driven by three objectives : to immerse himself in Bach's organ music, to which he has always been attached; to reconnect this passion back to a youth nourished by the great sacred works of the Cantor; and to pay tribute to his musician father, who instilled this culture in him and continues to inspire him today. There is also the ambition of creating an innovative project, outside of the repertoires that have established his talent, following some sixty recordings, and at the height of an artistic career that calls for a form of synthesis, not of his career, but of a family history with the piano, of which Bach seems to him to be the greatest common denominator. The accomplishment is therefore multifaceted. Firstly, it is a sound that fully satisfies the performer, whose memories of organ works are enhanced by the breadth they acquire on the piano thanks to Busoni. It also embodies the very idea of recording itself, to which this extraordinary pianistic material gives, more than anything else, it's justification, according to Jean-Philippe Collard. For him, it is still a matter of perfecting the pianistic gesture, through an almost physiological notion of harmony between the writing and the music that is etched into the hand. Finally, it is the pianistic skill that this programme displays, serving the pleasure of a sound craftsman who feels that he has come full circle. What more could one ask for, he ponders. Borrowing from organ terminology, the expression 'full organ' here symbolically expresses the notion of plenitude and the magnitude of a total pianistic undertaking. 3760419360467 LDV139.2 45355325 .00 20.99 .31 LA DOLCE VOLTA COMPACT DISCS CLASSICAL ORCHESTRAL & SYMPHONIC 10/31/2025 https://mediacdn.aent-m.com/prod-img/500/04/4442604-3418388.jpg 2 1 N LES PERCUSSIONS DE STRASBOURG MINIMAL MINIMAL marks the Percussions de Strasbourg's first foray into the world of minimalist music. Faithful to their legendary history, yet open to other sonic horizons, the ensemble asserts a plural identity, nourished by a sensitive dialogue between heritage, aesthetic diversity, and creative freedom. This recording, centered on Steve Reich's famous Mallet Quartet, brings together works such as Avant, pendant, et pourtant by Camille Pepin, where formal rigor and emotion intertwine, and Sunday by Shelley Washington, imbued with a gentle melancholy. Nik Bartsch adds his rhythmic textures and ritual groove". Conceived by Minh-Tâm Nguyen and shaped by the inspired ear of Vincent Peirani, MINIMAL reflects an openness to jazz, pop, and classical influences. It marks a turning point: a record conceived before the stage, envisioned as a living manifesto of contemporary creation.