Limited colored vinyl LP pressing.

Luciano Pavarotti -"Pavarotti: The Lost Concert - Live at Llangollen 1995" [Blu-ray] Marking the 40th anniversary of winning a singing competition as part of a choir from his hometown of Modena in 1955, Luciano Pavarotti returns to North Wales to give a special gala concert at the 1995 Llangollen International Musical Eisteddfod. Joining him that evening is the BBC Philharmonic, the modern-day Corale Gioachino Rossini, Modena and, for the finale, Japanese soprano Atzuko Kawahara. The program combines popular operatic arias & choruses, Neapolitan songs, one of Pavarotti's own compositions, orchestral overtures & interludes, and a special duet for the finale. The final moments of an unforgettable event are made even more emotional by the singer's departing words. "You don't know what this is for me, what it is for me to try to concentrate for myself tonight, in what I am doing, with my music - while a million of memories come to my mind. For forty years, I was looking for this day... thank you for the beautiful night that you gave to me." Blu-ray with 20-page booklet.

Everything Classics Vol. 4: Decca Edition - Green Label Series (Japan Import) A special installment in the acclaimed Everything Classics campaign, this Vol. 4 Decca Edition features iconic recordings from the Decca catalog presented with a distinctive green color label coating, echoing the legacy of classic LP designs. Each title in this collection is pressed in Japan using the UHQCD (Ultimate High Quality CD) format-an advanced, audiophile-grade disc format developed by Memory-Tech. UHQCD offers superior sound reproduction and compatibility with all standard CD players, delivering enhanced clarity, detail, and depth without requiring any special equipment. Experience timeless performances with elevated fidelity in this premium reissue campaign.

Everything Classics Vol. 4: Decca Edition - Green Label Series (Japan Import) A special installment in the acclaimed Everything Classics campaign, this Vol. 4 Decca Edition features iconic recordings from the Decca catalog presented with a distinctive green color label coating, echoing the legacy of classic LP designs. Each title in this collection is pressed in Japan using the UHQCD (Ultimate High Quality CD) format-an advanced, audiophile-grade disc format developed by Memory-Tech. UHQCD offers superior sound reproduction and compatibility with all standard CD players, delivering enhanced clarity, detail, and depth without requiring any special equipment. Experience timeless performances with elevated fidelity in this premium reissue campaign.

Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.

Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.

BMP SONGBOOK: THE SIGNATURE COLLECTION / VARIOUS

Lucia di Lammermoor is one of the most iconic works of the bel canto repertoire, showcasing Gaetano Donizetti's masterful blend of lyrical beauty and dramatic intensity. Based on Walter Scott's novel The Bride of Lammermoor, the opera tells a haunting tale of love, political rivalry, and psychological collapse. At it's heart lies the tragic heroine Lucia (Lisette Oropesa), caught between familial duty and a forbidden love, whose descent into madness culminates in one of the most famous and demanding scenes in all of opera-the legendary 'mad scene'. What sets Lucia di Lammermoor apart is it's emotional depth paired with extraordinary vocal virtuosity. The opera demands immense technical precision, agility, and stamina from it's singers. Lucia's role, in particular, is a tour de force for any soprano, requiring crystalline coloratura, seamless legato, and the ability to convey both fragility and inner turmoil.

in 1952 Kathleen Ferrier made her last and perhaps greatest record... four arias each of Bach and Handel. The (engineers) ensured the utmost fidelity (Penguin Guide Rosette) "This is a recording that honours all concerned and in which Ferrier shows the English art of oratorio singing at it's finest. She is in superb voice and is accompanied with scrupulous artistry by Boult and the L.P.O.... The finest thing of all is All is Fulfilled... The hushed way (she) sings "This mournful night" and the sudden broken utterance "It is finished", dwell long in the memory. Having listened to contraltos singing Return, O God of Hosts at competitions, I can pay no higher compliment to Ferrier than to say I felt I was hearing it for the first time... It is rare that a disc gives such satisfaction in almost every respect" (Gramophone)

This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
As the primary creative force in Pink Floyd after the departure of Syd Barrett in 1968, Rogers Waters helped turn that band into one of the most successful rock acts of the '70s with his dramatic sense of sonic and conceptual scale. After leaving Pink Floyd for a solo career in the '80s, Waters continued the epic themes he'd pioneered on albums like THE WALL, a trend that continued to 2005, when he released CA IRA, an opera set during the French Revolution.
Unlike THE WALL, CA IRA is not rock music. Instead, it draws inspiration from traditional opera; it is set to a full orchestra, and features impassioned performances from soprano Ying Huang, tenor Paul Groves, and baritone Bryn Terfel. Based on a libretto by Etienne and Nadine Roda-Gil about the brewing revolution against a tyrannical nobility, the work is ambitious and grandiose in true Waters fashion, and comes complete with a 60-page booklet and a DVD about the making of the opera.
REVIEWS:
Rolling Stone (No. 985, p.81) - 3 out of 5 stars - "...[I]t's hard not to be impressed somehow by Roger Waters' CA IRA..."

This is a DSD (Direct Stream Digital) recording

DER FLIEGENDE HOLLÄNDER (PARIS

This is a DSD (Direct Stream Digital) recording

Music from Symphony No. 1, "Jeremiah"; Symphony No. 2, "Age of Anxiety"; Symphony No. 3, "Kaddish"; Chichester Psalms for Chorus and Orchestra ; songs from on the Town; Peter Pan; Fancy Free and Candide ; the original Broadway recording of West Side Story, and more!

This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
This is a DSD (Direct Stream Digital) recording

This complete performance of Rigoletto from 1964 includes not only the Duke's second-act cabaletta, but more gloriously, the cadenza that Verdi composed (and not an abbreviation or ad libitum) for the Duke and Gilda before the "Addio" duet, a lovely moment that sounds like the joyous intertwining of a flute and an oboe. Georg Solti's leadership is very in-your-face, with the brass blaring and tempos generally fast, and while this attitude tends to underplay the opera's pathos, it does make for great excitement. Robert Merrill's Rigoletto is pretty much by-the-numbers with no deep insights, but it's well sung, with exactly the type of Italianate sound Verdi wanted. Alfredo Kraus was in peak form in 1964 and his Duke is by turns elegant, amorous, and biting. He caps "Possente amor" with a brain-splitting high-D. Anna Moffo has some bad habits--she scoops her way into notes in a manner that's supposed to be girlish, but is in fact irritating--but she sings with great warmth and attention to the text when Solti's tempos allow. And in the end, she's very touching. Despite Solti's somewhat brutal approach and Merrill's generic rendering of the title role, this is recommended.

--Robert Levine, ClassicsToday.com

RCA's "Rediscovered" series has given us important, previously unreleased recitals by such major artists as Richter, Horowitz, and Heifetz. Jussi Björling is to singers what those luminaries were to their instruments, among the best of the best. Much of his September 14, 1955 Carnegie Hall recital was issued on LP, and some selections have found their way onto CD. But this is the first issue in any format of the complete recital, encores and all, including some of the tenor's title announcements. Only some of the applause has been excised to keep the disc from spilling over onto a second CD, thus sparing us the annoyance of sitting through whistles and stomps from long-gone strangers, though enough is left to preserve the "live" atmosphere. Nine selections never have been issued before, and producer Jon Samuels has done the requisite detective work to slot them into their proper sequence, no small task since Björling inserted encores at various points of the prepared program, not just at the end.

Björling fans most likely will have the majority of these songs and arias in their collections, many in multiple versions. But if they want the complete 1955 recital--and they should, as should all lovers of great singing--they'll need this welcome disc. The nine new items include arias from Cavalleria rusticana (Addio alla madre), Andrea Chenier (Come un bel di), La Bohème (Che gelida manina), and songs by Grieg, Sibelius, and Sjöberg. Whether this or that selection is the "best" available by Björling is a moot point; those made in the 1930s featured a lighter, ravishing voice, the later ones an instrument with more depth and body. Later often equals more subtle interpretations, as this 1955 Beethoven song "Adelaide" demonstrates, with its sophisticated use of rubato and changes in tonal color that reflect textual nuances, not to mention the added fervor of a singer projecting into Carnegie's vast space.

The Schubert group is highlighted by a tender "Ständchen" and an intense, pull-out-all-the-stops "Die böse Farbe". Björling's gorgeous middle voice and silvery top pay dividends in Mozart's "Il mio tesoro", where he negotiates the coloratura well and makes Don Ottavio less of a wimp than usual. As in any Björling recital, the usual suspects are here, but since he was really "on" that night, they're as thrilling as ever--a "Flower Song" from Carmen both tender and ardent, the ravishing "La Rêve" from Manon, and "Amor di vieta", among others. The latter aria should be heard by benighted individuals who subscribe to the strange notion that Björling was a "cool" singer in the Italian repertoire. The Scandanavian set is another of the many highlights, beautiful songs sung with elegance. And has Stephen Foster's "Jeanie With the Light Brown Hair" ever sounded more lovely? Björling's lightly accented English, wide vocal range, and respect for his material, coloring words as if they were a Schubert song, make it irresistible.

Jon Samuels' transfers easily eclipse all other releases of this material, giving us not only the incomparable sound of Björling's voice, but also a realistic rendering of the important way in which Frederick Schauwecker's piano supports and interacts with that voice, along with a sense of hall ambience rare for monophonic recordings. This disc offers 80 minutes of bliss. Get it.
--Dan Davis, ClassicsToday.com

Douglas Moore's opera Giants in the Earth receives it's world premiere recording with the South Dakota Symphony Orchestra under the music direction of Delta David Gier. Set on the stark, uninhabited Dakota plains, the drama follows Beret and Per Hansa, whose deep love is tested by isolation and the harsh realities of pioneer life. Moore's text-driven vocal lines flow with natural expression, weaving short, expressive ariosos into a seamless melodic tapestry. Central to the story, Beret's ornate Norwegian chest serves as altar, refuge, and symbol of home, underscoring the opera's themes of memory, tradition, and human longing. Moore's tonal score contrasts strength and fragility through vocal ranges, building tension toward Beret's fateful choices amid blizzards and loss. Every nuance is vividly realized, from intimate lyrical passages to the opera's devastating climax. This landmark recording illuminates the emotional intensity, psychological depth, and lyrical beauty of a work long awaited in full, making it an essential addition for lovers of American opera. The South Dakota Symphony Orchestra excavated, engraved, and revived the opera in Sioux Falls on April 26, 2025.

Taking it's title, Nessun Dorma, from the greatest tenor hit of them all, Pene Pati's second album balances favourite numbers with operatic rarities - two of them in world premiere recordings. In addition to Puccini, the Italian composers are Verdi, Donizetti, Mascagni and Mercadante, while the French school is represented by Berlioz, Meyerbeer, Gounod, Massenet, Halevy and Guiraud. Joining the Samoan tenor on the album are his soprano wife, Amina Edris, his tenor brother Amitai Pati, conductor Emmanuel Villaume, the Orchestre National Bordeaux Aquitaine and the Choeur de l'Opera National de Bordeaux. In the words of the Telegraph, Pene Pati possesses an "extraordinary gift for producing a golden thread of sound that can swell without strain to magnificence," while Opera magazine has lauded his "distinctively clear, marvellously sunny timbre, innate musicality and exceptionally vivid textual projection". For the tenor himself, Nessun Dorma "showcases my love of the art of storytelling and the emotions it can elicit... As you listen to the album, I hope it takes you on an emotional journey."

An invocation - a prayer, plea, appeal, entreaty or supplication - can take many forms. So can Elsa Dreisig, praised by Gramophone as "one of her generation's most eloquent and engaging singers". Since 2015, when she first gained international attention, the Paris-born soprano has given ample proof of the breadth and diversity of her talent, in the opera house and concert hall, and with her recordings for Erato. On Invocation she sings 15 arias and two songs - from 'greatest hits' to rarities - written by 14 composers to texts in six languages. She performs with conductor Massimo Zanetti and the Orchestra and Chorus of the Teatro Carlo Felice di Genova.

Joan Sutherland - "Complete Decca Recordings: The Operas 1971-1988". Opera recordings made from 1971 to 1988 constitute the final volume of the Complete Decca Recordings. Here we hear Sutherland singing all four dolls in one of the most colorful recordings ever made of Offenbach's Les Contes d'Hoffmann (1971), as well as a role she never sang on stage but has gone on to become one of the most celebrated of all operatic recordings in history: Turandot with Luciano Pavarotti and Montserrat Caball�, Zubin Mehta conducting (1972). Verdi is showcased with Rigoletto, Traviata, Trovatore (including the ballet music sequence), Ernani and Masnadieri, Bellini with Puritani, Sonnambula and Norma. This chapter in Dame Joan Sutherland's in Decca's operatic legacy closes with Cilea's Adriana Lecouvreur (1988). 46 CD boxset.

Commemorating the 270th anniversary of Mozart's birth in 2026, the "MOZART COLORS 100" collection by Deutsche Grammophon and Decca is a masterful fusion of high-fidelity audio and innovative visual curation. By organizing 94 essential recordings and six genre-specific masterpieces into a spectrum of 12 thematic colors, the series transforms the act of listening into a mood-based experience, allowing the "jacket color" to guide the listener through Mozart's immense versatility-from his precocious childhood works to his universally beloved classics. The technical presentation is equally impressive, featuring the SHM-CD format for superior sound resolution housed in elegant, color-coordinated cardboard sleeves that appeal to tactile collectors. With insightful new commentary by Mai Takano and approachable branding by Toshiyuki Hirata, this 100-title series successfully modernizes a historical legacy, making the 2026 anniversary both a luxury for audiophiles and a welcoming entry point for new fans of the "Wunderkind."

Commemorating the 270th anniversary of Mozart's birth in 2026, the "MOZART COLORS 100" collection by Deutsche Grammophon and Decca is a masterful fusion of high-fidelity audio and innovative visual curation. By organizing 94 essential recordings and six genre-specific masterpieces into a spectrum of 12 thematic colors, the series transforms the act of listening into a mood-based experience, allowing the "jacket color" to guide the listener through Mozart's immense versatility-from his precocious childhood works to his universally beloved classics. The technical presentation is equally impressive, featuring the SHM-CD format for superior sound resolution housed in elegant, color-coordinated cardboard sleeves that appeal to tactile collectors. With insightful new commentary by Mai Takano and approachable branding by Toshiyuki Hirata, this 100-title series successfully modernizes a historical legacy, making the 2026 anniversary both a luxury for audiophiles and a welcoming entry point for new fans of the "Wunderkind."

Commemorating the 270th anniversary of Mozart's birth in 2026, the "MOZART COLORS 100" collection by Deutsche Grammophon and Decca is a masterful fusion of high-fidelity audio and innovative visual curation. By organizing 94 essential recordings and six genre-specific masterpieces into a spectrum of 12 thematic colors, the series transforms the act of listening into a mood-based experience, allowing the "jacket color" to guide the listener through Mozart's immense versatility-from his precocious childhood works to his universally beloved classics. The technical presentation is equally impressive, featuring the SHM-CD format for superior sound resolution housed in elegant, color-coordinated cardboard sleeves that appeal to tactile collectors. With insightful new commentary by Mai Takano and approachable branding by Toshiyuki Hirata, this 100-title series successfully modernizes a historical legacy, making the 2026 anniversary both a luxury for audiophiles and a welcoming entry point for new fans of the "Wunderkind."

Commemorating the 270th anniversary of Mozart's birth in 2026, the "MOZART COLORS 100" collection by Deutsche Grammophon and Decca is a masterful fusion of high-fidelity audio and innovative visual curation. By organizing 94 essential recordings and six genre-specific masterpieces into a spectrum of 12 thematic colors, the series transforms the act of listening into a mood-based experience, allowing the "jacket color" to guide the listener through Mozart's immense versatility-from his precocious childhood works to his universally beloved classics. The technical presentation is equally impressive, featuring the SHM-CD format for superior sound resolution housed in elegant, color-coordinated cardboard sleeves that appeal to tactile collectors. With insightful new commentary by Mai Takano and approachable branding by Toshiyuki Hirata, this 100-title series successfully modernizes a historical legacy, making the 2026 anniversary both a luxury for audiophiles and a welcoming entry point for new fans of the "Wunderkind."

Commemorating the 270th anniversary of Mozart's birth in 2026, the "MOZART COLORS 100" collection by Deutsche Grammophon and Decca is a masterful fusion of high-fidelity audio and innovative visual curation. By organizing 94 essential recordings and six genre-specific masterpieces into a spectrum of 12 thematic colors, the series transforms the act of listening into a mood-based experience, allowing the "jacket color" to guide the listener through Mozart's immense versatility-from his precocious childhood works to his universally beloved classics. The technical presentation is equally impressive, featuring the SHM-CD format for superior sound resolution housed in elegant, color-coordinated cardboard sleeves that appeal to tactile collectors. With insightful new commentary by Mai Takano and approachable branding by Toshiyuki Hirata, this 100-title series successfully modernizes a historical legacy, making the 2026 anniversary both a luxury for audiophiles and a welcoming entry point for new fans of the "Wunderkind."