Sony Masterworks
Bjorling Rediscovered - Carnegie Hall Recital September 1955
$11.98
Details
- Composer
- JUSSI BJOERLING
- Artist
- Jussi Bjoerling
- Format
- CD
- Label
- Sony Masterworks
- Released
- Sep 09, 2003
- Catalog #
- 82876532312
- UPC
- 828765323123
About
RCA's "Rediscovered" series has given us important, previously unreleased recitals by such major artists as Richter, Horowitz, and Heifetz. Jussi Björling is to singers what those luminaries were to their instruments, among the best of the best. Much of his September 14, 1955 Carnegie Hall recital was issued on LP, and some selections have found their way onto CD. But this is the first issue in any format of the complete recital, encores and all, including some of the tenor's title announcements. Only some of the applause has been excised to keep the disc from spilling over onto a second CD, thus sparing us the annoyance of sitting through whistles and stomps from long-gone strangers, though enough is left to preserve the "live" atmosphere. Nine selections never have been issued before, and producer Jon Samuels has done the requisite detective work to slot them into their proper sequence, no small task since Björling inserted encores at various points of the prepared program, not just at the end.
Björling fans most likely will have the majority of these songs and arias in their collections, many in multiple versions. But if they want the complete 1955 recital--and they should, as should all lovers of great singing--they'll need this welcome disc. The nine new items include arias from Cavalleria rusticana (Addio alla madre), Andrea Chenier (Come un bel di), La Bohème (Che gelida manina), and songs by Grieg, Sibelius, and Sjöberg. Whether this or that selection is the "best" available by Björling is a moot point; those made in the 1930s featured a lighter, ravishing voice, the later ones an instrument with more depth and body. Later often equals more subtle interpretations, as this 1955 Beethoven song "Adelaide" demonstrates, with its sophisticated use of rubato and changes in tonal color that reflect textual nuances, not to mention the added fervor of a singer projecting into Carnegie's vast space.
The Schubert group is highlighted by a tender "Ständchen" and an intense, pull-out-all-the-stops "Die böse Farbe". Björling's gorgeous middle voice and silvery top pay dividends in Mozart's "Il mio tesoro", where he negotiates the coloratura well and makes Don Ottavio less of a wimp than usual. As in any Björling recital, the usual suspects are here, but since he was really "on" that night, they're as thrilling as ever--a "Flower Song" from Carmen both tender and ardent, the ravishing "La Rêve" from Manon, and "Amor di vieta", among others. The latter aria should be heard by benighted individuals who subscribe to the strange notion that Björling was a "cool" singer in the Italian repertoire. The Scandanavian set is another of the many highlights, beautiful songs sung with elegance. And has Stephen Foster's "Jeanie With the Light Brown Hair" ever sounded more lovely? Björling's lightly accented English, wide vocal range, and respect for his material, coloring words as if they were a Schubert song, make it irresistible.
Jon Samuels' transfers easily eclipse all other releases of this material, giving us not only the incomparable sound of Björling's voice, but also a realistic rendering of the important way in which Frederick Schauwecker's piano supports and interacts with that voice, along with a sense of hall ambience rare for monophonic recordings. This disc offers 80 minutes of bliss. Get it.
--Dan Davis, ClassicsToday.com
Björling fans most likely will have the majority of these songs and arias in their collections, many in multiple versions. But if they want the complete 1955 recital--and they should, as should all lovers of great singing--they'll need this welcome disc. The nine new items include arias from Cavalleria rusticana (Addio alla madre), Andrea Chenier (Come un bel di), La Bohème (Che gelida manina), and songs by Grieg, Sibelius, and Sjöberg. Whether this or that selection is the "best" available by Björling is a moot point; those made in the 1930s featured a lighter, ravishing voice, the later ones an instrument with more depth and body. Later often equals more subtle interpretations, as this 1955 Beethoven song "Adelaide" demonstrates, with its sophisticated use of rubato and changes in tonal color that reflect textual nuances, not to mention the added fervor of a singer projecting into Carnegie's vast space.
The Schubert group is highlighted by a tender "Ständchen" and an intense, pull-out-all-the-stops "Die böse Farbe". Björling's gorgeous middle voice and silvery top pay dividends in Mozart's "Il mio tesoro", where he negotiates the coloratura well and makes Don Ottavio less of a wimp than usual. As in any Björling recital, the usual suspects are here, but since he was really "on" that night, they're as thrilling as ever--a "Flower Song" from Carmen both tender and ardent, the ravishing "La Rêve" from Manon, and "Amor di vieta", among others. The latter aria should be heard by benighted individuals who subscribe to the strange notion that Björling was a "cool" singer in the Italian repertoire. The Scandanavian set is another of the many highlights, beautiful songs sung with elegance. And has Stephen Foster's "Jeanie With the Light Brown Hair" ever sounded more lovely? Björling's lightly accented English, wide vocal range, and respect for his material, coloring words as if they were a Schubert song, make it irresistible.
Jon Samuels' transfers easily eclipse all other releases of this material, giving us not only the incomparable sound of Björling's voice, but also a realistic rendering of the important way in which Frederick Schauwecker's piano supports and interacts with that voice, along with a sense of hall ambience rare for monophonic recordings. This disc offers 80 minutes of bliss. Get it.
--Dan Davis, ClassicsToday.com
Tracklist 26 tracks
-
1 Applause 00:13
- Track
- 1
- Title
- Applause
- Duration
- 00:13
- Composer
- na Not Applicable
- Ensemble
- Audience
-
2 Adelaide, Op. 46 06:26
- Track
- 2
- Title
- Adelaide, Op. 46
- Duration
- 06:26
- Composer
- Ludwig van Beethoven
- Performer
- Jussi Björling, Frederick Schauwecker
-
3 Fruhlingsglaube, Op. 20, No. 2, D. 686 03:20
- Track
- 3
- Title
- Fruhlingsglaube, Op. 20, No. 2, D. 686
- Duration
- 03:20
- Composer
- Franz Schubert
- Performer
- Jussi Björling, Frederick Schauwecker
-
4 Die Forelle, D. 550 01:54
- Track
- 4
- Title
- Die Forelle, D. 550
- Duration
- 01:54
- Composer
- Franz Schubert
- Performer
- Jussi Björling, Frederick Schauwecker
-
5 Schwanengesang, D. 957: No. 4. Standchen (Serenade) 04:18
- Track
- 5
- Title
- Schwanengesang, D. 957: No. 4. Standchen (Serenade)
- Duration
- 04:18
- Composer
- Franz Schubert
- Performer
- Jussi Björling, Frederick Schauwecker
-
6 Die schöne Müllerin, Op. 25, D. 795: No. 17. Die bose Farbe 02:33
- Track
- 6
- Title
- Die schöne Müllerin, Op. 25, D. 795: No. 17. Die bose Farbe
- Duration
- 02:33
- Composer
- Franz Schubert
- Performer
- Jussi Björling, Frederick Schauwecker
-
7 3 Lieder, Op. 29, TrV 172: No. 1. Traum durch die Dammerung 03:01
- Track
- 7
- Title
- 3 Lieder, Op. 29, TrV 172: No. 1. Traum durch die Dammerung
- Duration
- 03:01
- Composer
- Richard Strauss
- Performer
- Jussi Björling, Frederick Schauwecker
-
8 4 Lieder, Op. 27, TrV 170: No. 2. Cacilie 02:00
- Track
- 8
- Title
- 4 Lieder, Op. 27, TrV 170: No. 2. Cacilie
- Duration
- 02:00
- Composer
- Richard Strauss
- Performer
- Jussi Björling, Frederick Schauwecker
-
9 5 Lieder, Op. 106: No. 1. Standchen 01:39
- Track
- 9
- Title
- 5 Lieder, Op. 106: No. 1. Standchen
- Duration
- 01:39
- Composer
- Johannes Brahms
- Performer
- Jussi Björling, Frederick Schauwecker
-
10 Don Giovanni, K. 527, Act II: Aria: Il mio tesoro intanto 04:01
- Track
- 10
- Title
- Don Giovanni, K. 527, Act II: Aria: Il mio tesoro intanto
- Duration
- 04:01
- Composer
- Wolfgang Amadeus Mozart
- Performer
- Jussi Björling, Frederick Schauwecker
-
11 Fedora, Act II: Amor ti vieta 01:59
- Track
- 11
- Title
- Fedora, Act II: Amor ti vieta
- Duration
- 01:59
- Composer
- Umberto Giordano
- Performer
- Jussi Björling, Frederick Schauwecker
-
12 Carmen, Act II: Flower Song: La fleur que tu m'avais jetee 03:44
- Track
- 12
- Title
- Carmen, Act II: Flower Song: La fleur que tu m'avais jetee
- Duration
- 03:44
- Composer
- Georges Bizet
- Performer
- Jussi Björling, Frederick Schauwecker
-
13 Manon, Act II: Instant charmant … En fermant les yeux 03:43
- Track
- 13
- Title
- Manon, Act II: Instant charmant … En fermant les yeux
- Duration
- 03:43
- Composer
- Jules Massenet
- Performer
- Jussi Björling, Frederick Schauwecker
-
14 6 Poems, Op. 25: No. 2. En Svane (A Swan) 02:51
- Track
- 14
- Title
- 6 Poems, Op. 25: No. 2. En Svane (A Swan)
- Duration
- 02:51
- Composer
- Edvard Grieg
- Performer
- Jussi Björling, Frederick Schauwecker
-
15 6 Songs, Op. 48: No. 6. Ein Traum (A dream) 02:15
- Track
- 15
- Title
- 6 Songs, Op. 48: No. 6. Ein Traum (A dream)
- Duration
- 02:15
- Composer
- Edvard Grieg
- Performer
- Jussi Björling, Frederick Schauwecker
-
16 No. 6. Demanten pa marssnon (The Diamond on the March Snow) 03:29
- Track
- 16
- Title
- No. 6. Demanten pa marssnon (The Diamond on the March Snow)
- Duration
- 03:29
- Composer
- Jean Sibelius
- Performer
- Jussi Björling, Frederick Schauwecker
-
17 No. 4. Sav, sav, susa (Reed, reed, rustle) 02:22
- Track
- 17
- Title
- No. 4. Sav, sav, susa (Reed, reed, rustle)
- Duration
- 02:22
- Composer
- Jean Sibelius
- Performer
- Jussi Björling, Frederick Schauwecker
-
18 No. 1. Svarta rosor (Black Roses) 02:20
- Track
- 18
- Title
- No. 1. Svarta rosor (Black Roses)
- Duration
- 02:20
- Composer
- Jean Sibelius
- Performer
- Jussi Björling, Frederick Schauwecker
-
19 Tonerna (Music) 03:19
- Track
- 19
- Title
- Tonerna (Music)
- Duration
- 03:19
- Composer
- Carl Leopold Sjoberg
- Performer
- Jussi Björling, Frederick Schauwecker
-
20 Cavalleria rusticana: Mamma, quel vino e generoso 03:51
- Track
- 20
- Title
- Cavalleria rusticana: Mamma, quel vino e generoso
- Duration
- 03:51
- Composer
- Pietro Mascagni
- Performer
- Jussi Björling, Frederick Schauwecker
-
21 Ideale (version for voice and piano) 03:17
- Track
- 21
- Title
- Ideale (version for voice and piano)
- Duration
- 03:17
- Composer
- Paolo Tosti
- Performer
- Jussi Björling, Frederick Schauwecker
-
22 Tosca, Act III: E lucevan le stelle 03:02
- Track
- 22
- Title
- Tosca, Act III: E lucevan le stelle
- Duration
- 03:02
- Composer
- Giacomo Puccini
- Performer
- Jussi Björling, Frederick Schauwecker
-
23 L'alba separa dalla luce l'ombra (version for voice and piano) 02:31
- Track
- 23
- Title
- L'alba separa dalla luce l'ombra (version for voice and piano)
- Duration
- 02:31
- Composer
- Paolo Tosti
- Performer
- Jussi Björling, Frederick Schauwecker
-
24 Jeanie with the Light Brown Hair: II. Jeanie with the Light Brown Hair 03:36
- Track
- 24
- Title
- Jeanie with the Light Brown Hair: II. Jeanie with the Light Brown Hair
- Duration
- 03:36
- Composer
- Stephen C. Foster
- Performer
- Jussi Björling, Frederick Schauwecker
-
25 Andrea Chenier: Act IV: Come un bel di di maggio 02:57
- Track
- 25
- Title
- Andrea Chenier: Act IV: Come un bel di di maggio
- Duration
- 02:57
- Composer
- Umberto Giordano
- Performer
- Jussi Björling, Frederick Schauwecker
-
26 La bohème, Act I: Che gelida manina! 04:57
- Track
- 26
- Title
- La bohème, Act I: Che gelida manina!
- Duration
- 04:57
- Composer
- Giacomo Puccini
- Performer
- Jussi Björling, Frederick Schauwecker