“Which album is that song on?” is a question I often get asked after a concert at signings. Since our set lists invariably include a mixture of old and new repertoire, the answer is sometimes, “it’s not on any album.” This album is therefore a collection of those songs. It’s a response to all those people who have said over the years, somewhat disappointed, “you haven’t recorded If You Go Away?” and so on. This is also the first time I’ve recorded a song twice on the same album. If You Go Away entered my repertoire in 2018 when Jim wrote an orchestral arrangement for a concert in Paris. I was also singing Jacques Brel’s original, Ne me quitte pas, from time to time. But whatever the language, someone would ask why I hadn’t sung it in the other. Some singers have responded by interpolating both languages into the same version. Since both sets of lyrics are beautiful on their own terms and are equally deserving of inclusion, I chose to record them both. So, whilst not exactly a requests album, Summer Me, Winter Me is a response to that informal and unscientific sounding, a representative selection of some of these “requests”. With love, SK.

Although fifty years have now passed since Fritz Wunderlich’s tragic death on September 17, 1966, the singer and his incomparable tenor voice have remained unforgotten. One reason for this was the meteoric success of his artistic career. Following his performance in a student production of Mozart's Magic Flute in Freiburg, the young singer was instantly engaged by the Stuttgart State Opera, then went on to Frankfurt and Munich, performed at the Vienna State Opera and the Salzburg Festival, and had already received an offer from the New York Metropolitan Opera. What people remember most about him was his vital, lively personality, his almost limitless ability to cope under pressure, and of course his mellifluous voice, with its great depth, radiance, and delightful timbre. His accurate and always intelligible pronunciation of the words he sang has remained quite unparalleled. He performed operetta scenes with ease and charming levity; he bestowed the grace of genuine feeling onto lieder that had fallen into sentimental discredit; and he belted out party pieces with all the effortless verve of an Italian.

The recordings of some Munich Sunday concerts and studio recordings by the Bayerischer Rundfunk show him and his tenor voice at the height of their success. Together with the Munich Radio Orchestra and the Chor des Bayerischen Rundfunks, he can be experienced singing with such renowned conductors as Kurt Eichhorn, Siegfried Köhler, Willy Mattes, Hans Moltkau and Meinhard von Zallinger. Here he focused primarily on the German repertoire, from comic opera to operetta all the way to popular hits which,to this day, more or less owe their very survival to his interpretations of them in concerts and recordings.

REVIEW

The gatefold sleeve prints, in German and English, a short appreciation of Wunderlich’s career. It was cut short by an accident in 1966 when he was not quite 36 years old. His discography reflects a very wide range of repertoire covering all the genres from solo lieder to opera to oratorio. Here he is strictly in popular mode singing tuneful extracts, mostly from operetta. Singing of this quality is always a pleasure[.] The LP has been produced with extremely quiet surfaces and was hyperclean when I opened the sleeve.

--MusicWeb International

The Beethoven pupil Ferdinand Ries always holds surprises in store for listeners. Whether considering his symphonic music, chamber works, or vocal oeuvre (a broad selection available on CPO), his vibrant powers of invention, formal mastery and genial talent when it came to multiple paving of his own unique paths for the musical language of his times never fails to enthuse. The concert overture probably took shape in response to specific demands arising from the development of the concert as a public event. Ries’ rousing works of this genre are now rendered audible for vinyl fans!

James Rhodes has no formal academic musical education or dedicated mentoring. The title of the debut album “Razor Blades Little Pills and Big Pianos”, hints at the suffering that dogged Rhodes’s childhood and early adult life. Classical music became his solace and key to his survival. It was Bach, Beethoven and Chopin, not Faith Hope and Charity, that offered comfort. In 1993, mental health issues stopped him taking up a scholarship to the Guildhall. Suffering further setbacks due to health issues it was not until 2008, when Rhodes met his present manager, Denis Blais, that he was encouraged to record his first album. This enabled him to bare his soul and put many of the ghosts of the past to rest. With Blais, Rhodes also created a distinctive and unique approach to how the classical piano repertoire should be presented. Uncomfortable with the austere and traditional ‘white tie and tails’ recital they decided it was time for the performer to communicate directly with the audience. Rhodes was going to introduce his own programme notes and share what it takes to perform these works of art using fascinating anecdotes about the composers and his own life experience. Delivered in his unique trademark stand-up style he creates an immersive experience that has won him and classical music a dedicated new following. His new album, presented here, shows the same no-holds-barred approach to these time-honored classics.

The Mediterranean Sea, the cradle of many great cultures and travel route between Orient and Occident, is the point of departure of this enthralling album by the Pera Ensemble. On this release, the Pera Ensemble has dedicated itself to the Early Baroque - the period of transition from the Renaissance to the Baroque period itself. The program consists entirely of Italian music adapted together with Ottoman music. This album contains numerous world premiere recordings.

Mingus's second Impulse! album, released in 1963, was another large-ensemble masterpiece featuring two of the bassist/bandleader's greatest compositions 'Celia' and 'Better Get Hit in Yo' Soul' - plus a famous version of Duke Ellington's 'Mood Indigo.'

This new release is an album of eloquent contemporary music for children performed by Mr. E and Me and The Norwegian Radio Orchestra. The wonderful songs are written, arranged and sung by the highly accomplished duo Mr. E and Me, which consists of Martin Hagfors and Erik Johannessen. Martin, American born, is an artist, composer and lyricist in his own right and a popular collaborator for the likes of Ellen Andrea Wang, Bobby Bare, Big Bang, Motorpsycho etc. Erik is a Norwegian composer, arranger and trombone playing member of Jaga Jazzist, he is also known for his studio work with Susanne Sundfor and The Trondheim Jazz Orchestra. New Orchestral Hits 4 Kids also includes a guest appearance by the world music icon, Mari Boine on the hauntingly eerie, Long, Long and performances by The Norwegian Girls Choir. New Orchestral Hits 4 Kids aims to open ears to the wonderful sounds of the orchestra while introducing whimsical, imaginative songs about friendships, forests, wet socks, dancing, space, a robot, a birthday, and a beautiful narrative about a girl on the moon.

From genre-smashing composer and keyboardist Miguel Kertsman and drummer Ernie Adams comes IN THE MOMENT, a true-to-its-name album that leaps over musical boundaries and defies any label. The single-take, minimally microphoned recordings capture the raw emotional potential of music and the spontaneity of an intimate recording session. Kertsman’s vintage analog keyboards, bass pedals, and Adams’ drums work in tandem to duck and weave between musical forms, mingling with progressive rock, jazz fusion, Brazilian, Eastern, and more, all seamlessly fused together into one cohesive musical journey.

Nearly two decades into her career, Grammy-winning artist Norah Jones releases her first live album, 'Til We Meet Again. With performances from the US, France, Italy, Brazil and Argentina recorded between 2017-19. Spanning her entire career from her 2002 debut to her more recent singles "It Was You" and Grammy-nominated "I'll Be Gone." It closes with a cover of Soundgarden's "Black Hole Sun," a tribute to Chris Cornell recorded at the Fox Theatre just days after Cornell's death.

Composed by multi-award-winning artist Michel Legrand and written by American poets Alan & Marilyn Bergman, this album is made up of a cycle of songs. It tells the story of a woman’s life from birth to death, passing by all of its highlights: childhood, adolescence, first love, and motherhood. Composed and written in the 70’s, the project was never completed. Thanks to Natalie's input, Michel Legrand rewrote the score and Alan & Marilyn Bergman rewrote the lyrics especially for her in order to give a second life to this project. This masterpiece was recorded last September in London at the Air Studio with the London Studio Orchestra, conducted by Michel Legrand.

American Originals is the latest release from the Cincinnati Pops conducted by John Morris Russell and features iconic American songs interpreted by a diverse array of acclaimed musical collaborators including Rosanne Cash, Dom Flemons, Over the Rhine, Joe Henry, Aoife O'Donovan and the Comet Bluegrass All-Stars. The first-ever Cincinnati Pops album to be recorded live in concert, American Originals breathes new life into the first chapter of the Great American Songbook and the music of Stephen Foster. The 94th Cincinnati Pops album includes inspiring new renditions of My Old Kentucky Home, O Susannah, Camptown Races, Aura Lee, Slumber My Darling, Hard Times, and Beautiful Dreamer, among other classic tunes. According to The Cincinnati Enquirer, "The fresh arrangements and unique talents who performed them set each in a new light."

Coming under the form of a beautiful antique pink and dark green 3-shutters digipack and two-LPs Gatefold, 'Two Roses' is by Avishai's words "a once in a lifetime project". Associating his core trio (Mark Guiliana, Elchin Shirinov) with the Gothenburg Symphony Orchestra, Avishai Cohen offers a very cinematic project between Jazz, Mediterranean Folklore and Classical music, reexploring a part of his musical journey. Not only proposing new orchestrations of his most successful works, 'Two Roses' is also strongly supported by 'When I'm Falling', an original composition showing how far the sound of Avishai Cohen has developed. The vinyl edition features 2 exclusive tracks in addition to the 12 songs already listed on the digital and CD editions; including a Symphonic version of Seven Seas which is one of Avishai's most beloved compositions.

Whether as a solo instrument or as part of the orchestra, today the saxophone seldom appears in concert halls and opera houses. Nonetheless, before it found its true home, it was heard in classical music. Here, Schulte-Burnert skillfully presents three particularly brilliant and virtuosic concertos by John Williams, Michael Nyman and Andrei Eshpai.

Responding to overwhelming popular demand, Chandos is releasing Verdi and Variations as a 12” LP for the first time. This new venture is Chandos’ first LP production in many years. The works on the record are performed by Canadian ensemble I Musici de Montreal under the direction of the late, lamented Yuli Turovsky. Despite Giuseppi Verdi’s curt dismissal of his one and only chamber work as of ‘no importance’, it nevertheless received a fantastic reception at its premier and was hailed as a masterpiece. The present recording is a string orchestra arrangement by Yuli Turovsky. The other two works represent two composer’s unique takes on Verdi’s music. Antonio Pasculli’s Grand Concerto on Themes from Verdi’s I vespri siciliani was designed to showcase the composer’s considerable virtuosity as an oboist; it is here played by Philippe Magnan. Marc-Oliver Dupin’s Fantasia on Arias from La Traviata (1995), revisits the ‘fantasy’ genre in a set of six contrasting and highly entertaining variations.

With Gregory Brown's FALL AND DECLINE on Navona Records, the composer chronicles the heights to which humanity can soar-but also the depths to which it may come crashing down. Scored for the solo voices of virtuosic vocal sextet Variant 6 and electronics, the sounds range from typical choral textures (though peppered with microtones) to angular and aggressive electronic soundscapes. The lyrics may span two-and-a-half millennia, but their spirit and subjects are abiding: humankind's struggle against the limitations of time, conflict, inevitable decay. Persian rulers of the fifth century BCE, Baroque historians, poets of the Victorian age, contemporary wordsmiths, they are all caught in a grander, timeless labor-as is every one of us. FALL AND DECLINE is a stern reminder of Humanity's ephemerality, but even more, it's a harbinger of hope, a celebration of creative endeavors despite perpetual adversity.

After all is said and done, after 30 years, after a pandemic which shattered the world, after thousands of kilometers travelled and many more thousands of notes played and sung, what remains ? A deep love and respect for great music and the greatness in music, a deep love for the humanity that is brought to life by it, a deep appreciation for the gift of friendship and for the power and resonance that brought and kept us together all these years, and for that curiosity and passion, that meticulous quest to unveil the deepest mysteries of music, that drives us always onwards. Finally, we’ve given it a name: Afterallogy