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blir det inte mer sa ar det nog
$20.99CDProphone
Apr 24, 2026PCD393 -
Why Does Rain Fall
$20.99CDProphone
Jun 05, 2026PCD400 -
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blir det inte mer sa ar det nog
Why Does Rain Fall
Nordan Suite
Maximum
Where We Belong (feat. Lars Jansson & Paul Svanberg)
A Tribute to Charlie 100% Jazz, Swing and Boogie-Woogie
Enzo
The Law of the Lady
Meetings in India
Lazy Afternoon
Parkers Mood
"I've been listening to Hans's music for more than 25 years in many contexts, and I have noticed how he has grown and matured as an artist. And how he's always thinking "we" instead of "I". So, all things considered, here's a tribute that everybody involved should be proud of. I'm sure that Charlie Parker would have smiled approvingly. Yes, Bird lives!" (Thorbjørn Sjøgren) Hans Backenroth discovered jazz at the end of his teens, which led him to play double bass influenced by, among others, Paul Chambers, Ray Brown, Scott LaFaro and NHØP. In 1986 Hans moved to Stockholm to study at the music department at Birkagarden college, followed by three years at the Royal Academy of Music, where he graduated in 1989 in both jazz and classical bass, arranging and improvisational education. During the final year Hans became a member of Fredrik Norén Band, with tours in Sweden, Indonesia, Malaysia and the Baltics, and soon he began to appear at Stockholm's jazz venues like Fasching and Stampen and at many jazz clubs around Sweden. He appears on this album alongside Klas Lindquist, Erik Soderlind, and Karl-Henrik Ousback.
Swedish Portrait
Swedish jazz has since the 50s had a unique sound. The fire of American, mixed with the melancholy of Swedish folk music, evolved into a genre of its own. The great baritone saxophonist Lars Gullin composed music in this way with ingredients from jazz, Swedish folk music and the classical repertoire. This record emphasizes these elements and gives new life, not only to his music, but also to Swedish jazz. A child prodigy on the accordion Lars Gullin became a professional musician first as a pianist in 1947. He planned on a classical career until in 1949 he filled the baritone chair in Seymour Osterwalls ban. In 1954 he won the best newcomer award in DownBeat magazine. Over the next two decades, he would go on to work with some of the biggest names in contemporary jazz, including Archie Shepp, and Chet Baker. He died in 1976.
You Should Have Told Me / Ellen Andersson
Ellen Andersson has been described as two voices in one - the young, curious and the older, experienced - a performer with a rare artistic weight. Her second album in her own name is titled You Should Have Told Me. She has in recent years been seen and heard on stages and concert halls across the country, including with the Swedish Radio Symphony Orchestra. (Prophone)
REUNION (LP)
All My Septembers / Peter Asplund
Peter Asplund is one of Swedens foremost trumpet players. Or why not say it like it is? He is one of Europes or even the worlds foremost trumpeters. Why draw a line when there is no need to? Jazz is not limited by any national borders. It has been written: ""A fantastic musician who always plays straight from the heart"" - and to which we can all readily agree! Over the years he has developed his dynamic and energy-loaded, slightly melancholic and melodic trumpet style until he can express what he feels when he feels. This applies when he plays a standard by, say, George Gershwin, Cole Porter or Duke Ellington. And it also applies when he plays some of his own original compositions, tunes with a distinct accent on melody, my own standards he calls them. Of his new release, he writes: I was born in September. There is something special about that month. The light, the air, the scent of nature. For many it is a beginning of something, for others, an end. You reminisce. You look forward in time. You pause and regard the present. Wherever you happen to be, September brings forth both feelings and thoughts on life. These are mine. All My Septembers stay with me forever.
Home
An internationally admired jazz quartet consisting of a Dane and three Swedes plays Nordic jazz, with a lyrical expression and a living interplay. SE-Quartet gets their inspiration from many different genres, like gospel, avant-garde, soul, classical and popular music. Their music is captivating, with it's beautiful melodies and energetic beats, as well as a sensitive interaction with epic improvisations. SE-Quartet released their third album Going North, in April 2017, which now has more then 2.5 million streams on Spotify. In addition, radio stations and newspapers in Scandinavia, have highlighted the album and acclaimed SE-Quartet as it conveys an ideal. Since the beginning in 2007 SE-Quartet has performed 100 concerts in Sweden, Denmark and Norway. During the next decade SE-Quartet will hopefully reach out for the rest of the world.
Stay a While / Simon Westman Trio
Simon Westman Trio has been playing together since 2010, they have performed at jazz clubs in Gothenburg and are praised for their sound and their interaction. The members of the trio are individually strong voices on the Swedish jazz scene. Simon has played and collaborated with Bohuslän Big Band, Yasuhito Mori Scandinavian Connection, Lasse Lindgren Big Band, Svante Thuresson, Magnus Lindgren, Lina Nyberg and Samuel Ljungblahd, among others. The trio initially called themselves MMS Trio, the music they played was a mix of American jazz standards, European "ECM jazz" and Nordic show. But in May 2019, Simon began composing original music for the trio, after getting his thumbs out (thanks to his friend and colleague Alexander Lövmark) and booking time for recording in Nilento Studio. The debut album "Stay a While" was recorded in January 2020.
Veni Veni Emmanuel
From the artists: "An album of instrumental Christmas music with a piano trio, is that a worthwhile idea? We asked that same question 17 years ago when we recorded In dulci jubilo in 2003. We decided it was and the result has followed us and lived with us since then. It has almost become our trademark. We have performed these songs in innumerable joyful Christmas concerts every December for our audiences. At the same time, we have tried to renew and expand the repertoire till we finally felt it was time for a sequel. So here it is. A Christmas present to ourselves and to you dear listeners. Like the last time all the music is from Sweden and the European continent."
Karlavagnen
Swedish jazz pianist Emil Ingmar presents his newest release, Karlavagnen. Emil Ingmar is a pianist, composer, and freelance musician who lives in Uppsala, Sweden. A former piano student at KMH, he is the Chairman of the Uppsala Jazz Club and organizer of the Live Jazz Bar at Uplands Nation and the Jazz Corner at UKK. He is also active in Orphei Drangar as a singer and accompanist. Ingmar is joined for these twelve original tracks by an all-star lineup of musicians, including Fredrik Jonsson, Calle Rasmusson, Jonas Knutsson, and more.
Strings Attached
Karin Hammar writes: "Dear listener! After the release of 2 albums with Karin Hammar Fab 4 in 2016 and 2018, the time felt right to extend the Fab4 soundscape. As I have always being inspired by film music and classical music, the choice of adding string quartet to the jazz group felt like the extra flavoring needed to both enhance and expand the musical horizon. The idea of combining the Karin Hammar Fab 4 and the string quartet with Olivier Ker Ourio's chromatic harmonica transpired after I met and played with Olivier in Tel Aviv 2017. As a result, the beautiful sound of the harmonica, Ker Ourio's virtuosity came to be the 9th voice of this project. We hope you enjoy listening to this music - we certainly enjoyed writing and recording it!"
Hawaii
Kjell Öhman with Friends: Christmas
A Better Place
Star pianist and acclaimed composer Joel Lyssarides releases new album. "Joel's compositions are small masterpieces that he performs with a virtuosity and timing I haven't heard in Sweden for a long time, if ever" wrote Johan Norberg about pianist Joel Lyssarides' debut album, "Dreamer", which now has over 2.5 million streams on Spotify. The sequel, "A Better Place", is a conversation with Esbjörn Svensson, Bill Evans and Keith Jarrett with inspiration from Bach and Rachmaninov. "The creative process of this album was very different from my previous one, where I could pick and choose from songs that I had had years to complete. This time the music was created during mere hours over the course of a few evenings. There is a magic in the moment when improvising that I’ve found difficult to recreate afterwards. ”A Better Place” consists mostly of written down improvisations and then recorded with the trio without further processing. I think one tends to make better musical decisions on the spot, instead of at the desk where time is unlimited.”
