Petter Bergander Trio is back with new energetic, melodious jazz and the album Kierkegaard's Waltz following up their praised 2015 debut The Grand Dance. They were called "innovative" and "raw fun" and the album "a brilliant debut". The group has since played both in Sweden and international stages and festivals. Constellation is partly new with Eva Kruse on double bass. For the new record, composer and band leader Petter Bergander has written music with the explicit aim to make space for the "playing, the sound and playfulness of the trio" and the ambition to reach out to listeners of a variety of different music genres.

Trio X is one of Sweden's premier improvisation groups. Trion's distinctive character is exploratory and cross-border music, and the experienced musicians are inspired by many genres. Lennart Simonsson, Per V. Johansson and Joakim Ekberg started their collaboration in 2002 and have since then recorded several albums, collaborated with several well-known artists, toured in Sweden and abroad. Trio X is a versatile ensemble and works in the county music with many different projects. Gigs at jazz clubs, concert halls and big festivals are being played with concerts in classrooms and in care and care. The musicians also act as inspiration sources and teachers to amateur groups. Trion has a number of estimated productions aimed at children and adolescents and has had a perennial collaboration with the composer Per Egland in creative school. This new release features improvisations as well as original compositions and compositions of contemporary musicians who frequently partner with the ensemble.

Eva Kruse�s preceding albums In Water and On the Mo have both received loads of praise and recognition. In 2015 and 2017 she was honored with Jazz-Echo awards (the German equivalent of a Grammy) for best national bass player. M. Heinzelmann described in NDR�s Jazz-Album of the week that: "The Oboe is very rarely heard in jazz: It's pure sound opens up the sonic landscape and together with the saxophone it takes the listener on a journey into unknown territories". This spirit of breaking new ground characterizes the whole of the album On the Mo. Eva Kruse plays to her strengths, the poetry, the grooves and the freedom, and together with her band they explore across boundaries.

Sara Ald�n Sara Ald�n vocal, Daniel Andersson Runevad bass, August Bj�rn piano

Erik Palmberg - Trumpet Joona Toivanen - Piano Martin Sundstr�m - Bass Paul Svanberg - Drums & Percussion

Hans Backenroth bass Roger Svedberg vibrafon Daniel Tilling piano Oscar Johansson Werre drums

Recorded March 5-7 2025 at Krematoriet, Stockholm Sweden by Adam Forkelid Mixing & editing by Adam Forkelid Mastering by Klaus Scheuermann/4ohm music Cover & artwork by Jonas Holmberg Photos by Fredrik Gille 2024/2025 Produced by Svante S�derqvist & Adam Forkelid Co-produced by Calle Rasmusson & Tuulikki Bartosik

Recorded March 5-7 2025 at Krematoriet, Stockholm Sweden by Adam Forkelid Mixing & editing by Adam Forkelid Mastering by Klaus Scheuermann/4ohm music Cover & artwork by Jonas Holmberg Photos by Fredrik Gille 2024/2025 Produced by Svante S�derqvist & Adam Forkelid Co-produced by Calle Rasmusson & Tuulikki Bartosik

Jenna Nyman

Lennart Simonsson, piano Per V Johansson, bass Joakim Ekberg, drums

Orjan Hulten

Orjan Hulten

Erik Palmberg - Trumpet Joona Toivanen - Piano Martin Sundstr�m - Bass Paul Svanberg - Drums & Percussion

Jenna Nyman

Isabel Berglund

Linnea Jonsson

Linnea Jonsson

Irma Neumuller & Seth Sjostrom are two Swedish jazz musicians and composers based in Berlin. Their collaboration began as early as 2020 at Skurups Folk High School, where they quickly connected through their shared love of jazz and improvisation. In this project, they come together in an intimate duo setting, interpreting jazz standards, original compositions, and selected favorites from the Swedish pop and folk music repertoire. The contrasts between Irma and Seth-both as musicians and as individuals-are explored. The result is a unique and intimate sound that sheds new light on both the compositions and themselves. Over the past few years, Irma and Seth have performed in various ensembles across Sweden and the rest of Northern Europe, and both have made a name for themselves on the Nordic jazz scene.

Recorded live in concert at the Krematoriet, Stockholm, on 12 October 2024. Recorded by Adam Forkelid. Mixed and mastered by Klaus Scheuermann, 4ohm Berlin. Photos by Joona Toivanen (front cover) and Fredrik Gille. Cover design by Jonas Holmberg

Recorded live in concert at the Krematoriet, Stockholm, on 12 October 2024. Recorded by Adam Forkelid. Mixed and mastered by Klaus Scheuermann, 4ohm Berlin. Photos by Joona Toivanen (front cover) and Fredrik Gille. Cover design by Jonas Holmberg

Emmalisa Hallander, vocals Filip Ekestubbe, piano Niklas Fernqvist, bass Henrik Jaderberg, drums Daniel Migdal, violin 1 Jonna Simonsson, violin 2 Riikka Repo, viola Amalie Stalheim, cello Special guests Peter Asplund, trumpet & Per Texas Johansson, saxophone

When Goteborg Jazz Orchestra (GJO) - and the founders Mats Eklund and Johnny Olsson - laid out plans for the band's Monday night concerts for 2021 they came up with the concert series "Swedish Jazz Heroes", playing the music and telling the story of the role models who have shaped Swedish jazz of today. They came across the trombonist Eje Thelin and his last work, the suite Raggruppamento. The suite was firts performed and recorded live by the Radiojazz gruppen (RJG) in 1989 in the presence of Eje, but since he himself was too ill, he chose to let guitarist Goran Klinghagen play his feature parts and solos.

Stina Hellberg Agback - harp Filip Augustsson - double bass Jon Falt- drums

Emmalisa Hallander, vocals Filip Ekestubbe, piano Niklas Fernqvist, bass Henrik Jaderberg, drums Daniel Migdal, violin 1 Jonna Simonsson, violin 2 Riikka Repo, viola Amalie Stalheim, cello Special guests Peter Asplund, trumpet & Per Texas Johansson, saxophone

The music on this album reflects upon and responds to the state of the world it's wars, polarization, and climate change. It fills me with melancholy and sorrow, yet within this darkness, I also see hope through the people I encounter in my life and the power of the positive initiatives that still take place. Hope grows in intimate conversations, in the creative space of music where we intuitively understand each other through listening, in children's play, and in resistance against narrow-mindedness. In the resilience of nature, society, and people during this uncertain time of change. Photographer Anders Petersen has generously allowed me to use his image Hamburg as the album cover. To me, the image speaks of an unfathomable moment of mutual connection of resonance in the midst of everyday life. And perhaps hope lies precisely there, in our wonder and resonance with the world around us. Three compositions Ruins, Evening Hymn, and With Hope draw inspiration from traditional hymns of Gammelsvenskby in Ukraine. Parts of the theme in Arctic Call are based on phrases from an Inuit drum song from Greenland, and the original idea for Woods in Blue comes from a polska from Harjedalen, Sweden. The closing piece, O Magnum Mysterium by Francis Poulenc, was originally written for soprano solo and choir.