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SaleJean-Pierre Rampal – The Complete CBS Masterworks Recordings
Sony Masterworks · Dec 202156 discsCD$199.98$99.94 -
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Dutilleux: Orchestral Works / Morlot, Seattle Symphony
Seattle Symphony Media · Aug 20163 discsCD$45.99 -
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HERB ALPERT IS
WARNER CLASSICS EDITION: EMI CLASSICS
COMPLETE ERATO RECORDINGS
Wagner: Der Ring des Nibelungen (Live)
5 LEGENDARY RECORDINGS
CHEERS: COMPLETE SERIES
Jean-Pierre Rampal – The Complete CBS Masterworks Recordings
Before Jean-Pierre Rampal appeared on the music scene in the 1950s, wind players were rarely hired as soloists with orchestras. This legendary French flute virtuoso broke through that barrier with his astonishing talent, flair, and commanding stage presence, attaining the kind of visibility previously enjoyed only by pianists and violinists. He regularly filled the world’s largest concert halls for his recitals and chamber performances. Rampal was the father figure of the flute renaissance in the 20th century which restored the instrument to the exalted position it held during the 18th century.
He also became one the world’s most recorded artists, commanding all the essential repertoire of his instrument but equally embracing previously unknown works, his own discoveries, jazz, pop, folk and contemporary works. Virtually anything written for the flute or plausibly adapted for it was grist for his mill. In his autobiography Rampal referred to the discography that brought him numerous prizes and awards as being so enormous that not even he could keep track of it. In 1969, he began recording for CBS, and in 1979 he signed an exclusive contract with the label.
To mark his 100th birthday, Sony Classical released in a 56-CD box set the first complete edition of Jean-Pierre Rampal’s recordings for CBS, RCA, and Sony Classical.
SET CONTENTS:
DISC 1: Mozart: Flute Quartets
DISC 2: Bach Family
DISC 3: Bolling: Suite for Flute and Jazz Piano
DISC 4/5: Rampal and Lagoya in Concert
DISC 6: Vivaldi/Telemann
DISC 7: Bolling: "Picnic Suite"
DISC 8: Mozart: Flute Quartets K. 285 & K. 298/Divertimento K. 334
DISC 9: Carnaval de Rampal (Showpieces)
DISC 10: Schubert: Sonata In A Minor/Moscheles: Sonata concertante
DISC 11: Pastorales De Noel
DISC 12: Dvořák, Feld, Martinů: From Prague With Love
DISC 13: Japanese Melodies, Vol. III
DISC 14: Haydn: Divertimentos
DISC 15: Sonatas of J.S. Bach and sons
DISC 16: Jean-Pierre Rampal plays Scott Joplin
DISC 17: Weber: Sonatas for Violin and Piano
DISC 18: Bach: Concerto for Flute, Strings and Basso Continuo
DISC 19: Vivaldi: Six Concertos for Flute
DISC 20: Fascinatin' Rampal: Jean-Pierre Rampal plays Gershwin
DISC 21/22: Bach: Sonatas and Partita for Flute
DISC 23/24: Haydn: Concertos
DISC 25: The Flute at The Court of Frederick The Great
DISC 26: Night at The Opera: The Magic Flute
DISC 27: Chants de Noel / Children’s Songs
DISC 28: Mozart: Sonatas
DISC 29: Bolling: Suite No. 2 For Flute and Jazz Piano Trio
DISC 30: Mozart: The Flute Quartets
DISC 31: Telemann: Overture/Concertos
DISC 32: Telemann, Kuhlau, Bach, Mozart, Doppler
DISC 33: Kuhlau: Flute Quintets
DISC 34: Mozart: Concerto for Flute and Harp/Sinfonia concertante
DISC 35: Carulli: Flute Concerto and more
DISC 36: Concertos for Two Flutes
DISC 37/38: C.P.E. Bach: The Complete Flute Concertos
DISC 39: Mozart: Flute Concertos
DISC 40: Music for Flute and Harp
DISC 41: Mozart,Telemann, J.C. Bach, Reicha
DISC 42: Vivaldi: 6 Double Concertos
DISC 43: Rameau: Pièces de clavecin en Concerts
DISC 44: Italian Flute Concertos
DISC 45: Mozart: Divertimento, K.334/Adagio And Rondo, K.617/Andante, K.616/Quintet, K.557
DISC 46: Haydn: London Trios
DISC 47: Vivaldi: The Four Seasons
DISC 48: Kathleen Battle and Jean-Pierre Rampal in Concert
DISC 49: Pla: Catalan Flute Music of the 18th Century
DISC 50: Boccherini: Flute Quintets
DISC 51: Collaborations
DISC 52: Mozart: Symphonies Nos. 36 & 38 – Jean Pierre Rampal, conductor
DISC 53: Carulli/Haydn: Guitar Concertos – Jean Pierre Rampal, conductor
DISC 54: Bolling: Suite for Chamber Orchestra and Jazz Piano Trio – J.P. Rampal, conductor
DISC 55: Romantic Harp Concertos – J.P. Rampal, conductor
DISC 56: Mozart: March/Serenade K. 250 “Haffner” – J.P. Rampal, conductor
REVIEW:
Flautist Jean-Pierre Rampal brought the instrument to new prominence, proving its enormous potential in a wide range of repertoire. Sony’s new collection, ‘The Complete CBS Masterworks Recordings’, opens to a benchmark 1969 recording of the Mozart flute quartets where Rampal joins forces with Isaac Stern, Alexander Schneider, and Leonard Rose, and ends with more Mozart – and more Stern – for a keenly played 1994 version of Mozart’s Haffner Serenade. Especially noteworthy are three Kuhlau flute quintets where Rampal joins forces with the Juilliard Quartet: this is superior music, beautifully performed and recorded.
Contemporary repertoire is represented in the first instance by a colorfully inventive and well-performed Penderecki Concerto under the composer’s own direction, surely the best ‘modern’ piece in the set. Rampal enjoyed a fruitful musical relationship with the French jazz pianist, composer and arranger Claude Bolling. Of those pieces included in the set, I’d gravitate first to the Suite for chamber orchestra and jazz piano trio, with its classical resonances; on the other hand, programs devoted to Scott Joplin rags and Gershwin (including a musically pointless abbreviation of An American in Paris) are best left in the box. I’m all for creative crossover but the Gershwin in particular misfires, musically. Still, to be landed with just two ‘duffs’ in a collection of 56 CDs is pretty good going.
As you can imagine, some of the featured repertoire appears more than once but there are sufficient differences in approach between alternative recordings to justify spending time comparing. What’s most interesting is the typically wide range of music on offer, some of it of exceptional quality.
Overall, this is a most enjoyable set, sturdily boxed, with original jacket sleeves that include readable spines, and a hardcover 220-page accompanying book that will give you informative annotations and all the discographical information you need. As diverting collections go, this is certainly one to consider.
-- Gramophone (Rob Cowan)
HERB ALPERT IS
V2: RENDEZ-VOUS
ECLIPSE SERIES 8: LUBITSCH MUSICALS
Ballet for Children / The Royal Ballet
ALICE’S ADVENTURES IN WONDERLAND
Ballet in 2 Acts
Alice – Lauren Cuthbertson
Jack / Knave of Hearts – Sergei Polunin
Lewis Carroll / White Rabbit – Edward Watson
Mother / Queen of Hearts – Zenaida Yanowsky
Father / King of Hearts – Christopher Saunders
Magician / Mad Hatter – Steven McRae
Duchess – Simon Russell Beale
Royal Ballet
Royal Opera House Orchestra
Barry Wordsworth, conductor
Christopher Wheeldon, choreography
Bob Crowley, designs
Nicholas Wright, scenario
Natasha Katz, lighting design
Recorded live from the Royal Opera House, Covent Garden, 9 March 2011.
Bonus:
- Cast Gallery
- Documentary – Being Alice
Picture format: NTSC 16:9 anamorphic
Sound format: LPCM 2.0 / DTS 5.1
Region code: 0 (worldwide)
Subtitles: English, French, German, Spanish
Running time: 120 mins (ballet) + 30 mins (bonus)
No. of DVDs: 1 (DVD 9)
R E V I E W:
A stimulating production.
It is a brave company that is prepared to take such a surrealist novel and turn it into a stage show. Where film can provide the visual trickery necessary to give visual magic, theatre machinery is cumbersome and pedantic in comparison. Yet the development of technical resources and video projection can help. With ballet, a large part of the stage must be kept free of obstructions to allow ballet routines to progress unimpeded.
To then faithfully transfer to a video medium without high level on-line visual trickery may not ideally help the viewer. So how then has Covent Garden fared in bringing about a stimulating production?
Very well, in fact. The prologue where Dodgson (Lewis Carroll) is taking photographs of the family group works excellently. It is set in a realistic deanery garden. Bob Crowley’s backdrop painting in faded Victorian hues is in keeping. In this opening scene we are introduced to the personalities that later appear as stereotypes in the fantasy world Alice uncovers. The only odd thing in a private deanery garden is having a nurse wheel a perambulator across the stage as if in a busy street.
Some of the settings contain more subtlety than might at first sight be noticed. Monotone backdrops, the Cheshire Cat and a paper boat are styled on the engravings found in Carroll’s first edition book. As the ballet progresses the settings become more flamboyant and graphically modern.
Particularly stunning is the Playing Cards scene. Choreography and costumes strike just the right note. A clever routine with a segmented Cheshire Cat allows believable animation.
As one might expect, the dancing is up to the exacting standards of the corps with a Covent Garden reputation. The problem of having Alice change size was well contrived and Lauren Cuthbertson’s acting is excellent. The character of the White Rabbit is extremely officious throughout I noticed, yet pales before the bombastic pomp of the Queen of Hearts (Zenaida Yanowsky).
The orchestra plays well under the secure direction of Barry Wordsworth, a conductor not seen enough of nowadays. Talbot’s music has facets of talent and although classical harmony is mainly maintained, it is heavy, strongly percussive and is often reminiscent of the fight scene of West Side Story. One could hardly call the music melodious which is a pity as it misses out in appealing to the younger generation for whom the story is intended. I find the scoring unnecessarily heavy and is an ill fit with the elegance of classical ballet choreography.
The DVD is divided into play chapters, and contains a gallery photographs of the key dancers. It has the bonus of a well compiled and informative BBC documentary ‘Being Alice’. In it we see the planning, realisation and execution of the staging through the eyes of the principal dancer, Lauren Cuthbertson. Subtitles are provided in English, French, German and Spanish. In-depth background production notes with synopsis by David Nice are written in English, French and German.
-- Raymond J Walker, MusicWeb International
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Pyotr Il'yich Tchaikovsky
THE NUTCRACKER
"One of the very best seasonal treats for children and adults alike, the Royal Ballet’s Nutcracker is a handsome, magical, thoroughly traditional rendering of ETA Hoffmann’s immortal if deeply strange story." -- Sunday Express
This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright’s glorious production – as fresh as ever in its 25th year. Tchaikovsky’s ravishing score, period designs by Julia Trevelyan Oman (including an ingenious magical Christmas tree), an exquisite Sugar Plum Fairy (Miyako Yoshida) and chivalrous Prince (Steven McRae), the mysterious Drosselmeyer (Gary Avis) and vibrant dancing by The Royal Ballet make for a captivating performance. Filmed in High Definition and recorded in true surround sound.
The Sugar Plum Fairy – Miyako Yoshida
Nephew / Nutcracker – Ricardo Cervera / Steven McRae
The Prince – Steven McRae
Drosselmeyer – Gary Avis
The Royal Ballet
The Orchestra of the Royal Opera House
Koen Kessels, conductor
Peter Wright, choreographer and director
(after Lev Ivanov)
Recorded live at the Royal Opera House, November and December 2009.
Bonus:
- Cast gallery
- Rehearsing at White Lodge
- Peter Wright tells the story of The Nutcracker
Picture format: NTSC 16:9 anamorphic
Sound format: LPCM Stereo 2.0 / DTS 5.0
Region code: 0 (worldwide)
Menu language: English
Subtitles: English, French, German, Spanish
Running time: 127 mins
No. of DVDs: 1
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Peter and the Wolf, Prokofiev’s musical fairy tale, has been delighting children since 1936. Nearly 60 years later, in 1995, the young choreographer Matthew Hart created a witty choreographed version for the Royal Ballet School with designs by Ian Spurling. Described as ‘an utterly delightful ballet and a perfect showcase for the younger students,’ by the Royal Ballet’s Director, Monica Mason, it was staged again and recorded for this DVD.
"...Matthew Hart’s Peter and the Wolf is one of the most beguiling children’s ballets around.” - The Telegraph
Matthew Hart, choreographer
The Wolf – Sergei Polunin
Grandfather – Will Kemp
Peter – Kilian Smith
Duck – Charlotte Edmonds
Bird – Laurine Muccioli
Cat – Chisato Katsura
The Royal Ballet School
Royal Ballet Sinfonia
Paul Murphy, conductor
Recorded live at the Royal Opera House, 16 and 18 December 2010.
Bonus:
- Cast gallery
- Documentary feature on rehearsing Peter and the Wolf
Picture format: NTSC 16:9 anamorphic
Sound format: LPCM 2.0 / DTS 5.0
Region code: 0 (worldwide)
Menu language: English
Subtitles: English, French, German, Spanish
Running time: 38 mins
No. of DVDs: 1
This enchanting DVD captures 2011’s Christmas performance from the students of the Royal Ballet Lower School. All of the cast seem to be of primary school age, with the adult dancers Sergei Polunin and Will Kemp brought in as the Wolf and Narrator. Matthew Hart’s realisation of Prokofiev’s score as a ballet had first been seen in 1995 and it works very well indeed. Hart says in a short extra film that one of his aims had been to get as many dancers as possible onto the stage. He provide roles not only for the principal characters but for the corps as the physical elements of the story: dancers embody the hunters, the grass of the meadow, the waves of the pond, the trees of the forest and the wall next to Peter’s house. The choreography is simple without being simplistic and Hart tells the story very well. The principals are all extraordinarily proficient for their age, particularly the three girls playing the bird, duck and cat, who have the flexible movement of their creatures down to a T. Kilian Smith’s Peter is brave and likeable, while Polunin’s wolf embodies the sinister characteristics of a pantomime villain with that extra bit of danger. Will Kemp doubles as on-stage narrator and as Grandfather. The bright primary colours of both set and costumes work very well, and the only piece of staging is a bulky frame which is used for the tree, covered in graffiti about the story. The orchestra plays very well and the 5.1 surround sound brings the story to life. The only thing I missed, compared to an audio only recording, is the sense of intimacy with the narrator, something necessarily lost in a production such as this one, but if you don’t mind that then you’ll enjoy this very much. If you know some children who enjoy dancing, or if you want to get some children interested in dance for the first time, then this is especially for you.
-- Simon Thompson, MusicWeb International
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Frederick Ashton (the other major choreographer of the second half of the 20th century) created his ballet Tales of Beatrix Potter for the camera in 1971 (still available on DVD). In 1992, Anthony Dowell created a stage version for the Royal Ballet, revived in 2007 and filmed during the subsequent performances. David Nice’s essay in the accompanying booklet tells us much about the score, “composed” by John Lanchberry using Victorian waltzes and ballads and excerpts from various 19th-century ballets (Minkus, Glazunov), as well as his own version of La fille mal gardée , to all of which Ashton choreographed a number of gems, at the same time parodying the 19th-century classics in solos and pas de deux.
It is difficult to comment extensively on the individual dancers, as the animal masks by Rostislav Dobujinsky entirely cover the dancers’ faces. But through movement, gesture, and even posture the individual roles are neatly characterized, from the footwork of Gemma Sykes’s Jemima Puddle-Duck to the exuberance of Zachary Faruque’s Jeremy Fisher or Steven McRae’s Squirrel Nutkin. Jonathan Howells has a difficult task, succeeding the choreographer himself as Mrs. Tiggy-Winkle, but is almost as eloquent, although expanding Ashton’s few little movements into a full-length solo calls for too much repetition of the steps and attitudes. The adaptation was no simple task, as the film shows us Beatrix Potter herself in between the dance episodes, Mrs. Tiggy-Winkle strolling through the English countryside before starting her solo; but Dowell has eliminated that aspect and gives us a pure dance spectacle that is a delight from start to finish. And it must be exhausting for the dancers who must perform in real time. The Royal Ballet Sinfonia under Paul Murphy offers a sparkling rendition of the composite score that equals Lanchberry’s version for the film or even the LP that was released in the 1970s. For those unfamiliar with the children’s classic, a brief synopsis will fill you in, but this is, in any event, an instant classic for the young at heart.
FANFARE: Joel Kasow
Mrs Tittlemouse: Victoria Hewitt
Johnny Town-Mouse: Ricardo Cervera
Mrs Tiggy-Winkle: Jonathan Howells
Jemima Puddle-Duck: Gemma Sykes
The Fox: Gary Avis
Pigling Bland: Bennet Gartside
Pig-Wig: Laura Morera
Aunt Pettitoes: David Pickering
Mr Jeremy Fisher: Zachary Faruque
Tom Thumb: Giacomo Ciriaci
Hunca Munca: Iohna Loots
Peter Rabbit: Joshua Tuifua
Squirrel Nutkin: Steven McRae
REGIONS: All
PICTURE FORMAT: 16:9
SOUND: 2.0 LPCM STEREO / 5.1 DTS SURROUND
SUBTITLES: English, French, German, Spanish, Italian
B.B. KING'S BLUES SUMMIT 100
Grace - The Music of Michael Tilson Thomas (Luxury boxset)
BILL EVANS IN NORWAY: THE KONGSBERG CONCERT
LIVE AT THE BLUE NOTE CHICAGO
BEWITCHED - THE COMPLETE SERIES DVD
CHARLIE'S ANGELS - THE COMPLETE SERIES DVD
HOLLYWOOD
Dutilleux: Orchestral Works / Morlot, Seattle Symphony
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REVIEW:
The defining recording project of Ludovic Morlot’s tenure as music director in Seattle, this luscious three-disc set is a compendium of the orchestral canvases of Henri Dutilleux, whose centenary has been celebrated this year. It’s all played with considerable refinement, but there are particularly special results when the poised violinist Augustin Hadelich joins in for “L’arbre des songes” and “Sur le même accord.”
– New York Times (David Allen)
Franck: Hulda / Madaras, Liège Royal Philharmonic
The injustices of history are made to be redressed. Here a cast of international singers, under the dynamic direction of Gergely Madaras, devotes itself with conviction to the task of reviving one of the forgotten glories of French Romantic opera. Hulda, completed in 1885, was never staged in César Franck’s lifetime. This gory medieval legend recounts the multiple acts of vengeance its heroine inflicts on the Aslak clan, which slaughtered her family, and on her unfaithful lover Eiolf. The ferocious performance of American soprano Jennifer Holloway in the title role is matched by the sinister presentiments of her French colleague Véronique Gens and the tender outbursts of Dutch soprano Judith van Wanroij. Although the imaginary Norwegian setting brings Wagner to mind, Franck continues the tradition of French grand-opéra while adopting the contemporary Verdian idiom. The intensity of the action is reflected in harmonic and instrumental experiments that place Franck in the forefront of the modernists of his time. The inventiveness of the ballet is matched only by the splendour of the choral writing. How could such a masterpiece have languished in oblivion for so long? Quite simply, because it was deliberately buried by Franck's pupils, who preferred to keep for themselves the glory of personifying the French operatic revival.
AN AFTERNOON IN NORWAY: THE KONGSBERG CONCERT
JUBILEE
LIVE AT MONTREUX JAZZ FEST
SWIMMING BY MOONLIGHT
MOVIE
MATTER OF TIME: THE FINAL HOUR
SIDE-EYE III+