Romantic Era
3839 products
DIABELLI VARIATIONS
POLKAS BAGATELLES & IMPROMPTUS
FAVOURITE OVERTURES & PRELUDES
CLARINET QUINTET
PIANO SONATAS 3 & 4 & 27
BEETHOVEN / PIANO CONCERTOS NO. 4 & NO. 5
SLAVONIC DANCES OPP 46 & 72
PIANO TRIOS OP 71/1 (GHOST) & OP 97 (ARCHDUKE)
MANFRED SYMPHONY & OVERTURE IN C MINOR
PIANO WORKS: ETUDES SYMPHONIQUES & OTHER
PIANO SONATAS 27-28-29
DANCES & DREAMS FOR PIANO
PETITE MESSE SOLENNELLE
FAVOURITE NOCTURNES / FANTASIE IMPROMPTU
STRING QUARTETS NOS 1 & 2
MA VLAST: COMPLETE SYMPHONIC CYCLE
SERENADES FOR ORCHESTRA
PIANO CONCERTOS 1 & 2
PIANO SONATAS 13 & 14: IMPROMPTUS OP 94
COMPLETE CAPRICES FOR SOLO VIOLIN
PIANO SONATAS D 958 & D 960
ORCHESTRAL FAVOURITES INCLUDING GAITE PARISIENNE
BEETHOVEN: SYM 3 / MIHUL: LES AMAZONES - OVERTURE
Beethoven: Late Piano Sonatas, Opp. 101, 109, & 111 / Lugansky
Beethoven: Symphony No. 5 & Gossec: Symphonie / Roth, Les Siecles
This release, part of harmonia mundi's series celebrating the Beethoven year, pairs the composer's iconic and much-loved Symphony No.5 with the far less well-known Symphony In 17 Parts by Francois-Joseph Gossec. The dramatic power and intensity of Beethoven stands in sharp contrast to to the cheerful and gallant music of Gossec. Les Siècles, led by François-Xavier Roth, apply their usual virtuosity and keen insight to both works in performances that are sure to delight.
REVIEW:
It is hard to recall a more relentlessly driven performance of Beethoven’s Fifth Symphony than this newcomer...especially in the outer movements. It is not that it sets any new land-speed records, though it is certainly brisk. Rather, Roth elicits a consistent and persistent sense of forward momentum that, allied to a willingness to accentuate the coarser aspects of the period instruments, places this symphony as an irruption of the Classical era rather than a blueprint for musical Romanticism.
– BBC Music Magazine
BEETHOVEN: SYMPHONY NO.9 CHORAL FANTASY
CELLO CONCERTO PIANO TRIO NO.1
EUGENE ONEGIN (COMPLETE OPERA IN RUSSIAN)
HUMORESQUES OP 101 / AMERICAN SUITE OP 98
