Cornet magician Bob Barnard and pianist Ralph Sutton present the music of Fats Waller on this 14 track album recorded at Paradise Studios in Sydney, Australia on April 21, 1999 (it was originally released in Australia on the La Brava label). The pair is joined by bassist Ed Gaston, drummer Len Barnard, and clarinetists Don Burrows and John McCarthy.

Geoff Keezer (Art Farmer, Slide Hampton, Art Blakey's Jazz Messengers+)-pno, Steve Nelson-vibes Neil Swaison-bs, live at Toronto's Montreal Bistro, 1993.

2-CD set from trombonist live at the Montreal Bistro in Toronto, feat. Alex Dean, Don Englert, Pat LaBarbera, Dave McMurdo, Mike Malone, Paul Novotny, Mark Promane, Terry Promane, Chase Sanborn +.

This 2-CD collection brings together three LPs from the 1970s which illustrate superbly the attributes of Jay McShann's piano stylings. "Tuxedo Junction," the title track, salutes Erskine Hawkins. Also recalled are Sir Charles Thompson and Illinois Jacquet ("Robbins Nest"), Mary Lou Williams ("Froggie Bottom"), Don Redman ("Gee Baby Ain't I Good to You") and Duke Ellington ("Do Nothing Until You Hear from Me"). This collection includes two previously unreleased vocal performances by Jay McShann of "Baby Won't You Please Come Home" and "Keep Your Hands Off Her."

Jazz pianist Junior Mance made his first recording at age 19 in 1947 with Gene Ammons. Two years later he recorded with Lester Young and the following year with Sonny Stitt and Gene Ammons. In '53 Mance was the house pianist at Chicago's Beehive where he accompanied many greats including Charlie Parker and Coleman Hawkins. Mance made his first album as leader in '59 for Verve and hasn't stopped since. He now has over 50 albums as leader, the latest on his own JunGlo label from 2012 when he was 83 years young. Jubilation is from a 1994 solo piano concert in Toronto. 66 minutes includes "Autumn Leaves", "Georgia On My Mind", St. Louis Blues", "Birks Works", "Lover Man" and 10 more. (Previously deleted:6/1/09. Original release date: 11/15/96)

This CD includes the 1951 sessions with members of Australia's Graeme Bell Band who were on tour in the U.K. at that time. They are notable for the late 1920s feel of the ensembles and the unique solo offerings of alto saxophonist Ade Monsbourgh. Lyttelton tapped into the rich expatriate Caribbean musical community for this early fusion of jazz and Caribbean rhythms (the Habanera touch). Saxophonists Freddie Grant and Bertie King, pianist Mike McKenzie, and guitarist Fitzroy Coleman are all featured alongside Lyttelton's potent trumpet and the warm glow of Wally Fawkes' clarinet. Marie Bryant is featured in four well chosen standards.

Abdullah Ibrahim (Dollar Brand) - solo piano.

Pianist celebrates the contribution made to jazz by women of African American ancestry & is a follow up to the 1979 collaboration between Doc Cheatham & Sammy Price.

This performance recording captures the genuine excitement and swing when top quality musicians get together in the creation of jazz music. Baritone saxophonist Joe Temperley and tenor saxophonist Harry Allen blend together into a highly distinctive tonal mix. Their irresistible desire to play music with swing turns whatever they play into explosively dynamic music. The recording took place at Sunnie Sutton's Rocky Mountain Jazz Party in October 2006 and the tracks include Oscar Pettiford's classic line Blues in the Closet, jazz standards in a Mellotone and Jumpin' at the Woodside, as well as popular songs like Cocktails for Two, Sweet & Lovely, I've Got a World on a String, Polka Dots & Moonbeams and Everything Happens to Me.

Brilliant follow up to 1983 New York date "Partners in Crime", Ralph Sutton-pno down under w. The Barnard Bros. Bob-tpt & Len-dms & washboard, recorded Sydney, Australia 1991.

Cornet player swings with Cal Collins-gtr, Keith Ingham-pno, Earl May-bss, Jackie Williams-drms, 16 tracks.

Trio whose playing reaches back to the earliest days of jazz. 1900-1920 were considered "the Mauve Decades," so on this Sackville CD, pianist Keith Ingham (in a trio with clarinetist Bobby Gordon and clarinetist Bobby Gordon) performs 17 songs written during that period. Although one might think that the music would be ragtime-oriented, in reality many of the songs retained their popularity into the 1920s and beyond, including "Glow Worm," "Ida," "My Gal Sal," "Some of These Days" and "Love Nest." The interpretations, which are a little reminiscent of the Benny Goodman Trio, fall into mainstream jazz, between swing and Dixieland. Everyone plays up to par, making this a good acquisition for pre-bop collectors.

(2-CD set) This reissue features the powers of four master pianists, Willie "The Lion" Smith, Don Ewell, Claude Hopkins and Sir Charles Thompson. On 10 tracks recorded in Toronto in 1967, Smith and Ewell perform as a duo. Hopkins performs solo in the style of the Harlem pianists of the 1920s on 8 tracks recorded in 1972, while Hopkins performs solo on 6 tracks from 1984.

This live recording from 1997 at Nick Vollebregts Jazzcafe in Laren, Holland is a snapshot of the lengthy careers of it's 3 principals, Richards, No-ris Turney & Claude Williams - songs include "There Will Never Be Another You", "Them There Eyes" & "Isn't It Romantic"

Guitarist Reg Schwager and bassist Don Thompson recorded these duets in 1992. As Ted O'Reilly observes in his liner notes: "The intimacy of this music is the first thing you'll notice... a quiet conversation of musical intelligence before an attentive audience in a small, comfortable room. Well-chosen standards, ranging from the lightly swinging opener through the quiet closer, allow the listeners to appreciate the players' improvising skills". Reg is currently working with George Shearing, Barry Elmes Quintet and Dave McMurdo's Jazz Orchestra. Don has worked with John Abercrombie, Jim Hall and George Shearing.

Solo pianist/vocalist plays popular songs of the 1930's.

Jim Galloway returns for this second collection of Christmas songs on Sackville. This 1992 quartet session also features pianist Jay McShann. There is a mysterioso version of "Silent Night", imaginative arrangements of hackneyed popular songs ("Rudolph" and "Mommy Kissing Santa Claus"), sensitive ballads ("White Christmas" and "The Christmas Song"), jazz flavored tunes ("Christmas in New Orleans" and "Harlem") and a couple of McShann's specialties, a rhythm based romp ("Christmas Candy") and a reworking of traditional blues ideas ("Christmas Baby"). Previously released in 1993 with a different barcode: 778133305421

Pianist Anthony Davis is joined by Leroy Jenkins, Abdul Wadud & Pheeroan ak Laff on highly creative improvised compositions, written by Davis, and recorded at Downtown sound, New York City, July 30 & 31, 1978.

Pianists live at the Montreal Bistro playing compositions by Nat Cole, Thad Jones, Phineas Newborn & Duke Pearson.

16 solo piano pieces from 1987; here she performs standards learned from older brother Ralph Sutton - elements of his style can be found in her playing.

Cornet master Rex Stewart was selected by Henri Chaix to choose the repertoire for their collaboration on this June 12th, 1966 session recorded in Baden, Switzerland, and produced by Arild Wideroe (this is the first CD issue of this music which was licensed originally for LP release in Europe on Polydor International). The second half of this CD features the Henri Chaix Orchestra's final performance (does not include an appearance by Rex Stewart) at the Montreux Festival on June 16th, 1971, and it's issued here for the first time. The orchestra performs three medleys as a tribute to Fats Wallers.

These are amongst the earliest of pianist Ralph Sutton's solo recordings. The first fifteen selections come from a session in San Francisco in 1949 originally issued on Down Home Records. Even less known are the final eight tracks recorded in London in 1952 and originally issued on the Lyragon label. At the time, Sutton was performing as a jazz concert artist, but still found time to put down on wax these brief interpretations of material he was to rework through his long career. The highlights include three Willie "The Lion" Smith compositions - "Concentratin'" and "Morning Air" remained staples of Sutton's repertoire, but his version here of "No Local Stops" may well be it's only recorded performance.

Saxophonist is featured in a quartet setting with his son Lee on guitar, February 3rd & 4th, 1992.

This 15 track CD consists of three separate performances: The first (7 tracks) was recorded in Baden, Switzerland on Nov. 9, 1968 and features Benny Carter and the Orchestre Henri Chaix with Jo Gagliardi, Andre Faist, Roger Zufferey, Alain Du Bois and others. The second performance (4 tracks) was recorded in Geneva, Switzerland at Radio Geneve (RSR) on Dec. 16, 1957 and features Bill Coleman and the Henri Chaix Quintet with Michel Pilet, Alain Du Bois, Max Hediguer and others. The third performance (4 tracks) features the same previous line-up (except Bob Jaquillard replaces Max Hediguer) recorded at the same location on Sept. 6, 1958.

2-CD set consisting of the album "Atlantic Suite", plus "Suite P.E.I.", part of a CBC album called "All Star Jazz in Concert at the CNE"; the remaining selections are from a never before released session from 1973-79, inc. Nimmons 'n Nine Plus Six band fet. Dave Caldwell, John Capon, Art Ellefson, Dave Field, Jerry Johnson +.