The invaluable electronic music advocacy organization SEAMUS releases their latest compilation, featuring path breaking works by Patrick Reed, Leah Reid, Andrew Burke, Kerem Ergener, Mickie Wadsworth, Oliver Harlan, Aleu Botelho, Paul J. Botelho, and the SEAMUS Student Commission first prize work by Liann J. Kang.

SEAMUS (Society for Electro-Acoustic Music of the United States) releases it's latest archival recording drawn from it's annual conference, featuring works by John Gibson, Timothy Roy, Qiujiang Levi Lu, Chi Wang, Sam Pluta, and Scott L. Miller.

SEAMUS (Society for Electro-Acoustic Music in the United States) releases it's newest recording in an ongoing series featuring works by the organization's member composers, under the curation of SEAMUS Director of Recordings, Scott L. Miller. EAM2020 contains works by Elainie Lillios, Alex Christie, Ioannis Andriotis, Elliott Lupp, Chris Lortie, Nicole L. Carroll, Panayiotis Kokoras, Per Bloland, Leah Reid, and Nathaniel Haering. SEAMUS is a non-profit national organization of composers, performers and teachers of electro-acoustic music. Electro-acoustic music is a term used to describe those musics that are dependent on electronic technology for their creation and/or performance. SEAMUS strives to address not only relevant technology but also the non-technical issues of aesthetics, collaboration, education and ethical/social issues pertinent to the electro-acoustic music community. Through it's journal, newsletter, recordings, and national conferences, SEAMUS seeks to increase communication among the diverse constituency of this relatively new musical medium.

Music from SEAMUS, Vol. 1

SEAMUS (Society for Electro-Acoustic Music of the United States) continues it's series of releasing it's back catalogue along with new recordings. Volume 31 features compositions reflecting the vanguard of electronic music by Jon Fielder, Maggi Payne, Douglas McCausland, Jon Christopher Nelson, Nina C. Young, Brian Riordan, Eli Fieldsteel, Kerrith Livengood, Becky Brown, and David Q. Nguyen. SEAMUS is a non-profit national organization of composers, performers and teachers of electro-acoustic music. Electro-acoustic music is a term used to describe those musics that are dependent on electronic technology for their creation and/or performance. SEAMUS strives to address not only relevant technology but also the non-technical issues of aesthetics, collaboration, education and ethical/social issues pertinent to the electro-acoustic music community. Through it's journal, newsletter, recordings, and national conferences, SEAMUS seeks to increase communication among the diverse constituency of this relatively new musical medium.

Electro-acoustic music refers to any music that is dependent upon electronic technology for its sound production or performance. In 1984, The Society for Electro-Acoustic Music in the United States (SEAMUS) was founded as a non-profit organization to support the teachers, composers, and performers of this specialized genre. This release, Music from Seamus Volume 25, features eight premiere recordings of works which were chosen for this album at the SEAMUS National Conference. A couple of notable tracks include Dan VanHassle’s “fzzl,” a work for snare drum and live electronics that draws its inspiration from West African drumming, experimental electronics, and hip hop, as well as Jeffrey Stolet’s “Imagined Destinies,” which is an interactive performance composition for music software, a book, and two microphones with text centered around two countries working toward peace.

SEAMUS is a non-profit national organization of composers, performers, and teachers of electro-acoustic music. Electro-acoustic music is a term used to describe those musics which are dependent on electronic technology for their creation and/or performance. SEAMUS strives to address not only relevant technology but also the non-technical issues of aesthetics, collaboration, education, and ethical/social issues pertinent to the electro-acoustic music community. Through it's journal, newsletter, recordings, national meetings, and it's national archive at the University of Texas at Austin, SEAMUS seeks to increase communication among the diverse constituency of this relatively new musical medium. The release of the back catalog from the Music from SEAMUS series continues here with Volume 2, originally released in 1993. Electro-acoustic works by composers Scott Wyatt, Jeffrey Haas, Barry Schrader, Cort Lippe, Charles Norman Mason, George Todd, and James Mobberley are featured.

SEAMUS (Society for Electro-Acoustic Music in the United States) continues with it's commendable series of releasing recordings of works by it's member composers. This volume is the most recent, curated in 2019 by it's current director of recordings, Scott Miller. SEAMUS is a non-profit national organization of composers, performers, and teachers of electro-acoustic music. Electro-acoustic music is a term used to describe those musics that are dependent on electric technology for their creation and/or performance. SEAMUS strives to address not only relevant technology but also the non-technical issues of aesthetics, collaboration, education and ethical/social issues pertinent to the electro-acoustic music community. Composers featured on this release include Kyong Mee Choi, Brian Topp, Akiko Hatakeyama, Robert McClure, Chi Wang, Lucas Marshall Smith, Fang Wan, and Caroline Louise Miller.

SEAMUS (Society for Electro-Acoustic Music in the United States) releases the next in it's series of back catalogue and new compilations by it's composer members. Volume 24 includes music by Scott L. Miller, Ted Coffey, Nina C. Young, Joo Won Park, Chin Ting Chan, John Nichols III, and Per Bloland. All works for the Music from SEAMUS series are based upon voting done by conference participants at the SEAMUS national conferences. The compositions appearing on this volume are the result of voting at the 2014 SEAMUS national conference hosted by Wesleyan University, Middletown, Connecticut. As part of a recently adopted policy, an individual composer cannot appear on the Music from SEAMUS series more frequently than once every three years. SEAMUS is a non-profit national organization of composers, performers, and teachers of electro-acoustic music. Electroacoustic music is a term used to describe those musics that are dependent on electronic technology for their creation and/or performance. SEAMUS strives to address not only relevant technology but also the non-technical issues of aesthetics, collaboration, education, and ethical/social issues pertinent to the electro-acoustic music community.

Music from SEAMUS 26

SEAMUS releases Volume 32 of its ongoing series featuring electro-acoustic works from its current 2023 member composers. This volume includes pieces by Kristopher Bendrick, Kyong Mee Choi, Adam Mirza, Lisa Renée Coons, Robert McClure, Carolyn Borcherding, and Eli Stine.

Music from SEAMUS, vol. 22 continues the organization's series of recordings chronicling the work of its member composers. Featuring music from this 2013 edition by Asha Srinivasan, Paula Matthusen, Eli Fieldsteel, Kyong Mee Choi, Jason Bolte, Andrew Seager Cole, Jeff Herriott, Ed Martin, Jon Appleton and Paul Botelho, this recording provides excellent insight into vanguard practices in electronic and electro-acoustic music. SEAMUS is a non-profit organization of composers, performers, and teachers of electro-acoustic music. Electroacoustic music is a term used to describe those musics that are dependent on electronic technology for their creation and performance. SEAMUS strives to address not only relevant technology but also the non-technical issues of aesthetics, collaboration, education and ethical/social issues pertinent to the electro-acoustic music community.

Music from SEAMUS, vol. 4 continues the organization's series of recordings chronicling the work of its member composers. Featuring music from this 1994 edition by Jon Christopher Nelson, Mark Edward Gibbons, Eric David Chasalow, Judy Kline, Tom Flaherty, Howard Jonathan Frederics, and Daniel Weymouth, this recording affords listeners of the SEAMUS series an opportunity to hear how this dynamic sub-genre in our field has developed and what parameters have remained consistent over the last few decades. SEAMUS is a non-profit organization of composers, performers, and teachers of electro-acoustic music. Electroacoustic music is a term used to describe those musics that are dependent on electronic technology for their creation and performance. SEAMUS strives to address not only relevant technology but also the non-technical issues of aesthetics, collaboration, education and ethical/social issues pertinent to the electro-acoustic music community.

SEAMUS (Society for Electro-Acoustic Music in the United States) continues its project of releasing its extensive back catalogue of recordings, including Volume 23 which features works by Cort Lippe, David Gedosh, Chester Udell, Elliot Patros, Christopher Chandler, Halim Beere, Jeffrey Hass, and Butch Rovan. SEAMUS is a non-profit national organization of composers, performers, and teachers of electro-acoustic music. Electro-acoustic music is a term used to describe those musics which are dependent on electronic technology for their creation and/or performance. SEAMUS strives to address not only relevant technology but also the non-technical issues of aesthetics, collaboration, education, and ethical/social issues pertinent to the electro-acoustic music community. Through its journal, newsletter, recordings, national meetings, and its national archive at the University of Texas at Austin, SEAMUS seeks to increase communication among the diverse constituency of this relatively new musical medium.

SEAMUS continues its series of releasing new compilations of works by its electroacoustic composer members alongside back catalogue recording. Volume 27 features works by Carter Rice, Brian Sears, Russell Pinkston, Robert Seaback, Samuel Wells, Nathaniel Haering, Jason Bolte, and Timothy Page.