Limited vinyl LP pressing of this classic 1964 album. One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped jazz samba by bringing two of bossa nova's greatest innovators - guitarist/singer Joao Gilberto and composer/pianist Antonio Carlos Jobim - to New York to record with Stan Getz. The results were magic. It's release helped fuel the bossa nova craze in the United States and internationally, becoming the first Grammy Award-winning album from non-American artists. It brought together Stan Getz, who had already performed the genre on his LP Jazz Samba, Joao Gilberto (one of the creators of the style), and Jobim, a celebrated Brazilian composer (and also one of the main creators of the genre), who wrote most of the songs in the album. It became one of the best-selling jazz albums of all time, and turned Astrud Gilberto, who sang on the tracks "The Girl from Ipanema" and "Corcovado", into an internationally celebrated musician.
Verve's new Great Songs/Great Performances series is the ultimate value proposition for the music loving consumer. The first set of titles features some of the best known names in jazz performing 8 of their best loved songs at a great low price. Although these collections are the perfect place to start for the uninitiated, they are equally great for music aficionados whose music collection is missing these jazz standards.
Limited 180gm vinyl LP pressing in deluxe gatefold jacket. The marvelous album, Getz/Gilberto, had a profound influence upon the face of jazz and American popular music. The stunning 1964 collaboration between Stan Getz, one of the most respected tenor saxophonists of the era, and the remarkable Brazilian guitarist Joao Gilberto, launched the bossa nova craze and the career of Joao's wife Astrud Gilberto with iconic hit "The Girl from Ipanema". Acoustic Sounds Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Live archive release from the jazz legend. Moments In Time includes previously unreleased music recorded in 1976 at San Francisco's Keystone Korner. The booklet includes essays by Ted Panken, Steve Getz, Joanne Brackeen (pianist), Billy Hart (drummer), Todd Parkan (producer) and Zev Feldman (producer). The booklet also includes rare unpublished photographs. Cover art by Japanese artist Takao Fujioka. This release is endorsed by the Stan Getz Estate.
This 26 track CD presents studio output from one of Stan Getz' finest bands, the quintet he co-led with the guitarist Jimmy Raney (featured here) during the early 1950's. These recordings ably demonstrate why Getz had recently become one of the most influential musicians in jazz. Ballads like "Autumn Leaves" and "These Foolish Things" are amongst his finest early work, whilst up-tempo swingers like "The Way You Look Tonight" reveal that Getz could still hit hard without breaking a sweat. Besides the guitar of Raney, Getz sideman on this CD include some of the most talented names in 1950's jazz including the pianists Horace Silver, Al Haig and Duke and the legendary drummer Roy Haynes. Features 2 alternate takes. OMIT-3/13/08-Capitol
(SACD-HYBRID) Recorded in 1981 and produced by Concord founder Carl Jefferson, this is another jewel of an album from the Concord Jazz catalog. A classic live recording from the Keystone Korner Jazz Club in San Francisco and with great sound, this is vintage late Getz and includes some of his best performances of standards like "Easy Living," "Sweet Lorraine," "Old Devil Moon," "I'm Old Fashioned" and the title track. Now out of print on regular CD, this SACD reissue will only enhance what is already an excellent Getz title.
EU-only release containing the complete original LP Stan Meets Chet, pairing the great Stan Getz and Chet Baker in a quintet format. The recordings of these two masters playing together are limited to a series of 1953/54 dates taped at the Haig and the Tiffany clubs, the 1958 album presented here, a brief encounter at the 1964 Newport Jazz Festival, and a few 1983 concerts recorded during a disastrous European tour together (due to the lack of mutual understanding between the two stars). We have completed the 1958 session with extended 1954 readings of 'All the Things You Are' and 'Crazy Rhythm,' which were recorded without an audience at the Tiffany Club.
This spring the first authorized biography of Stan Getz, a Life in Jazz, will be published by William Morrow Co. In cooperation with the publishers, Verve is issuing a specially-priced 1-CD musical biography tracing Getz's recordings from the beginning to the end of his career. 11 songs selected and annotated by the biography's author, Donald Maggin, to be promoted by both Verve and William Morrow.
Founded in 1977 by Lionel Hampton, the Who's Who in Jazz label existed as a means to present to the world the best musicians that the jazz world had to offer. With Lionel chairing the recording sessions (and also featuring on several of the sessions himself), these recordings have truly earned their title featuring jazz greats such as Buddy Rich, Charles Mingus, Terumasa Hino, Sonny Stitt, Teddy Wilson, Stephane Grappelli and Dave Brubeck, amidst the many others. Recorded live January 23rd, 1980 at Midem Jazz Gala, Palm Beach Casino, Cannes, France this album sees Getz invite Brian Bromberg (bass), Victor Jones (drums), Paul Horn (flute), Chuck Loeb (guitar) and Andy Laverne (keys) to showcase some truly great performances across an array of classic jazz compositions including 'Autumn Leaves', 'Empty Shells' and 'Lady Day'. Tracklisting: 1. Heart Place 2. Chappaqua 3. Autumn Leaves 4. Lady Day 5. Empty Shells 6. Nature Boy.
Limited 180gm vinyl LP pressing. Recorded in 1964 during two concerts at the venerable Greenwich Village venue, Cafe Au Go Go, two months after Astrud Gilberto's "Girl From Ipanema" became a Top 5 pop single. The focus of these sets, however, moved away from the Brazilian flavored fare, bringing Gilberto into the realm of a decidedly more North American style. The band features a young Gary Burton (vibraphone), Kenny Burrell (guitar), Gene Cherico (bass), and Joe Hunt (drums). There are a few personnel substitutions, with Helcio Milito (drums) and Chuck Israels (bass), respectively, filling in. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Following the success of Impex's critically lauded 1STEP LP release of Stan Getz's cultural touchstone, they couldn't wait to present digital aficionados with their own ultimate high-quality option: The definitive Super Audio Compact Disc/Hybrid CD! For the first time ever, hear two complete versions of Getz/Gilberto: Bernie Grundman's 1STEP analog tape master-to-DSD version and a pristine new restoration/correction from Jamie Howarth at Plangent Processes. The Plangent Process corrects anomalies and repairs physical tape damage without adversely affecting the original sonic quality! Now, you can compare the original tape and the most pristine and accurate picture of the legendary recording sessions on one disc. Few recordings better capture the breezy warmth and easy-going sophistication of Brazilian bossa nova for an American jazz audience. Fewer recordings can replicate the you-are-there presence and flawlessly intimate studio acoustics. Only Getz/Gilberto has Billboard Top 10-charting singles like "The Girl from Ipanema" and "Desafinado." Finally, Impex also includes the 1STEP's two bonus tracks on the Plangent Processed version! We know you have many choices for enjoying this timeless classic. The Impex SACD/Hybrid of Getz/Gilberto sits above the digital competition with great features and incredibly lifelike sound! SACD Stereo SACD Layer Designed to Play on Standard CD Players, SACD Players & Other SACD-Capable Players
The tenor saxophone has a magical way of telling stories, and few artists could weave a narrative as captivating as Stan Getz. With this exhilarating collection, we invite you to experience this fact first-hand, with two extraordinary performances that crystallize the essence of Getz's artistry at critical junctures in jazz history.
This release features the high-fidelity SHM-SACD format and is part of the [Verve 70 SACD Selection Vol. 1] series, launched to commemorate the 70th anniversary of Verve Records in 2026. Celebrating one of the most prestigious labels in jazz history, the series revisits Verve's legendary catalog using the latest DSD remastering, delivering exceptional clarity and depth of sound. Each title is issued as a single-layer SACD, emphasizing pure audio quality, and is packaged in a deluxe double cardboard sleeve designed to evoke an authentic, premium collector's experience, making this series an essential offering for audiophiles and Verve enthusiasts alike.
Focus, recorded at Webster Hall in New York City and released in 1961 on Verve Records, stands as a singular entry in saxophonist Stan Getz's discography. Focus pairs Getz's expressive tenor saxophone with a string orchestra conducted by Hershy Kay. Getz's parts were entirely improvised, as he navigated pre-composed frameworks with melodic invention and emotional clarity. The album represents a true collaboration between Sauter and Getz, and a radical departure from the conventions of jazz "with strings" albums of the time. Sauter's charts emphasize contrapuntal writing, rhythmic complexity, and harmonic ambiguity, while Getz - unedited and unrehearsed in the traditional sense - weaves a lyrical, instinctive line throughout. The result remains one of the most original and artistically daring projects in Getz's recorded legacy; the artist's favorite of all the records he made. The Verve Vault Series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.
Stan Getz/Gerry Mulligan - "Getz Meets Mulligan in Hi-Fi (Verve Acoustic Sounds Series)". Under the guidance of Norman Granz, Stan Getz and Gerry Mulligan collaborate for the first time as the primary horns on Getz Meets Mulligan in Hi-Fi. Recorded in 1957, this record offers the unique opportunity to listen to the two jazz stars trade instruments on the first three tracks ("Let's Fall in Love, "Anything Goes," and "Too Close for Comfort") with Getz on baritone sax and Mulligan on tenor. The music gels with the help of a world-class rhythm section featuring Lou Levy on piano, Ray Brown on bass, and Stan Levey on drums. While a massive musical success, the duo never recorded again in this quintet format, making this record a rarity. Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Stan Getz and the Oscar Peterson Trio, released in 1958 on Verve Records, documents a rare meeting between two contrasting but complementary jazz greats: the cool-toned tenor saxophonist Stan Getz and the hard-driving Oscar Peterson Trio. Produced by Norman Granz and recorded in Hollywood in October 1957, the session finds Getz joining a veteran rhythm section already regarded as one of the most cohesive in jazz: Peterson on piano, Herb Ellis on guitar, and Ray Brown on bass. While Getz was often heard in more subdued or orchestrated contexts during this period, this session highlights his command of bebop language and small-group swing. Peterson's trio, known for it's drive and responsiveness, adapts fluidly to Getz's tone and phrasing, yielding a session marked by relaxed interplay, rhythmic clarity, and understated virtuosity. The Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.
Released in 1962, Jazz Samba is a landmark collaboration between saxophonist Stan Getz and guitarist Charlie Byrd that effectively launched the bossa nova craze in the United States. The album features a smooth blend of cool jazz and Brazilian rhythms, highlighted by the classic hit "Desafinado," which won a Grammy for Best Jazz Performance.
Limited vinyl LP pressing. Stan Getz's incomparable career includes such landmarks as the bossa nova blockbuster Getz/Gilberto, and stellar collaborations with Dizzy Gillespie, Oscar Peterson, Charlie Byrd, and Lionel Hampton. The saxophonist's superlative 1967 quartet recording Sweet Rain can be overlooked but Getz afficionados recognize it's quality. Standing in the shadow of the unprecedented mainstream success of Getz's bossa period that came before, the Creed Taylor produced Sweet Rain is as perfect a straight-ahead date as the leader ever made, with a remarkable young band including pianist Chick Corea, bassist Ron Carter, and drummer Grady Tate providing crackling energy that clearly inspired Getz to new heights of expression, writes sfjazz. Org.
Stan Getz and Bill Evans are about as close as musicians can get in terms of artistry, musical philosophy and technique. These sessions, recorded in 1963 with drummer Elvin Jones and bassists Ron Carter (Side A) and Richard Davis (Side B), perfectly blend their strong individual styles and collaborative sensibilities, with both artists at the peak of their creative powers. Verve Acoustic Sounds Series features transfers from analog tapes and remastered on 180g vinyl in deluxe gatefold packaging.
Vinyl LP pressing. This 1970 album sees master saxophonist Stan Getz cover hits of the day, with Beatles producer George Martin at the controls. Getz tries his hand at songs by Paul Simon, Bacharach-David, a heartfelt take on Joni Mitchell's "Both Sides Now" and Graham's Nash title track. The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.
Limited 180gm vinyl LP pressing housed in gatefold jacket. When Charlie Byrd toured South America in 1961, bossa nova - a melding of Brazilian samba rhythms with the harmonic structures and the cool sound of West Coast jazz - was booming. He brought back records for Stan Getz to hear, and they planned a session. The result was Jazz Samba, the first album of bossa nova by jazz artists and the one that created the bossa nova wave. Verve Acoustic Sounds Series features remastered transfers from analog tapes.
