Tactus
399 products
Tartini: Violin Sonatas
Barsanti: Sonate per flauto solo con cembalo o violoncell
Carlo Ferrari: Sei Sonate per Violoncello e Basso Continuo,
Somis: Sonate da camera, Op. 2
Scelsi: 4 Illustrazioni & Suite No. 9 "Ttai"
Reina: Armonia Ecclesiastica, Op. 5
Cherubini & Cambini: String Trios
Geminiani: Concerti Grossi tratti dalle Op. 3, 1 e 5 di Arca
Sammartini: 6 Solos for German Flute, Violin or Hautboy, Op.
Progetto Musica: Nuove Laudi Ariose della Beatissima Vergine
Bottegari: Il Libro di canto e liuto
Scarlatti: Cantate da camera
Lucchesi: Requiem e Dies irae
MUSICA A PADOVA AL TEMPO DI ALVISE CORNARO
Corelli: Opera III: Sonate a tre 1689
Rubino: Messa de morti
Corelli: Sonate a tre da chiesa e da camera
A. Gabrieli: Missa vexilla regis & Motets
Il seicento italiano alla spagnuola
Carulli: Musica per due chitarre / Bonelli, Volta
A lot has been written but little has been told about the Neapolitan Ferdinando Carulli, considered the founder of nineteenth-century technique and didactical teaching of the guitar; his figure as composer (he left us an endless number of compositions), represents an essential reference for the study of the guitar. This album, performed by Sandro Volta and Mauro Bonelli, is focused on one of the least considered aspects, yet very important for the formation of a musician: the music for two guitars in its fundamental meaning: on one hand exquisitely concertistic pieces, on the other hand dedicated to pure didactics - real “Lessons” - for which the compositions for two performers are particularly important. The interpretation of these works by Ferdinando Carulli was developed on the basis of the use of two period guitars with catgut strings from the collection of Lorenzo Frignani, in Modena, and on a “historically informed” performance practice. The result is aesthetically quite different from that obtained with modern instruments: its distinctive qualities are a more audible “noise” when the fingers pluck the strings or run over them, a more marked difference in the timbres of the various ranges, and also a particular lightness of sound.
Venetia Mundi Splendor
Sauli: Six Partitas for Solo Mandolin / Rebuffa
The absolute rarity represented by this world premiere concerning the historic mandolin is offered to us by the rediscovery and performance of the specialist Davide Rebuffa, that, on two original eighteenth century instruments brings to light the Six Partitas for solo mandolin by Filippo Sauli. Unfortunately we do not have much information about the life of the composer of Florentine origins, but we know that he was hired in Vienna at the Hapsburg court in the early eighteenth century when he probably composed this music that, as compared to the seventeenth-century manuscripts (whose content consists of simple dances, not yet in extended musical forms such as Suites or Sonatas), mark an important change in the nature of the mandolin repertoire of the Baroque period.
Scarlatti: Opera omnia per tastiera, Vol. 3
Gervasio: Sonate a mandolino e basso
