The Letters of Abelard and Heloise is one of the most extraordinary correspondences in European history. Written in the 12th century, the letters document the love affair between Peter Abelard, a revolutionary philosopher and biblical scholar, and his beautiful and precocious student, Heloise. Eviscerated by his religious opponents and castrated by Heloise's family, Abelard is haunted by ill fortune, and the star-crossed lovers are forced into separate lives, as monk and nun respectively, with letters being their only form of communication. What unfolds is tragic and heartbreaking, but also fascinating. The letters gave rise to compelling philosophical, theological and sociological discussions, and they provide a window into the medieval mind as the everyday lives of the two lovers are laid bare through their passionate discourse.

Augusta Read Thomas : Two Thoughts About the Piano (2017)For solo pianoDuration: c. 5 minutesFormat: 24-page scoreTWO THOUGHTS ABOUT THE PIANO was inspired by - and is a response to - Elliott Carter's Caténaires from his Two Thoughts About the Piano. My work is entirely original and does not quote from or share music in common with Mr. Carter’s work.

The Story of My Life is the explosive and exhilarating autobiography by the infamous libertine Giacomo Casanova. Intense and scandalous, Casanova’s extraordinary adventures take the listener on an incredible voyage across 18th-century Europe – from France to Russia, Poland to Spain and Turkey to Germany, with Venice at their heart. He falls madly in love, has wild flings and delirious orgies, and encounters some of the most brilliant figures of his time, including Catherine the Great, Louis XV and Benjamin Franklin. He holds a verbal dual with Voltaire, a pistol duel with a Polish noble, and finds himself hauled before the court multiple times, including in London, where the judge in question turns out to be none other than Henry Fielding. His appetite for life is voracious; for him, a life lived close to the precipice is the only life worth living. The book is divided into six sections. Volume 1 contains the first two sections: ‘1: Venetian Years’ and ‘2: To Paris and Prison’.

This newly written official book, The King’s Singers GOLD, celebrates five decades of music-making including a year-by-year guide to the events, the music and the people who have shaped The King’s Singers’ unique history. There are exclusive interviews with all 24 surviving members of the group, past and present; complete details of their recordings and commissions; and, of course, a wealth of photos. Alongside all of this, the book contains charts and diagrams illustrating statistics about the history of the group and a look at the sound of The King’s Singers – how it has developed and what makes it so special. The artwork for the book was hand-painted by none other than the six current King’s Singers. This is a one-off opportunity to own a special memento, and a must-have for anyone who has enjoyed The King’s Singers over the last 50 years.

After the collapse of her marriage to an illustrious German prince, Baroness Eugenia Münster arrives in America with her brother, in search of wealthy New England relatives. The duo have an immediate impact on their American cousins, the Wentworths. The Baroness captures the eye of young Clifford Wentworth, and his girlfriend’s older brother Robert; meanwhile, Felix falls for his American cousin Gertrude. The Wentworths are overawed by their European cousins and their frivolous lifestyle. What unfolds is a delightful comedy of manners that contrasts the apparently sophisticated and light-hearted Europeans with the serious and puritanical Americans. At times reminiscent of Jane Austen, The Europeans contains beautiful and vivid descriptions of mid-19th century upper-class New England life. Adam Sims trained at LAMDA. His screen and theatre credits include Band of Brothers, Lost in Space and Alice in Wonderland. For Naxos Audiobooks, he has read Mowat’s Never Cry Wolf, and James’s Washington Square and The Aspern Papers, among other titles.

After attracting attention with her clear soprano voice in the classical and opera genre, German singer Esther Kretzinger discovers new paths with her second album Sound of a Poem. Together with a small jazz ensemble of international reputation, she sheds a new light on a special selection of Romantic and Impressionistic songs by Claude Debussy, Joseph Marx and Othmar Schoeck. With the Swiss violinist Georges-Emmanuel Schneider, New York's vibraphone player Tim Collins, renowned bassist Wayne Darling and Austrian drummer Gerald Endstrasser, Esther Kretzinger works out the essence of these songs in the language of jazz, showing that the difference between Impressionist music and jazz often lies more in externals such as sound colour, articulation and instrumentation rather than in its artistic core.

On May 8, 1373, 30-year-old Julian of Norwich, sick and near death, had a series of visions of Christ. In these 16 visions she learnt about God's loving nature. God in Julian's visions was not angry and wrathful. Instead, the three properties of God were presented as life, love and light, and all of His creation was good, including his servant, man. In Julian’s version, Man is not to blame for his sin; instead it is something that he must experience and overcome in his spiritual journey with God. The version of Christian theology presented in Revelations of Divine Love – the first published book in English attributed to a woman – was highly liberal and incredibly progressive for its time. The book contains some of the most profound spiritual writing ever written and remains a perennial favourite among Christians.

Also known as Demons, The Possessed is a powerful socio-political novel about revolutionary ideas and the radicals behind them. It follows the career of Pyotr Stepanovich Verkhovensky, a political terrorist who leads a group of Nihilists on a demonic quest for societal breakdown. They are consumed by their desires and ideals, and have surrendered themselves fully to the darkness of their ‘demons’. This possession leads them to engulf a quiet provincial town and subject it to a storm of violence. Inspired by a real political killing in 1869, the book is an impassioned response to the ideologies of European liberalism and nihilism, which threatened Russian Orthodoxy; it eerily predicted the Russian Revolution, which would take place fifty years later. Funny, shocking and tragic, it is a profound and affecting work with deep philosophical discourses about God, human freedom and political revolution. Reader Constantine Gregory is an accomplished Russian speaker- he imbues the novel with understanding and invites his listeners to share it.

Composed by multi-award-winning artist Michel Legrand and written by American poets Alan & Marilyn Bergman, this album is made up of a cycle of songs. It tells the story of a woman’s life from birth to death, passing by all of its highlights: childhood, adolescence, first love, and motherhood. Composed and written in the 70’s, the project was never completed. Thanks to Natalie's input, Michel Legrand rewrote the score and Alan & Marilyn Bergman rewrote the lyrics especially for her in order to give a second life to this project. This masterpiece was recorded last September in London at the Air Studio with the London Studio Orchestra, conducted by Michel Legrand.

Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of our Time takes on a variety of forms to interrogate Pechorin’s cryptic character and his unusual philosophy providing breathtaking descriptions of the Caucasus along the way. The novel has been hailed as an influence on such writers as Dostoyevsky, Tolstoy, and Chekhov, and is a striking take on Lord Byron’s ‘superfluous man’; it hearkens back to the teaching of Machiavelli, while anticipating the future work of Nietzsche. Nicholas Boulton’s remarkable fluency and beauty of tone defy the listener to take a break from this unique story. Hailed by Vladimir Nabokov as one of the greatest Russian novels, the book has been referenced in novels by Albert Camus and Ian Fleming, and films by Ingmat Berman.

The Decameron is one of the greatest literary works of the Middle Ages. Ten young people have fled the terrible effects of the Black Death in Florence and, in an idyllic setting, tell a series of brilliant stories, by turns humorous, bawdy, tragic and provocative. This celebration of physical and sexual vitality is Boccaccio’s answer to the sublime other-worldliness of Dante’s Divine Comedy. Known for its widespread influence including Chaucer’s The Canterbury Tales and poetry by Keats, The Decameron is also a valuable document of life at the time of the Black Death. This is the first unabridged cast recording in English and includes prolific stage actor Simon Russell Beale. Ten original songs are featured, composed by West End composer Steven Edis. Guido Waldman’s vibrant translation captures the exuberance of Boccaccio’s masterpiece.

Considered the bridge between romanticism and modernism, Matthew Arnold wrote verse that is simple, unadorned and straightforward. From the hypnotic and beautiful lines of Dover Beach to the pastoral narrative of The Scholar Gipsy, Arnold cast a gaze at the main intellectual issues of the nineteenth century while giving a timeless insight into man and nature. This collection covers his major poetic works, including the narrative poems, sonnets and elegiac poems, illuminating the lyricism and serenity of Arnold’s best poetry. The collection includes: Dover Beach, Desire, Longing, A Summer Night, Consolation, Philomela, A Dream, The Scholar Gipsy, East London, West London, Thyrsis, Immortality, Growing Old, A Wish, Bacchanalia; Or, The New Age, A Modern Sappho, The Hayswater Boat, The River, Human Life, The Buried Life, Austerity of Poetry, A Farewell, Requiescat

‘In this hapless state I looked myself over and saw that I was now no bird, but an ass...’ In this ancient picaresque adventure, Lucius, an insatiably curious young man, finds himself transformed into a donkey after his fascination with black magic and witchcraft goes awry. While trapped in his new body, he becomes the property of thieves, farmers, cooks, soldiers and priests, and observes the hypocrisy and ineptitude of Imperial Roman society. The Golden Ass is considered the only novel to survive the Roman period, and the earliest novel to survive complete in the Western literary tradition. It is brimming with slapstick humour and sexual escapades, and foreshadows later works by Boccaccio, Rabelais, Cervantes and Chaucer, upon whom it was a direct influence.

Augusta read thomas :rainbow bridge to paradise (2016)For Solo ViolaDuration: c. 4½ minutesFormat: 8-page A4 saddle stitched sheet musicAlso available for solo violin (NMP1043) and solo cello (NMP1045)“Rainbow Bridge to Paradise starts at the very bottom note of the cello, in the deep, rich, elegant tones of the instrument and traverses to the very bright, clear, clean, optimistic top register of the instrument. This music’s vibrant, expressive and distinct ‘picture’ is one of an ascent from earth to paradise across a colorful bridge.” Augusta Read Thomas

Phineas Finn, a handsome young man of 23, comes to England to make his fortune in parliamentary politics. But despite all his aspirations, Finn is haunted by ethical questions as his personal convictions conflict with his duty towards his party. Loyalty versus honor, love versus money, and privacy versus prominence: our eponymous hero faces a variety of dilemmas as he navigates his way through the House of Commons. The second installment of Trollope’s celebrated Palliser series, Phineas Finn is a delightful and humorous look at the complexity of human relationships and the politics surrounding the Second Reform Bill of the 1860s.