Anna Clyne, described as a 'composer of uncommon gifts and unusual methods' by The New York Times, is one of the most in-demand composers today, working with orchestras, choreographers, filmmakers and visual artists around the world. Clyne's unique voice combines tradition with postmodern techniques, giving her listeners a sense of musical adventure that is grounded in the past. From the beautiful elegy Within Her Arms to the defiant power of Restless Oceans, Anna Clyne's music strikes a positive and resilient tone.

John Wilson comments: My Fair Lady is the quintessential American London musical. There is not a semiquaver or a semi-colon in the wrong place. Steven Wilkie, one of the fiddle players in my orchestra, describes it as The Marriage of Figaro of the twentieth century. And when I asked the great opera conductor Richard Bonynge what the finest post-World War Two operas are, he said, 'My Fair Lady, Oklahoma!... they're the great operas that will live on'. We have recorded every note, including underscoring, plus all the music written but cut before opening, with the instrumentation exactly as it was on opening night. Also, thanks to recent research, we have the restored original orchestrations. The reason I want to record everything the composer, lyricist, book-writer, and orchestrator did is that I believe it is a piece of significance by people who were masters of their art and craft. This was not written in an afternoon; it was chiselled away for months. They were ruthless in excising anything they felt would not make the grade. We have a duty to set down as closely as we can their final thoughts on what they created.

Delos is thrilled to embark on a new journey with the St. Louis Symphony Orchestra and it's Music Director Stephane Deneve. What better statement of intent for their first album on the label than releasing the world premiere recording of three works by native St. Louisan and Pulitzer Prize- and Grammy�-winning composer Kevin Puts? Dedicated to the SLSO and Stephane, Concerto for Orchestra was written in response to the horrific school shooting that occurred in Uvalde in 2022. Silent Night Elegy is drawn from Kevin's acclaimed opera, which adapts Joyeux Noel, the award-winning film that tells the story of the spontaneous ceasefires along the Western Front on the first Christmas Eve of World War I. Inspired by Guillaume de Machaut, Virelai was commissioned for the opening concert of Stephane's tenure as Music Director of the St. Louis Symphony Orchestra. This album celebrates the SLSO's dynamic partnership with Stephane and demonstrates the orchestra's commitment to artistic excellence and inclusive musical experiences.

This album presents orchestral works by three French composers who saw Spain as a paradise of warmth, fragrance and colour, whether real or imagined. From the vivid evocations of Debussy's Images and Ibert's Escales, to the dances and landscapes that inspired Ravel's Rapsodie espagnole, these masterpieces of Impressionism show the considerable impact Spanish culture had on French composers in the early 20th century.

Written for the wedding celebrations in Venice of Louis XV and Marie Leszczynska, Vivaldi's serenade La Gloria e Imeneo offers a wonderful synthesis of his mid-1720 style and shines a light on two captivating voices, those of Teresa Iervolino and Carlo Vistoli. Truly enchanting! The album will be released exactly 300 years after the work was first released. // Resuming it's exploration of a less well-known side of the Red Priest's music, the Vivaldi Edition again explores the territory of the serenades by entrusting the neglected La Gloria e Imeneo to Andrea Buccarella and his Abchordis Ensemble, already champions of the Serenata a tre, issued two years ago (OP7901). And what a revelation it is! Andrea Buccarella nails the work with his thoughtful phrasing, always full of life, fleet of foot, and expressive (for instance in Ognor colmi d'estrema dolcezza), inspiring the two singers to a level of intensity which stays with one. From the start his quicksilver direction of the Concerto for strings in F major (Allegro) is gripping, reaching unique heights in the two protagonist-heroes' short and ebullient duetto Vedro sempre la pace. And impossible to forget Gloria's aria Alle amene, franche arene, transfigured by the amber-shaded mezzo of the charismatic Teresa Iervolino, or again Carlo Vistoli's utterly sensual decorations in Imeneo's aria Care pupille! Like Vivaldi's other Serenades preserved in the body of volume 27 of the Fonds Fo� collection in Turin - the Serenata a 3 (1718) and La Sena festeggiante (1726) - La Gloria e Imeneo (1725) was written for a French patron, specifically Jacques-Vincent Languet, Count of Gergy (1667-1734) and France's ambassador to Venice between 1723 and 1731. With La Gloria e Imeneo, performed during the course of a splendid feast on 12 September 1725 at the French Embassy in Venice, Languet celebrated the wedding of Louis XV and the Polish Princess Marie Leszczynska, which had taken place at Fontainebleau some days earlier. The two allegorical characters, Gloria and Imeneo compete with each other in praising the royal couple. Written by an unknown author, the tightly knit libretto celebrates the political significance of the wedding and it's impact upon the royal dynasty and the descendants to be spawned by the union, as well as the peace and prosperity it will bring to the kingdom. Far from aping the French style, typified by the dotted rhythms of the Lully overture, with La Gloria e Imeneo Vivaldi rather presents a wonderful synthesis of his mid-1720s approach, and his painting of human emotions remains irresistibly charming.

GRAMMY-nominated drummer Nate Smith, known for his deep groove and genre-blending style, has worked with legends like Pat Metheny and Jose James, and wowed millions with his viral drum videos. Following acclaimed projects like KINFOLK: Postcards from Everywhere and Pocket Change, Smith returns with a new album, out August 29, continuing his journey through jazz, R&B, and beyond. Some of the most renowned names in the jazz scene have joined him on the project, including Lalah Hathaway, Michael League, Lionel Loueke, and more.

GRAMMY-nominated drummer Nate Smith, known for his deep groove and genre-blending style, has worked with legends like Pat Metheny and Jose James, and wowed millions with his viral drum videos. Following acclaimed projects like KINFOLK: Postcards from Everywhere and Pocket Change, Smith returns with a new album, out August 29, continuing his journey through jazz, R&B, and beyond. Some of the most renowned names in the jazz scene have joined him on the project, including Lalah Hathaway, Michael League, Lionel Loueke, and more.

This album combines pieces for the core quintet of Onyx Brass with works for extended brass forces, plus piano in the case of Florence Price's Octet for Brasses and Piano. The majority of the pieces here receive their first commercial recording, the two Britten premieres bringing two long-forgotten pieces out of the Britten Pears Archive, in Aldeburgh, into the sunlight. Alongside these new discoveries are performances of established favourites by Sir Malcolm Arnold and Joseph Horovitz, staples of the brass chamber repertoire for more than half a century. The selection of composers spanning most of the twentieth century, and from both sides of the Atlantic, gives the album a refreshing contrast of musical traditions and styles. Founded in 1993, and initially inspired by the pioneering early years of the Philip Jones Brass Ensemble, Onyx Brass remains a leading light in cementing the place of the brass quintet as a medium for serious chamber music. To this end, the group has commissioned and performed the world premieres of more than 200 new works; many more are in the pipeline for performance and recording.

'I was drawn to an approach of dealing with the history of slavery within one's family, the ownership of a name and it's 'rebranding' - reflecting on the American Slave and how Black Americans deal with creating a sense of pride, familial storytelling and lineage in contemporary America. This notion of 'rebranding' extends to the 'Negro Melody' My intent with these arrangements is to acknowledge the impact of those melodies on current popular culture, and reflect that influence onto the orchestral stage - to create moments where listeners may participate vocally, with movement, or rhythmically clapping along - to maintain a sense of belonging and recognition - to create community around this music in the classical concert hall - to embrace where all contemporary American Concert music extends from, in my belief - America's mother-music: the Blues.' - Curtis Stewart

Sir Andrew Davis was a talented keyboard player as a child and teenager, and after study with Peter Hurford, at St Albans, he spent four years at the University of Cambridge as organ scholar at King's College, under Sir David Willcocks. It was this period of his life that sparked his love for and appreciation of the organ works of J.S. Bach, which remained a lifelong passion. Sir Andrew made all the transcriptions on this album for the BBC Philharmonic, and four of them were recorded in November 2023. Sadly, Sir Andrew died before the final recording sessions for the album could take place (September 2024): we are immensely grateful that he completed the arrangements, and very thankful to Martyn Brabbins for completing the recording with the sense of style, love, and affection that Sir Andrew would have admired.

Storyville Records proudly presents the previously unreleased live double album, Michel Petrucciani Trio - Jazz Club Montmartre - CPH 1988, by the legendary French pianist Michel Petrucciani. Recorded during a memorable performance at Copenhagen's Jazzhus Montmartre on July 3rd, 1988, the album captures Petrucciani in the company of two jazz icons, Gary Peacock on bass and Roy Haynes on drums. While the trio only came together for a brief European tour in the summer of 1988, the chemistry they shared on stage was undeniable. The trio, propelled by a studio session the previous autumn, radiates synergy, as they explore six of Michel's original compositions with a sense of grace and spontaneity. On this recording, listeners will rediscover Petrucciani's unique lyrical universe, as well as his reverence for modern jazz icons, paying tribute to Bill Evans, Keith Jarrett, and Paul Bley with special arrangements of classics like Someday My Prince Will Come, Mr. K.J. and Turnaround. From the explosive energy of She Did It Again to the introspective beauty of Autumn Leaves, Petrucciani's virtuosic playing reveals a rare sense of urgency, joy, and an unrelenting passion for life. As Gary Peacock and Roy Haynes were at the height of their careers-Haynes playing with Chick Corea and Peacock with Keith Jarrett-they were drawn to Petrucciani, recognizing the greatness of his artistry. Together, they formed a trio, bound by a shared intuition and respect for one another, and this performance at Montmartre is a testament to that fleeting moment of jazz brilliance. This concert took place at the midpoint of Petrucciani's meteoric career, 12 years after his Paris debut and 11 years before his untimely passing. Despite the physical challenges posed by glass bone disease (osteogenesis imperfecta), Petrucciani's fierce determination, boundless love for music, and infectious laughter inspired all who knew him. Now, more than 35 years after that magical evening in Copenhagen, we invite listeners to close their eyes and step back in time. July 3rd, 1988.it could have been last night, or it could be tomorrow morning! A monument over one of the most creative and joyful pianists in jazz ever!

Utopia, Limited, Gilbert & Sullivan's penultimate work, is a rarely performed gem that pokes fun at the workings of the British Empire, thoughtfully revived and now presented alongside Sullivan’s evocative incidental music for King Arthur. Expect dazzling patter, lush choruses, and moments of beauty performed by a stellar cast (many of whom performed in Scottish Opera's 2021 semi-staging) in this compelling pairing of satire and symphonic storytelling. Conducted by Derek Clark and featuring Neal Davies, Richard Suart, Ellie Laugharne, and Yvonne Howard.

The Miro Quartet, celebrating their 30th anniversary this year, presents an album featuring the complete string quartets of Alberto Ginastera, one of the most influential Latin American composers of the 20th century. A master of vivid contrasts and emotional depth, Ginastera infused his music with the spirit of Argentine folk traditions, bold modernist language, and a profound sense of expression. These three quartets span the entirety of his creative development, tracing a fascinating journey across three distinct stylistic periods. The first two quartets are considered undiscovered masterpieces, often performed live to great reception but rarely recorded in their entirety alongside the third. The vibrant rhythmic energy and folkloric colours of the first quartet, the introspective lyricism of the second, and the haunting intensity of the third each reflect Ginastera's unique fusion of influences, drawing from composers like Bartok and Stravinsky to create a sound full of emotional rawness and storytelling. Together, these quartets form a powerful cycle, showcasing Ginastera's ability to create distinct narratives within each piece, while also weaving them into a larger, cohesive musical story. This is the Miro Quartet's third album on PENTATONE, following the recording of Beethoven's Complete String Quartets (2019) and Home (2024).

Per il Luigi is the 17th volume of the complete Haydn 2032 collection and presents a number of Haydn's earliest symphonies; these had been composed to display the talent of the musicians who had joined the Esterhazy court orchestra during the same period as Haydn himself. The centre of the programme is the Symphony No. 13 in D major from 1763, whose orchestration includes four horns and whose final movement features a prefiguration of the famous theme of Mozart's 'Jupiter' symphony, to be composed twenty-five years later. The violin concerto in C major is marked fatto per il Luigi in Haydn's catalogue of works and was dedicated to Luigi Tomasini (1741-1808), a violin virtuoso born in Pesaro and a friend of Haydn. Two centuries later, the young Baroque violin virtuoso Dmitri Smirnov now brilliantly champions this repertoire with the Kammerorchester Basel under Giovanni Antonini.

Beloved worldwide, Chloe Chua returns to PENTATONE with Mozart's complete violin concertos - a project that began when she was just 15 years old. The album features Mozart's Rondo in B-Flat Major, K. 269 and Rondo in C Major, K. 373 as well as the Sinfonia Concertante for Violin, Viola & orchestra in E-Flat Major, K. 364. The latter also features the outstanding young Chinese violist Ziyu He, winner of the 2016 Yehudi Menuhin Competition at just 16. In this performance, he showcases his remarkable artistry alongside Chloe, herself a former winner of the same prestigious competition. The soloists are accompanied by the Singapore Symphony Orchestra under the baton of Hans Graf, for whom the relationship with the violin star is particularly special. For Chloe, Mozart's music holds a special place in her heart and she has embraced the challenge of following in the footsteps of so many legendary violinists. In these refined and fresh interpretations, her deep connection to the music - written by Mozart when he was around her age - is unmistakable. Even without a trained ear, one can appreciate her extraordinary technique, elegance, and effort to capture the vitality of these beloved works. This album continues Chloe's exclusive collaboration with PENTATONE, complementing the already released and acclaimed Butterfly Lovers & Paganini (2024) and Vivaldi Four Seasons and Locatelli Harmonic Labyrinth (2023).